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BLACK RAIN - Now I'm Just A Number: Soundtracks 1993-94



Artista: BLACK RAIN  Reciba una alerta por e-mail cuando este artista edite un nuevo titulo
Título: Now I'm Just A Number: Soundtracks 1993-94
Discográfica: Blackest Ever Black  Reciba una alerta por e-mail cuando este artista edite un nuevo titulo
Nº catál.: BLACKEST 007
Formato: LP
Editado: 20 February, 2012
Precio: $15.65
Género: Techno
Lista de reproducción: MP3
Disponibilidad: Agotado

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#Muestras Título
Cara 1
1.  - Lo Tek - Muestra MP3 MP3 "Lo Tek"
2.  - Night City Tokyo - Muestra MP3 MP3 "Night City Tokyo"
3.  - Lo Tek - Muestra MP3 MP3 "Lo Tek" (bridge)
4.  - Biotechno 1 & 2 - Muestra MP3 MP3 "Biotechno 1 & 2"
Cara 2
1.  - Lo Tek - Muestra MP3 MP3 "Lo Tek" (bridge 2)
2.  - Now I'm Just A Number - Muestra MP3 MP3 "Now I'm Just A Number"
3.  - Lo Tek Musicm - Muestra MP3 MP3 "Lo Tek Musicm"

  • intérprete:Exium, Marcel Heese, Nax Acid, Juno Recommends Techno, Himan

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    Notas para discográficas/distribuidores

    Blackest Ever Black have carved themselves an intriguing little niche with their array of releases to date, accruing attractive if decidedly bleak contributions from the likes of Regis, Tropic Of Cancer and Raime which differ in sound if not in tone. Now I'm Just A Number: Soundtracks 1994-95 is perhaps the London label's most ambitious work to date, presenting seven fully remastered tracks from Black Rain, the industrial project of NYC avant garde icon Stuart Argabright and Shinichi Shimokawa. All the tracks featured here originate from Black Rain being commissioned to provide music for both William Gibson's audio book adaptation of his seminal cyberpunk novel Neuromancer as well as Robert Longo's poorly conceived film Johnny Mnemonic. With their productions for the latter being cut from the finished film, the only chance prior to this 12" of hearing them was on the 1995 album 1.0 released on the Fifth Column label. Fully remastered for your audio pleasure by Mat Colton at Air, the deeply dystopian nature of Black Rain's music will thrill those with more esoteric tastes and it's probably best left to the sound clips for you to get a full idea of the lurching, foreboding industrial nature.