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Groovepressure 13
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Groovepressure 13 (140 gram vinyl 12")
Cat: GROOVE 13. Rel: 15 May 17
Minimal/Tech House
  1. No Mistake
  2. Rebirth
  3. A Squared Groove
  4. Real Thing
Review: REPRESS ALERT: Groovepressure is back by popular demand after a 13 year hiatus and kicking things off with re-releases and new productions from the original Groovepressure artists. Taking influence from original UK techouse and techbreaks, Detroit techno, Chicago House, electro, deep house and 90's electronica, Groovepressure is about keeping these influences fresh whilst looking towards the future. Releases will include new music plus re-masters and remixes of sought-after Groove Pressure classics. Groovepressure came from the underground and had support from legends like Laurent Garnier and Andrew Weatherall with recent support from the newer school including Onur Ozer and Raresh. A² (aka Andy Panayi and Alec Stone) are London bred artists who originally appeared on Groovepressure in 2001. Their tracks will form the first comeback release on Groovepressure. "No Mistake" and "Rebirth" are both re-mastered Groovepressure classics in their own unique tech-breaks style whilst "A² Groove" and "Real Thing" are new releases taken from the vaults and keeping the same vibe.
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Shuzzbuzz
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 in stock $8.59
Shuzzbuzz (140 gram vinyl 12")
Cat: GROOVE 15 . Rel: 06 Feb 17
Minimal/Tech House
  1. Shuzzbuzz (Robin Ball Electro mix) (7:17)
  2. Shuzzbuzz (original re-master) (5:50)
  3. Shuzzbuzz (Robin Ball House mix) (6:16)
  4. Booma (original re-master) (5:05)
Review: As swathes of DJs and dancers get ever more into classic and niche electro from the 90s, Groovepressure has reformed to bring back some of its highly sought-after releases and keep the Discogs sharks at bay. With a fresh re-master and some new mixes to boot, the label makes a wise choice for its third reissue by picking up the record they first put out, Resonators' "Shuzzbuzz". The original mix and its B side "Booma" sound better than ever with a bit of modern spit 'n' polish, but then Robin Ball's electro and house versions of "Shuzzbuzz" push the classic into exciting new realms without losing that all-important old-skool flavour.
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Groovepressure 14
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 in stock $8.59
Groovepressure 14 (140 gram vinyl 12")
Cat: GROOVE 14. Rel: 02 May 16
Minimal/Tech House
  1. Stopouts - "Quadratic"
  2. Robin Ball - "Velvet"
  3. Robin Bell - "Fionn"
  4. Stopouts - "Stopping Out"
Review: REPRESS ALERT: After a long 13 year hiatus that left many DJs and dancers wanting, the much loved Groovepressure label is back with a brilliant new EP from label boss Robin Ball and regular associates Stopouts. It features two new cuts and two remastered tracks and makes for a fine package.

Groovepressure was at the forefront of the scene back in the day, with support for its tech house, Chicago and Detroit styled releases coming in from big wigs like Laurent Garnier and Andrew Weatherall. Groovepressure in 2016 is about keeping these influences fresh whilst looking towards the future, says the label boss, who explains releases will include new music plus
re-masters and remixes of sought-after Groovepressure classics.

Stopouts are Rob Collman and Andy Panayi who put out three sought after releases on Groovepressure. Here are two re-masters of their most requested tracks and they sound as hot as ever. The first is 'Quadratic,' a super slick and trippy tech cut with busy drums and mad synths darting about, leaving trails of colour in their wake. It is full of kinetic energy and will make any club bounce.

Robin Ball is next with some brand new offerings. The captivating 'Velvet' is a deep and seductive affair that grows increasingly wild. Lush pads soften the effects of punchydrums and flailing perc and the production is rich and expert in style. Then comes Ball's 'Fionn,' a more aqueous and widescreen track with dubby chords, bobbling bass and a serene sense of Motor City soul that makes you feel as well as dance.

The second essential Stopouts cut is 'Stopping Out,' another mad brew of bass, spinning hi hats, grubby synths and unhinged sine wave sounds that brim and bristle with electronic funk. Like everything here, it is a standout track that puts most modern fare to shame.

This is a welcome return from a top shelf label, and already it is promising to pick up from where it left off with this killer four track offering.

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Intérprete: Doc Martin, Alex Arnout
Artículos del 1 al 3 de 3 en la página 1 de 1
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