All genres charts

Notes: A versatile alternative to conventional rack-mounted patch bays, the Minibay 1/4-inch connections round the back, which can be patched on the front panel via 1/8-inch cables. Compact and effective.

Supplier's Notes:
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4" stereo sockets to connect with external gear and 1/8" mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.

Intuitive

While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.

Reach up to the effects; reach down to the mixer.

Convenient

MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.

Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)

Connecting to Gear

Insert Cables

In most cases, connections to instruments, effects and the mixer are made with standard insert cables (1xTRS to 2xTS).

This system allows two mono connections for each 1/4" socket on the back panel, and is how MINIBAY is able to pack so much for its size.

TRS Cables

TRS cables can be used to make stereo or balanced connections. When this is done, each channel or polarity is patched separately on the front panel.

Rows A and B

For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.

FX Rows

Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).

Normalling

Connections between patch points on Rows A and B can be individually normalled using the dip switches located on the interior of the main patch panel. Simply take out the screws on MINIBAY's steel enclosure to open it up and access these.

A normalled connection is one where the signal flows without the need for patch cables. In a fully normalled connection (as used in MINIBAY), the connection is broken if a cable is inserted at any point in the signal flow.

Notes: A proper bargain here. Ecler's flagship rotary mixer offers all the benefits of audiophile sound quality and organic, hands-on control at a surprisingly low price point.

Supplier's Notes:
WARM4 is a professional four channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring 4 phono/line channels, 2 MIC inputs, classic sharp filters and a 4th order Isolator. WARM4 includes an unique feature, an Analogue Subharmonic Synthesizer selectable per channel, specially designed to generate and reinforce ultra-low frequencies.

Applications

Night Clubs
DJ studios
Itinerant DJ performances

Audio performances

Inputs:

Number of Inputs:
LINE: 4 Stereo Unbalanced Inputs
PHONO: 4 Stereo Unbalanced Inputs
MICRO: 2 Mono Balanced Inputs
FX RETURN: 1 Stereo Unbalanced Input

Connectors type:
LINE 1-2-3-4: RCA STEREO
PHONO 1-2-3-4: RCA STEREO
MICRO 3: XLR3-F
MICRO 4: Combo XLR3F-6.3mm TRS BAL
FX RETURN: RCA STEREO

Inputs Sensitivity nom/Impedance:
LINE: 0dBV/50kO
PHONO: -40dBV/50kO
MICRO: -50dBV/>1kO
FX RETURN: 0dBV/>6kO

PERFORMANCE:

Frequency Response:
LINE: 10Hz#30kHz -1dB
MICRO: 10Hz#25kHz -1dB
PHONO: RIAA i0.5dB
FX RETURN: 10Hz#50kHz -1dB

THD+N:
LINE: <0.004%
MICRO: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%

CMMR:
MICRO: >75dB @ 1kHz

Signal Noise Ratio:
LINE: >105dB
MICRO: >90dB
PHONO: >100dB
FX RETURN: >110dB

Trim control / Tone control Inputs 1-2-3-4:
INPUTS 1-2-3-4: i 15dB
BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB

Trim control / Tone control Isolator:
BASS: +12/-70dB
MID: +12/-40dB
TREBLE: +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MID: 200Hz#6.8kHz
TREBLE: 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz#4kHz
TREBLE: 4kHz

Analogue Subharmonic Synthesizer:
Input selective filter: 50#120Hz
Harmonics synthesis: 25#60Hz
Max Output level: +12dBV

OUTPUTS:

Number of Outputs:
HOUSE: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
BOOTH: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
HEADPHONE: 2 Stereo Unbalanced Outputs
FX SEND: 1 Stereo Unbalanced
REC: 1 Stereo Unbalanced

Connectors Type:
HOUSE: XLR3-M STEREO / RCA STEREO
BOOTH: XLR3-M STEREO / RCA STEREO
HEADPHONE: Jack Stereo 6.3mm / Jack Stereo 3.5mm
FX SEND: RCA STEREO
REC: RCA STEREO

Outputs Level/Minimum Load:
HOUSE (BAL): 0dBV/600O 1V *(+12dB 4V)
HOUSE (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (BAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
REC: 0dBV/10kO
HEADPHONES: 200mO/200O THD 1%
FX SEND: 0dBV/2.2kO

Max Undistorted Output Level:
HOUSE (Electr.BAL): 21dBV (23dBu)
BOOTH (Electr.BAL): 21dBV (23dBu)
HOUSE (UNBAL): 21dBV (23dBu)
BOOTH (UNBAL): 21dBV (23dBu)

MICELLANEOUS
Control Mode: Rotary with Alps Blue Velvet Potentiometers and Alps RK09L potentiometers
Phantom Voltage: 18VDC/5mA Max (Default ON)
Input VU-Meter: LED 12 segments (-38dBV # +10dBV)
House-Mix-Booth VU-Meter: LED 12 segments (-30dBV # +20dBV)
Subharmonic Output VU-Meter: LED 3 Segments (-20dBV / 0dBV / +4dBV)

ELECTRICAL

Power Supply: Internal
AC Mains Voltage: 90-264VAC 47-63Hz
AC Main Connector: 15A IEC inlet connector
Rated power consumption: 39 VA

PHYSICAL
Operating Temperature: -5-C # 45-C / 23-F # 113-F
Operating Humidity: 20 - 90% RH (no condensation)
Storage Temperature: -10-C # 50-C / 14-F # 122-F
Storage Humidit : <90% RH (no condensation)
Operating Humidity: 20 - 90% RH (no condensation)
Installation Options: Desktop or Rack mount with optional accessories
Included Accessories: IEC Cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm / 13.39 x 3.19 x 14.65 in
Weight: 5.32 Kg / 11.73 lb
Shipping Dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm / 19.49 x 6.89 x 17.13 in
Shipping Weight: 6.74 Kg / 14.86 lb

MECHANICAL

Dimensions (without wooden sides) : 400 x 185 x 100mm / 15.7" x 7.2" x 3.9"
Weight : 3.6Kg / 7.94 lbs

Notes: Blank Album Jackets, White, 20x 12 Inch LP Vinyl Covers

Vinyl Is Forever

... That is if you take good care of it! Big Fudge is the leading brand in the protection, storage, and display of vinyl records - like this set of 20 Glossy Black Album Covers!

It's Time to Replace Those Sad Old Vinyl Jackets

You, and those who came before you, loved those albums so HARD the jackets are now tattered. So replace them with blank album covers that let you spend less time with the sticky tape and more time listening to perfectly protected tunes. Unlike other jackets with thin spines that bunch up your sleeves, these jackets let you write ON the spine and keep the sleeves smooth and flat.

20 Blank Jackets for 12" Vinyl
350gsm Thick Glossy White Cardboard - Acid-Free
Compatible With Standard 12" Inner and Outer Sleeves
3.5mm Spine To Label Your Albums with Thin Chalk Market

Fits Your Favourite Sleeves

These Covers fit 12" albums like a hug from Tony Bennett. Some jackets make inner sleeves bunch up, but Big Fudge covers let plastic or paper sleeves slide in like a dream and then fit snugly to prevent them from falling out.

Add Your Artwork

Thin spines are annoying. But these jackets have a 3.5 mm thick spine, so you can label it. The front lets you glue or sticker art and then slide it into your outer sleeve. Use thin chalk markers that require a solvent to remove.

20x black Jackets

Your order includes 20 vinyl covers. Acid-free, 350 gsm glossy black cardboard jackets with the same quality you expect from Big Fudge. These will fit all your vinyl, even 180g pressings.

They've Had a Hard Life

You've dragged them around town, listened to them a million times, or found them already pre-loved and worn-out; now give them a new start at life with these Album Covers from Big Fudge - the brand that thousands of vinyl fans love and trust.

Notes: This MIDI Adapter enables you to connect MIDI devices that use standard MIDI cables to the stereo minijacks used by 1010music products. The adapter has a male stereo minijack at one end, and a female 5 pin DIN MIDI connector on the other, and is 22 cm/8.5" long. It is also useful as a converter for connecting to other MIDI devices that use a different mapping of MIDI signals to the stereo minijacks.

Notes: Designed and engineered in the UK specifically for the Reloop RP7000 & 8000 turntables. Custom moulded from super durable polycarbonate and finished in a slick smoked/clear hue. Simple push fit design shields tone-arm and other delicate components from accidental damage, whilst leaving cables in place.

Notes: Ultimate strength 100-capacity record box with 20mm aluminium frame, removable lid and reinforced corners.

Notes: The Selektor Classic Bag x 30 approximately holds 30 LP 12" records.

Features protective padding on all sides. UV Protection & Water Resistant. Made with Cordura fabric featuring water resistant and UV protection treatment.

Aesthetics & Function. Unique functionality, style & comfort for carrying your records.

Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: High quality 450g Clear Polythene Record Sleeves. We manufacture these right here in our own factory to ensure that they meet our strict quality standards.

Our Bags Feature:

High Clarity Film.

Antistatic Material.

UVI Inhibitors to stop them breaking down in the sun.

Heavy Gauge (450g) for durability.

Notes: With the Spin-Cleanr MKII standard unit and included accessories, you're ready to begin removing the grime from your grooves.

Whilst there are cheaper record cleaning brushes available on the market, the Spin Clean Record Washer system is by far the best in terms of removing dust, fingerprints and static from your LP records.

The kit comprises fluid bath, a 4oz bottle of cleaning fluid, lint-free drying cloths, 1 pair of brushes, 1 pair of rollers and an instruction manual.

Spin Clean Record Washer System Mk II achieves amazingly effective cleaning power of records due to the special cleaning fluid that grabs hold of the dirt and makes it sink to the botton of the fluid tank, ensuring that your records remain uncontaminated during the cleaning process. Both sides of the record are sleaned at the same time by the Spin Clean Record Washer System Mk II.

The cleaning process is as follows: fill the bath with cleaning fluid, Spin the record three times, then dry off the record with the lint free cloths. Simple and effective. There are no power requirements for the Spin Clean Record Washer System Mk II.

Notes: The UDG Starter record bag is a medium size bag that holds approximately 50 vinyl records. It's the perfect budget priced padded DJ bag for the starting DJ and a perfect chance for every DJ to have an original UDG product.
It comes with a detachable and adjustable shoulder strap and 2 hold-all straps that make it easy to carry. Your records will be extra protected by the foam padded PVC reinforced walls.

The UDG Starter record bag is a perfect bag for the starting DJ.

Notes: The Glorious 12" record box 230 is a plain and solid storage system which holds 230 12" records. It is made of quality MDF wood with black shrink-wrap finish.

Notes: The high quality record sleeve is complete with centre holes, with 5mm spine which allows the use of paper inner sleeve.

***Pack of 25***

Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: High quality audio leads for exceptional sound quality and reliability. Twinned high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 3.5mm stereo (TRS) jack and at the other end with 2 x RCA phono connectors.

Notes: - 200ml cleaning fluid for efficient and gentle cleaning of vinyl records

- Soft cloth included

- Unaltered care and maintenance for records since 1971

- Must not be used for Schellack records

Notes: Part of Sonicware's Liven groovebox series, this time focussing on granular synthesis and effects processing. 128-step sequencer and shimmer reverb allow you to create grooves.

Supplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds

The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.

The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.

Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control

Granular synthesizer with granular effects processor mode

The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.

The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.

Shimmer reverb for fantastical and majestic sounding spaces

The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.

128-step sequencer with parameter locking

The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.

You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.

Specifications

[Granular processor]

Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots

Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function


- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)


- Attack
- Release


- Low Pass
- High Pass
- Band Pass

Reverb effects
6 high-quality reverbs with Shimmer reverb parameters
- Hall
- Room
- Arena
- Plate
- Tunnel
- Infinity


- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: The perfect companion to MicroFreak's Vocoder engine. This specially designed microphone attachment lets you add your vocals to MicroFreak's unique mix of digital and analog.

Transform your toplines, harmonies, and spoken word into inspiring modulated textures.

With its gooseneck design, this electret microphone is built with ergonomics and ease of use in mind. Adjust its height and angle to suit your setup, and connect it directly to MicroFreak's head-phone connector. Thanks to an additional socket on the microphone's base, you can still connect your headphones for monitoring.

In terms of sound, the microphone is designed to work perfectly with the MicroFreak Vocoder engine's 16-band frequency range, ensuring accurate detection of the complex harmonics of the human voice. MicroFreak will detect when the mic is connected and automatically set the gain, but this can be easily adjusted in the utility menu.

Jump from subtle synthesized harmonies to robot vocals in no time with the MicroFreak Vocoder Microphone!

Notes: Male 3.5mm (1/8") TRS to Female 5-pin DIN adapter.

This adapter cable will connect the Organelle M's TRS-MIDI In or Out ports to another device with a 5-pin DIN MIDI port.

This adapter cable is TRS-MIDI Type A as set by the MIDI Manufacturers Association. Type A is the adopted standard of the MMA.

Overall length: 10.25" (~26cm)

Notes: - High-grade patch cable designed for modular units
- 3.5mm mono jack plugs
- Length: 50cm
- Grey finish

Notes: The white card high-gloss finish record sleeve has 2 holes and no spine, it needs no inner sleeve.

Notes: A simple adapter that allows easy connection of any 6.3mm (1/4") jack connector to a 3.5mm phono/RCA socket.

Notes: A modern classic. Superb little semi-modular monosynth in its own right, but comes alive when paired with other modular gear. A great option for beginners and experienced synth users alike.

Supplier's notes:
The 0-COAST is a single voice patchable synthesizer. Its name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka "East Coast," and "West Coast," due to their locations), but is loyal to neither and thus implements "no coast synthesis."

While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!

Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.

Notes: This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:

Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)

All eight modes from Parasites and Kammerl

Stereo VCAs

input/output mutes

Exponential and linear pitch controls

Universal CV routing and random CV signals

Comes with an exclusive black and gold panel, power cable and one year warranty.

Notes: - 6.3 mm jack male mono to 3.5 mm jack male mono
- Length: 1.5 metres

Notes: Pack of high Quality patch cables. Not too stiff, not too loose!

One colour for each size make Befaco patch cables just perfect to keep them organized!

This pack contains 6 high quality purple patch cables.

Notes: The tools we use to compose and produce music are dear to our hearts. The studio elements of dust, smoke and liquid have taken many a good groovebox down over the years. This is where Decksaver steps in. Precision trimmed for perfect fit whilst accommodating cables, the TR-8S can sit ready for operation. Slides straight into a flight or soft case for maximum protection during transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Notes: The little brother to the original DrumBrute arguably packs a bigger punch. Gritty analogue sounds are on offer, but the sequencer is just as inspiring. A great alternative to the usual Roland suspects.

Supplier notes:
This is the drum machine you've been waiting for.

Combining bold, hard-hitting analogue sounds, a monstrous output distortion, performable controls, superb connectivity, and a powerful sequencer, DrumBrute Impact will fill your music with energy and muscle.

Putting the focus on "Brute", DrumBrute Impact features 10 high-energy, refined, punchy analogue sounds.

You can also use the exclusive "Colour" sound-shapers to introduce unique, per instrument effect for some variation. Boost the harmonic content, add some drive, snap, or crack at the touch of a button, you can even automate tonal changes by creating a "Colour" sequence. If you want your drums to push even harder, use the built-in distortion on the output for some drum-optimized crunch.

DrumBrute Impact is a drum machine for musicians and producers who crave raw power and monstrous tone.

Awesome drums made easy:

Sharing the same prize-fighting sequencing architecture found in the original DrumBrute, you'll love the simple, fun, and intuitive sequencer in DrumBrute Impact.

Whether you want to create complex, phasing polyrhythms or straight, pounding rhythms; record a finger-drumming performance; punch in a step-sequenced masterpiece; DrumBrute Impact beats to your rhythm. Use the touch strip to create some real-time glitchy, beat-repeat breakdowns, spice up a single instrument or your whole pattern with a dedicated 'Random' knob, and add some syncopation and groove with the 'Swing' feature.

A true analogue experience:

Connect to your other gear, sync up, and make some music the old-school way.

Get away from computer screens, say goodbye to sub-menus, and jump into the world of tactile, instant, analogue satisfaction. Featuring a huge array of sync and connectivity options, you'll be able to hook up and jam with practically any other synth, sequencer, or MIDI-enabled instrument. Mix on the fly with dedicated controls for every function, multitrack, record, effect, and mix the sound your way with multiple bus outputs. Save patterns that you love, chain them together, and create full songs and live sets, all without looking at a single screen.

DrumBrute Impact is a massive sounding, creativity fuelling beast, with effortless workflow and amazing performance controls.

Notes: A popular replacement stylus. Individually packed in a plastic case. Made in Japan.

Notes: Replacement Stylus for AT-XP3.

- Conical Bonded Stylus
- Carbon fibre-reinforced ABS cantilever
- Durable design for DJ application

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Step into the world of cutting-edge synthesis with the Roland SH-4D, a modern masterpiece designed to inspire your sonic exploration.

Bursting with innovative features and top-of-the-line controls, the SH-4D empowers musicians and producers to create captivating sounds that push the boundaries of electronic music.

As you immerse yourself in the sonic wonderland of this device, it becomes essential to protect your prized synthesizer from the rigors of everyday use. To ensure your synth remains in prime condition and ready to perform at its best, Decksaver presents the Roland SH-4D Decksaver cover.

Meticulously engineered from super-tough polycarbonate, this Decksaver cover provides unbeatable protection against dust, liquid spills, and accidental impacts. Preserve the sleek aesthetics and pristine functionality of your SH-4D with ease, so you can focus on making music without worry.

The custom-moulded design of this Decksaver cover perfectly fits your Roland SH-4D, allowing for hassle-free setup and easy access to all controls and connectors. Whether you're composing in your studio, performing on stage, or collaborating with fellow musicians, your synth will remain safeguarded throughout its musical journey.

Decksaver take immense pride in the craftsmanship of this Decksaver covers, and the Roland SH-4D lid is no exception. Each cover undergoes rigorous testing to ensure it meets the highest standards of durability, ensuring a long-lasting partnership with your beloved synth.

Unite cutting-edge brilliance with unrivalled protection - choose the Roland SH-4D Decksaver cover, your companion on the journey of musical innovation. Discover new sonic horizons with confidence, thanks to Decksaver's dedication to quality and your passion for making music.

Dimensions

Weight: 0.52 kg
Length: 36.6 cm
Width: 19.6 cm
Height: 3.4 cm

Material: Smoked clear polycarbonate.

Notes: The black card high-gloss finish record sleeve has 2 x holes and no spine. It needs no inner sleeve.

Notes: The Tonar Banana stylus is designed for top performance of Tonar Banana DJ cartridge. Always keep a spare to be on top of your style and music.

Notes: Never let it be said Suck UK don't dabble in science. In the name of completely misunderstanding Schrodinger's work, Suck UK introduce their newest cat/box combination, the scratch mat. The cats scratch furniture to mark their territory, exercise their muscles and for sheer pleasure. All similar reasons youths mix music and if you are to cross over both those cultures you'd rather get cats mixing music than teenage boys bringing bedraggled birds back to your doorstep.

The decks come flat packed and fold together into a simple structure with poseable tone arm and a top which spins as your cat paws at it, meaning you can sit and giggle in a look the cat is doing human things way rather than watch in horror as she shreds your favourite couch into tiny pieces.

Notes: This heavy weight record sleeve is made from the highest quality 180 micron very strong PVC. It fits over your records in its sleeve.

The 12" Orange Peel Finished clear PVC record sleeve comes complete with a thumb cut out at the top for ease of inserting and removing records. It is the highest quality and most robust sleeve you can get. It is ideal for your priceless vinyl to keep them protected.

Notes: The slanted version of the Reloop Club Series 50/50 Cases offers a maximum ease of use while digging for records due to the angular sloping design of the two halves.

When in divided mode the records in the front are superiorly visible and available, while the rearmost part of the records are superiorly supported and protected compared to a conventional 50/50 division. Reloop's case innovation.

Notes: - High-grade patch cable designed for modular units
- 3.5mm mono jack plugs
- Length: 200cm
- Green finish

Notes: Cracking value in this brutalist beauty manufactured by Bristol's Future Sound Systems. Interesting features like wave-shaping VCOs and Sallen-Key filter make it the ideal starting point for a bigger modular setup.

Supplier's Notes:
Malevolent has been designed by Paul Whittington in collaboration with Bristol based synth manufacturer Future Sound Systems who have provided the analogue circuitry, and Ben Supper who developed the control interface:

Paul has a had a long career in developing products for some of the biggest names in the industry and is now using his expertise to build instruments, bringing in talents from friends he's made during his tenure in development.

Future Sound Systems are a renowned Bristol based synthesizer manufacturer, who are responsible for some of most forward-thinking designs on the market, they specialize in modular and semi-modular synthesizers & their design prowess is very apparent in Malevolent.

Despite its diminutive size, Malevolent sounds big, aggressive and is capable of everything from soaring leads, huge bass sounds, percussive phrases, weird sound FX and more.

It's form factor, user interface and price point make it a great option for those taking their first step in the modular domain, but it's unique sound, extensive modulation capabilities and the options for integrating seamlessly with other synthesizers, makes it a great option for experienced user who's looking for something a little different.

Modular Pure Analogue Synthesiser

Pure Analogue signal path designed by Future Sound Systems
Pure VCOs

19 Outputs and 19 Inputs for 3.5mm mono jack cable patching
Normalised signal path for immediate sound Malevolence
Additional rear panel line out
Additional headphone out


2 Voltage Controlled Oscillators
Saw / Triangle / Pulse outputs plus Mix for each oscillator
1V/Oct pitch control input
Shape control / pulse width modulation input
2x Frequency Modulation inputs
Coarse / Fine tune control
Shape mod amount control
FM1 and 2 mod amount controls
Shape control
Selectable waveforms for the mix output
Individual osc level control


LFO (Low Frequency Oscillator)
Triangle / Square wave outputs
Rate control

2x Envelopes
Individual ADSR controls for each envelope
Individual gate inputs
Individual envelope outputs


Multi-mode 2 pole VCF (Voltage Controlled Filter)
Low pass / Band pass / High Pass individual inputs
2x Frequency Modulation inputs with amount controls
Filter cutoff
Filter resonance


Mixer
Noise w/level control
Aux input w/level control


VCA (Voltage Controlled Amplifier) with overdrive control
Compatible with Eurorack standard 1V/Oct gear
Monophonic and patchable allowing individual pitch control of each VCO and gate control of each envelope
USB bus-powered
MIDI In / Out
Headphone out
Line out
Analogue clock in & out


USB-MIDI to 1V/Oct CV & gate conversion
All pitch and gate control is fully analogue
Analogue clock In / Out


Multi-function Joystick control
Left / right for pitch bend
Performable portamento
Performable vibrato
This is in addition to the analogue LFO
Latching hold mode


Arpeggiator
6 arpeggiator types
Up, Down, Up/Down 1, Up/Down 2, Played & Random
Auto clock sync
Detects analogue / MIDI or USB-MIDI clock and synchronises the arpeggiator automatically
Selectable sync rates when clock detected
Rate / sync control
Latch
6 Octave range
Analogue / MIDI / USB-MIDI Clock output when arpeggiator is running


Keyboard Control
32 Velocity-sensitive mini-keys
Octave shift +/- 4 octaves
Pitch output
Velocity output
Gate output
Local Off mode for DAW use


Includes:
5 Patch cables

Power Supply (9V 600mA)
USB C lead

Getting Started Guide


Weights and Dimensions:

Product (unboxed):
490 x 250 x 80 mm
2.61 kg

Product (boxed with contents):
690 x 320 x 160 mm
3.70 kg

Notes: It's clear that Pioneer DJ has once again raised the bar yet again with their latest DJ controller: the DDJ-FLX10. This versatile piece of equipment, boasts exceptional sound quality and an array of features that cater to the needs of both professional and amateur DJs.

With a layout that emulates a professional DJ setup, the DDJ-FLX10 features a 4-channel mixer and full-size jog wheels that provide a tactile and responsive feel, making it easy to scratch and manipulate tracks. It also comes equipped with a variety of input and output options, including XLR, RCA, and TRS connectors, as well as a built-in sound card that delivers high-quality audio processing.

But as with any high-end piece of music equipment, it's essential to protect your investment from any potential damage. That's where Decksaver comes in.

Designed specifically for the DDJ-FLX10, this cover is made from ultra-durable polycarbonate material that provides exceptional protection against spills, knocks, dust, and other harmful elements.

With a Decksaver cover, you can rest easy knowing that your DJ controller is protected from any potential harm.

Dimensions

Weight 1.2 kg
Length: 72 cm
Width: 39.5 cm
Height: 4.2 cm

Notes: The Vermona MEX3 is a midi extension for the meloDICER sequencer and allows the sequencing of synthesizers outside the modular system.

Features:

MIDI output of sequences
Sequences can now be polyphonic with up to three voices
meloDICER can receive MIDI Control Change messages to remotely control all parameters.
All meloDICER controls can send MIDI Control Change messages
Direct synchronisation to a MIDI clock including shuffle conversion (e.g. from a Multiclock)
MeloDICER converts the MIDI real-time messages START, STOP and CONTINUE.
Module width: 4 TE
Power supply via meloDICER

Included in delivery:

MEX3
Connection cable to meloDICER
2 x MIDI cable DIN-3.5mm; 150 cm (Type A)
To use the meloDICER with the MEX3, the latest firmware must be installed. This can be downloaded from the manufacturer's website.

Notes: 3.5mm stereo mini jack plug to 6.3mm jack socket.

Notes: Set of 5 high-quality braided & soft 3.5mm patch cables for use with eurorack modules. The braided patch cables have a soft touch & are perfect for traveling with your eurorack system patched as they are super-bendable and much less likely to get tangled even with your case lid closed. Pleasant & practical for a better patching experience.

Notes: The new RIOT LP-TROLLEY 50 is dedicated to the passionate vinyl pros who want to conveniently travel with their records from gig to gig. Crafted from high-grade material components such as the extra-rugged Tarpaulin fabric, PVC-coated zippers and smooth rolling precision inline wheels, it can accommodate up to 50 pieces of 12-inch records and also meets the permitted carry-on luggage size of almost every airline.

Notes: This compact, energy efficient switch-mode power supply gives up to 1500mA with a variable output from 3V to 12V. Suitable for most low power electronic products such as CD Players, Walkmans, Radios, Portable Games Consoles, MP3 players etc.

Up to 1500mA at all output voltages
Supplied with 8 DC adaptors and USB socket adaptor
Uses 25% less power making it more energy efficient
Materials used and manufacturing process are more environmentally friendly

Notes: A digital mixer at heart but so much more. 1010's unique take on mixing and recording includes built-in effects and EQ, compression, headphone/monitor mixes and output routing. Clever stuff.

Supplier's Notes:
Bluebox is the portable digital audio mixer that lets you get the most out of your electronic music gear. Connect your eurorack, sampler, drum machine and synthesizer outputs to 6 stereo, 3.5 mm TRS inputs and map them to 12 mono tracks or 6 stereo tracks, all with independent control for recording and playback. It's that keyboard mixer with live performance features that you always hoped someone would make.

Connect the output of your electronic music gear to Bluebox, and then route each track independently to the three outputs and effects sends. Each track offers control of volume, gain, 4 band parametric EQ, pan, mute and solo functions. Apply high-quality global reverb and delay effects along with 4 band EQ per track to add new depth to your sound with total control to quickly tweak incoming audio or track playback as needed.

With Bluebox you can record independent tracks or the Main mix using a standard microSD card. Capture your jam session for later review, or record the ultimate mix of the tracks for your song.

Bluebox's compact 5.5h x 5h x 2h case lets you tuck it into a crowded tabletop studio or throw it in your pack for the next gig.

Interact with the dynamic visual interface on the 3.5h touchscreen along with physical knobs, navigation buttons and transport buttons to quickly access the most important functions. MIDI input and output allow you to sync the clock with external gear for synchronized effects and metronome.

Add Some Colour to Your Mix:
Mix 12 mono/6 stereo tracks of live or prerecorded sound.
Independently route each track to any combination of three stereo TRS outputs:

Stereo Output 1 - Main mix
Stereo Output 2 - Assignable, with dedicated sub-mixer (pre or post fader)
Stereo Output 3 - Headphone output, with dedicated sub-mixer (pre or post fader)
Control one parameter for multiple tracks at once in Mixer mode.
Focus on one track at a time in Track mode.
Adjust the level or mute state of each output independently.
Use touch gestures or knobs to tweak your sound with four band EQ per track with support for Low Cut/Low Shelf, Parametric, and High Shelf/High Cut settings for each band.
Apply high-quality Reverb and Delay effects with independent effects sends for each track.
Override the headphone output with the Main mix on demand.
Maximize the loudness and unify your mix with the built-in global compressor
Sync to external clocks through the MIDI Input and Output.
Record hours of music as 48k, 24 bit WAVs directly to the microSD card as multi-track or as the main stereo mix.
Playback a previously recorded track while recording new ones.
Load firmware updates through the microSD card.
Mix electronic music gear such as the 1010music blackbox, eurorack modules, drum machines, samplers and synthesizers.
Save and recall Project settings including all parameters for tracks, outputs, EQ and effects.
Copyright 1010music LLC 2020 --- CONFIDENTIAL ---
Copyright 1010music LLC 2020 --- CONFIDENTIAL UNTIL 10/10/2020 ---
Fit it into a small spot on your desk and then tuck it in your pack for the next gig.

What is Included:
Bluebox digital recording mixer
A microSD card with bluebox firmware and pre-loaded project files
A USB power cable and AC adapter with 3 international adapters
2 MIDI Adapters . Male 3.5 mm TRS to Female 5 pin DIN, MIDI Class B standard
A Quick Start guide to show you the basics (full user manual available online)

Specs:
6 stereo 3.5 mm TRS inputs
12 mono tracks, 6 stereo tracks or something in between
3 independently controlled stereo 3.5 mm TRS outputs
3.5h touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
MIDI In and Out for beat syncing effects
Dimensions: 5.5 x 5 x 2 (14 cm x 13 cm x 5 cm), 1 lb (450 grams)
Durable aluminum case

Notes: Module A-160-2 is an enhanced version of the standard clock divider A-160. The module is a frequency divider for clock/trigger/gate signals, designed to be a source of lower frequencies, particularly for rhythm uses. The Clock input will take any digital signal from, eg. LFO, MIDI sync, or the gate from a MIDI-CV interface. At the outputs, you have access to three sets of seven different sub-divided clock signals, from half the clock frequency down to 1/128. The low/high levels of the output signals are 0V and about +10V.

The A-160-2 also has a reset input. Whenever a reset signal is sensed, all outputs are set to certain levels which depend upon the selected mode.

These are the most important features of the module:

Three different sets of dividing factors, selected by a three-position switch at the front panel:
- Power of two: 2, 4, 8, 16, 32, 64, 128
- Prime numbers: 2, 3, 5, 7, 11, 13, 17
- Integer: 2, 3, 4, 5, 6, 7, 8

Two output modes, selected by a two-position switch at the front panel:
- Gate mode: outputs act like the outputs of typical binary dividers
- Trigger mode: in this mode the outputs are AND-wired with the clock signal (i.e. the clock pulsewidth affects the pulsewidth of the outputs)
- Clock edge type selected by a jumper on the pc board:
- Positive: the rising edge of the clock signal triggers the state change of the outputs
- Negative: the falling edge of the clock signal triggers the state change of the outputs

Reset behaviour by two jumpers on the pc board:
- Level triggered: the level at the Reset input triggers the Reset
- Edge triggered: the edge of the signal at the Reset input triggers the Reset
- Positive: a high level (> 2.5V) or the rising edge at the Reset input triggers the Reset
- Negative: a low level (< 1 V) or the falling edge at the Reset input triggers the Reset

Output polarity selected by a jumper on the pc board:
- Positive: non-inverted outputs
- Negative: all seven outputs are inverted

Width: 4HP / 20mm
Depth: 35mm (Measured from the rear side of the front panel)
Current: +12V: +50mA, -12V: -0mA

Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding. The durable PVC sheath has a soft texture to avoid knotting. Terminated at one end with a pair of RCA phono plugs and at the other end with 2 x 6.3mm mono jack plugs.

Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).