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Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

100% Compra Segura

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Latest reviews

Mandar are back on Oscillat Music following their stunning five-disc LP from last year, and the deep house super group are sounding as vital as ever. "String Theory" holds court over the A side and promises to be the soundtrack to many a heart-stirring moment under starry skies this summer. The titular strings are a powerful force in this track, bringing a classy brand of emotion to the slinky dancefloor tones Mandar are best known for. "Poisoned Worlds" is a deeper club cut that places the emphasis on crafty drum science for after hours crew, providing a neat balance to the show-stopping tones of the A side.
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Kamaal Williams has described The Return, his debut solo album, as "a natural evolution from the Yussef Kamaal project". Yet while that was made in collaboration with drummer Yussef Kamaal and played around with jazz in its myriad forms, The Return sees the man sometimes known as Henry Wu stamp his own mark on proceedings. So while "visionary jazz" (as the press release puts it) is his aim, this manifests itself in a range of ways. Contrast, for example, the leisurely jazz-funk flex and stoned feel of opener "Salaam" with the more groove-driven, dancefloor vibes of "High Roller", where sinewy strings tumble down over hip-hop influenced live house beats, meandering Herbie Hancock style synths and a superb bassline.
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The latest missive in the evocative and open-minded Late Night Tales series comes from Agnes Obel, a Danish singer/songwriter whose fragile, pastoral songs seemingly join the dots between traditional folk music, neo-classical and early music. Fittingly, Obel's selections, while more diverse than many may have expected - see the soulful reggae throb of Nora Dean, the creepy jazz of Yello's "Great Mission" and the whispered synth-pop shuffle of Lena Platanos - are every bit as atmospheric and ethereal as her own work. It helps that she's included several of her own compositions, alongside inspired cuts that touch on Berlin School ambient, hazy easy listening, neo-classical, psychedelia, lo-fi art rock and, of course, folk.
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Dimension / Various - Fabriclive 98
CD
$9.97
As the FabricLive mix series inches towards its centennial release, the venerated London superclub has recruited drum and bass scene stalwart Dimension to mix the 98th edition. Given that it is his first commercially released DJ mix, we weren't surprised to find out that over half the included tracks are previously unreleased or exclusive "VIP" remixes from fellow D&B producers. At 56 tracks deep it's something of a thrill-a-minute ride, taking in various strands and sub-genres, cuts from rising stars and heavy hitters, and enough rip-snorting breakbeats and rumbling sub-bass blasts to keep any D&B head happy. As you'd expect given Dimension's own productions, there's plenty of soulful vocals and expansive musicality dotted throughout, too.
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Here, re-born Italo-disco stable Full Time Records digs deep into its archives for sought-after gems from 1982. On the A-side you'll find the original version of Rainbow Team's sugary-sweet, string-drenched disco shuffler "Bite The Apple" (first featured on their A Song For You album) accompanied by a brand new deep boogie "Dub Edit" by storied Italian DJ/producer Massimo Berardi. On the B-side you'll find two versions of Selection's brilliant "I'm So Glad": a loopy, gently beefed-up contemporary edit from LTJ and the '82 original, which could well be one of the greatest Italian boogie tracks ever made. Essential stuff, all told.
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Nancy Ames - Carcara
7"
$9.70
During the days of Dingwalls' legendary jazz-dance and rare groove nights in the 1980s, it wasn't uncommon to hear Nancy Ames "Caracara" surging from the speakers. An infectious Latin Jazz/Easy Listening floor-filler first released on the American singer's 1966 album Latin Pulse, it has long been something of a favourite amongst both DJs and dancers. Here, it gets the reissue treatment on 7" from the cool cats at Dynamite Cuts, backed with 1967 gem "Pow, Pow, Pow", a killer, bi-lingual cover of Sergio Mendes' favourite "Mas Que Nada". This, too, is simply superb.
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Four years have passed since Asymmetric owner Inigo Kennedy's last album, the dizzyingly eclectic tour-de-force that was Vaudeville. Like its' predecessor, Strata takes a distinctively widescreen approach, moving from the sweeping, cinematic strings and pseudo-orchestral movements of "Clarion Call (Coda To Nothing)", to the gentle, acid-flecked IDM brilliance of "Oblivion", via warming early morning ambient (the dub techno influenced crackles and chords of "Stillness Expanded"), razor-edged industrial electro fuzz ("Breaking Point") and a swathe of techno workouts. These range from the punchy and dreamy ("Shudder"), to the dark and intense (foreboding highlight "Magma"), confirming the experienced British artist's production mastery.
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Wiley - Godfather II
CD
$10.81
Wiley received plenty of praise for 2017's Godfather, a comeback album that he claimed was the beginning of a trilogy that would celebrate his cultural impact. Whether or not this sequel receives the same critical acclaim remains to be seen, but it's certainly a fascinating set. There are of course grime-framed club tracks and potential radio hits aplenty, with his rhymes (and the contribution of a string of guest MCs and singers) rising above backing tracks that variously doff a cap to vintage Chicago house, Afro-swing and tropical music, but also more introspective moments that hint at a deepening and broadening of his sound. It's a big release, no doubt, not to mention one of the must-hear sets of the month.
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