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Review: When it comes to wresting maximum emotion and energy from analogue electronic instruments, few artists can match acid revivalists Paranoid London. They've certainly made their machines sing on Arseholes, Liars & Electronic Pioneers, their third full length excursion. Kicking off with the EBM-meets-acid growl of Joe Lewis hook-up 'Love One Self', the set includes such gems as 'People (Ah Yeah)' (an ambient acid number featuring Bobby Gillespie on vocals), the hard-wired acid trippiness of 'Up Is Down' (with DJ Genesis), the squelchy and spacey excellence of 'Start To Fade' (with Josh Caffe), the acid-electro brilliance of 'GRINDR' and a genuine future anthem in Mutado Pintado collab 'The Motion'.

Review: The Mountain 45 label has been giving us some unique music that cross genres since its inception just a few years ago. Like previous editions, Double A contributes 'Super Badman Riddim' which is both catchy and clever. Featuring James Brown samples thrown in the mix takes this dub related track to the limit of fun. For the B-side, James Nasty's 'Fan Dem Off' with a peak time party song that should take the dancefloor to another level. These attention getters are ideal for being addictively fun and different. It's hard to categorise music like this, which is a sign of its originality.

Review: For many in underground music, the words Back To Basics mean only one thing - the chaotic and anarchic Leeds house party founded by Dave Beer. The GLBDOM label is slowly broadening out that definition though with this ongoing series under the same name. It's been good to date and this third volume doesn't disappoint with Manuold, Bress Underground, MacLO duo, Jon Billick and Scruscru all offering up their own takes on deep house. From the mid-tempo and cosmic to the more raw and punchy, via the loopy and the future-facing, it's a classy collection.

Review: Blue Mode and El Chavo present two fantastic new cover versions. The A-side is of course one of the biggest tunes of the grunge era, and is here lent a jazzy, funky, groovy alteration by Blue Mode - though it is an ostensible Nirvana cut, the band were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80s indie here. This production by Chip Wickham mixes a swinging 60s Blue Note vibe and acid jazz refrains, brings it bang-up-to-date with contemporary nu-jazz. Side B is a boogaloo Latin jazz version of the Lonnie Smith track 'Hola Muneca', beloved of the acid jazz era's foremost DJs, and formerly released on a now impossible-to-find 7" single that shifts for crazy prices.

Review: Prince Fatty's 'Mercedes Benz' with Shniece and Horseman is a rub-a-dub version of a 1970s hit from Janis Joplin that now gets a very special pressing courtesy of Lovedub Limited. The A-side kicks off with the spine-tingling and epic original vocal before disappearing into a world of reverb. At that point the dubby low end arrives and brings a different vibe to the stunning vocals but one that really makes a mark next to new bars from Horseman, police sirens and funky riffs. It's a tough sound system groove that is backed with a fine version and has been a firm fixture of Prince Fatty's record box for a while now.

Review: Sufjan Stevens is nothing short of an enigma. Capable of shapeshifting in almost unfathomable ways, he's the sort of artist that can release a spellbinding and technically astounding collection of piano duets, written to score a ballet, but give tracks names like 'And I Shall Come To You Like A Stormtrooper In Drag Serving Imperial Realness'. High brow while totally accessible, his back catalogue to date is one for which you'd struggle to find anyone who doesn't appreciate, once they've taken the time to listen. Here we are then, mere months after the aforementioned song and its parent album landed, getting to grips with another very different beast. Javelin certainly shares in the beauty that ran through its predecessor - Reflections - but whereas the last LP was relatively minimalist, here things are often the opposite. Big, rousing, 1960s-70s style pop numbers, soulful journeyman acoustic with backing chorus, theatrical soft rock and plenty more besides.

Review: The festive season is just around the corner and nothing makes a friend or family gathering more magical that a damn good soundtrack. The people behind the long-running and frankly legendary NOW series have been putting together the best collections of genre music for decades now so you need to look no further than this bumper Christmas-themed collection. It comes across no fewer than six - yes six - sides of vinyl and covers all bases from the age-old classics to some of the newer tunes to have been added to the wintry canon.

Review: Once again Dungeon Meat provides the heat for discerning dancefloors with this latest EP from their new signing Scott Diaz. Bringing the finest tracky business straight from his beefy bunker to your turntables, there's no messing with these meaty beats. After hearing some short demos versions on Instagram, Brawther and Tristan da Cunha quickly got in touch with Scott to snap up the tracks and cherry pick a smoking hot selection resulting in these four killer cuts designed for DJ (ab)Use only. Scott is an extremely talented producer who is behind the high grade NITELIFE sample packs and we are very happy to have him join our band of beat bandits.

Review: Steve Bug is going on 30+ years of writing electronic music and travelling the world as a top DJ with no signs of letting up. It Just Happened is his latest and finds its way to the legendary and iconic Nu Groove records. It must be daunting to release music on such an amazing label. 'It Just Happened' has all the makings of a classic worthy enough for the Nu Groove logo. Veteran Cle who has worked on many projects with Steve is featured here as well. For those that really know Steve Bug's background, they know he is equally involved in house music as he is with techno. Tracks like 'Crew Thing' show his ability to make a standout house track while 'House Music Transcends' closes things out with your hands in the air. We respect Steve Bug so much for his work over the years. When he is old skool mode like he is on this EP, you just have to say respect to the man. Respect!

Review: Over the last couple of years, we've been treated to numerous reissues of classic cover versions by Japanese reggae/rocksteady combo Inokasira Rangers, including takes on Nirvana's 'Smells Like Teen Spirit', Pharrell's 'Happy' and New Order's 'Blue Monday'. Here we're treated to another, as the band's 2017 take on Underworld anthem 'Born Slippy' gets a fresh pressing. It's certainly a revolutionary revision, with Keichi Sokabe's surprisingly Karl Hyde-sounding lead vocal rising above a lusciously languid, sub-heavy reggae groove. Over on the flip they take on 'Groove Tube', a 1991 indie-pop-meets-acid house single from Japanese outfit Flipper's Guitar, reframing it as a baggy, glassy-eyed rocksteady number.

Review: By 1997 Photek had already marked himself out as a wild card in the rapidly evolving d&b scene. He'd had three years to carve out some frankly dizzying displays of break editing wizardry and such was the innovation on display there just had to be an album coming. Modus Operandi smartly stepped to one side of the dancefloor, offering a smoky reflection on where jungle and d&b had got to, highlighting the compatibility between half-speed downtempo and breakneck drums and bringing inherent jazziness to the forefront of the beats, which avoided all the usual cliches. It's a masterpiece which hasn't dulled with time and here it's getting a heavyweight reissue across three slabs to ensure the loudest cut. All the better to blow your mind with, all over again.

Review: Baby Ford's Trelik label is as revered as they come in underground circles. Ion Ludwig is not far behind when it comes to his productions and so the two are a perfect match who reunite once more here. This fresh 12" kicks off with the brain cleansing minimalism of 'A Beladen Date 4 Ever', a silky groove doused in harmonic chords, with swirling pads and rubbery bass all tightly intertwining. 'Transport Fighter' is a more punchy cut with thudding kicks and heftier bass, but still a nebulous eco-system of pads and melodies swirling around up top. Two killer cuts. no doubt.

Review: The Gallery has these rare grooves up for auction, so they advise you to place your bid quickly. Spoken like true gallerists (or collectors?) this label has presented two previous displays of artistic editing that are still enigmatic to this very day, and their next one retains the high standard in artistic quality. On the A side of this 12' we have the low slung disco disco inferno of 'Steady On Now' packed with a vibrant brass section, cosmic synths and some fine guitar work. On the flip, you're in luck (what more can we say) on 'Not You Again' which has that classic Salsoul kind of vibe all the way, oh and that vocal - good times!

Review: The Vinyl Only label rolls on towards its 20th release here with Mar De Novo serving up the irresistible Apericena EP. 'Quantity Check' is a low-slung funker with noodling baselines and nice loose percussive rhythms under some exotic vocals. 'Blue Eyes Clear' is a more lavish and downtempo number of chilling by the Med come sundown and then comes Ryu's Rub of 'Quantity Check' which is more funky and fat-bottomed. 'Nao Fazer Nado' rounds out an escapist EP with some dreamy melodic chill-out sounds that will have you gazing off to the stars.

Notes: An upgraded replacement for the 'Splash Landing' Towel.

Soft and thick two-ply cleaning mat to place your record for cleaning off the turntable. Cushions and protects the record while cleaning with your GrooveWasher Kit.

16" Diameter Round
Thick, two-ply microfiber
Top layer is very fine soft suede style microfiber fabric
Bottom layer is thick split-fiber microfiber fabric
Hand or machine washable

Review: A genuinely magical meeting of musical minds, here, as Erol Alkan delivers his interpretations of Chemical Brothers' 'Goodbye', a bleep-speckled slab of soul-seeped electro-breaks first featured on the long-serving duo's 2023 album For That beautiful Feeling. Available in vocal and instrumental mixes, Alkan's revision replaces the pair's electro breaks with a new wave synth-pop-meets-analogue techno groove. Bubbly and melancholic - even more so than the Chems' original version - Alkan's takes also throw in additional lo-fi synth lines, counter melodies and raw, electroclash influenced sounds. It's tasteful and surprisingly poignant whilst still having all the ingredients of a fully fledged peak-time workout.

Review: In one of those unique cases where a compilation eclipses the studio albums, New Order's Substance is often considered the definitive representation of the band in their prime. It's understandable given it pulled together all their singles up to 1987, but equally they re-recorded classics like 'Confusion' and 'Temptation' so everything fitted together more naturally. As a result, Substance is a more cohesive listen than many similar offerings might be and these singles remain some of the finest to ever emerge from the UK's alternative music scene. Repressed and remastered, it's sounding better than ever.

Review: Roy Of The Ravers may be best known for his lysergic rave pelters, but there's always been a hint of grandiose melancholy in his synth work that suggested there was more to the machine botherer than tear-out acid beats. Emotional Response worked with the artist in trawling through a vast archive of material recorded between 1997 and 2017, rescued from hard drives once thought lost, and now gathered as a compelling ambient release with the full fat hardware veneer of Roy's work to date, but coming from a more reflective angle. From cathedral-quaking drones to deeply submerged aquatic excursions, this album has plenty to draw you into the inner world of an acid hero.

Review: Jazz and cosy winter nights by the fire seem to go hand in hand. This bumper collection across four sides of vinyl taps into that association with a splendid compilation, that's sure to become a favourite around your house during this year's festivities, with all the classics such as 'White Christmas' by Bing Crosby, the Home Alone classics 'Winter Wonderland' by Connie Francis and 'Rockin' Around The Christmas Tree' from Brenda Lee, plus many more. Lovely stuff.

Review: Donna Allen's 1988 cover of Maze classic - a glossy, synth-sporting, decidedly loved-up 80s soul affair - is perhaps not one of her most celebrated singles, but it's still a genuine gem - and a fine alternative interpretation of a much-loved song. As you'd expect, this remixed edition looks firmly towards 21st century dancefloors, with popular re-editor-turned-remixer Dr Packer upping the tempo and reaching for disco-flecked house beats in a bid for peak-time plays. The Aussie producer's A-side vocal version is tasteful and undeniably club ready, making use of most of the original instrumentation while (we think) re-playing the bassline. That bassline comes to the fore more on the stripped-back (but similarly loved up) B-side 'dubstrumental' mix.

Review: A cinematic sensation and an instant classic and record breaker, Disney's animated movie 'Frozen' celebrates its 10-year anniversary this year with this special zoetrope double picture disc featuring scenes from one of the, now, most iconic movies of all time moving before your eyes. Included is, of course, Idina Menzel's award-winning score 'Let it Go' which charted around the world and wormed its way into the ears of parents to this day. Not to be slept on, though, is Demi Lovato's rendition that plays over the credits sequence or 'Fixer Upper', the jovial chorus musical number.The perfect Christmas gift for the fan in your life, and trust us, there is statistically one somewhere, no matter how old.

Review: As Soul Capsule, Baby Ford and Thomas Melchior made some of minimal techno's most accomplished records. It has been many years since they stopped turning out new material - sadly - but their archive tracks are still in hot demand and undeniably relevant. While 1999's 'Lady Science' might be their most famous offering, this EP from 2001 on Aspect Music is no less vital and it will currently cost you well over L250 on second-hand markets. It is Ford's Trelik label who reissues it here in all its glory: the entirety of the a-side is taken up with 'Law Of Grace,' a delightfully deep and breezy minimal dub house roller with pensive chords draped over the frictionless drums. 'Meltdown' has a more experimental feel with brushed metal drums beneath a wordless vocal musing. The cult 'Lady Science' (Tek Mix) is also inched with the whole package being remastered by D&M to make this one utterly essential.

Review: Analog Africa has repressed the highly valued and long since sold-out Congo Funk! Sound Madness From The Shores Of The Mighty Congo River: Kinshasa/Brazzaville 1969-1982. It is a compilation that superbly shows off the raw energy and funkiness of the Congolese rumba scene. This is the country that spawned such as legendary bands as African Jazz, OK Jazz and African Fiesta and it is said that the concert ahead of the legendary Rumble in the Jungle boxing match between Muhammad Ali vs George Foreman is what really set young hopefully musicians on their paths, after they saw James Brown play live. The story of those artists and the labels they released on in the ensuing years is what is told so well here across four sides of vital wax.

Review: Alice in Chains' Jar of Flies from 1994 is a masterful album that showcases the band's versatility and songwriting prowess across an acoustic-driven collection of tracks. They deliver plenty of haunting melodies and introspective lyrics that make for a deeply immersive listen. There is a real melancholic beauty to 'Nutshell' while a gritty intensity pervades 'No Excuses.' Each song offers a glimpse into the band's emotional depth and musical complexity, always with raw emotion and captivating performances that make this one a standout release in Alice in Chains' discography.

Review: 'Hollywood Swingin' is one of the most recognised Kool & The Gang songs in their amazing catalogue, having soundtracked movies, been sampled in hip-hop as well as used in commercials. So how would someone remix it and make it fresh once again? Easy. In 2005 they added Jamiroquai's unmistakable voice, made a disco and house version of it too, the 'Disco Dust' mix adding new sounds while not losing and ounce of the original's energy. 'The After Party' mix offers a more house version of the classic.

Review: Under the familiar Leo Zero alias, Leo Esltob has crafted countless killer re-edits over the last few decades - though only a limited number have ever been released. Hence the Edit Archive series of 12" EPs, which here reaches volume two. As you'd expect for a man of his experience and expertise, there's much to admire, from the sing-along powder-rock brilliance of 'Dreams' (a tasteful, extended re-work of one of the most famous and celebrated songs of the 1970s) and the re-vitalised Balearic brilliance of 'Taboo' (yep, it's an excellent Sade re-rub), to the loose-limbed-but-locked-in house-not-house headiness of 'Feel The Pain', with its echoing vocal snippets, metronomic cowbells and bubbly synth sounds.

Review: The legendary Yusef Lateef is a jazz great, a true innovator and artist with several seminal albums to his name. His famous 'Eastern Sounds' was one of the last recordings made by the band shared with pianist Barry Harris. With the demise of their playing relationship coming to an end, the album is a spiritual journey through tonal and polytonal improv, building on the musical expertise of the far East and appropriating it for jazz. It's a historic album that captures a special moment in his career and still stands out as a vital listen.

Review: Wally Badarou's incredible impression on modern pop music is intrinsically linked to his work in Nassau at the legendary Compass Point studios. There, the Paris-born synth legend lent his talent to a staggering amount of legendary music, but his own solo works have a magic all their own. 1984's Echoes might be the best known of his records, but there's a surprise entry from 2001 which is known to the deep-digging heads at Be With as a legendary record in need of wider release. Colors Of Silence was originally conceived as a yoga-minded release, but it's easier to consider it as another trip into the fantasy worlds Badarou can conjure from his eloquent synth work, and now it finally has a vinyl release.

Review: Acid Jazz impress us with the return of illustrious soul singer Dee C. Lee, with the very special double A-side single ‘Don’t Forget About Love / Be There In The Morning’. Coming to 7” vinyl and housed in a striking blue variation of their new graphic house bag, ‘Don’t Forget About Love’ finds one of the finest British soul singers of her generation in outstanding voice on a gentle, uplifting song written by Dee with Mike McEvoy and Ernest McKone, intended as an antidote to the hate and negativity of lockdown. ‘Be There In The Morning’ was originally co-written and recorded by Australian soul singer Renée Geyer; reminded of the song by Acid Jazz’s Eddie Piller, Dee was enthusiastic to record her own version and delivers a euphoric vocal on another impressive return to form.

Review: Heat Rock add yet another breaksy heater to their repertoire and, in so doing, welcome two wicked producers from across the pond into their roster; Altered Tapes from Chicago, and Double A from New Zealand. The former stalwart goes in on an infamous flute loop from The Beatnuts, working in phat kicks and sawn-off breakbeats for a pacier, dancier instrumental version. Double A backs this up on the B with, dedicating a prayer and an amen to the same Dirty South classic. A must-have DJ tool for the aspiring breaks-purveyor.

Review: Don't let the playful, tongue-in-cheek title put you off; this EP does not contain 'Balearic gabba', should such a thing exist, but rather a quartet of largely dancefloor focused remixes of delightful downtempo cuts from the Hell Yeah! Recordings catalogue. SIRS steps up first to deliver a chugging, Italo-disco-goes-Balearic re-make of Carmel 3000's 'Super Rapido', before we're treated to one of Calm's TB-303-laden 'mellow acid' dubs, this time of Sergio Messina & The Four Twenties' gorgeous, soft and sun-soaked 'Sometimes Remember'. Over on side B, Feel Fly delivers a soft-focus Balearic deep house take on Pedro Bertho and Mariana Gehring's 'Tornei', while DJ Spun's revision of My Friend Dario's 'Acid Mosquito in a Summer Night' is a twisted, genuinely psychedelic dub disco excursion.

Review: Colin Curtis returns with another finely-curated selection of the best 'Jazz Dance Fusion' records he could find. In Curtis' own words, Volume 4 reflects a combination of new music, unreleased music, and tracks that have never been on vinyl before or have not attained the recognition they deserve. A whopping 26 tracks are racked up on the digital edition, but this special vinyl record yields just thirteen further selections from that initial batch; leading the charge is the Rhodesy, hi-hatty '46 To Somewhere' by the Sultan's Swing, capturing the free-spiritedness of hitching a ride to somewhere untrammeled. Further choice sonic infections, infusing elements of vocal jazz, salsa and Latin spoken word, include Somos Amigos' 'Pa'gozar' and GeeW's 'Kyoto'. Get grooving!

Review: There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.

Review: As the Mad About label hurtles towards release number 100 it looks to the talents of Webster Lewis and The Spirit of Atlanta for two more fiery gems on a very useful 7". There are hints of Library music in the noodling melodies of the A-side jam 'El Bobo'. It has jazz-funk keys and organic drum rhythms gently tumbling below the Rhodes magic up top. The Spirit Of Atlanta's 'Freddie's Alive & Well' then picks up the pace with a more high-speed and 60s-influenced jazz-funk sound featuring some buttery smooth vocals up top. Two effective jams for sure.

Review: Bosq and Kaleta's most recent single, an inspired Afro-disco two-tracker featuring 'Meji Meji' and 'Sonayon', has been given the remix treatment. On side A, Folamour successfully re-imagines 'Meji Meji' as a joyous, sun-bright slab of cheery deep house/colourful nu-disco fusion, wisely making the most of Kaleta's infectious vocals, the original disco bassline, and the pair's chirpy horns. Over on side B, Bosq takes over and delivers a delicious 'disco dub' of 'Sonayon'. A little more stripped-back and groove-based than the original nix with breakdowns and special effects aplenty, Bosq makes merry with horns, highlife guitars and more Afrobeat style bass guitar pressure.

Review: The rightly lauded Bogota producer Felipe Gordon has always turned out plenty of high quality music and this year already he has lined up a new instrumental hip-hop album Psychedelic Melancholia. But that's not all because now he arrives on the much loved Razor-N-Tape with his fine Flutes Of Gold EP. The title track is pure joy with shuffling and jazz-infused house grooves topped with lush chords and golden melodies. 'Right Beside Me' has more swing to it and an intriguing vocal sample that is perfect for late night dances. 'Homage To Bossa' has Latin influences and 'Acid Party At Santa Barbara' has prickly 303s twisting and turning through another warm house arrangement.

Notes: Premium Inner Record Sleeves - Master Sleeves for 12" Records
We think protecting your vinyl records with the highest-quality sleeves results in the best sound. Our premium master record sleeves help you avoid scuffing, static, and hairline scratches on your records.

Premium 3-ply polyethylene record inner sleeves add an extra line of defense and quality to your collection, preserving great music for decades to come by repelling dust for "long play" protection.

Why Add a Rice Paper Layer?
These archival record sleeves are made from high-density polyethylene (HDPE) with a rice paper backing. The rice paper layer is sandwiched between two sheets of HDPE with a translucent HDPE front. You'll find many records in their premium master sleeve, still in perfect condition decades later. This construction has other benefits, too:

No risk of paper scuffs
Reduction in static
Lower risk of sticking to vinyl over time
True collectors know that the quality and reliability of master sleeves aren't easy to find in your typical paper sleeve cover. Our clear vinyl record inner sleeves provide easy viewing of each record you pull. Premium anti-static record sleeves contain a transparent side for easy viewing of your complete album.

Notes: Latest version of the classic Technics DJ headphones, updating the classic RP-DJ1200 design, which sold more than half a million units in its lifetime. Solid stuff. Popular for a reason.

Supplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.

The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.

The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.

The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.

The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.

Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.

Review: With the combination of band name and album title this one's always going to be a bit of a tearjerker, packed with self-reflection and self-loathing. No regrets, though, as Greg Gonzalez muses on sensuality, the loss of those we care about, the loss of self to another and the endless yearning of the human heart. Shades of Lord Huron and a wealth of gloomy shoegazers can be felt, but even though "Cry" represents a next step for Cigarettes After Sex - edging into more minimalistic territories - it's still immediately identifiable as this band, and so won't fail to instantly resonate with avid fans. Packed with an exquisite, opiate balladry at once heartfelt and heartbroken, it's hard to tell whether this is exactly what you need to hear when living through your blue period or precisely what you shouldn't listen to. Either way, it's quiet impact is immense.

Review: They're the biggest but most hated band on the planet, but that will never stop Coldplay. The band has long been at the top of the pop-rock world and once again Music of the Spheres is likely to keep them there. It is an album rather less wrought with emotional tension than they are known for but still has one eye firmly on the cosmos, like much of their material. In fact, there is a loose concept here that revolves around a distant solar system. The lead single, 'My Universe,' features K-pop kings BTS and is already a number one, and the rest of the tunes are so unashamedly big they will likely follow.

Review: Out as a reissue through the same label that put it out way back in 1971, the aptly named Dig, Friday, Saturday & Sunday appear on our shelves like nothing's happened, and we're still here wandering what the hell happened! "Potato Salad" is a hard nugget to find as an original, but its also such a groovy, light-hearted tune that is a perfect example of why disco was what it was, and why it was so fun - a super recommended tune. "There Must Be Something" is equally good and powerful when played out, and although it doesn't have the same charm as the A-side, it's still a rocking soul classic.

Review: B2 Recordings hits release number 13 with DJ Rocca and Lex combing on a trio of fresh house cuts that blend elements of disco, Latin and soul. Up first is the glorious 'Solid Street' which has loose and percussive disco-house grooves overlaid with big synth energy and steamy vocals. 'Solar System' is slower and deeper, with a more rugged bassline and low slung sense of funk that never lets up. 'Last of all, 'Rose Tree' is a ramshackle house arrangement with whistles, Rhodes keys, tin-pot percussion, florid flutes and plenty of sunny energy all making it a real standout. A timeless EP packed with musicality.

Review: This is one of those albums that is for the real heads - a deep, dark, moody mix of new soul and hip-hop from the great vocalist you might well have recognised from Roni Size/Reprazent's seminal New Forms album. Released in 1996, it showcases Bahamadia's distinctive flow and insightful lyricism with tracks like 'Uknowhowwedu' and '3 the Hard Way' effortlessly navigating intricate beats and soulful samples to deliver messages of empowerment and introspection. As such the LP embodies the essence of 90s hip-hop in the way it blends jazz-infused production with Bahamadia's smooth delivery. As a pioneer for female MCs, Bahamadia's influence should reverberate through generations.