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Cat: 779401 Rel: 29 Jun 20
 
7" vinyl storage box
Notes: Mukatsuku branded Custom UK Made MDF wooden box for 7 inch records with metal branded logo & nameplates.Will hold up to 125 records (up to 125 x 45s in plain paper sleeves /100 in card sleeves) .Fixed together with high strength resin adhesive using 40mm screws & 25mm pins.Fixed together with high strength resin adhesive using 40mm screws & 25mm pins.

The internal/external - (approximate) dimensions are :
341/365mm length
198/222mm width
192/205mm height
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 5 in stock $38.43
Cat: 763063 Rel: 29 Jun 20
 
MIDI keyboard controller
Notes: At the core of GXP88 is a newly designed and carefully balanced keyboard action. Its 88 semi-weighted full-size keys with velocity and aftertouch deliver a nice, firm touch and great playability.

The GXP88 gives keyboard players all the right expression options needed for live and studio work, featuring pitch bend & modulation wheels, an expression pedal socket and a 1/4" TRS jack for connection of 2 footswitch pedals. The rear panel also includes a 5-pin MIDI out jack and an external power supply socket for powering the unit when not connected via USB.

The streamlined no-fuss control panel is based on the successful Nektar Impact GX-series, enabling advanced DAW integration with extended transport control, track selection and volume control as well as options to open/close DAW windows and navigate songs. In addition, GXP88's user interface also has 14 assignable illuminated RGB buttons for direct MIDI program- and bank-selection.

The new Key Repeat engine adds an intuitive real-time tool for creating inspiring rhythmic elements. Repeat is directly controllable from GXP's illuminated RGB buttons: Once the Repeat mode is engaged, the buttons allow for direct selection of Repeat Rates, Accent, Interval, Swing and routing aftertouch or modulation to velocity. When Repeat is active, the second encoder turns into a dedicated tempo control, unless synchronization is set to external MIDI clock.

In combination with Nektarine, Impact GXP88 gets powerful master keyboard functionality: Up to 16 VST or AU instrument-plugins can be loaded into Nektarine's 16 slots for simultaneous use. GXP88 brings instant patch recall to hybrid or software-based keyboard setups with direct patch control from GXP88's RBG patch buttons and the ability to define keyboard zones, layers and splits for all hosted plugins. All plugin settings and combinations can be saved in a single Multi-patch for recall at the touch of a button. Nektarine can run as VST, AU or AAX plugin in any compatible DAW or be used as stand-alone application.

GXP88 works with any MIDI software on OSX, Windows and iOS and can also be used as a standard MIDI controller for external MIDI gear right out of the box.
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MRP:$317.83 SAVE 22%
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Cat: 782214 Rel: 29 Jun 20
 
Desktop analogue modular snythesiser
Notes: Updated all-in-one desktop semi-modular system from the ever-reliable Pittsburgh Modular. Big, warm East Coast synth sound meets compact, Eurorack-compatible format. Very nice.

Supplier notes:
The Pittsburgh Modular Lifeforms SV-1b Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary Pittsburgh Filter are paired with a perfectly curated set of synthesis tools. The Lifeforms SV-1b Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

SV-1b Module Specifications:

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Enclosure Power and Specs:
Black powder coat steel construction.

Dimensions: 9 3/4" x 5 1/4" x 2 1/2"

Weight: 3.5 lbs

Power: 1.5A +15v DC power adapter

Included:
Patch Cables: 6 Nazca Audio Brand patch cables.
1/8" stereo jack to midi connector cable.
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MRP:$830.10 SAVE 17%
 4 in stock $691.74
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quote 782214
Cat: 762338 Rel: 02 Jul 20
 
Analogue synthesiser
Notes: In the spirit of continuous improvement, Moog Music is transitioning production of the award-winning Sub Phatty analog synthesizer to make way for a new standard: the Subsequent 25. Implementing upgraded sonic modifications and functional improvements, the new Subsequent 25 becomes the standard production model moving forward.

Subsequent 25 builds on the success of its predecessor by implementing the ultra-popular paraphonic functionality of Duo Mode, upgrading to wood side pieces, and featuring the familiar Subsequent series of user-requested performance adjustments.
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MRP:$1,120.51 SAVE 21%
 1 in stock $880.79
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Cat: 763066 Rel: 02 Jul 20
 
MIDI interface
Notes: MIDIFLEX4 comes in a road-worthy housing with wrap-around aluminum cover and can easily be adapted to the ever-changing MIDI connection needs in a studio or on the road. It may be used as a 1 in / 3 out, 2 in / 2 out or 4 out interface on Windows, MacOS and iOS. Setup is instant: As MIDIFLEX is USB class-compliant it requires no custom drivers. Most DAWs recognize the ports automatically and the MIDI ports become available in the music software's track routing options right away. What's more, MIDIFLEX4 automatically detects if a MIDI in- our output is connected and displays the setting with its port MIDI indicators. For even more ports, multiple MIDIFLEX units may be used at the same time.

MIDIFLEX4 can also operate stand-alone without a computer connected. In this mode, it works as a MIDI 2-1 merge or 1-3 split box. A dedicated button on the unit ensures easy switching of the modes with instant visual feedback on the 4 MIDI LED indicators.
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MRP:$62.32 SAVE 17%
 2 in stock $51.93
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Cat: 700960 Rel: 29 Jun 20
 
MIDI interface
Notes: Latest version of the mini synth that began life as a DIY kit. Simple analogue architecture which offers a good introduction to subtractive synthesis and sound design.

Supplier notes:
This project is a reprise of the Sound Lab Mini-Synth with the addition of a Sample and Hold and several circuit and component value changes to improve performance. Even if you already have a Sound Lab, this is thoroughly recommended as a completely new project.New design and a new MIDI INTERFACE onboard.

You can play your SLMS+ with a midi keyboard or midi controller.

Type: Analog Synthesis: Subtractive

Oscillators: 2 Waveforms: Pulse, Pulse Variable, Saw Down, Square Osc Modulation: Envelope, Input, Knob, LFO, Sync Hard

Envelope: 1 Evelope

Paramerters: Attack, Decay, Looping

Filters: 1 Types: 12dB Slope (2-pole), Low Pass, Resonance Filter Modulation: Envelope, Knob, LFO, S&H

Lfo: 1 LFO Parameters: Saw Up, Saw Down, Square, Triangle

Sample & Hold Addon: variable sample rate - output voltage glide - switch to select source to be modulate

Midi cannel: 1 (not exchangeable) Midi port: MIDI IN, MIDI THRU Control change: pitch bend, modulation , portamento (CC 5) 1V/Oct: 5 octaves

IMPORTANT: POWER ON SOUNDLAB WHEN YOUR MIDI SEQUENCER IS IN STOP MODE! MICROCONTROLLER CAN GENERATE MIDI SIGNAL ERROR IF YOUR SEQUENCER IS IN PLAY MODE.

Polyphony: 1 Timbrality

1 Tuning: Standard Modes: Mono

Desktop Controls: Knobs, Switches, Buttons Display Type: LED Dimension: 27 x 16 x 7 (cm) Material: Plexiglass Front panel: Aluminum (1mm thick)

Connections: Audio Output Connections: 1/4" Phone Jack, Mono Out

Power: 9V power supply 300 mA (euro) Audio Output Count: 1 Control voltage: 2 - 1V/Oct (1/4" Phone Jack/3,5 mini jack) Gate in: 1 (1/4" Phone Jack/3,5 mini jack) IMPORTANT NOTE: TO USE GATE/MIDI
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MRP:$299.14
 5 in stock $276.28
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quote 700960
Cat: 777368 Rel: 30 Jun 20
 
powered desktop case
Notes: The Soundmachines 'FMJ3 XL' is a 3U 104 HP Powered Desktop Case introducing the brand new case line. The case features a sturdy steel housing to protect power supplies and modules as well as modular mounting options to build 6U and 9U expanded setups (to be announced). The FMJ3 XL case also employs 2x850mA power rails and VESA 100mm mounting holes to construct flying desktop systems.
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MRP:$325.31 SAVE 16%
 1 in stock $273.16
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Cat: 777365 Rel: 30 Jun 20
 
synth module case
Notes: The first product of the new case line from Soundmachines.

Sturdy steel to house and protect your modules.

2x850mA power rails.

VESA mount to construct your flying desktop systems.

The Soundmachines 'FMJ3' is a 3U 84 HP Powered Desktop Case introducing the brand new case line. The case features a sturdy steel housing to protect power supplies and modules as well as modular mounting options to build 6U and 9U expanded setups (to be announced). The FMJ3 case also employs 2x850mA power rails and VESA 100mm mounting holes to construct flying desktop systems!

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MRP:$260.50 SAVE 16%
 1 in stock $218.11
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Cat: 780221 Rel: 02 Jul 20
 
Studio monitor
Notes: Larger version of Dynaudio's clever LYD series, combining DSP features with the brand's extensive analogue knowledge to create a mid-priced studio monitor with great performance.

Supplier notes:
Precision, power- and properly honest reproduction. With a pair of LYD 8s taking charge of your music, you can be assured a pitch-perfect performance.

With its 8in MSP woofer and state-of-the-art DSP, LYD 8 provides the kind of performance, precision and bass heft that dreams (and maybe hit albums) are made of. Like the rest of the range, these nearfield monitors let you tune their sound for their position in the room, feature handmade drivers, and contain advanced Class-D amps.
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MRP:$746.59 SAVE 17%
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Cat: 777383 Rel: 22 Jun 20
 
analogue monophonic synthesiser
Notes: The mid-sized option in Teenage Engineering's innovative POM range, the 170 is designed as an introduction to modular synthesis. A simple DIY build in IKEA-style flat-pack format.

Supplier notes:
POM-170 is a home-build analogue monophonic synthesizer with built-in programmable sequencer. A complete kit with powder coated chassis, keyboard, oscillator, filter, envelope, LFO, VCA, speakerbox, power distro, powerpack, a screwdriver, 8 patch cables, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

SPECIFICATIONS
1 x POM-170 Chassis
7 x Modules - M-1, M-4, M-5, M-6, M-10, M-11, M-16
1 x Battery Pack
1 x Distro
23 x Trim Knob
9 x Value Knob
8 x Audio Cable
6 x Rubber Foot
6 x Chassis Screw
1 x Screwdriver
1 x User's Manual

PSU improved to be more stable and offer longer battery life
Oscillators retrimmed to improve audio range
Speaker volume knob adjusted for intuitive control
Labelling for the output jacks on the keyboard changed to "CV 1, 2, 3" the 3 "program gate" jacks changed to "Gate 1, 2, 3" and the 3 "keyboard" jacks changed to "Keyboard CV"
Increased size of screw holes on powder coated aluminIum chassis for easy building
Standoffs come pre-threaded for quicker assembly

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-16
keyboard
keyboard+sequencer
Keyboard with individual tuneable keys and a programmable step sequencer.
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MRP:$497.31 SAVE 27%
 3 in stock $362.14
Cat: 777388 Rel: 22 Jun 20
 
home-build analogue synthesiser
Notes: Top-of-the-range model in Teenage Engineering's kit-build modular synth range. Three oscillators, all the basic synth modules you'd expect, plus built-in sequencer and speaker.

Supplier notes:
POM-400 is a home-build analogue synthesizer with 3 oscillators, noise, random generator, 2 envelopes, 2 VCA's, LFO, filter, mixer, speakerbox, power pack and a 1-16 step sequencer. A Complete kit with powder-coated chassis, 16 modules, 15 patch cables, screwdriver, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-400 chassis
14 x Modules - M-1, M-2, M-3, M-4, 2x M-5, 2x M-6, M-7, M-8, M-9, M-10, M-11, M-12
1 x Battery Pack
1 x Distro
37 x Trim Knob
13 x Value Knob
15 x Audio Cable
14 x Chassis Screw
4 x Rubber Foot
1 x Screwdriver
1 x User's Manual

Added PO-Sync output, which allows for easy patching out and into the PO series. Use this jack to sync modular tempo with any pocket operator.
Speaker volume knob adjusted for intuitive control
Level on sequencer clock out adjusted to 5v from 10v
Output amplitude on white noise adjusted so now it can trigger envelopes
PSU has been improved, it is now more stable and offers a longer battery life
Oscillators have been retrimmed, giving an improved audio range to play with
Increased size of screw holes on powder coated aluminium chassis for easy building

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-2
saw
sawtooth oscillator
Containing both the odd and even harmonics, the sawtooth is great for string types of sound. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-3
sine
sine oscillator
With no overtones the pure sine wave is a jack of all trades. From pure bass to dub sirens, it's the army knife of a modular system. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-7
mixer
3-channel mixer
A necessity in all modular systems. Three inputs, one output, with volume control over both the individual inputs as well as the master output.

M-8
noise
2 x noise
The white noise contains noise equal over the whole spectrum. The saw output is a perfect companion for the sample and hold.

M-9
rand
Randomise your music with the sample and hold. Any input is sampled and then presented at the outputs. Rate can be controlled both externally and internally, but always needs an external signal to sample. Experiment with both receptive and random sources as the sample input.

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-12
sequencer
16-step sequencer
Sixteen steps of control. Override the internal clock with the clock input. Send clock out or PO Sync out. Make it go backwards with the arrow input. Jump to the first step, the second, fourth or eight step with the reset and binary.
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MRP:$621.95 SAVE 20%
 2 in stock $495.43
Cat: 780437 Rel: 23 Jun 20
 
Series module
Notes: Erica Synths Black Pre-fade Listen Expander is a satellite module for Erica Synths Black Stereo Mixer.

Since modular performances are often about uncertainty, unpredictability and sudden filter resonance screams that can kill loudspeakers, it's good to know what is it that you are about to fade into your modular mix and this is where the Black PFL Expander comes in! You can monitor each of four Black Stereo Mixer inputs or any combination of them before mixer level knob takes effect.

NB: Black PFL Expander is designed to work with both Erica Synths Black Stereo Mixer V2 and V3. The module doesn't have a PSU connector therefore it can not be used on it's own.

Technical specifications:

Power consumption:+15mA, -7mA
Module width: 12HP
Module depth: 25mm
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MRP:$107.19 SAVE 53%
 1 in stock $50.89
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quote 780437
Cat: 780219 Rel: 22 Jun 20
 
studio monitor
Notes: The distillation of Dynaudio's extensive speaker knowledge in a compact two-way nearfield design. Bass response as low as 45Hz thanks to DSP bass extension.

Supplier notes:
This monitor uses sophisticated DSP to extend or its curtail low-frequency response by 10Hz, while Position and Sound Balance controls let you fine-tune for total neutrality in your environment. Its larger 7in woofer helps extend bass, while the low-mass aluminium voice-coil, vented ferrite magnet and MSP driver take care of precision.



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MRP:$534.71 SAVE 16%
 2 in stock $451.82
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Cat: 688736 Rel: 19 Jun 20
 
Analog semi-modular synthesiser based on Korg's legendary MS20
Notes: Channelling the Korg MS20, Behringer serve up a desktop module with attitude. Semi-modular design plays nicely with Eurorack gear to add a dose of the aggro MS sound to your rig.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard. Owning the K-2 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Your K-2 comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right!

The very heart of K-2's sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cutoff Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cutoff frequency, effectively reducing the fundamental and lower-order harmonics levels. The low-pass filter controls the level of signals above the cutoff, which reduces higher-order harmonic content. K-2's VCF Peak controls provide emphasis to the signals at the crossover frequency.

K-2's authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2's waveform can be selected from reverse-sawtooth, square, narrow pulse and ring, where both oscillators are operating. VCO 2's pitch can also be varied independently across a 4-octave range (16', 8', 4' and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects.

K-2's Low Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz - and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack and Release Time, while generator 2 adjusts the cutoff frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA). Dials for this generator include Hold, Decay, Attack, Sustain, and Release for unparalleled envelope-shaping control.

While it is a monophonic instrument (one note at a time), K-2's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

Designed to handle the rigors of life on the road or in the studio, your K-2 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.

For those who want the numbers, K-2 has 36 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand K-2's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices at virtually any point in the signal path!
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 More than 10 in stock $291.86
Cat: 688740 Rel: 19 Jun 20
 
analog synthesiser
Notes: Behringer's tribute to the ARP Odyssey is a pleasingly retro instrument. Fully analogue duophonic goodness with that classic tough ARP sound, great for bass and leads.

Supplier notes:
An ultra-affordable homage to the legendary ARP* synthesizer of the '70s and beyond with all the features of the original and then some including: dual VCOs; 32-step sequencer with onboard storage; arpeggiator and world-class Klark Teknik FX that boast reverb, chorus, flanger, delay, pitch shifter and multi-effects, the ODYSSEY lets you conjure up virtually any sound with incredible finesse and ease. With its 37 semi-weighted full-size keys, pure analog signal path based on authentic VCO, VCF and VCA designs from the '70s, the ODYSSEY is sure to become your favorite keyboard. Owning the ODYSSEY is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the ODYSSEY, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the ODYSSEY its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1970s are etched in the annals of progressive rock, disco and synth-pop music forever, making them truly classic in every sense of the word. The ODYSSEY lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

ODYSSEY's 2 voices are the product of dual analog Voltage Controlled Oscillators (VCOs), which each provide your choice of: sawtooth, square/pulse with pulse-width modulation, or sine/square wave LFO for sculpting the perfect sound. This amazing flexibility gives you the tools needed to be your creative best.

The very heart of ODYSSEY's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: Frequency; Resonance (0 to self-oscillation); and High Pass Filter (HPF) Cutoff Frequency. A feature missing from the original is a new 3-position switch, which lets you choose the VCF filter you prefer from all 3 iterations of the famous synth: 2-pole MKI (4023); 4-pole MKII (4035); and 4-pole MKIII (4075), plus a Drive switch to add a touch of edge to your sound.

ODYSSEY features two easy-to-use Envelope Generators, AR (Attack and Release) and ADSR (Attack, Decay, Sustain and Release) with 2 and 4 faders, respectively to help you craft incredible sounds. Switches are provided for ADSR Gate/LFO Repeat, AR Gate/LFO Repeat or thirdly, Keyboard Repeat/Auto Repeat - which provides a wide range of performance options.

ODYSSEY's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or in Step mode, which allows you to interact while composing the pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the ODYSSEY are fun, mesmerizing and totally addictive.

For those who want the numbers, ODYSSEY has 35 sliders, 25 switches and 3 pressure-sensitive buttons, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI In and Out over USB/MIDI DIN; Pedal; Portamento Footswitch; Low and High Outputs; External Audio In; CV In and Out; Gate In and Out, and Phones with a dedication Volume control.

In addition to the great sound-sculpting features already mentioned, ODYSSEY has still more to offer. There's the pink/white noise generator with sample & hold plus lag processor; Portamento, which lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate; and the 3 pressure-sensitive buttons for pitch and modulation control that provide a total hands-on performance. ODYSSEY is the ideal tone-making machine for creating sounds that run the gamut - from mild to wild!
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 More than 10 in stock $403.00
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quote 688740
Cat: 688722 Rel: 19 Jun 20
 
analog synthesiser
Notes: Blue version of Behringer's tribute to the legendary Roland SH-101. Classic Roland-inspired 80s analogue sound with a gorgeously squelchy resonant filter and powerful oscillator with beefy sub.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

MS-1-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

The very heart of MS-1-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

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 More than 10 in stock $299.12
Cat: 772857 Rel: 18 Jun 20
 
analogue synthesiser
Notes: The Octave Cat isn't the best known synth that Behringer have turned their attention to, but it's well worth a look. Similar in approach to the Odyssey but with an even broader sonic range, going from warm and fat to tough and edgy.

Supllier notes:
Great care has been taken in engineering the CAT, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs that come together to recreate classic tones that are evocative of classic electronic music. This highly-focused attention to detail is what gives the CAT its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads - and all the way to full on dreamy ambience from the far reaches of your imagination.

The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists.

The CAT has the ability to accept any keyboard controller via MIDI. The signals generated can be tweaked via the Pitch Bend slider which can bend a note up or down one octave. Bump this up to two octaves by flipping the Octave Shift switch up or down. Use the Glide slider to change how fast a note transitions to another; up is faster, down is slower. Combine that with the LFO Freq slider to control the LFO and ADSR repeat tempo and you can create some amazing pulsating portamentos.

The very heart of the CAT's sound is its two VCOs. The Duophonic/Paraphonic nature of the CAT allows both oscillators to be controlled independently. Use the Fine and Coarse Frequency controls to tune VCO1 to VCO2. Keyboard control on the CAT can be set to either Mono or Poly. Poly mode lets VCO1 generate the highest note played on the keyboard while VCO2 handles the lowest allowing two notes to be played simultaneously. Setting the switch to Mono mode makes VCO1 generate the lowest note depressed on the keyboard.

Waveform switches on both VCOs allow different waveforms to be patched in from the LFO. Choose between Sine, Square, Sample and Hold and even pitch modulation through each VCO. Turning the Modulation Depth knobs in either direction controls the intensity of the effect. VCO2 also comes with a Sync switch that locks VCO1 with it and has them act as one huge oscillator to produce more complex waveforms and dramatic results. Mix VCO1 into VCO2 or vice versa and the CAT can produce some really tasty tones that make themselves at home in your next synth jam.

Each VCO on the CAT comes equipped with their own waveform sliders where you can adjust the volume of each type of VCO wave form. Pump up the Sub Octave, Sawtooth, Square, Triangle or Pulse waves or mix them all together and create some truly unique tones.

The CAT comes with another set of claws in the form of a VCF filter section. Here you can get more complex and robust tones by incorporating VCO1 into the mix. Introduce more waveforms and manipulate the Q slider to emphasize harmonics and Filter Cutoff slider which acts as a low-pass filter. Turn the CAT into a really funky bass machine or an out-of-this-world synth that creates some searing lead tones. You can even create some amazing drum sounds by manipulating the VCOs, VCF and ADSR.

The CAT features a whole slew of Inputs and Outputs that expand its capabilities beyond what you can see out of the box. You can route external control voltages to VCO1 or 2, the VCF and even pump in some external line-level audio into the CAT. You can even connect the CAT to other external synthesizers through the Gate, ADSR, AR or Keyboard Outputs. The CAT's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - and it provides vastly improved reliability and stability over its 1970s and '80s predecessors.

To give the signal even more character, you can use the CAT's Transient Generator to create a detailed voltage transient every time a key is depressed. Adjust the Attack, Decay, Sustain and Release via the matching sliders and to shape your signal. The AR transient generator works similarly to the ADSR but with less detailed control over the envelope. You can also set the ADSR to automatically repeat or only when a key is held down. The Sample and Hold switch can be set so the VCO1 setting is sampled or, when set to Noise mode, produce a random output pattern. Slide the LFO Delay control up or down to determine when the LFO will reach its maximum output after a key is depressed.

The CAT has 47 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation.
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 More than 10 in stock $278.36
Cat: 688717 Rel: 19 Jun 20
 
analog synthesiser
Notes: Inspired by the amazing Roland SH-101, Behringer's MS-1 is a peach of an analogue mono synth, excelling at deep, elastic basslines but also amazing for arps, leads and FX.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BK lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BK is sure to become your favorite keyboard. Owning the MS-1-BK is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BK, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BK its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BK lets you recreate all of that magic - or design incredibly fat and original sounds.


The very heart of MS-1-BK's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BK's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BK's Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.

MS-1-BK's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BK are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BK has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BK has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BK's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BK has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.
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 More than 10 in stock $309.52
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quote 688717
Cat: 783345 Rel: 19 Jun 20
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Channelling the Korg MS20, Behringer serve up a desktop module with attitude. Semi-modular design plays nicely with Eurorack gear to add a dose of the aggro MS sound to your rig.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard. Owning the K-2 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Your K-2 comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right!

The very heart of K-2's sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cutoff Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cutoff frequency, effectively reducing the fundamental and lower-order harmonics levels. The low-pass filter controls the level of signals above the cutoff, which reduces higher-order harmonic content. K-2's VCF Peak controls provide emphasis to the signals at the crossover frequency.

K-2's authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2's waveform can be selected from reverse-sawtooth, square, narrow pulse and ring, where both oscillators are operating. VCO 2's pitch can also be varied independently across a 4-octave range (16', 8', 4' and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects.

K-2's Low Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz - and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack and Release Time, while generator 2 adjusts the cutoff frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA). Dials for this generator include Hold, Decay, Attack, Sustain, and Release for unparalleled envelope-shaping control.

While it is a monophonic instrument (one note at a time), K-2's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

Designed to handle the rigors of life on the road or in the studio, your K-2 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.

For those who want the numbers, K-2 has 36 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand K-2's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices at virtually any point in the signal path!
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 1 in stock $268.18
Cat: 762431 Rel: 19 Jun 20
 
skiff case
Notes: The EURORACK 104 was engineered specifically to protect your favorite synthesizer modules and similar 3U electronics. With 104 HP of useable mounting space, the rugged aluminum chassis with wooden end panels features 52 sliding nuts for ultra-easy positioning of your precious gear, and the oversized rubber feet ensure rock-solid stability for a wide range of surfaces. In the studio or on the road, the EURORACK 104 is the ideal way to protect your rig, wherever the gig takes you.
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 2 in stock $65.96
Cat: 762186 Rel: 16 Jun 20
 
studio monitors
Notes: The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.
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 1 in stock $310.57
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quote 762186
Cat: 762182 Rel: 16 Jun 20
 
studio monitors
Notes: Affordable entry-level multimedia speakers designed as a first step into studio-style monitoring. Clean sound and good bass response from a small design.

Supplier notes:
The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

Designed for premium sound that won't break the bank, CR Multimedia Monitors deliver the performance you expect from a Mackie studio monitor in designs ideal for home studios, multimedia creation, AV post-production and broadcast. Plus, with user-friendly front panel features and two models featuring Bluetoothr for music streaming, they are great for any desktop in any situation.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.





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 3 in stock $111.65
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quote 762182
Cat: 762187 Rel: 16 Jun 20
 
studio monitors
Notes: The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

Designed for premium sound that won't break the bank, CR Multimedia Monitors deliver the performance you expect from a Mackie studio monitor in designs ideal for home studios, multimedia creation, AV post-production and broadcast. Plus, with user-friendly front panel features and two models featuring Bluetooth for music streaming, they are great for any desktop in any situation.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.

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 1 in stock $124.64
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quote 762187
Cat: 704573 Rel: 18 Jun 20
 
Record weight/stabilizer
Notes: Slick and stylish record stabiliser to help improve sound quality and even out minor warping. Half a kilo of solid aluminium, simply place on the record and enjoy the benefits.

Supplier notes:
Titanium grey coloured no logo edition vinyl stabilizer by Sou'laes Audio.

This neatly shaped vinyl stabilizer, also known as record weight, will hold your record firmly in place while playing in a club, festival or at home. Using the stabilizer improves all frequencies of the sound greatly, especially low end and bass. It also helps a great deal in stabilizing your slightly warped records.

Each stabilizer weighs 500 grams, is milled of solid aluminium and comes with an anti-slip foam patch on the bottom to protect your record label. The box also includes a soft pouch for protecting your stabilizer from scratches.
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 2 in stock $48.81
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quote 704573
Cat: 779598 Rel: 11 Jun 20
 
mixer case
Notes: The new CTRL Case CDJ/Mixer is custom designed to hold several CDJ player or club-mixer models such as Pioneer CDJ-2000, XDJ-1000 or a DJM-900 NXS/SRT, Rane MP-2015, Allen & Heath Xone 43C etc. Crafted from a lightweight and rigid Durashock molded EVA shell it includes customizable and protective interior foam padding that can be adjusted to fit any 12"-sized CDJ-player or mixer model.

FITS: Allen & Heath PX5, Allen & Heath DB4, Allen & Heath DB2, Allen & Heath Xone 92 / 62 / 43, Ecler NUO4, Pioneer DJM-900 NXS2, Pioneer DJM-900 NXS / SRT, Pioneer DJM-800 /700 /600/500, Pioneer CDJ-2000 NXS2, Pioneer CDJ-2000 NXS, Pioneer DJS-1000, Pioneer CDJ-900 / 850 / 800, Pioneer XDJ-1000, Rane MP2015, Rane Sixty-Eight, Rane Sixty-Four, Reloop RM-80 Digital.
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MRP:$124.64 SAVE 23%
 2 in stock $95.55
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quote 779598
Cat: 768119 Rel: 11 Jun 20
 
compact mixer
Notes: Compact format audio mixer with 2, 4 or 6 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls. The B/T pairing button enables wireless connection to a smart phone or tablet for playback. All CSD mixers feature a 16 program DSP effects section with digital reverbs, delays and modulation effects for vocals and instruments. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.

The box for this item contains :

CSD series compact mixer
5Vdc power adaptor
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MRP:$148.32 SAVE 30%
 1 in stock $103.86
Cat: 768121 Rel: 11 Jun 20
 
compact mixer
Notes: Ultra-compact 8-channel mixer with two-band EQs, 24-bit digital effects and Bluetooth streaming for convenience. One of the smallest 8-channel mixers on the market.

Supplier notes:
Compact format audio mixer with 2, 4 or 6 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls. The B/T pairing button enables wireless connection to a smart phone or tablet for playback. All CSD mixers feature a 16 program DSP effects section with digital reverbs, delays and modulation effects for vocals and instruments. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.

The box for this item contains :

CSD series compact mixer
5Vdc power adaptor
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MRP:$173.25 SAVE 31%
 1 in stock $119.44
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quote 768121
Cat: 768282 Rel: 11 Jun 20
 
mixing console
Notes: Fully featured live mixing console with 14 mono mic/line inputs on XLR/jack and 2 stereo line jack inputs. All channels have gain, 3-band EQ, switchable pre/post aux output, FX send, pan, PFL switch and 60mm channel faders. Phantom power is switchable to all XLR inputs for condenser microphones and active DI boxes. Internal effects take the form of a 16-program 24-bit DSP engine with independent level fader and AFL switch for monitoring. An inbuilt media player can accept a USB memory stick for playback of stored audio tracks and can also record the mix output for documenting rehearsals or performances. B/T wireless compatibility enables pairing with a smart phone or tablet for remote playback. Global EQ is handled by a 7-band graphic EQ and the overall mix is fed from master faders to left & right balanced XLR outputs. A 2-track RCA line input has a level control for mixing in a playback source. 2-track RCA output can be connected on to recording equipment or as an additional output feed if required. Low noise and clean audio path with enough features and routing options for live performances, conferences and theatre productions.

The box for this item contains :

CSX-18 mixing console
IEC power lead
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MRP:$310.35 SAVE 26%
 1 in stock $230.57
Cat: 767536 Rel: 28 May 20
 
analogue synthesiser
Notes: Long-awaited analogue monster from Japan's Black Corporation, inspired by the rare RSF Polykobol II keyboard. Raw synth power with eight-voice analogue-based architecture. Stunning.

Supplier notes:
The unique architecture of KIJIMI features smoothly variable waveforms on each fully analog oscillator, a rich SSI2144 lowpass filter, and a wealth of deeply programmable modulators, making it one of the most powerful polyphonic analog synthesizers ever made.

KIJIMI features eight voices, each with two oscillators + one suboscillator, a lowpass filter, VCA, 6 envelopes, and 16 LFOs. A deeply programmable modulation matrix along with velocity and polyphonic aftertouch route these modulators into a variety of destinations to create anything from subtle movements in bass lines to complex, organically evolving soundscapes. Polyphonic aftertouch introduces another level of touch- controlled modulation independent to each voice, making KIJIMI a truly powerful performance tool.

Variable wave shaping of its analog oscillators is a feature unique to KIJIMI's synthesizer design. Rather than selecting a single waveform KIJIMI offers a range of waveforms from Triangle through Saw to Pulse waves, passing smoothly through every shape in between. Using modulation sources to control the oscillator waveform brings a new dimension to the sound sculpting process. Each oscillator can be modulated independently, detuned in semitone intervals and synced to each other, VCO2 can even be used to FM VCO and filter, bringing rich harmonic content to the initial tone.

KIJIMI's SSI2144-based lowpass filter is an updated version of a legendary design found in some of the most powerful analog synthesizers throughout history. Apart from being a gorgeous, rich lowpass filter for typical duties, a powerful feature found in the KIJIMI is the ability to FM the filter via VCO2, resulting in sounds ranging from atonal clangorous FX to aggressive vocal-sounding formants. The filter cutoff and resonance can be independently modulated, providing a filter section, which is far more complex than most analogue polyphonic synthesizers.

KIJIMI's two envelopes are set up in typical ADSR mode by default, but a CYCLE button can be switched on to enter a cycling trapezoidal mode reminiscent of the function generator found in the EMS Synthi. In this mode, the 4 parameters are instead used to control Rise, Time On, Fall, and Time Off, resulting in a uniquely controllable cyclic function. Each envelope also features 3 switchable speed modes ranging from fast, medium, or slow.

By default, KIJIMI features two powerful LFOs - Each with many selectable waveforms, rate, and a dedicated A/D envelope for modulating its rate on each new trigger. This means that each LFO can have its speed modulated on each new note independently of any other modulators across the synthesizer.

The modulation matrix in KIJIMI is what makes this instrument truly special: 8 destinations for each LFO, and 4 destinations for ADSR2, each with its own button to switch between Unipolar (+/-) or Bipolar modulation. Furthermore, the new firmware introduces the ability to assign different LFO settings (rate, waveform, EG and depth) to EACH individual destination. Below the Modulation Matrix are the performance modulators: Velocity and MPE- based polyphonic aftertouch which can be routed to 6 simultaneous destinations, each with its own bipolar level setting. With the ability to control filter, VCA, pitchbend, sub oscillator level, and 2 LFOs each modulating up to 8 destinations independently on each voice through your aftertouch performance, the expressive possibilities are truly limitless.

KIJIMI features full MIDI control and 10 preset banks with 128 slots including a Factory Bank and 9 user banks for storing and recalling settings.
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 1 in stock $3,790.09
Cat: 763237 Rel: 21 May 20
 
hybrid synthesiser
Notes: Limited edition version of the excellent Medusa, combining the best of Polyend's digital sequencer knowledge with a Dreadbox hybrid synth engine.

Supplier's notes:
The whole is greater than the sum of its parts.
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality. The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

64 fully responsive and customizable, three-dimension expressive pads with assignable musical scales and different layouts.
The Grid is storing 128 presets of voices, chords memory, sequences and more than one hundred modulators per step.
Choose any modulation parameter per preset for X, Y and Z pressure axis.
Three sequencing modes: step, live and incremental.
Unique musical controller, sequencer and powerful modulation source fixed in one powerful Grid.
Sequence notes, modulation parameter locks or even entire synth voice presets per step.
Separate voice, notes sequence and modulation randomizer onboard.
All the necessary Grid information is given on a crispy OLED display.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.
Seems like a simple addition, but this fusion brings something that has never been available before.

You like it digital
or prefer analog?
Medusa has it all.
medusa
Three synchronizable analog oscillators with the choice of four classic wave types for each of them.
One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP).
Frequency modulation separately for analog oscillators and filter.
Analog noise generator with colour shaping.
Three digital wavetable oscillators with a choice of 64 morphable wavetables.
Three different play modes: monophonic, semi polyphonic x3, semi polyphonic x6.
Audio input lets you use the power of Medusa sound engine with external audio sources.
Second OLED screen to display all necessary synthesis data.
Independence. Times ten.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control.
Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign.
Mixer for all seven paths of independent analog, digital and noise voices.
Separate volume control for headphones and master audio outputs.
Implemented MIDI protocol with bi-directional USB and DIN input, output and through. MPE compatible controller.
Sustain notes using the Drone mode. Transpose the running sequences.

The build.
All that analog and digital functionality merged in a one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.

Once you start, you can't stop.
It's all about innovation, revealing new quality and ideas in music. Medusa Hybrid Synthesizer materialized from the genuine passion and a firm relationship between Dreadbox and Polyend synthesized in the proper way. At first, there was a desire to add a simple sequencer and preset functionality to the famous Dreadbox analog synthesizer. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time. Careful, Medusa might be dangerously absorbing and can drag you in for a long time.

Medusa Black Limited Edition
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams an unusual approach to integrating analogue and digital domains into a new quality.

Colourful knobs included in every purchase.
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MRP:$746.59 SAVE 15%
 More than 10 in stock $633.58
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Notes: Teenage Engineering go DIY with this kit-build CV/MIDI keyboard, designed to play nicely with Eurorack gear, Pocket Operators and the brand's own modular range.

Supplier's notes:
The POM-16 is a home-build stand-alone keyboard with individual tuneable keys and a programmable step sequencer.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: The unit is designed to send CV, Gate, MIDI, and PO Sync to control the POM-400 or other synthesizers. These signals do not make sounds.

FEATURES
Powder-coated Aluminium Chassis
Keyboard and Sequencer
Stores up to 64 patterns
Battery power option
Power supply sold separately
Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm
Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-16 chassis
1 x Keyboard
16 x Trim Knob
1 x Value Knob
4 x Rubber Foot
4 x Chassis Screw
1 x Screwdriver
1 x User's Manual
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MRP:$248.03 SAVE 24%
 6 in stock $187.99
Notes: White version of IK's clever MTM monitors, which use digital signal processing to analyse your room and ensure the flattest possible frequency and phase response.

Supplier notes:
IK Multimedia has added a white colour option for its iLoudr MTM, a compact reference monitor designed to deliver pristine sound and unprecedented accuracy for the modern professional and home studio. It provides innovative features not found elsewhere, and sound quality that rivals monitors several times the price.

iLoud MTM delivers unsurpassed accuracy, power and bass, 100W RMS power, and a class-defying 40 Hz to 24 kHz frequency response for a "firm", balanced and defined low end, to surpass the sound of speakers twice its size.

IK's advanced DSP expertise was leveraged to offer an ultra-flat frequency response, but more importantly, a truly linear phase response - a premiere feature in this price segment available only on a handful of products costing considerably more. This provides a natural, true-to-life sound made possible by IK's advanced DSP expertise.

The symmetrical MTM (midrange-tweeter-midrange) design provides point-source performance for superior imaging, even at close distances, so users can create mixes that will translate across multiple playback systems, with no ear fatigue. The design's exceptional, controlled sound dispersion enhances the transparency and neutrality by minimizing the impact of room acoustics, for truer monitoring.

iLoud MTM also offers one-touch, acoustic self-calibration derived from IK's award-winning ARC System, with an included reference microphone to easily adjust to any room's acoustics.

Additional features include: 103dB SPL maximum sound pressure; Audiophile-grade, high resolution algorithms and top-of-the line A/D converters; Off-axis response management to minimize the effects of room reverberation; and IK's patent-pending Physical Response Linearization (PRL™) system that corrects the system's performance in real time.

iLoud MTM also comes with a tilting isolation mount that adjusts from 0- to 20- for a wide range of setups, a rubber base for horizontal shelf-placement, and a bottom thread for mic stand mounting.

Incredible accuracy and transparency, deep and defined bass, precise stereo imaging at any distance, and automatic room calibration - all in a monitor that's small enough to fit on any desktop - make iLoud MTM deal for nearfield work or as a workhorse monitor in a home or project studio.
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 4 in stock $314.69
Cat: 776325 Rel: 18 May 20
Notes: This vinyl case can hold up to 40 12 inch LP's with a sturdy handle and reinforced steel corners for durability, your vinyl's will be completely safe in this case constructed from aluminium, steel and wood with a fully lined interior.

Stylish black finish with a strong latch keep your vinyl collection in pristine condition and transport them in style.
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MRP:$43.62 SAVE 33%
 More than 10 in stock $29.08
Cat: 775095 Rel: 12 May 20
 
music software
Notes: The award-winning music production software just got better. Steinberg Cubase Pro 10.5 is the most comprehensive version of Cubase 10.5, providing a wide range of exclusive audio tools, effects and virtual instruments.

Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 2 in stock $288.74
Cat: 776173 Rel: 14 May 20
 
synthesiser & sequencer bundle
Notes: Nicely priced bundle of Toraiz Squid sampler and AS-1 analogue synth, designed to hook up neatly with Pioneer CDJs and controllers.

Supplier's notes:
This package includes:
1x Pioneer TORAIZ AS-1 Synthesiser
1x Pioneer TORAIZ SQUID Sequencer

Pioneer TORAIZ AS-1 Analog Synthesiser:
The second musical instrument in the TORAIZ range, the AS-1 is a monophonic analog synthesizer that brings new creative possibilities to the studio and the stage. Its intuitive controls include parameter knobs that let you make both subtle and dramatic changes to the tone of your music to create your own personalised sound. Plus you can use the touchpad-style keyboard and slider to manipulate sounds during performances.

The TORAIZ AS-1 is driven by a fully programmable, true analogue synthesis engine based on the discrete analogue circuitry in Dave Smith Instruments' Prophet-6 synthesizer. It also inherits 7 on-board effects from the Prophet-6 synth as well as a brand new digital distortion. Working closely with Dave Smith himself, the results are a synth that produces powerful analogue sound. The TORAIZ AS-1 is an ideal addition to the setups of professional and aspiring producers.

The AS-1 is based on the same analogue filters as Dave Smith's renowned Prophet-6 synthesiser. It has 2 voltage-controlled oscillators (VCO) with continuously-variable triangle, sawtooth, and pulse wave shapes. Sculpt your sound using the 2 voltage-controlled filters (VCF), a 4-pole, resonant low-pass filter that can self-oscillate, and a 2-pole, resonant high-pass filter.

Use the TORAIZ AS-1 to create one-of-a-kind sounds using 2 VCOs, 2 VCFs, and VCA, 2 EGs and 1 LFO, then save each sound and its parameter settings as a program so you can instantly access it later.

The inspiring 495 preset programmes each have a different sound and 64-step sequence that can be edited separately. You can also save up to 495 of your own programmes in the 5 user banks.

Be creative with the Prophet-6-derived dual FX engine and use a single effect or pair 2 together to add extra texture to your sounds. FX includes Bucket Brigade Delay, Distortion, Ring Modulation, Chorus and Maestro Phaser.

The TORAIZ AS-1 will make sure your performance is in perfect harmony as you perform the sounds you create with the touchpad keyboard or change the notes assigned to the keys with Scale Mode.

Add dynamic changes to your performance by using the slider to manipulate.

Pioneer TORAIZ SQUID Sequencer:
Unlock limitless creativity with the SQUID multitrack sequencer. Part of the TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Have fun creating phrases by tapping the 16 multicolored LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.
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MRP:$1,083.12 SAVE 17%
 2 in stock $902.61
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quote 776173
AKG
Cat: 761994 Rel: 12 May 20
 
Bluetooth studio headphones
Notes: Great all-rounders from AKG, designed primarily for studio use but serving double duty as everyday headphones thanks to built-in Bluetooth streaming. Great sound and clean, stylish design.

Supplier's notes:
Whether you're an artist, engineer, podcaster, video editor or content producer, you're always in creative mode. AKG K371-BT Professional Studio Headphones strike the perfect balance between studio-quality sound, Bluetooth functionality, plush comfort and a sleek, sturdy design that stands up to your mobile lifestyle.

K371-BTs are precision-engineered to match AKG's Reference Response acoustic target to reproduce natural, balanced audio in extraordinary detail, so you can make more confident decisions when you're mixing and editing. They deliver deeper bass and higher highs than any other model in their class, with a stunning frequency response of 5 Hz to 40 kHz. K371-BTs offer the convenience of switchable Bluetooth wireless and wired connectivity; a built-in microphone allows two-way Bluetooth communications. Plush, ergonomic earcups cradle your ears in supreme comfortibecause once you hear how amazing your K371-BTs sound, you won't ever want to take them off.
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 2 in stock $158.90
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quote 761994
Cat: 762185 Rel: 12 May 20
 
studio monitors
Notes: Beginner-friendly multimedia monitors offering punchy, clear sound at an affordable price. Good entry-level option for anyone starting out working with audio.

Supplier's notes:
The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

Designed for premium sound that won't break the bank, CR Multimedia Monitors deliver the performance you expect from a Mackie studio monitor in designs ideal for home studios, multimedia creation, AV post-production and broadcast. Plus, with user-friendly front panel features and two models featuring Bluetoothr for music streaming, they are great for any desktop in any situation.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.
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 2 in stock $177.61
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quote 762185
Cat: 762122 Rel: 11 May 20
 
in-ear monitors
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-120 houses a single large dynamic driver. This is a high-quality component chosen for its ability to supply plenty of bass without sacrificing high-frequency articulation and vocal detail. This model offers a balanced sound that performs great across the entire spectrum.
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 1 in stock $133.99
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quote 762122
Cat: 762125 Rel: 11 May 20
 
in-ear monitors
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-220 steps up the count with two dynamic drivers in each monitor. In addition to offering cleaner performance at higher levels, it allows the monitor to achieve higher efficiency evenly across the entire frequency range. Because you have twice the drivers taking care of the same job, they can resolve details and nuance in the sound much better, this also means increased bass which dynamic drivers are particularly good at.

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 1 in stock $175.53
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quote 762125
Cat: 762126 Rel: 11 May 20
 
in-ear monitor headphones
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-240 keeps the same driver count but reaches the next level of detail and clarity thanks to its hybrid configuration. Instead of two dynamic drivers like the MP-220, this monitor swaps one out for a balanced armature driver and a custom crossover that splits the frequencies between the two drivers.

Hold on just a second, what does balanced armature mean?

This is a unique type of driver that is ultra-compact and offers incredible efficiency especially with mid to high frequencies. To keep the ample bass response while enhancing the clarity, we went with the hybrid design for the MP-240. This is the perfect combination. Punchy, accurate bass and beautiful mids and highs.
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 1 in stock $186.42
Cat: 762128 Rel: 11 May 20
 
in-ear monitor headphones
Notes: Mackie MP BTA is a Bluetooth Adapter - Replace the cable on your MP Series IEMs for untethered listening freedom.
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 1 in stock $82.05
Cat: 775077 Rel: 12 May 20
 
music software
Notes: Full version of the latest Cubase release. One of the longest established and most popular DAWs, still a superb choice for making any type of music.

Supplier notes:
Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 1 in stock $459.81
Cat: 775097 Rel: 12 May 20
 
music software
Notes: Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 2 in stock $253.08
Cat: 775100 Rel: 12 May 20
 
music software
Notes: Cubase is one of the most powerful music creation software packages in the world. With it's unrivalled range of flexible tools, you can create any kind of music quickly and intuitively. It comes packed with a wide range of virtual instruments, effects and thousands of sounds.Whether you're a professional composer or a music production beginner, Cubase provides you with everything you need for turning your ideas into music.
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 1 in stock $82.19
Notes: Mukatsuku branded high-quality stainless steel 45 adapter to improve the stability/durability of dinked vinyl 7'' records.

This version features the Mukatsuku brand as a straight logo on top of the adapter

Weight: 160g
Hight: 25mm
Diameter: 38mm
Material: Stainless steel
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 2 in stock $14.02
Notes: The bundle PODCASTER-1 is the perfect entry-level set for your first very own home recording studio. With the USB recording interface MX-1IO, the high-quality large diaphragm condenser microphone ECMS-70 as well as the matching microphone pop filter KM-23956 from Konig & Meyer, the PODCASTER-1 stands for real plug and play: setting up, connecting and getting started straightaway.

Components: 1 x ECMS-70, 1 x KM-23956, 1 x MS-12, 1 x MECN-200/SW, 1 x MX-1IO

Recording bundle for podcasters, consisting of:
1 x large diaphragm condenser microphone ECMS-70
1 x microphone pop filter KM-23956
1 x microphone floor stand MS-12
1 x XLR cable MECN-200/SW, 2 m, NEUTRIK connectors
1 x 1-channel USB recording interface MX-1IO
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MRP:$218.12 SAVE 29%
 1 in stock $155.79
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quote 774602
Cat: 778146 Rel: 05 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
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 1 in stock $165.14
Cat: 761833 Rel: 05 May 20
 
Portable USB MIDI & gate hub
Notes: Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
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MRP:$180.73
 More than 10 in stock $175.53
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quote 761833
Cat: 779296 Rel: 05 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
Read more
 1 in stock $164.95
Cat: 781667 Rel: 01 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Brilliant new complete system based around ALM classics like Pamela's New Workout, Squid Salmple and Quaid Megaslope. Brilliantly creative setup. Full review coming soon.

Supplier's notes:
The system coupe is a modern modular groove box combing both digital and analog technologies. It features various sound sources, innovative pattern creation and sequencing, modulation, sampling, processing and integration with external equipment.

Use the Coupe as a creative tool to sketch new original musical ideas and phrases, an enjoyable persuit to take on travels, a flexible instrument for live sets or imaginative first, or ongoing steps into modern modular synthesis. The System Coupe works great on its own or in partnership with your existing set up.

The Coupe consists of a powered case populated with a curated set of ALM modules - some new, some staples, some proven classics - all very functional and fun. All the modules are special editions, with grey panels, white screens, magenta and blue knobs and a custom powered compact aluminium 84hp case.

At the core of the system is the Squid Salmple, a powerful sampler capable of the recording and playback of up to 8 channels of both audio and CV. It can be used simply as a percussive voice but is extremely flexible as a sampler. Take advantage of its flexibitliy to create polyphonic voices, a super controlled delay or even a CV sequencer.

The Squid Salmple comes with an extensive royalty free sound library of over 700 carefully curated samples created specifically for the module.

The system's VCO is the small but mighty MCO, a morphing wavetable oscillator with 3 simultaneous outputs. It features a normal wave output, octave down sub oscillator output and a special pulse width modultion wavetable output. There are 4 PWM types which can be applied to all 10 wave shapes.

The four transparent & clean summed VCAs of the Tangle Quartet allow you to mix, shape and route audio from these sources. The MCF multi mode filter allows for further sculpting with 3 simultaneous outputs under full voltage control.

The Coupe features 3 new modules available for the first time as part of the system; the Milton, the MCF, and a basic mult, all designed primarily with the Coupe in mind.

The Milton is a utility module that provides amplication for external line level sources, a 1 in 3 out buffered mult, an attenuator and 4 input fixed gain mixer. It was designed specifically for the Coupe system - providing some very useful functionality on a small space.

The MCF is a classic analog multimode filter with resonance featuring hi, band and low pass outputs wth voltage control of both frequency and resonance. It can be used as a sine wave oscillator at higher resonance settings with v/oct tracking over pitch.

The basic mult allows signals to be duplicated to multiple destinations.

The classic Pamelas NEW Workout & Quaid Megaslope provide numerous sequencing and endless modulation oppertunities.

Pam is a staple in the Eurorack world. Use for synced triggers, gates, envelopes and quantised CV sequences all rythimcally synced to a core BPM. Patterns can be based on euclidean rules, then looped on beats for a repeating structure or not, if preferred.

The Megaslope can be used as an advanced multi stage envelope, an LFO and step sequencer with programmable slides. The sequencer is limited to 5 stages but when combined with Pam's flexible CV and gate outputs it is capable of great variation. Unlike many sequencers, the level of each step and slide times may be voltage controlled.

The mmMidi and expander provide the means for more convenetial Midi sequencing and can fully drive the system with multiple CV, gate and trigger outputs.

The adventurous types may even want to sample CV patterns into the Squid Salmple for playback and saving to the USB memory.

Included modules:

ALM023 / mmMidi & mmT expander
ALM017 / Pamela's NEW Workout
ALM020 / QUAID MEGASLOPE
ALM027 / MULT NEW!
ALM022 / SQUID SALMPLE
ALM024 / Milton NEW!
ALM021 / MCO
ALM025 / MCF NEW!
ALM009 / Tangle Quartet
ALM019 / HPO
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 1 in stock $1,872.44
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