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Cat: 747784 Rel: 17 Sep 19
 
Auxiliary 2-switch for the Eventide H9
Notes: Your Eventide H9 is one of the most advanced guitar pedals, but it only has two buttons. Unleash its full potential with a new kind of auxiliary switch. Meet the OX9 - a handcrafted H9 auxiliary switch with a form-fitting design that gives you more control and takes up less space on your board.

Stop fiddling with your iPad on stage and use your feet (like we used to do it the 20th century). The OX9's two additional buttons let you unleash the full potential of your H9 (with no hands)! The OX9 saves you a ton of pedalboard real-estate versus other auxiliary switches.

The input jack on the OX9 allows you to add another button or an expression pedal. The OX9's custom designed and moulded plug ensures you can still access every jack on the back of your H9.

The OX9 has a laser cut bottom plate, so it securely attaches to your H9 without hiding any of its sexy contours! Every OX9 is assembled, tested, and packaged in Klecknersville, PA.
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MRP:$110.99 SAVE 17%
 2 in stock $92.50
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Cat: 676316 Rel: 09 Mar 18
 
Spinning speaker/Leslie pedal with volume, treble & speed controls
Notes: Recreating the classic rotary cabinet sound has been a big challenge for years, but the 'Big Spender' Spinning Speaker finally nails this once and for all. Rich and sparkling, the ramp switch lets you initiate speed up/down, giving you glorious, swirling, mesmerising effects you'll love to use!
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 1 in stock $74.68
Cat: 676314 Rel: 09 Mar 18
 
Compact boost effect pedal for electric guitar
Notes: The 'Billion Dollar Boost' reissue of a rare 80's 'hidden gem'. Boosts all frequencies, plus provides pure pre-amp clean with lots of gain. Clean and crisp at 50% or less, but pushes the amp into crunchy bite at 50% or more, this pedal will become your secret weapon.
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MRP:$99.77 SAVE 51%
 2 in stock $48.84
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Cat: 676317 Rel: 09 Mar 18
 
Tremolo pedal with speed/depth controls
Notes: Danelectro invented the thickest, deepest amplifier tremolo in the late 1940's. Billionaire brings back this original Danelectro technology for the richest tremolo tones ever. One listen and this will be a prized part of your arsenal.
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MRP:$99.77 SAVE 51%
 4 in stock $48.84
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Cat: 676311 Rel: 09 Mar 18
 
Overdrive effect pedal for electric guitar
Notes: The 'Pride of Texas' recreates that 'holy grail' bluesy tone of one of the greatest and most influential guitar players to walk the earth, fattening up your signal without losing clarity or voice. Ideal for both single coils or humbuckers, the 'Pride of Texas' provides plenty of boost for crunchy rhythm or screaming lead solos.
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MRP:$112.24 SAVE 48%
 2 in stock $58.19
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Cat: 727397 Rel: 13 May 19
 
Vintage style boost/overdrive effects pedal
Notes: Rewind to 1968. Famous guitar god uses this pedal to record his first album. Entire planet goes nuts. Inexplicably, the pedal then disappears. Until now. Danelectro resurrects this awesome, incredibly organic sounding pedal. 6 position "Break Up" control takes your guitar signal and slams the front of your amp with increasing punch. Positions 1 through 3 are ear-friendly and have "leave on all the time" potential. Positions 4 through 6 grab you and knock you back against the nearest piece of concrete. But in the most pleasant way. Caution: Do not listen to this... unless you want it to be your life companion.
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 2 in stock $120.54
Cat: 548856 Rel: 06 Oct 14
 
Polyphonic drop tune pedal with range from 1 semitone to 1 octave
Notes: The DigiTech Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.

Controls:
EFFECT SELECTOR KNOB- Selects which of the Drop effect settings is used when the effect is active.
MOMENTARY ON/OFF SWITCH - Selects how the effect footswitch will operate. Setting this switch to "ON" will cause the footswitch to act as a momentary switch (the effect will be enabled or disabled only as long as the footswitch is pressed and held). Setting this switch to "OFF" will cause the footswitch to act as a standard latching on/off switch.

Drop Effects Settings:
Setting 1 - Transposes guitar signal down 1 semitone
Setting 2 - Transposes guitar signal down 2 semitones
Setting 3 - Transposes guitar signal down 3 semitones
Setting 4 - Transposes guitar signal down 4 semitones
Setting 5 - Transposes guitar signal down 5 semitones
Setting 6 - Transposes guitar signal down 6 semitones.
Setting 7 - Transposes guitar signal down 7 semitones
Setting OCT - Transposes guitar signal down 1 octave.
Setting OCT + DRY - Transposes guitar signal down 1 octave and adds dry signal
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 1 in stock $109.99
Cat: 700851 Rel: 31 Aug 18
 
Mini distortion effects pedal
Notes: - Distortion from hard rock to metal
- Compact size for more space on the pedal board
- Rugged metal housing
- Robust footswitch
- True bypass
- Controls: Level, Tone, Gain
- Connections via 6.3 mm audio jacks
- AC adaptor not included
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 1 in stock $31.44
Cat: 700858 Rel: 31 Aug 18
 
Mini overdrive effects pedal
Notes: - Top boost mode
- Compact size for more space on the pedal board
- Rugged metal housing
- Robust footswitch
- True bypass
- Controls: Level, Tone, Gain, Mode
- Connections via 6.3 mm audio jacks
- AC adaptor not included
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 1 in stock $41.14
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DOD
Cat: 638955 Rel: 20 Oct 17
 
Analog delay effects pedal with tap tempo & built-in effects loop
Notes: The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.

Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of "Rubbernecking." These extended features are controlled by individual clear mini knobs that double as multi-colour LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.

The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.

The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.
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 1 in stock $199.36
EBS
Cat: 639060 Rel: 09 Feb 17
 
Analog overdrive/distortion pedal for guitar & bass
Notes: The Black Haze is an overdrive pedal in the new 'blue label' pedals series, developed for guitar and suitable for bass.

The Black Haze is developed by EBS with input from several Swedish top session guitarists. It is a beautiful drive with some darkness to it to make it interesting and irresistible. The Black Haze features dual drive engines and low-range compensation.

Full control. The pedal feature controls for Drive, Tone and Volume and a switch for Thin, Normal or Deep character.

Brand new design. A new compact housing design include recessed jacks to reduce space between pedals on a pedal board and a comfortable angle that makes switching smoother.

Can I use it with bass? The Black Haze offers a rich and creamy drive sound for your bass with solid bottom-end. Use the Drive, Tone and Volume controls to tweak your sound, and pick your favourite character between Thin, Normal and Deep, where Deep makes it interesting and dark while Thin and Normal makes it stand out more. It adds a new flavour of distortion to EBS existing product portfolio of bass effects.
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 2 in stock $67.54
EBS
Cat: 623416 Rel: 23 Aug 16
 
Professional analog signal processing tool with DI box, 2 channel preamp, speaker simulation and effects loop
Notes: The EBS Microbass 2 preamp is the bass players 'Swiss Army Knife'.
A DI box, two-channel preamp, with speaker simulation, effects loop, phones output and loads of other great features. This is the ultimate bass tool. Period!

Two Channels and A Useful Loop. The MicroBass II can be used as an active direct box, a one or two channel preamp, instrument switcher or blender.

The two channels provide sound shaping from high end solid-state types to distorted timbres, using the awarded tube emulation circuitry found in the EBS range of professional bass heads.

An incorporated effects loop gives the user added flexibility for connecting to other effect pedals, or for mixing in an external audio source such as a CD player for rehearsal purposes.

Unmatched Flexibility - The balanced output with speaker simulator option provides unmatched flexibility in live and studio situations. Footswitches control mute and channel operation/switching. Other features include headphone output, low battery indicator, link and master outputs, bass, 'sweepable' midrange, treble, bright and edge filters, drive and effects mix controls.

The EBS MicroBassII delivers that big, burning EBS sound wherever you go.
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 1 in stock $174.58
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EBS
Cat: 769809 Rel: 23 Aug 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The EBS Microbass 2 preamp is the bass players 'Swiss Army Knife'.
A DI box, two-channel preamp, with speaker simulation, effects loop, phones output and loads of other great features. This is the ultimate bass tool. Period!

Two Channels and A Useful Loop. The MicroBass II can be used as an active direct box, a one or two channel preamp, instrument switcher or blender.

The two channels provide sound shaping from high end solid-state types to distorted timbres, using the awarded tube emulation circuitry found in the EBS range of professional bass heads.

An incorporated effects loop gives the user added flexibility for connecting to other effect pedals, or for mixing in an external audio source such as a CD player for rehearsal purposes.

Unmatched Flexibility - The balanced output with speaker simulator option provides unmatched flexibility in live and studio situations. Footswitches control mute and channel operation/switching. Other features include headphone output, low battery indicator, link and master outputs, bass, 'sweepable' midrange, treble, bright and edge filters, drive and effects mix controls.

The EBS MicroBassII delivers that big, burning EBS sound wherever you go.
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 1 in stock $161.24
EBS MicroBass 3 Preamp Pedal (preamp pedal/DI box)
EBS
Cat: 718777 Rel: 24 Jun 19
 
Professional analogue bass preamp/DI box
Notes: The EBS Microbass 3. We've all been there. Being forced by circumstances to rely on someone else's gear and left with that uneasy feeling it could turn into a disaster. With the new EBS Microbass 3, you can let go of that feeling and be confident you'll have your sound no matter the situation.

The EBS MicroBass 3 is a 2-channel preamp, built exclusively with premium components. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs. The preamp operates at a signal level equal to a professional mixing console (+/- 15V) which gives you plenty of headroom. The high signal level makes it suitable to use as a preamp in combination with any type of power amp.

Run the Clean and Drive channels in series or parallel. Use the dual balanced XLR-outputs to tap the signal post and pre EQ at the same time. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass - passive, active or with piezo pickups.

The built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor, similar to the one found on several EBS amplifiers, and several more features.

The analog EBS MicroBass 3 ensures your sound - every time.
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 1 in stock $332.55
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EBS
Cat: 754903 Rel: 28 Nov 19
 
Analogue, high performance, multi-band compressor pedal
Notes: The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.

The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

You can't go wrong with the MultiComp:

A compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn't require a degree in sound engineering and still does exactly what you want. What more to ask for?

A sensible upgrade:

There is a major addition to the new EBS MultiComp Blue Label. A control on the front panel to adjust the threshold level, or Sensitivity. The more you turn up the control, the higher the sensitivity.

The benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A centre click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.

More headroom to handle the extremes:

To handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments.

The new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.
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 1 in stock $153.80
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EBS
Cat: 768224 Rel: 28 Nov 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.

The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

You can't go wrong with the MultiComp:

A compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn't require a degree in sound engineering and still does exactly what you want. What more to ask for?

A sensible upgrade:

There is a major addition to the new EBS MultiComp Blue Label. A control on the front panel to adjust the threshold level, or Sensitivity. The more you turn up the control, the higher the sensitivity.

The benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A centre click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.

More headroom to handle the extremes:

To handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments.

The new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.
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 1 in stock $148.42
EBS
Cat: 751988 Rel: 24 Oct 19
 
OctaBass pedal - Blue Label edition
Notes: The new EBS Octabass Blue Label pushes the boundaries for what has seen as possible with an analogue octave effect. The quality and character of the octave tone, as well as the precision and speed of the tracking, is outstanding.

The EBS OctaBass was the first effect unit ever made by EBS. It is famous for fast and accurate tracking and a fat, natural sound. When you play your instrument, it "tracks" the note you play and produce a sound one octave below to mix in with the note you play. The 'Blue Label' model has a couple of new features that enhance the tracking range and improves the control of the sound.

Improve the tracking where it matters the most:

A new Range-switch makes possible to move the optimized focus area of the tracking to either higher up or lower down the fretboard. All to match your playing style and needs. This feature makes the tracking speed and range outstanding for an analogue octave pedal. Note: Don't confuse this switch with the Range-switch on previous OctaBass pedals where it changed the character of the tone.

Enhanced tone control:

By adding a seamless tone control you can go from a present, focused octave sound that cuts through the mix all the way to a sub-bass backdrop of lows that discreetly supports the note you play. The tone control enhances the palette of sounds and also makes it easier to achieve a synthesized bass sound.

Power the Blue Label OctaBass with 9-18V DC power. The footprint is reduced by 12% compared to the previous Studio and Black Label editions.
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 1 in stock $182.90
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Cat: 719369 Rel: 06 Jun 19
 
Volume envelope manipulation with adjustable Decay & Attack times
Notes: The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
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MRP:$143.42 SAVE 24%
 2 in stock $109.12
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Cat: 626323 Rel: 07 Oct 16
 
Compact chorus pedal with variable parameters for a range of modulation effects
Notes: The Bass Clone chorus pedal's core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Bass Clone's Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch, they provide precise sound shaping that lets the player achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

The Bass Clone features a compact footprint plus true bypass switching for maximum signal path integrity when in bypass mode. It runs on a 9V battery or an optional EHX 9.6DC/200mA AC adapter.
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MRP:$77.32 SAVE 16%
 2 in stock $65.20
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Cat: 718362 Rel: 18 Feb 19
 
Bass synthesizer effects pedal with 11 monophonic synth sounds
Notes: The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.
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MRP:$142.17 SAVE 34%
 5 in stock $93.48
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Cat: 743356 Rel: 10 Oct 19
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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MRP:$255.66 SAVE 22%
 2 in stock $198.50
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Cat: 560473 Rel: 04 Feb 15
 
Distortion/sustainer effects pedal with true bypass for maximum signal path integrity
Notes: The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!
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MRP:$97.27 SAVE 25%
 3 in stock $73.25
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Cat: 560380 Rel: 04 Feb 15
 
Distortion/sustainer effects pedal with true bypass for maximum signal path integrity
Notes: The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam.

Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.
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MRP:$135.93 SAVE 41%
 1 in stock $80.85
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quote 560380
Cat: 783134 Rel: 19 May 17
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Packed with more power than pedals taking up more real estate, the compact Canyon features a collection of awe-inspiring effects. From pristine digital delay to warm and warbly tape echo, reverse and modulated delays, cascading octave delay and shimmer... even an exquisite Deluxe Memory Man emulation. There are ten different effects in all plus a fully featured looper. Internal or external Tap Tempo with tap divide and a chasm full of intuitive secondary knob controls deliver a truly grand experience.

Features 11 modes:

1. ECHO: Digital delay
2. MOD: Modulated delay
3. MULTI: Multi-tap delay
4. REVRS: Reverse delay
5. DMM: Deluxe Memory Man
6. TAPE: Tape delay
7. VERB: Reverb plus delay
8. OCT: Octave delay
9. SHIM: Shimmer
10. S/H: Sample and hold
11. LOOP: Looper mode w/max loop length of 62 seconds
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 1 in stock $117.43
Cat: 560383 Rel: 02 Feb 15
 
Stereo reverb effects pedal with 24 bit AD and DA converters + true stereo ins/outs
Notes: Enter the Cathedral and surround your music with the aria of divine presence. True stereo reverbs reveal your inspirations while programmability recalls your spirit of creation. The Cathedral is the performer's mantra creating the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground.

*UK 230V power adapter included*
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MRP:$254.41 SAVE 20%
 1 in stock $203.69
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Cat: 660171 Rel: 01 Sep 17
 
Rugged, lightweight effects pedal featuring Crying Wah, Talking Wah & Classic Fuzz
Notes: The EHX Cock Fight Plus offers up the award-winning tone of the original Cock Fight in a rugged, lightweight pedal and with a traditional rack and pinion style operating mechanism. It contains two different expressive filters: a traditional wah pedal filter and a formant filter used for vowel sounds. The Cock Fight also features a lively fuzz section that can be added before or after the filter section, or taken out of the signal path completely.

The Wah toggle switch selects between the classic wah tones of the Crying Tone and the dual formant filter of the Talking Pedal, which creates vowel-like sounds. The Bottom control blends back in clean bass frequencies to beef up the low-end and make the wah sound more bass-friendly. The Volume control sets the master output level.

The Fuzz section features a three position toggle switch for Off, Pre-wah, and Post-wah settings. The Drive and Tone controls set the amount and overall brightness of the fuzz respectively. Bias controls the amount of bias voltage supplied to one of the transistors in the fuzz circuit and can create a full, saturated tone or a sputtering, gated fuzz sound.

The Cock Fight Plus comes equipped with a 9V battery or can be powered by an optional 9-volt AC adapter.
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MRP:$147.16 SAVE 24%
 1 in stock $111.20
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quote 660171
Cat: 560388 Rel: 02 Feb 15
 
Distortion sustainer effects pedal with true bypass for maximum signal path integrity
Notes: Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we've added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi. It delivers all the classic sounds of the original NYC Big Muff Pi, plus more.
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MRP:$147.16 SAVE 27%
 1 in stock $108.09
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quote 560388
Cat: 560416 Rel: 03 Feb 15
 
Multi effects pedal with individual footswitches plus dedicated controls for all three effects
Notes: The quintessence of tone! This powerful digital multi-effect begins with the flawless polyphonic tracking of the Micro POG. Next is the Stereo Electric Mistress. Creamy stereo flanging and chorus weave and undulate for the richest modulations. Finally, the Holy Grail Plus wraps you in a silken shroud of luxurious reverb.

Switch on Shimmer to re-route the effects. Now the Grail reverberates the POG’s wet signal and the Mistress completes the chain to add lush flanging to the reverb tails. Shimmer also transforms the Grail into a digital delay with the POG in its feedback path for inspiring ascending and descending octave effects.

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 1 in stock $282.69
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quote 560416
Cat: 713635 Rel: 10 Dec 18
 
Classic op-amp powered fuzz/distortion
Notes: The new Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late '70s style circuit and symmetrical hard clipping, it's EHX's take on the RAT2 pedal, only we think it's better.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

The stellar sound of the Flatiron Fuzz is a result of its classic, late '70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you'll prefer the Flatiron.

The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end... from dark to raunchy.

Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It's an iconic landmark located just down the block from EHX headquarters in the 1970s and it's the building pictured on the pedal.

The RAT2 is a trademark of Act Audio.
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quote 713635
Cat: 560329 Rel: 04 Feb 15
 
Sound retainer effects pedal with real time sample capture & perfect looping
Notes: Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready.

Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions.

Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard.

It's like adding an extra musician to the band.

*UK230V power adapter included*
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quote 560329
Cat: 560419 Rel: 04 Feb 15
 
Distortion/overdrive effects pedal with 4 individual Germanium transistors
Notes: Combining four classic germanium transistors, the Germanium Big Muff Pi is the result of a focused modern design dripping with EH analog heritage. An independent overdrive and distortion each have their own sets of two germanium transistors as well as independent controls.

The ability to stack and use both the overdrive and distortion together delivers the power of a four germanium transistor circuit with ultimate control flexibility.
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quote 560419
Cat: 707212 Rel: 06 Dec 18
 
Advanced multifunction delay & looper with up to three seconds of delay time
Notes: The Grand Canyon is EHX's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analogue bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more

3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal

6. TAPE - Tape Delay, simulates the organic sound of an analogue tape, echo machine including tape distortion, wow and flutter

7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes

10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorec style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
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quote 707212
Cat: 560334 Rel: 02 Feb 15
 
Linear power booster preamp effects pedal with true bypass or maximum signal path integrity
Notes: An exact recreation of the original LPB-1 circuit that ushered in the age of overdrive in 1968.

Put the LPB-1 in line with any effect to provide boost and definition.

Improve the gain and saturation of your amp.
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MRP:$47.39 SAVE 21%
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Cat: 744056 Rel: 10 Oct 19
 
Modulator effects pedal for guitar with 11 modulations, depth control, rate control, volume/colour control & momentary mode
Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
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quote 744056
Cat: 704374 Rel: 03 Oct 18
 
Effects pedal for guitar, bass & synthesisers featuring up to four simultaneous modulation sections synced together in time
Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.
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MRP:$286.83 SAVE 25%
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quote 704374
Cat: 719370 Rel: 18 Feb 19
 
Guitar synthesiser effects pedal with 11 monophonic synth sounds
Notes: The EHX Mono Synth transforms your guitar into eleven great sounding synthesizers... from vintage synth emulations to fat, stacked voices to soaring lead sounds and more.

The Mono Synth was designed to work on guitar without any modifications, special pickups or MIDI implementation. Its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. The pedal's DRY dial adjusts the dry guitar volume at the Synth Output while SYNTH controls the volume of the synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedal's response to your guitar and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides extra tweakability for customizing your sound. There's also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From string-like synths, to aggressive resonant sounds and deep drones and bell-like tones, the Mono Synth puts a collection of hot synthesizers at your fingertips.
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quote 719370
Cat: 713640 Rel: 10 Dec 18
 
Preamp, overdrive & DI pedal for bass guitar
Notes: The all-analogue circuitry of the Nano Battalion provides an amazing array of bass tones in a sturdy, compact package. A versatile MOSFET drive circuit that can deliver everything from subtle, light overdrive to fully saturated distortion forms the pedal's core.

The Nano Battalion features a three-band EQ with three EQ position modes for maximum flexibility and sound shaping control. The three-band EQ includes Treble (boost/cut above 1kHz) and Bass (boost/cut below 200Hz) controls, plus a Mid switch which provides a 9dB boost or cut at 500Hz. Three signal path options determine where the EQ is applied. In Distortion Mode the EQ comes after the distorted signal and has a powerful effect on its timbre while the clean signal is not affected. In Input Mode the EQ comes first in the signal path affecting both the clean and distorted signals. Boosting frequencies in this mode can drive the distortion to a more saturated state. In Dry Mode the EQ affects the clean signal, but not the distorted signal.

The Nano Battalion includes a 1/4" input jack and 1/4" output jack. When a normal TS cable is connected to the output jack it delivers an unbalanced signal. When a TRS cable is plugged into this jack, it outputs a balanced signal that can go directly into a mixing console or recording interface.

The Nano Battalion is a powerful, versatile tool for bass players.
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quote 713640
Cat: 560343 Rel: 04 Feb 15
 
Distortion/fuzz/overdrive effects pedal with compact, rugged nano enclosure
Notes: We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound.

The Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!
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MRP:$83.56 SAVE 17%
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quote 560343
Cat: 751543 Rel: 31 Oct 19
 
overdrive pedal
Notes: A nano-sized version of the Operation Overlord with the same great overdrive and distortion tones, but in mono for those who don’t require stereo ins/outs. It’s super versatile and ready for your axe be it guitar, bass or keys.

The Nano Overlord is switchable between two modes: Normal and Boost. Normal mode provides low to medium gain sounds and relies on three amp-like JFET gain stages. When Boost mode is engaged it’s like adding a pedal-type OD circuit in front of the JFET stages to really increase overall distortion. The pedal also features a Dry blend control which is invaluable for bass and keyboards, a 3-position input level selector switch and an active 3-band EQ.
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MRP:$103.51 SAVE 16%
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quote 751543
Cat: 560346 Rel: 30 Jan 15
 
Flanger effects pedal with true bypass for maximum signal path integrity
Notes: The new EHX NEO MISTRESS presents the lush flanging Electro-Harmonix is noted for. True to the classic Mistress, the Neo’s design adjusts the harmonic sweep to present the varied tonal density that flanging brings to musical performance. Manual filter matrix also included. Electro-Harmonix flanging takes advantage of the Feedback control to determine how much of the processed signal is fed back to the original. Always one of the sweetest modulations, the Neo Mistress presents professional flanging at a breakthrough cost.

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quote 560346
Cat: 691705 Rel: 25 Jun 18
 
Compact, affordable pedal packed with advanced functionality & eleven reverb styles
Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
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MRP:$174.59 SAVE 29%
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quote 691705
Cat: 637920 Rel: 19 May 17
 
Overdrive effects pedal with stereo I/O, input level control, independent variable boost & dry signal blend
Notes: An advanced, feature laden, stereo overdrive and distortion pedal with a broad range of options and controls. With the Operation Overlord - whether you play keyboards, guitar, bass or pretty much any electronic instrument - dialling in great drive sounds is fast and fool-proof. Active, Treble, Mid and Bass controls, a foot-switchable Boost mode and a dry blend deliver superlative sound shaping. It even features two independent channels for use with stereo setups. Whatever your rig, the Overlord is your indispensable ally.
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quote 637920
Cat: 560349 Rel: 04 Feb 15
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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quote 560349
Cat: 752466 Rel: 31 Oct 19
 
distortion & sustainer pedal
Notes: A faithful reproduction of the highly coveted 1973 Violet Ram’s Head Big Muff heard on countless classic recordings and famous guitar solos. It delivers the unmistakable articulate string separation and exceptional sustain that’s made the V2 Big Muff so sought after. Now with a few choice updates for convenience including true bypass switching, an LED to indicate effect status and the option of being powered by a 9-volt AC adapter.
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MRP:$114.73 SAVE 17%
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quote 752466
Cat: 664142 Rel: 26 Sep 17
 
Synth engine guitar effects pedal with 3 operation modes
Notes: Building on the synthesis platform of the award-winning Superego, our new Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we've added a complete effects section featuring 11 effects types, an EXP input for effect parameter control and an EXT jack for a 3-button controller.

The Superego+ is equipped with the following effects:

- DETUNE: pitch detune, EXP pedal controls pitch
- DELAY: warm, analog sounding delay, feedback is preset, EXP controls delay time up to 2 seconds
- ECHO: pristine digital delay, feedback is preset, EXP pedal controls delay time up to 2 seconds
- FLANGE: Electric Mistress style w/filter matrix, rate and feedback. EXP pedal controls rate
- PHASE: Small Stone style phase shifting with rate and depth control. EXP controls rate
- MOD: pitch-based vibrato or chorus. EXP controls rate
- ROTARY: rotary speaker style sound. Depth controls tweeter/horn balance. EXP pedal controls rate
- TREM 1: sine wave tremolo. EXP controls rate
- TREM 2: square wave tremolo. EXP controls rate
- PITCH: pitch shifting effect over a +/- one octave range. EXP controls whammy
- FILTER: resonant low-pass filter. EXP pedal controls frequency

The pedal provides enough sound shaping control to please the most sonically adventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Four foot-switchable Freeze modes: Moment, Sustain, Auto and Latch, plus a Live Effects mode where the dry signal is routed thru the built-in effects and the internal synth engine is disabled, are included.

The polyphonic Superego+ works with guitar as well as other instruments including bass, keyboards, vocals, drums, etc. and comes equipped with an EHX 9.6DC-200 AC Adaptor.
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quote 664142
Cat: 560376 Rel: 31 Jan 15
 
Advanced channel selector pedal for switching between 2 different output paths
Notes: The Switchblade+ offers a convenient solution to a player’s switching needs. Route your signal to either output A or B, or send it to both at once. Connect a tuner or effects pedal to its dedicated Tuner output. With a fully passive audio path and active LED indication, the new Switchblade+ is your utilitarian sidekick.
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quote 560376
Cat: 730043 Rel: 14 May 19
 
Deluxe switching box for electric guitar with True Bypass
Notes: The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!
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MRP:$142.17 SAVE 28%
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quote 730043
Cat: 783278 Rel: 18 Sep 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


We have reissued the original Version 1 Big Muff and it's dripping with vintage Electro-Harmonix DNA and tone. Dubbed the Triangle Big Muff because of the layout of its Volume, Sustain and Tone controls, this is the one that started it all. The new Triangle Big Muff is a faithful re-creation of the original circa 1969 circuit now housed in a pedalboard friendly, die cast chassis.

Electro-Harmonix founder, Mike Matthews, stated: "The Big Muff Pi is the pedal we are best known for so I wanted to commemorate EHX's 50th Anniversary (1968-2018) by re-releasing V1, the very first Big Muff. Original pedals are now selling for hundreds of dollars and this reissue absolutely nails that creamy, violin-like sustain and musical tone at a price a working musician can afford.
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 1 in stock $78.11
Cat: 763094 Rel: 18 Jun 20
 
preamp & DI pedal
Notes: Guitar & bass pedalboards are all about exploring new tones & textures, creating a wide range of sound for your instrument. Z-TONE Buffer Boost takes your live rig to a new level, letting you shape the sound of your instrument with the input circuits from our award-winning
AXE I/O interface.

Change the tone & feel of your guitar or bass, buffer your tone to survive even the biggest pedalboard, kick in the boost and supercharge all your existing gear with a powerful new front-end.

Z-TONE Buffer Boost offers a high-quality instrument preamp with exceptionally low noise and wide frequency response, and multiple circuit topologies to adapt to any type of guitar, pick-up and style.

Guitar pickups can dramatically change their character depending on impedance - many amps offer a load of 1 MOhms, while pedals can run much lower. That's why the tone and responsiveness of your guitar can change when plugging into different gear.

Z-TONE Buffer Boost gives you the same variable impedance control as our groundbreaking
AXE I/O audio interface, from 1 MOhm to 2.2 kOhms. At the maximum impedance, you'll find your sound tighter, sharper and more precise. Increase the load and the sound becomes thicker and more bold.

You can use this control to coax a wider range of sounds from a single guitar, experiment with how the rest of your rig reacts to these changes, or dial in exactly the right vibe regardless of what comes next in your chain.

Long cable runs, low-impedance stomps and complex routing can degrade your guitar's signal, causing muffled, bassy or lifeless tone. To ensure your signal always stays crystal-clear, Z-TONE Buffer Boost offers a transparent output buffer so you always sound your best.

And Z-TONE Buffer Boost offers a true bypass circuit, so it's completely transparent when not in use.

In addition to the "Link" amp & pedal output, Z-TONE Buffer Boost offers a balanced XLR output to connect to mixers & PAs. Skip the amp and perform direct, or mix clean and processed signals to create even more tonal options.

A switchable ground lift eliminates noise and hum caused by ground loops, and an unbalanced 14" output offers additional flexibility. Now you're ready to connect in any situation.

And Z-TONE Buffer Boost runs on a standard 9V battery, +48v phantom power from your mixer or 9V pedal power supply, so it's easy to drop onto your existing pedalboard.

Want to add killer Z-TONE tone shaping to all your gear? Check out Z-TONE DI offering the same killer features in a convenient direct box for studio and stage use.

Or check out AXE I/O and AXE I/O SOLO, IK's range of premium audio interfaces offering the same great tone-shaping features, and find out just how easy creating best-in-class guitar recordings can be.
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 1 in stock $156.92
Cat: 604546 Rel: 09 Mar 16
 
Hi Gain lead effect pedal with dedicated Level, Gain & Tone controls
Notes: A surefire hit with rockers and metallers everywhere, the Kinsman Hi-Gain Lead is built for filth!

Just plug in and set the Level, then use the Gain and Tone knobs to sculpt your sound to suit your needs. From scooped rhythm riffs to howling solos, the Hi-Gain Lead pedal is an instant inspiration when you need to inject some real grunt into your tone!
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