All genres charts

Notes: Excellent for the removal of dust and particles from the vinyl record surfaces. The fluid is alcohol-free and is also safe for older vinyl records too. The cloth is the perfect combination for first round wet cleaning or daily care. Audio Anatomy Vinyl Cleaner kit sports a great package concept which keeps the microfiber cloth always at hand.

Notes: A revised version of the classic velvet brush, carefully cleans dust off vinyl records and ensures static-free playback. Its original contour shape makes it easy to handle. Suitable for dry or wet cleaning.

Review: Hot on the heels of his inaugural release in January, Braiden introduces Slewis, a new producer on his emerging Off Out label. After years of honing his craft in the studio and playing in experimental bands, London born Slewis makes his mark on his debut with two equally bold dancefloor cuts. Group V opens with an extended twisting cacophony of synthesizers before breaking down into metallic driving machine funk. On the flip, Despot delves deeper down the rabbit hole as EBM influenced sounds and syncopated claps dance around a bed of paranoia, leading to a tense breakdown populated by a flurry of spasmodic drums.

Review: To deliver their third release since debuting in 2018, from the less-than-prolific DXL Records has recruited Pressure Point, a producer who received plenty of praise for his earlier singles on Sol Asylum, Telharmonic Texture and All On Tape. The Wrong System EP is a quietly impressive return to form, with the little-known producer smoothly moving between intergalactic tech-house funk (the leaping, sci-fi sounds, shuffling drums and bubbly melodies of 'Timepiece'), mind-altering tech-house box jams (see 'Wrong Systems', with its chiming lead lines and hypnotic vibe), and tech-tinged deep house goodness ('Tom Cat'). The accompanying 'Spacetravel Mix' of 'Tom Cat' is also rather good, in part because it features what sounds like a broken modem having a meltdown over bustling machine drums, foreboding bass and soft-touch chords.

Notes: Do you use pedals that don't match the outputs of your power supply? With EBS new power adapter cables, there's a way to solve most matters.

It sucks when you realize your coolest vintage pedal or latest digital processor-driven unit can't be fed from your pedalboard power supply because they are thirstier or uses different power inputs than your power supply features. At worst, you may even skip bringing your favourite toys to avoid the hassle. However, with the new EBS adapter cables, you can solve many of these issues easily and save the space that those extra power supplies may occupy.

Need to convert a 2.1 mm plug to 2.5 mm? No problem.
Need more current than you get from one output? No problem.
Need 18 or 24V DC power from 9 and 12V outputs? No problem.
You can even change the polarity from the common Center Negative to Center Positive using one of the new EBS adaptor cables.

Here's how you do it:
To go from 2.1 to 2.5 mm, use the DC1-48 90/0 2.5 adaptor.
Want to change the polarity? Use the DC1-48 90/0 RP adaptor.
To increase the current, use the DC1-48 90/0 PAR and connect two outputs from your power supply. The total current will be the current from both outputs added together.*
To increase the voltage, use the DC1-48 90/0 SER and connect two outputs from your power supply. The total voltage will be the voltage from both outputs added together.*

* IMPORTANT! Requires a power supply with isolated, floating outputs.

Review: Takovou stakes his claim to a wider audience with 'Perfect Match', a wonky four-tracker with a sense of depth and slow unfurling that is hardly achievable by most artists (presumably, they'd lose their patience). Dreamy movers like 'Homesickness' and 'Bubbles' are at once light and deep, perhaps reflecting the airy and unburdened headspace of this obscure Russian artist, who now resides in Tbilisi. A curveball also comes in the form of 'Another The Same', which more recalls Four Tet than the prior, less dense ambient works heard before.

Review: 'Everything You're About to Hear Is True' is a home for the now well-documented breed of 'unknown artist' seeking an outlet to release their disco edits and this second instalment by yet another mysterious figure hears a blitzing blend of electronic and acoustic parts, marrying tropes such as sports-game chants, reverb-drenched balearic boogie and funk across four tracks.

Notes: 12" Record Jacket Sleeve

12-5/8 x 12-5/8" x 3 mil Polyethylene

Snug fit. No flap.

Fits snugly over 12" LP Record Jacket.

Notes: 12" Record Jacket Sleeve

12-5/8 x 12-5/8" 2 mil Polypropylene

Snug Fit - No flap

Fits snugly over 12" LP Jacket. Crystal clear.

Review: Hip-hop heads love nothing more than classic Blue Note material getting a modern fix up. And that's what we have here as Kay Young and Venna and Marco Bernardis join forces to work their magic on Marlena Shaw's 'Feel Like Making Love' and Donald Byrd's 'Where Are We Going?' This limited 7" is a taster from the 16-track compilation Blue Note: Reimagined II. It's packed with the neo-soul, r&B and hip hop scenes finest contemporary talents adding new magic to the still standout original source material. Like volume one, it's an absolute must-have, as is this 45rpm.

Review: Pronto (house) is a new series form the Pronto label that pairs Greenskeepers man James Curd with the Grammy award-winning Marius De Vries. He has produced for greats leak Massive Attack and Madonna as well as composing various film scores. Here he gets involved with some timeless disco-house sounds with great vocals on the elegant and lushly designed 'Auditory Gates.' The Jacques Renault remix gets a little more retro in its rickety disco-house loops, while Oliver Dollar Refixes with hefty drums and more house power. Last of all is a tidy James Curd demo version.

Notes: A range of 6.3mm jack instrument or signal leads with outer nylon braid in various colour combinations. In addition to the retro styling, the braid gives added protection to the cable and helps to avoid kinks or tangling when coiled.

- Anti-tangle nylon braid
- Retro-style colour options

Notes: A range of 6.3mm jack instrument or signal leads with outer nylon braid in various colour combinations. In addition to the retro styling, the braid gives added protection to the cable and helps to avoid kinks or tangling when coiled.

- Anti-tangle nylon braid
- Retro-style colour options

Review: Breaking from their exceptional soundtrack work of late, the infallible Scottish post-rock behemoth Mogwai have returned to the studio for their ninth full-length. 'Every Country's Sun' is a whirlwind album whose sheer impact hinges on its powerful use of contrast, most likely evident of their recent film and television score work. Passages of atmospheric calm give way to loud cascading floods of aggression without sounding trite, forced or clumsy, and a more polished use of electronics further accentuates the band's tonal variety. From the spatial futuristic opener 'Coolverine' to the album's grinding and mechanical climax, 'Every Country's Sun' feels like a score for a film not yet made, following all the highs, lows, twists and turns of narrative told by a band continuing to showcase their deft and controlled writing.

Review: Having been dormant for over three years, New York label Satamile returns to continue spreading the gospel of proper electro music with a six-track EP from The Ghost That Walks. Drexciya enthusiasts will be all over this record; the rubbery melody of "The Angriest Angel" recalls the Detroit duo at their most playful but with a simmering undercurrent of tension that is very much the producer's own signature style. Similarly great are the searing analogue synth buzz of "Seven Deadly Sons", the tribal 303 stomp of "Urban Jungle" and the 808 rattle and Belgian rave tones of "Resident Evil". Those who were lost without the label's presence should rest easy - Angry Angels is easily among their extensive catalogue's best releases.

Review: Bleep techno formed as a result of likening the arpeggiated bleeping of techno, with the sound of contempoary bleeps: small toy robots, Speak n' Spells, the digital chatter of sci-fi foley in franchises like Star Trek and Star Wars. Now, music editor Jurgen Laarmann argues vehemently that bleep is back, and in EP form, likens its resurgence with the advent of NFTs and cryptocurrencies. 'NFT', therefore, is a four-tracker like no other, with the banging original track coming together with Bleep stalwarts including Michael wells, Tricky Disco and Justus Kohncke.

Review: Teased right at the start of the year, keen ears have been awaiting this collaboration between Imprints boss-man Riccardo and Slow Life soldier Saverio Celestri since the summer. Now, fresh from quarantine, the stunning 'Area' is all yours. Bubbling electro breaks with added steel drum charm and harmonies from heaven, it's an outer planetary first smash from Planeters. Flip for two solo pieces from Saverio; the dark alley arpeggio and moody jacks of 'Entrance' and the widescreen electro / radioactive bounce of 'Sintesi'. Bumping.

Review: With such a collaboration heavy project in the "Yet Another Kito Jempere Album" announced it is no surprise that this following remixes pack comes laden with familiar friends'n'family, plus additional support.

Taking the ambient meets acappella paene Your Ghost In Me and creating one of his on-point dance floor dramas, Lipelis (Animals Dancing / LIES), utilising Hard Ton's classic 'US House' vocal delivery to create a perfect "big room" anthem.

Next up Born Free boss, Samo DJ (Public Possession / Trilogy Tapes) pumps A King Of Comets with Mood II Swing punch meets Ballistic Brothers riddim'n'culture for some hip-breaks-dancehall swing.

Cable Toy (Low Budget Family) presents the label favourite with his bouncing, yearning remix of album stand out, Time Traveller. Countered with a perfect touch of summer vibrations and melancholia this up and coming St Petersburg resident has to be watched.

Finally, Linja (Avidiya / Malka Tuti) offers a deep, shuffling version of Untitled Ritual. Arpeggios throb, percussion snaps, tempos shift, planets realign, vocals by Noteless call...wait believing, just we have seen it, God is waiting, nothing can bleeding.

Only friends. Only family. This is Kito's emotional response.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding.

The durable PVC sheath has a soft texture to avoid knotting. Terminated at each end with a pair of 6.3mm mono jack plugs.

Review: Bobby Harden & The Soulful Saints are back with a new 7" that arrives in conjunction with their new album Bridge of Love with arrives in May. These two tunes exemplify what to expect from the long player with sleek seventies pop sounds. 'One Night of the Week' is led by Harden's voice with the dexterous Soulful Saints adding the buttery support next to Latin percussion, horns and even a string quartet. On the flip is the exuberant 'Rase Your Mind'. This outfit has performed live and recorded together with acts such as Sharon Jones & The Dap-Kings and The Wu-Tang Clan and it's easy to see why.

Review: Mr Bongo serves up the new collaboration here from Mandaworld (bereft known as Amanda Hicks) and partner Matthew Tavares, who is Matty of the much loved jazz outfit BADBADNOTGOOD. The pair have a magical musical synergy that really shines through here as they interweave and uplift one another. 'Warm You' is a real classic that fits in the canon of timeless ballads. It is a dreamy pop song doused in oodles of reverberating guitars and mellow shoegaze vibes that evokes a world of nostalgic feelings. 'Spoonfeed' is just as warm and lush but a little more subdued.

Review: Berlin's Cocktail d'Amore and Tokyo's Ene Records have come together once again to present the music of Solidair. The duo of Cocktail alumni Luigi Di Venere and Jules Etienne present three tracks aimed to induce a dance floor hypnosis. Orgonite (Riding the Waves) does just that, a slow build awash in the ebb and flow of acid tinges, just enough to wet your whistle on a Saturday night. The original mix keeps the skeletal support but throws in a life preserver of 8 bit gaming synthesis. Frisky arps call and respond to each other before making way for sinewy pads to lift off. Tiger's Eye sets itself onto cruising speed incorporating elements of late 90's acid techno with the sleek and smooth clubbing aesthetics of modern day Berlin.

Notes: Inside this brand new issue:

Irreversible Entanglements: With a new album in the can, the US quintet discuss freedom, community and dismantling the mechanisms of oppression. By Phil Freeman

The Primer: Jazz & Poetry: A user's guide to the ongoing conversation between mighty music and vibrant verse. By David Grundy

Vanishing Twin: The London based art pop trio take a playful approach to retrofuturist psychedelia. By Claire Biddles

Invisible Jukebox: Matana Roberts: The Chicago born musician and multidisciplinary artist faces The Wire's mystery record selection. Tested by Teju Adeleye.

Unlimited Editions: Gin&Platonic

Unofficial Channels: Chocolate Monk Top Tens

Carol Robinson: Clarinet results from the Paris based musician. By Louise Gray

Tom Mudd: Getting algorithmic with the Edinburgh experimentalist. By Stewart Smith

Hearsay: Chicago improvising trio turn the tables. By Bill Meyer

Marina Herlop: Exploring otherworlds with the Catalan composer. By Milos Hroch

Global Ear: Oaxaca A mountain town's brass ensembles celebrate Mexico's Indigenous Mixe culture. By Juan San Cristobal Lizama

The Inner Sleeve: Val Wilmer on Henry Grimes's The Call

Epiphanies: Raphael Rogi?ski on Neopolitan soul

Print Run: A Book Of Noises: Notes On The Auraculous by Caspar Henderson, Key Changes: The Ten Times Technology Transformed The Music Industry by Howie Singer & Billy Rosenblatt, Neumusik: The Complete Edition by David Elliott, Happy Trails by Andrew Lauder, This Must Be The Place: How Music Can Make Your City Better by Shain Shapiro, Voices Of Nature: How And Why Animals Communicate by Nicolas Mathevon, Dissonant Waves: Ernst Schoen And Experimental Sound In The Twentieth Century by Sam Dolbear & Esther Leslie

On Screen: CB Stockfleth The Elephant 6 Recording Co

On Site: Free To Improvise: The Derek Bailey Story

On Location: Time Trout + Shark Calmer, Brighton, UK; Intersection Festival, Toronto, Canada; LightSounds, London, UK; Supersonic Festival, Birmingham, UK; Mutek, Montreal, Canada; Mamoru Fujieda, Melbourne, Australia; Odysseus Festival, Helsinki, Finland; Punkt Festival, Kristiansand, Norway; Blacktronika: Brooklyn, New York, US; Tomorrow Comes The Harvest, London, UK; Ostrava Music Days, Ostrava, Czech Republic

Soundcheck: Idris Ackamoor & The Pyramids, Actress, Anagram String Trio, Animal Collective, The Astronauts, Pierre Bastien & Michel Banabila, BlankFor.ms/Jason Moran/Marcus Gilmore, Blut Aus Nord, Bolt Ruin, Vilhelm Bromander, Call Super, Datashock, Ryan Davis & The Roadhouse Band, Dead Neanderthals, AC Diamond, Aaron Diehl & The Knights, Gong, Forbes Graham, The Hatch Expansion, KMRU, KMRU & Abul Mogard, Kofi Flexxx, Piotr Kurek, Lao Dan, Robert Aiki Aubrey Lowe, Mahti, Matmos, Joe McPhee/Mette Rasmussen/Dennis Tyfus, Nicole Mitchell & Alexander Hawkins, MXLX, Mary Ocher, The Pitch & Jules Reidy, Raining Spiderlings, Jules Reidy, Mariam Rezaei, Paul Rooney, Rozenhall, Saint Abdullah & Eomac, Saint Abdullah & Jason Nazary, Sextile, Shela, Starving Weirdos, Marnie Stern, String Noise Sounds, Taipan Tiger Girls, Umlaut Chamber Orchestra, Virta, WaqWaq Kingdom, Larry Wish, Richard Youngs

The Boomerang: Brian Auger's Oblivion Express, The Chills, Bruce Haack, Keith Jarrett, My Cat Is An Alien, Optiki Mousiki, The Runaways, The Shadow Ring, Tricky, Seymour Wright