Brainfeeder Vinilo y CD

Review: Seven years since its initial release, this is the deluxe repressing of 'Choose Your Weapon' by Australian jazz/funk band Hiatus Kaiyote. The Grammy-nominated four-piece's second LP returns to stereos with this 18-track, 70-minute odyssey that takes listeners on a journey through the group's self-created ecosystem, populated with songs each embodying its own mini-cinematic sonic soundscape. Pressed on gorgeous photoluminescent vinyl, paired with a bonus 7" featuring a Roman Soto Cello rework of side B's 'Breathing Underwater' and a genius club mix of 'Making Friends with Studio Owl', the second half of the interlude from the original - a highpoint in sound.

Review: The music of Australian Jazz-Funk outlet Hiatus Kaiyote has a style that can't be easily pinpointed, striking the perfect note merging poetry and polyrhythms. Stevie Wonder, Otis Redding, Tupac Shakur, Flying Lotus are all listed as influences, but really the soundscape falls closest to future nu-jazz, if such a thing could even exist. This deluxe pressing of the group's 2012 debut LP 'Tawk Tomahawk' is celebrating a decade with a transparent red repressing, packaged with an exclusive 7" featuring a collaboration with none other than Q-Tip, as well as a fresh-to-death, fast-paced remix of 'Boom Child' from Clever Austin.

Review: Brainfeeder serves up this new 12" from Hiatus Kaiyote which finds them diving ever deeper into their own idiosyncratic world of jazzy electronics and expansive grooves. The Australian funk outfit has been nominated twice for a Grammy and their Mood Valiant album was critically acclaimed by all. The pick of this limited green vinyl is the title track 'Canopic Jar' with its lurching beats, twisted guitars and stained lead vocal. It comes as an instrumental and an Capella while the opener 'Journey To The Crystal Tomb' is a short but sweet passage of haunting ambient.

Review: Legendary Norwegian eight-piece Jaga Jazzist are back with a new album that takes a plunge into myriad musical worlds. Post-rock, jazz and psychedelia influences all abound across the four lengthy pieces that make up the Brainfeeder released LP. It was recorded in just two weeks of focussed sessions with plenty of impromptu jams and never too much over-analysis, but plenty of experimentation. It is the band's first self-produced album and overflows with musical stories form the off with synth heavy pieces and afro tinged drum rhythms. Bandleader Lars says: "I felt that this album is a small symphony, each part containing its own rooms to explore."

Review: Flying Lotus collaborator Thundercat returns to Brainfeeder with his first full album since 2013's superb Apocalypse. Presented over four coloured pieces of 10" vinyl, Drunk is a thrill-a-minute, mix-tape style trip through the multi-instrumentalist and beat-maker's various inspirations (think skewed hip-hop, jazz, soul, funk, left-of-centre electronica, and so on), all of which have been fused and mutated to fit his unique musical perspective. His high standing within the leffield hip-hop community has allowed Thundercat to snag some impressive guest stars, too, including Kendrick Lamarr, blue-eyed soul legend Michael McDonald, Kenny Loggins, Pharell and jazz man Kamasi Washington. Old pal Fly-Lo also lends a hand.

Review: Thundercat's last album, 2017's "Drunk", is undeniably one of the greatest full-lengths of the past few years - a dizzyingly varied and mind-altering affair that mixed and matched styles to create thrilling new fusions of past and present sounds. He's at it again on this delayed follow-up "It Is What It Is", which was co-produced by Flying Lotus and includes an impressive cast-list of guests and collaborators (think Kamasi Washington, Ty Dolla Sign, Steve Arrington, BADBADNOTGOOD, Lil B and Louis Cole for starters). Musically it's impossible to pigeonhole - think rubbery 80s funk meets spiritual jazz meets reggae meets hip-hop meets experimental beats meets... you get the idea - and that makes for inspiring listening. Whether it's quite as good as "Drunk" is debatable, but it's certainly superb.

Review: Thundercat's last album, 2017's "Drunk", is undeniably one of the greatest full-lengths of the past few years - a dizzyingly varied and mind-altering affair that mixed and matched styles to create thrilling new fusions of past and present sounds. He's at it again on this delayed follow-up "It Is What It Is", which was co-produced by Flying Lotus and includes an impressive cast-list of guests and collaborators (think Kamasi Washington, Ty Dolla Sign, Steve Arrington, BADBADNOTGOOD, Lil B and Louis Cole for starters). Musically it's impossible to pigeonhole - think rubbery 80s funk meets spiritual jazz meets reggae meets hip-hop meets experimental beats meets... you get the idea - and that makes for inspiring listening. Whether it's quite as good as "Drunk" is debatable, but it's certainly superb.

Review: Already out in the ether since the summer, Kamasi's sprawling three-part jazz opus finally sees the light of vinyl day. Presented on heavyweight vinyl with his striking signature artwork, its delivery befits the album's rave reviews on its original arrival. Highlights, in case you haven't heard it yet, are the awe-inspiring switch from fusion to swing on "The Next Step" the album's overall sparing inclusion of vocal that make "The Rhythm Changes" really stand out and sparkle and the attention to detail on the narrative structure on reprise notes such as "Re Run Home". A must-have for any jazz/Brainfeeder fan.