Back catalogue: 50s/60s

Review: The reissue of Step On by Junior Dell & The D-Lites is here only three short years after its initial run of 300 copies. 'Step On' is a reggae and ska version of the song 'He's Gonna Step on You Again' by John Kongos, made famous by Happy Mondays, who shortened its title to 'Step On'. For the B-side comes an original song done by the band called 'Meanwhile On The 15th Floor' which is a classic sounding ska instrumental from the 70s. This second pressing is a mere 250 copies - so act fast.

Review: David Vanian, splitting off from his role as the lead singer of the Damned, once made an effective detour known as David Vanian and the Phantom Chords. The Chords' self-titled debut from 1995, reissued here, is a fusion of rockabilly and gothic rock - often classified as gothabilly. The band perform a mixture of covers and original material, including 'Voodoo Doll', 'The House Is Haunted' and 'Jezebel', laying down the massive, twangy, incipient sound of gothabilly with Vanian himself sounding as if to be singing in a massive catacomb's chasm.

Review: ***B-STOCK: Creasing to corner of outer sleeve, product unopened & in excellent condition***


David Vanian, splitting off from his role as the lead singer of the Damned, once made an effective detour known as David Vanian and the Phantom Chords. The Chords' self-titled debut from 1995, reissued here, is a fusion of rockabilly and gothic rock - often classified as gothabilly. The band perform a mixture of covers and original material, including 'Voodoo Doll', 'The House Is Haunted' and 'Jezebel', laying down the massive, twangy, incipient sound of gothabilly with Vanian himself sounding as if to be singing in a massive catacomb's chasm.

Review: .Often considered to be one of the biggest commercial flops in music recording history, Standing In The Spotlight was the 1989 debut solo album from Ramones bassist Dee Dee Ramone. Released under his rap moniker Dee Dee King, the bizarre project served up an amalgam of old school hip-hop, late 50s garage rock and even doo-wop, all blended together in chaotic fashion, and led by Dee Dee's new gangster bravura. It's been noted that the hip-hop-centric attire seen on the cover was adorned by Dee Dee at his last few Ramones shows shortly before departing, which drew major ire from his bandmates. Tapping Marky Ramone to oversee percussion samples, and even enlisting Debbie Harry (Blondie) to provide backing vocals on 'Mashed Potato Time', and, 'German Kid', with the latter featuring vocals sung in both English and German (nodding to Dee Dee's growing up as an army brat), the album was crafted with every earnest intention of launching Dee Dee's solo career. Conceptually inspired whilst in rehab and used as a project of focus when embracing his newfound sobriety; the sheer enthusiasm and fearlessness of Standing In The Spotlight grants it a pass and a place as a truly absurd offshoot oddity from a vital member of the one of the defining punk bands.

Review: Selector, percussionist, producer and all-round legend Snowboy represents his weekly Madame JoJo's showcase in album form. Digging deep across two 12"s, Snowboy treats us to 23 undiluted funk and soul cuts. From well-known (James Brown's "Bring It Up" and Etta James' "Can't Shake It") to lesser-known (The Shirelles' "Boys", Dorothy Berry's "I Say You're Driving Me Crazy"), the whole curation rolls with emphatic consistency and attention to detail. With gems hidden around every corner, even the most ardent of collectors will find many things to love right here.