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Singles
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Review: Drumcode supremo Adam Beyer has become increasingly more prolific in recent years, signalling a creative renaissance that recalls the undoubted quality of his work in the late 1990s and early 2000s. His first outing of 2024, which follows a quartet of EPs last year, is predictably strong and packed to the rafters with future Drumcode anthems. Fittingly, he starts with 'Let's Begin', where mutilated vocal loops, mind-mangling rave noises and unsettling melodic motifs dance atop a typically thunderous and breathless big room techno groove, before opting for a dirtier, acid-flecked groove, metallic noises and sped-up hip-hop vocal samples on 'Computerized' (hip-techno anyone?). To round things off, he goes darker and denser still on the loopy techno power of 'Red Room', which pleasingly also boasts the same Aisha vocal sample as the Orb's 'Blue Room'.
… Read more! low stock $15.04
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Review: The big room techno don that is Adam Beyer is back with more potent techno weaponry on his own Drumcode label, this time with part two of the 12th volume of his A-Sides series. His 'Take Me There' is first up in remix form and Carl Cox flips it into a surging peak time roller. Matt Guy's 'Give Me What I Want' is an emotive banger with big synth energy and reverberating vocals while ADHS's '2STEP' hits hard with its flaming drums and trance-y synths. Kaiserdisco then brings dark, stomping warehouse energy to their raved-ready 'Get On The Dancefloor.'
… Read moreIntérprete: Juno Recommends Techno
in stock $15.04
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Review: Casino Classix is one of several aliases for legendary minimal man Baby Ford. Here it is also the name of a four-track EP that finds the long time UK underground operative working alongside fellow British techno luminary Mark Broom on a quartet of devastating cuts. 'Ringer' opens up with some dark and nimble baselines darting about beneath a dense layer of percussion and FX. 'Hoppa' is then a more precise and minimalist cut with wonky bass snaking down low beneath the icy hi-hats and jumbled toms. There is a warm dub depth to 'Hot Pot' to kick off the flip and 'Beach Club' shuts down with a restless mix of synth daubs and deft percussion over an ice cold groove.
… Read moreIntérprete: Juno Recommends Techno, Juno Recommends Minimal Tech
in stock $15.04
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Review: Strap in for another rollercoaster ride through the Drumcode tech-scape as we get an authoritative workout from four essential new talents. First up is Mha Iri, whose 'Bel' centres around a catchy vocal hook and darkly seductive synth snarls, before Marco Faraone nods back to some classic Wildchild and locks it to a steely pulse. Balthazar & JackRock offer up something epic on the B-side with the towering electro house synth touches of 'Andromeda', and LO'99 links up with Ray Foxx to round the record out with the playful vocal hiccups and undulating big room groove of 'Skydance'.
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Review: Quite how this 12" on FXHE from the unheralded Tom Bugs came about isn't clear, though we'd like to think Omar S got chatting to the Bristol based producer and builder of Modular synths over a pint of Guinness in a Stokes Croft pub before a gig. Whilst few people would fancy the unenviable task of following up the huge recent LP from Omar S, Bugs shows enough ingenuity on this Living Leaving 12" to make him a perfect fit for FXHE. Nestling in at the dubby end of the FXHE spectrum, like a sleepy eyed Luke Hess, both parts of "Living Leaving" demonstrate that Bugs mastery of obvious modular synths is also blessed with an innate understanding of lo-fi melodics. Indeed there's a freeform sense to how they unfurl which hints that Bugs committed these straight to tape. Another fine FXHE transmission!
… Read moreIntérprete: Ekoplekz, Bantam Lions
in stock $15.04
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Review: Of his newly inaugurated eponymous imprint, Finnish producer Bjarki says it was the logical progression for him to share ideas and be in direct contact with his audience, releasing tracks created specifically for parties he plays at. BJARKI will also serve as a creative platform to launch a wealth of forthcoming audiovisual projects, so stay tuned. 'I Wanna Go Home' may be tongue-in-cheek but be warned: it is one serious banger of a track, and equally as playful is steely warehouse techno epic 'Woo!' up next. Turn over and the tracks take a more serious turn, best exemplified by the strobed-out hypnotiser 'Electric Ppl'.
… Read moreIntérprete: M50
in stock $15.04
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Review: Two right legends of techno unite here for the latest release on Drumcode. Label chief Adam Beyer presents 'Restore My Soul' featuring Chicago hard techno veteran DJ Rush, their relationship stretching back nearly three decades from when they both started out in the' 90s. The title track is aimed squarely at the main room dancefloor; a seething, mental groove featuring Rush's stern vocal delivery atop, before taking the energy levels into the peak time on the adrenalised thrasher 'Control'. Over on the flip, you are treated to a rework of the title track by DJ Rush himself in his typically stomping and orotund style.
… Read moreIntérprete: Juno Recommends Techno
in stock $15.04
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Cat: INNT 003. Rel: 25 May 23
Techno
Review: It's rare that more than four artists feature on a single EP, but Berliners Inner Tension have brought that number to five with their latest. Made up of artists who've rubbed shoulders with the likes of Semantica, Spazio, Disponsibl and Pole Group, 'Are We All Alone Or Just Overwhelmed?' sees label boss Blazej Malinowski collaborate with many a fellow producer on the label. It's a steamy deep techno slice-barrage, evidencing a command over minimalism, calm and serenity few others can convey well through the same media.
… Read more in stock $15.04
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Review: Upstairs Asylum Recordings is one of the many seminal Detroit labels run by local legend Norm Talley. It's right in the middle of a busy run right now with no fewer superb run with three new EPs all dropping in quick succession. This one is a split EP with US duo Solid Gold Playaz taking care of the a-side. As always with this pair, their sounds are deep and dusty house with exquisite melodies tugging at the heart. On the flip, Gari Romalis steps up with the slick percussive skip of 'Detroit After Dark' then 'Panties' from Brian Neal brings jacked up analogue groves that lean into techno with a big fat bassline.
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Review: Techno team-ups don't come bigger than this, as Drumcode's overlord of all things mega-tech Adam Beyer links up with Chicago's agent provocateur Green Velvet to give you your next stadium shaking anthem. This isn't the first time Beyer and Velvet have worked together - you could find them on the 2018 track 'Space Date' for one thing - but there's a sense 'Simulator' will become their calling card as a formidable double act. It's simply huge, catchy as hell and full of all the fireworks you could wish for from a super-sized techno workout, all guided by Velvet's unmistakable voice ducking and diving around the expertly engineered mix.
… Read moreIntérprete: Juno Recommends Techno, Rave Energy
in stock $15.04
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Review: Remco Beekwilder's vision in techno is an emotive one, much like the expression depicted on the front cover of his latest 'Stronger Than Fiction' EP: maddened, mummified, intense. His latest for his usual Dutch hangout Emerald hears five crazed hard techno bits tank away into oblivion, the highlights being the phased-out 'Mutual Manoeuvre' and the grittily underwater 'Guardian'.
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Review: Drumcode's Elevate series hits a third instalment here and this time it is a three tracker with solo cuts from three big names. Tini Gessler kicks off with 'Nothing Expected' which is a teeth-gritting and white knuckle techno roller. Marie Vaunt serves up monstrously large and slamming kicks on 'Technology' and then runs them through with brutal synth lines that spray about with their own dark energy. It's a truly edgy cut before BEC's 'Humanoid' layers up hard tech drums that slam down firmly with a warped lead which leads you late into the night. A trio of high impact weapons, for sure.
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Review: Hybrid Collective is a new label set out to bring together all forms of electro. The first release is a powerful statement of intent that draws together a crack team of sonic explorers who are all hell bent on blowing up the dance floor. The brand of extra the opener explores is industrial and mechanical, with Kim Cosmik's 'The Ascent' twisting metal and contorting synths into a ragged rhythm. The Droid's 'Upgrade' is a more futuristic blend of cyborg funk and Broken Joe's 'Fallen Crane' is full of spooky lines and jittery rhythms. Ekata's 'Dark Drive' rounds out with a straight ahead banger.
… Read more in stock $15.04
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Review: A label's first release is always a big one which hints at what to expect in the long term and for that reason Introspective debuts with this new five track compilation. They say that "Instinctive Senses is a compilation focusing on precise and cutting sonorities." We say it is a fresh techno offering with plenty of interesting details. Grafin drops 'Vespers' which is tightly looped and quick as hell then SDB & B2 get more dark, heavy and gritty on the twisted 'Reunite.' The flip side kick off with more rough and ready hard edged techno from Specific Objects, sleek tribal loops from Versus on 'Those Things' and Nano Rinnegato gets paranoid and revs up the sirens on 'Ghetto K.'
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Review: Paul Bailey, known as Damage, proffers his sonic take on the concept of what damage is and could sound like in the abstract. Like a giant piston hurtling at us, and repeatedly crushing us from above, we're thrown menacingly into the sniffly wiggles of 'Hadal Zone' and the reinterpretive work of the likes of James Ruskin and Makaton. It's a worthy addition to the Brummy techno canon, and should be noted for its unique wonk-tech veer.
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Review: Gavin Harris, otherwise known as Eli Brown, has been on the fast track to the premier league, big-budget stadium tech over the past five years, snapped up by Skream on Of Unsound Mind, Toolroom Records, Moon Harbour, Alan Fitzpatrick's We Are The Brave, Lee Foss' Repopulate Mars - the list goes on. After delivering a four-track EP to techno industrial mega complex Drumcode last year, he's back with a not-so-subtle reinterpretation of LFO's iconic bleep techno 'Freak', originally released in 2003 on Warp. If you're craving a smoothed out, reliably rolling version of Mark Bell's masterful, mind-twisting original, look no further.
… Read more in stock $15.04
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Review: Adam Beyer's notable techno label Drumcode seems to be as busy as ever of late. The label here rolls out a fourth part of its ongoing A Sides series, which is now up to volume 12. Though the Swede himself doesn't feature, some of his trusty sidemen do starting with Chris Avantgarde who brings big room, hard techno energy to 'The Last Time'. Bry Ortega keeps it just as intense with the machine-gun like synth fire of 'Discover 9', Massano brings some brighter synth loops to the stomping 'Betraya' and Spektre shut down with a mix of hardcore, trance and techno potency on 'Too Far Gone.' Some great DJ weaponry here, for sure.
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Review: Raton has grown to be a quite an integral part of Drumcode as well as the underground at large and now after previously working on the likes of Ellum Audio he finds himself in the studio with techno bigwig, Adam Beyer. The pair cook up two versions of the same cut here. 'The Signal' (Night mix) is a dramatic cut with an epic baseline and space-age synth craft over chunky drums that are constantly on the rise. 'The Signal' (Day mix) is a much more melodic and light cut but has just as much low-end heft. Both of these tunes give you an insight into how big name DJs like this see techno working in different settings.
… Read more in stock $15.04
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Cat: DCX 004. Rel: 24 Jan 23
Techno
Review: Here's a big old belter on that biggest of techno fortresses, Drumcode. On this two-track slammer, Adam Beyer and Bart Skils' monster track 'Your Mind' gets revisited by New York up and comer Charles D. After releases on Say What? and Pryda, D is able to show off his skills twice over, on the A-side living up to the billing of the 'Epic mix' of 'Your Mind' by bringing in the big, swelling pads that can fill a stadium and get hands raised aloft. On the flip, the 'Acid Line' version unsurprisingly brings a little 303 action into the mix, and makes sure the undercarriage is a thunderous juggernaut of supersized techno.
… Read moreIntérprete: Juno Recommends Techno
in stock $15.31
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Review: Adam Beyer seems to be in a superb run of late and this is his second vinyl outing in as many months. Desert Queen is pure Beyer, and pure Drumocde - drum-led techno for the main room with sweeping synths and grand vocals that are designed to impact crowds of thousands. The A-side actually brings a touch of trance energy and hard techno funk with its slamming, flat-footed drums, coarse synths and brightly lit arrangements. 'Soulful' then flips the script with a more funky groove that rocks back and forth and has funky basslines and a pitched up r&b vocal that works strangely well in the unusual context.
… Read more in stock $15.31
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Review: On this latest drop on EPM, the steadfast UK techno label welcomes steadfast UK techno titan Mark Broom for a collaboration with Australian in Berlin Patrik Carrera. The result is four slices of no-nonsense jackhammers from two experts in the field, leading in with the edgy loops and bludgeoning kicks of 'Kos' and neatly stepping over to the shoulder-shaking pressure of 'ZZZZ'. 'Track 4' features one of those deadly chord stabs which just lands squarely between the eyes, while 'F9' rides the cymbals mercilessly and keeps an abundance of funk in the low end - pure dancefloor dynamite in action from two well-versed detonators.
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Review: The Partout label turns its attention back to its UK series with a fine four tracker here from Bufo Bufo. The whole thing is steeped in UK sounds with elements of rave never far away. 'Fata Morgana' has a dumpy beat that swings from one foot to the other while old school stabs light up the track from above. 'Hidden Key' ups the ante with a more hard hitting groove and more old school motifs, this time in the bass. 'Two Minutes To Midnight' is the waviest of the lot with sirens going off, rinsing breakbeats and turbo charged bass going deep. 'Elephant's Toothpaste' then cut up a more lumpy groove with bleeps and pulses making it a soothing groove for 5am.
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Review: For his first outing of 2019, Adam Beyer has turned over the parts to his 2014 single "Teach Me" to Belgium's first lady of banging, acid-fuelled techno, Amelie Lens. She subsequently serves up two throbbing, peak-time ready revisions, with the A-side "Main Mix" offering a near perfect blend of booming, kick-drum driven beats, military snare fills, cut-up late night vocal samples and distorted, mind-altering riffs. As the title suggests, the flipside "Acid Remix" sees Lens indulge her love of mind-altering TB-303 acid lines, brilliantly wrapping them around a springier drum track, EBM-influenced melodic motifs and more pulsating, manipulated vocal loops.
… Read moreIntérprete: Emika
in stock $15.31
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Review: Some serious peak time weapons for the main room on offer here, from the ever reliable Swedish label Drumcode. Usual heroes of the label such as Luigi Madonna, Sam Paganini and Joseph Capriati step aside for some other equally reliable staples. On the A, side label boss Adam Beyer teams up with Enrico Sangiuliano on the evocative and life affirming "Preset Heaven" which takes its cues from early trance with its amazing chord progression. It is something more typical of the label next, on the pummelling warehouse stomp of "Muzik" by Bulgaria's Timmo. On the flip, there's more trance nostalgia on offer again - this time from legends Pig & Dan on the hypnotic/melodic bliss of "La Bruja" which we could imagine melting the minds of festival crowds well into the new year. Finally they save the best for last with French peak time specialist Julian Jeweil, serving up the furious, tunneling and strobe-lit ultraviolence of "Nasa" which will have your adrenaline going from the first beat. It has been a stellar year for the powerhouse label, with great releases by Moby, Dubfire and newcomer Layton Giordani.
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Review: Drumcode's main brain Adam Beyer hardly needs any introduction, but newcomers to the label might be surprised that his outfit has its sights set on putting out single-sided releases at the minute. 'Legend' is Beyer's kick-off for 2023, following up the completion of his own home studio with an inspired production run. An ascendant fast-build to sublime ecstasy, the track characteristically locks into a deep arpeggiated saw line at its drop; an example of Beyer flaunting his ability to juxtapose massive pre-drop space with post-drop minimality.
… Read moreIntérprete: Juno Recommends Techno
in stock $15.31
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Review: The Dutch techno veteran Bart Skils is back with another impressive release on the mighty Drumcode. 'Horsepower' is a relentless peak-time techno track that is sure to captivate dance floors and have the crowd moving with its chugging energy. It builds steadily, leading to an epic breakdown before unleashing the full power of its steely groove, making it perfect for those heads-down moments in the main room. On the B-side, 'Sunshine In The Dust' takes a more straightforward and functional approach with its variety of female vocal parts, catchy bongo drums, and a sexy horn sound. It's a groove-driven track that is both sultry and infectious.
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Review: French purveyors of the dance, Baraka, do neat justice to their name (you should make a priority of seeing the psychedelic-trip-of-a-film, the label's namesake, if you haven't already) with a fresh four-tracker in the realm of cheeky, aquatic trance-dance. Summoning four local producer/DJ entities for remix duties, two per side, this is a high-concept, well-executed EP drawing on both Apollo-era electrance and tribal geometry tunnel-dives. Von Riu's closing tune is our highlight.
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Review: With a career reaching back some 20 years, Bart Skils has remained committed to the art of the techno 12", with not a single album to his name. Instead, his focus has been on a staggering hit list of legendary labels from Pure Plastic to 100% Pure, Break New Soil, and since 2012, primarily Drumcode. As part of Adam Beyer's core contingent he's played a major part in shaping the sound of the label, and so he continues on this exemplary two-tracker. 'Roll The Dice' is a muscular yet lean workout for the bigger kinds of spaces, playing around with some monotonal vocal threads and laying down the b-line throb you expect from a Drumcode A side. The flip offers something a little different as 'Into The Clouds' takes some looped guitar licks as a vessel for transcendence, atop a steady trucking techno undercarriage, of course.
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Review: Bart Skills is a veteran techno producer and Drumcode is a veteran techno label, but neither shows any signs of age here with Weska also joining in for a pair of highly potent and weaponised new cuts. They take up one side each and first is 'Something More' with its sweeping blasts of white noise, factory floor sound effects and unrelenting drums that will demolish any dancefloor. 'Palm Strings' then carries on the party with a more stripped-back sound initially, but eventually, the rising synths take over as the gritty drum loops pound away below. A pair of big room monsters for sure.
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Review: Next up from the leading label in the world of so-called Business Techno are a couple of contemporary remixes of some Adam Beyer classics. His Restore My Soul EP was written with DJ Rush and now gets reworked by modern day greats ANNA and HI-LO. The latter, a regular on the likes of Filth on Acid, goes first and flips the title track into a bruising and panel beaten techno roller with coarse drums and peak time intent. Brazilian talent ANNA then offers a more subversive and slow boring take on 'Control' that has twitchy synths and firmly rooted techno drums.
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Review: You have to respect Adam Beyer for still being a real techno overlord these days. He has been on the scene almost since day one, as has his trusty Drumcode label, and they are both still winning over new generations of fans with their direct to dancefloor style. This latest missive is another monster starting with the hard and heavy drums of 'Robotic Arms' which comes with just enough detail from the sic-fi vocals and synths to get you locked, then the anthemic 'No Hate' is sure to become a big one for Beyer with its rolling drum funk and repeatable vocals. A Trippy Mix is a more wild and frankly better version.
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Review: Legendary minimal - and acid house before that - pioneer Baby Ford very much set the blueprint for the genre back in the late 90s, both solo and with The Ifach Collective, who featured Ian Loveday, Mark Broom and Thomas Melchior (amongst others). Now they are reminding us of the greatness of that work with the first in a series of reissues coming in 2023. These tunes were originally put out back on the legendary Klang Elektronik in 2000. First up is 'Tea Party' by Eon, M-Core, and Baby Ford, an ice-cold rolling dub. 'On The Floor' with Mark Broom gets more percussive and then comes a solo cut from Baby Ford, 'The Healing' which is as heady as can be and finally 'Word For Word' featuring Cheru Amadi layers up slithers of silvery percussion and cuddly bass into dubbed-out tech heaven.
… Read moreIntérprete: Juno Recommends Minimal Tech
in stock $15.56
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Review: New York label and party Mister Saturday always brings roughed up, raw and steamy house grooves. This new one is no exception to that unwritten rule and it comes from Russell El Butler who serves up four platters that matter. 'Blah Blah' is a brilliantly brainless house romp with vocal loops and distorted kicks making you march. 'Kruymska' is more tight and taught thanks to the pinging kick drums and molten melodies up top, while 'Tout Va Bien' is a late night cut that glistens thanks to its prickly bass and razor sharp hats. 'Alone At Pisecka 12' closes out in malfunctioning fashion to round out a wide-ranging EP.
… Read moreIntérprete: Tripeo, Ney Faustini
in stock $15.56
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Review: In 1735, Swedish scientist Carl Linneaus theorised the hierarchical classes of the natural world, paving the way for modern taxonomy as we know it. In tributary fashion, 012 Records, hailing from Berlin, present the second edition of 'Systema Naturae II', an EP series dedicated to Linnaeus and nature. Dub techno tropes, bioorganic ambient tones and knocks and delays abound.
… Read moreIntérprete: Juno Recommends Techno, Blazej Malinowski
in stock $15.56
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Review: Open Channel For Dreamers have been exploring the old DAT archives of Ballet Mechanique and found a wealth of never before released material that dates back to the 90s. This is a third release of such treasures and it focusses on tunes from 1992-1999. It follows in the footsteps fo the first two EPs by highlighting the diversity and variety of sounds in Jeroen's production arsenal. There are rave bangers on the a-side filled with uplifting melodies and on the flip is IDM and electro fuelled by funk. Another superb EP for fans old and new.
… Read moreIntérprete: Juno Recommends Electro
in stock $15.56
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Review: Fresh from delivering an ultra-limited collaborative 12" alongside DJ Normal 4 on Warning, Jan Schulte brings his popular (but sporadic) Bufiman project to Comeme for the first time. Given his love of odd instrumentation, global rhythms and off-kilter electronics, it's a neat fit. With five tracks to savour, it's an undeniably expansive affair that sees Schulte flit between glassy-eyed, sci-fi seeped dancefloor deepness ('Neue Wellen'), mind-mangling electro weirdness ('Hard Timez (Lexus Or Justice)') and slipped, B-boy friendly post-hip-hop heaviness (the simply fantastic 'Ntndo Pitch'. Those looking for mind-altering house hypnotism should check the deeply psychedelic 'Hard Timez (Just Ice)', while 'Warmewellen' re-invents the EP's opening cut as a tactile, melody-rich space-age treat.
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Review: Benales returns to Construct Re-Form with five new electrifying dancefloor tracks in the vein of techno. Beginning from an orthodox Birmingham-school position but then gradually moving outward into ever-slighter expressions of nonconformity, it would be difficult to predict the stylistic move from echoic loomer-alarmer 'Cuphead' to the scratchy-stabby hard cutoffs of 'Grip', but hey, we're all for such movements.
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Ben BOHMER feat FELIX RAPHAEL
One Last Call (limited hand-numbered 180 gram vinyl 12")
Cat: ZEN 302WL. Rel: 07 Dec 23
Minimal/Tech House
Review: Ben Bohmer recorded this new single on Ninja Tune live at Brooklyn Mirage on October 6th 2023. It comes as a limited edition and hand-numbered 180-gram vinyl 12" with an extended and alternate mix. Both feature Felix Raphael and both have a subtly uplifting prog-house effect that unfolds slowly over the rich, silvery drums and deft synth drones that are all constantly on the rise. The vocals are spine-tinging, soft and tender whispers that help make this a most angelic of sounds.
… Read more in stock $15.83
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Review: London label Pleasure Club is the chosen haunt for Bobby, a mover and shaker pursuing seductive, trippy strains of techno that favour analogue warmth and a playful energy. This year so far there's been some strong showings on the label from Rudolf C, Johnny Hunter and B.AI and now it's Bobby's turn to return to the fold and get a little freaky. The results speak for themselves, as the teasing psychedelics of 'Strange Fantasy' melt into the darkly cheeky acid freakout 'Human Race' and 'Last Chance To Trance' sets up a serene and fluttering set of arps for 'Train To Tokyo' to carry home in a rush of symphonic synth goodness.
… Read moreIntérprete: Juno Recommends Techno
in stock $16.09
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Review: It appears to be relatively early days for Philip Biedermann, who kicked off his label The Machine Dream in 2022 with his debut release. However, as is evident on his second drop, there's a canny blend of sincerity in his vintage sound which speaks to a longer investment in analogue techno. The composition and arrangement on 'Cybernetics' in particular has a dramatic tension which lends itself to the warm, seedy characteristics of the synths which make the track. The vibe maintains across the EP, with 'Digital Emotions' tipping towards electro without ever resorting to obvious tropes. Biedermann has a synth-rich sound all his own, ensuring his tracks will be easy to spot in the mix.
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Review: Blue Hour is very close to a quarter of a century of releases but just ahead of that notable milestone the label daunter and eponymous techno project step up with two bangers on a nice limited 12". 'Dimensions' is a brilliantly unbalanced techno workout with distant church bells bringing some unusual chaos to the high-speed drums and prickly percussion. It's a great one that will cut any floor loose. 'Sun Dogz' on the flip gets even quicker and fires lasers out like bullets. High octane stuff that is pure fire for the club.
… Read moreIntérprete: Alexis Le-Tan
in stock $16.09
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Review: Batu has proven himself hugely capable of making a wide range of music. He might be best known for his perfect techno designs but here delves further into the world of ambient. Across four tracks he explores a number of moods with painterly synth work that is detailed with gentle percussion, gorgeous keys, and in the case of 'Flown,' jazzy splashes of cymbal. 'Half Speed' is idk a slow awakening on a distant planet. 'The Fifth' brings more bright and energy synth motifs and 'Seams' is a soothing lullaby. A beautifully escapist listen.
… Read more in stock $16.09
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Review: The Betonska label is on an ongoing mission to release and re-release hidden gems and wantless must owns from the past. This time it's D.Wave's unrelenting yet funky techno offering Biotone that gets pressed up. The title tune is pure, thrilling club music with high-speed Millsian techno vibes. 'Mellectro' plays with a broken rhythm and alien sound designs that are as good for brain as body and 'Oscilloclast' then dresses a perfectly fused jungle techno sound with warped video game pads and 'Paper Tigers' ends on an all-out peak time gem.
… Read moreIntérprete: Kid Who
in stock $16.35
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Review: Georgian IDM artist Gacha Bakradze commands a loyal fanbase for his enchanting emanations in the style. The latest example comes in the form of 'Forget', his most recent contribution to Turkish pushers of the craft, Oath. Fluid movements of electro clankings and modular groovework extend far and deep into a gaseous, sulphuric unknown, while airier explorations of spirituality are laid down on the vocal-sample-led 'What You Say' and the wonderfully three-chord-backboned janker, 'Form'. 'Forget' isn't a project for shallow listens; take it slow.
… Read moreIntérprete: Evan Michael
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Review: After two recent intriguing V/A releases (006 & 007) the Picnic crew get back down to original business with an EP from B.AI. Carefully curating her path since 2021 with previous stellar releases on labels such as Sequalog, Fresh Tunez and Pleasure Club, her latest effort encapsulates the signature sounds that have made her a standout performer since. Fusing elements of house, techno, electro & electronica, it's an EP with tracks full of intention and captivating moments further solidifying B.AI's reputation of having a style completely of her own.
… Read moreIntérprete: Rave Energy
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Review: Techno scene stalwart Steve O'Sullivan has long dabbled in dub techno, usually under the Blue Train alias. Now he has a new dubbed-out alias, Blue Channel, a moniker that doffs a hat to German dub techno greats Basic Channel/Rhythm & Sound. This is the first volume in a multi-part EP series that sets out O'Sullivan's soulful, hazy and sub-heavy agenda. 'Dubplate Vibing' itself (side A) sits somewhere between purist vocal dub, pitched-down steppers and the epic, locked-in rhythmic sound worlds of purist dub techno. He ups the tempo and sticks to more authentic dub techno territory on the brilliant (and very Basic Channel-esque) 'Complete With U', before opting for a more minimalistic traditional digi-dub sound of 'Keep Tryin Dub'.
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Review: Steve O'Sullivan recently launched the Blue Channel project as a kind of sonic companion to his similarly minded dub techno work as Blue Train, in the process paying tribute to Berlin's masters of the extended dubbed-out groove, Basic Channel. This is the second EP in an ongoing series and begins with a fresh 'Bluetrain Special Edition Dub' of 'Complete With U', a track featured (in its original mix form) on the previous EP. This take is more percussively propulsive and addictive - thanks to a locked-in dub house style groove - with warmer synth sounds and echoing vocalisations. It's basically a hat-tip to classic Rhythm & Sound singles of old, albeit with drums that more neatly fit into a wider variety of DJ sets. Over on side B, 'Traveller' is a fine slab of pitched-down vocal digi-dub with added ambient dub sonics.
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Review: B 2DEP'T were a curio of the early wave of techno in Japan in the 90s, releasing a handful of cassettes and mini-albums but remaining a cult concern rather than breaking through to major success. For those in the know, their productions were way ahead of their time, and Junki Inoue seems absolutely hip to this as he signs them up for a release on his archival label Saisei. If you enjoy the boundaryless exploration of the early techno boom and prefer brightly melodic motifs to match, you'll love this record. It's brimming with oddball personality and it's more than punchy enough to cut it with modern club fare.
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Review: Joey Beltram would likely feel you it is as much a blessing as it is a curse to have made a tune as monstrously successful and widely known as 'Energy Flash' so early in your career. Along the way, he made plenty of others that are just as effective in their mix of techno, breaks and rave. This second volume of them on the Belgian label R&S proves that. 'My Sound' is all throwback rave horns and textured metal drum sounds, while 'The Melody' has a more stripped-back but no less effective sound. 'Sub-Bass Experience' is just that - a bowel-bothering low end is the main feature with sharp hi-hats and blistering synths up top. 'The Reflex' shuts things down in marching late-night fashion.
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Review: Black Merlin aka George Thompson is a veteran producer who makes a debut on the Transmigration sub label Crystal Ceremony and soon shows his class. First up is 'Morphik Uniform' with its wispy pads and supple minimal drums saving as a vehicle for interplanetary travel. 'Distance' is a bumpier ride as the broken kick patterns make you move while heavenly pads bring softness up top. There is a mind-melting Millsian element to 'Makio' than burrows deep into the darkest corners of the cosmos and 'Aft Xt' then ends in a hurry with unrelenting drums bubbling away beneath pulsating synths.
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