Back catalogue: All genres

Review: In celebration of their tenth birthday, Selador marks the occasion in style with a four-track collaborative EP, featuring tracks from 3D, Robert Owens, Olivier Giacomotto, Quivver, Dave Seaman, Hernan Cattaneo, Argia, and Jepe. The opening track, 'Known Love', is a deep, pulasting house tune that feels like an instant classic, perhaps thanks to the soulful, pop-tinged vocals - think LCD soundsystem meets Four Tet. 'Snailblazer', the second track on the EP, takes a much darker turn, with a chugging, EBM-esque feel. Full-bodied and complete with obscured vocals, this is the kind of track to pull out your bag when it's time to really get stuck in. On the B-side, 'Napkin Knowledge' draws on the glistening synths of eurodance, yet still securing the melodies to a grounded bassline and rhythm section. 'Salitre' is the perfect closing track, rising up in a gleaming, ecstatic melody, before delicately returning to ground level. A varied yet firmly cohesive collaborative release - the perfect way for Selador to kick off their 2023 catalogue.

Review: The Third Room concludes its so far excellent various artists series with a third and final instalment of yet more future-facing and heady cosmic techno. Justine Perry kicks things off with the deep space synths and paired back hypnosis of 'Diversion' while Hadone then bangs a little harder with 'Strain Relief' which has twitchy synth motifs and hard, hammering beats. HWRD's 'Mirage' is a buoyant techno bouncer with loopy synth ringlets all interacting with each other to mind-melting effect and Quelza's 'Domino' dips into deepest of dub techno territory to shut down a nice diverse EP.

Review: Japan has an always eye opening and left of centre take on most of the world's most established genres. Urban Discos save sup plenty of it and this time it is a Far Eastern take on lover's rock that is in the sights. Here we have two cuts from Qimygo who also records as KIMIGO. Up first it is 'Aitai To Omoeba' with its shiny dancehall beats and glistening, innocent melodies all topped off with the pure and clean vocals of Qimygo. After that upbeat opener comes the swagger and ever so slightly more tradition dub of 'Abatina (Calypso Rose)' but still served up through a bright melodic lends.

Review: "The inquisitive, investigative and analytical listening of the earliest works of artists such as Robert John Brown and Sean Booth, Mike Paradinas or Jochem George Paap influenced me a lot during the execution of this EP.," writes Eduardo De La Calle about his incredible four-track offering, Frei Aber Einsam. Straddling ambient, acid, electro, smoky breaks and epic electronica sounds, these are tunes you can really get lost in and that's unlikely to change regardless of how many times you hit play. Innovative approaches to arranging synth stuff add an air of genuine rareness to the sounds, with 'Lobha' opening on a timeless hardcore-style break before dissipating first into a gorgeous heads down bassline rhythm before serenity and fade to joy. 'Himsa' is a glitchier affair, packed with micro-percussion and these retro refrains, while 'Magadha' is an epic, deceptively low end driven slice of sonic heaven.

Review: Quince makes fluid and timeless techno music influenced by the soulful high tech sounds of Detroit. His latest release is a four-track EP on the Nowhere series which features tracks like 'Udon', a hypnotic and pulsating tune with a synth melody and a vocal sample that create a heady atmosphere, as well as 'Noodles', a more upbeat and groovy track with a catchy keyboard stab and a sultry bassline that add some energy and funk. 'Anthology Of Interest' is a solid EP that showcases the veteran Dutch producer's talent and style.

Review: Two And Half Records make the decision here to try and rid the A and B-side distinction on records that we are all very familiar with and instead they refer to each face of their latest 12" as 'dance' and 'listen.'' It makes sense frankly and is often how things go anyway. Swiss duo Quismi kick off this one with twitchy and narcotic tech house with an old school bent. French artist Groenogen then gets wild with bright melodies and grinding synths, r&b vocals and high speed tech funk on 'Twinkle Dance' while ILyes offers the tech silkiness of 'Starting Now.' On the flip is a trio of less direct, more experimental sounds that sure do offer plenty to get lost in on headphones.