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Artículos del 1 al 9 de 9 en la página 1 de 1
AV Link 3 Way CD AUX Stereo Switch
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8 in stock $11.27
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AV Link 3 Way CD AUX Stereo Switch (stereo source switch)
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Cat: 558235 Rel: 22 Dec 14
 
3 way switch for selecting between sound sources
Notes: This compact switcher box allows connection of up to three stereo sound sources, to one amplifier.

The sources can then be selected via the push buttons on the front of the box. Ideal for multiple sound sources such as DVD, tuner, video player etc.
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Behringer X Touch Control Surface
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2 in stock $602.61
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Cat: 584401 Rel: 01 Feb 16
 
Universal control surface with 9 touch sensitive motor faders, LCD scribble strips and ethernet/USB/MIDI interface
Notes: Lay your hands on your music with the X-TOUCH Universal Control Surface. This brilliant controller has everything you need for your home studio or live setup, yet can grow as your needs expand.

From the 9 touch-sensitive, motorized faders and the 8 dynamic LCD scribble strips, to the 8 rotary encoders, 92 illuminated buttons, 8-segment LED meters per channel and dedicated transport controls, the X-TOUCH transforms what's on your DAW's screen into one ultra-compatible, feature-packed surface for precision control and a bird's eye view of critical mix parameters. Connectivity is flexible with both traditional USB and MIDI connections, and it also has an Ethernet port for connection via wired or wireless network.
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Fostex PC1e Volume Controller (white)
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MRP:$28.91 SAVE 21%
2 in stock $22.90
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Cat: 428991 Rel: 01 Aug 11
 
Volume controller
Notes: With a Fostex PC-1e(W), you can remotely control the volume of both left and right speakers which makes it a great addition for music and video playback on a PC. It is compact for desktop use.

The passive type PC-1e(W) volume controller features a robust metal chassis and machined aluminum knob. It does not need battery to power. It also comes with a stereo mini cable (80cm) and 2 RCA pin cable (100cm).
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IMG Stage Line ILA100 RCA Passive Stereo Volume Controller (RCA version)
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4 in stock $40.97
Notes: The IMG Stage Line ILA100RCA passive stereo level control (RCA version) is designed for a precise volume control of line signals. It is used for inserting between analog signal sources and amplifiers or active speakers, e.g. between a PC sound card and active speaker systems.

The IMG Stage Line ILA100RCA features:

1 x stereo RCA input, 1 x 3.5mm stereo input
1 x stereo RCA output, 1 x 3.5mm stereo output
Large, easy-turning level control
Mute button
Frequency range: 20-20000Hz
Passive, no power supply required
High-quality metal console housing with brushed aluminium front panel
Dimensions: 142mm x60mm x 86mm
Weight: 300g
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IMG Stage Line ILA100 XLR Passive Stereo Volume Controller (XLR version)
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2 in stock $50.61
Notes: The IMG Stage Line ILA-100XLR passive stereo level control (XLR version) is designed for a precise volume control of line signals. It is used for inserting between analog signal sources and amplifiers or active speakers, e.g. between a PC sound card and active speaker systems.
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Mackie Big Knob Studio Command System
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1 in stock $285.63
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Cat: 416738 Rel: 22 Oct 12
 
Monitor switching and volume & headphone control box
Notes: Since the dawn of computer-based music making, folks have longed for a simple monitor switching and level control box with built-in talkback functions. You know, something that sits right on your desktop, letting you easily switch between sets of studio monitors and different stereo sources. And send musicians custom headphone mixes while you communicate with them via a built-in talkback microphone. Your wish is Mackie's command.

The Big Knob is a simple yet powerful desktop audio control center that lets musicians and engineers get right to the business of making music in four major ways: Level control, studio monitor selection, input source selection and talkback & headphone control.

Using a big, convenient volume knob, the Big Knob lets you adjust volume levels the way our ancient audio ancestors (Analogus Engineerus) did, with a simple, intuitive knob, not with a mouse and screen. The end result is a higher degree of precision and much quicker level adjustments.

When it comes to mixing, pros know it's best to get a second, and third, opinion. So the Big Knob lets you quickly switch between 3 pairs of studio monitors, or 2 studio monitors and a subwoofer, or studio monitors and a home stereo, or any other combination of powered speakers.

On the input side, the Big Knob lets you connect up to 4 stereo input sources at once. This means you can simultaneously connect to your computer/DAW outputs, CD player, cassette deck and even a turntable using the premium onboard RIAA preamp. You can even connect keyboards, guitars, drum machines, samplers, anything you'd like to hear, through your monitors. This makes the Big Knob great for comparing your mixes-in-progress to your favorite CDs, for archiving your old LPs, jamming along to your favorite tune, and lots more.

With its built-in talkback mic and spring-loaded activation switches, the Big Knob lets you quickly communicate with musicians in both the studio and tracking room, no more hand signals through the glass. The Big Knob also sports 2 high-powered headphone outputs with a discrete headphone mix bus, solving the communications needs of most computer-based studios.

Although its shiny silver knob is a head-turning feature, the Big Knob's rear panel is equally impressive. There you'll find three distinct Monitor outputs with individual level control; 2-track A and 2-track B stereo outputs with level selection switches; a DAW stereo output for your computer; a studio output with level control; a phones mix input with level selection switch; 2-track A and 2-track B stereo source inputs with level control; a DAW mix input from your computer with level control; and even a phono input with level control for direct connection to your turntable.

Because the Big Knob plays a crucial link between recording output(s) and studio monitors, Mackie placed the utmost importance on pristine, no-compromise sound quality. For this reason, the Big Knob features ultra low-noise op amps, extremely low-tolerance components and state-of-the-art surface mount technology. All of this ensures superb sound in critical listening environments and long-term reliability, even under daily, and nightly, studio use.

http://www.youtube.com/watch?v=J_Rpocnd2ZE
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PreSonus Monitor Station V2 Desktop Studio Control Centre
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1 in stock $265.15
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Cat: 534000 Rel: 01 Sep 14
 
Studio control console with multiple source management, built-in headphone amps and talk-back
Notes: Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer - all from your desktop

Switch quickly and easily between up to four audio sources with a selection of input types.

Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control - and four screaming-loud headphone outs.

With Monitor Station V2, you can evict the drummer from the main room, banish the guitarist to the bathroom, shove the singer into a closet, and make them like it.

The Monitor Station V2 offers powerful options that allow you to configure it for the way you like to work.
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PreSonus Monitor Station V2 Desktop Studio Control Centre (B-STOCK)
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1 in stock $251.90
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Cat: 590841 Rel: 01 Sep 14
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer - all from your desktop

Switch quickly and easily between up to four audio sources with a selection of input types.

Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control - and four screaming-loud headphone outs.

With Monitor Station V2, you can evict the drummer from the main room, banish the guitarist to the bathroom, shove the singer into a closet, and make them like it.

The Monitor Station V2 offers powerful options that allow you to configure it for the way you like to work.
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Softube Console 1 Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip
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3 in stock $721.93
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Cat: 552889 Rel: 16 Mar 15
 
Audio mixer/controller allowing a new and improved approach to DAW mixing, with quick and intuitive workflow & analog sound
Notes: Console 1, the next generation mixer, is a unique centerpiece for the DAW based studio. The hardware lets you quickly switch between your tracks and control gate, EQ, compressor and more. The Console 1 software gives you the sound of a classic Solid State Logic console.

The award-winning Console 1 takes the quick and intuitive workflow of a digital mixer and pairs that with the great sound of a classic analog mixer. This is why we call it "the next generation mixer" - it offers a new and much improved approach to mixing in the computer.

Console 1 is not a DAW controller, or even a plug-in controller. It's a separate hardware/software mixer that works in tandem with your DAW.

Use one of the track selector buttons on the hardware to select the track you want to work on. Then use the physical knobs and buttons to adjust the included gate, EQ, compressor, high/low cut filters, transient shaper and emulated analog console distortion. Select a track, tweak the knobs. Select another track, tweak the knobs - that is essentially the workflow of Console 1.

Each parameter has a corresponding knob or button on the hardware. The track count is unlimited, parameter changes can be automated and all your settings are saved with the DAW project for total recall.

Included in the Console 1 package is Softube's model of Solid State Logic SL 4000 E - one of the most classic and widely used analog consoles in the world. Softube's model has been scrutinized by Solid State Logic's own experts, who have officially endorsed it. The channel strip includes the coveted black knob E 242 equalizer, the classic channel compressor, the musical expander/gate and the sweet high and low cut filters from the SL 4000 E channel.

We have also included a model of the harmonics, distortion and non-linearities obtained from overdriving the SL 4000 E console, so you can drive it hard for that slighly gritty and coherent sound that the SL 4000 E is famous for. Adding to that is Softube's own Transient Shaper, which is not a part of the SL 4000 E console or any other analog unit for that matter.

To expand the available sound palette, the Solid State Logic XL 9000 K-Series for Console 1 can be purchased separately, and more emulations of coveted analog consoles are in the works. These channels can be used to replace the SL 4000 E on all or just a few tracks, and you can even mix and match individual sections according to your own preferences - for example using the XL 9000 K gate as a part of the SL 4000 E channel.

Furthermore, each channel can be customized by adding other Softube plug-ins (also purchased separately). So if you for example prefer our Tube-Tech CL 1B Compressor to the inlcuded SSL SL 4000 E compressor on a specific track, simply switch compressors and start working with the CL 1B as a part of Console 1 instead. The same applies to the gate and EQ sections.

The On-Screen Display - Console 1's mixer window - gives you perfect and detailed visual feedback of the selected channel's settings. At the bottom of the window, the meter bridge displays the levels of the currently selected channel bank (unlimited number of banks, each holds 20 channels). But you also get plenty of visual feedback from the hardware. LED rings show the knobs' positions, and meters display input and output levels, as well as gate and compressor gain reduction. So for an even more analog mix experience, just turn off the On-Screen Display and use your ears! You won't get lost.

When you first install Console 1 on your computer, a plug-in aptly named Console 1 appears in your DAW's plug-in folder. When this is inserted on a track, buss or aux channel, the sound is routed to the Console 1 mixer and back. So the DAW and Console 1 are separate systems, but they're connected by the Console 1 plug-in. In order to get control of your entire mix, we recommend that the Console 1 plug-in is inserted on all tracks, buses and aux channels of the DAW project.

Apart from basic features such as Solo, Mute and Phase Invert, the system offers several additional functions to make your mix work easier, all controlled from the Console 1 hardware. This includes the ability of grouping any or all channels to tweak the settings simultaneously across the group, and changing the order of the effect sections. You can copy settings from one channel strip to the other, or just the sections you want to. You can also use parallel compression and and route an external sidechain signal into the gate or compressor. You can save and call up presets for the entire channel strip or the separate channel sections. The On-Screen Display is toggled on and off with a dedicated button on the hardware.

The History function is simply an undo feature that allows you to go back in time and undo all parameter adjustments you have performed. Very few DAWs offer an undo functioin for plug-in settings, but you get that with Console 1.
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