All genres charts

Notes: MOOER is proud to announce their first standalone drum machine pedal as part of the ever-growing X2 lineup of enhanced classics. The Drummer X2 is a powerful practice and live performance tool that provides players with a fully customizable groove station featuring 121 different drum grooves, 11 song banks, and a full array of EQ and parameter adjustments that can be made on the fly.

The Drummer X2 let guitarists employ the popular drum grooves from 11 different genres of music, with 11 different groove variations from each genre. Favorite grooves and tempos can easily be saved in one of the 11 song banks, each with 7 customized rhythm slots so they can quickly be recalled later. For fast cycling through presets, the Drummer X2 also supports external footswitches. In addition to the SPEED, GENRE, LEVEL, and PATTERN knobs, the Drummer X2 also boasts an EQ knob for making quick adjustments on the fly and for increasing compatibility with FRFR and non-FRFR devices. Timing can also alternatively be adjusted by utilizing the TAP TEMPO function with the right footswitch or external footswitch.

The Drummer X2 features a two-footswitch UI for fast toggling on/off, scrolling through drum grooves, and queuing up a fill using the FILL function, triggered by the right footswitch, all handled comfortably while playing. Specialized editor software is available to easily manage presets and update firmware and can be downloaded from the official MOOER website. Like with other X2 devices, the Drummer X2 includes Stereo I/O and a 14" External Control out for connecting a footswitch.11 different musical genres with 11 different grooves from each style.

Specifications:

Input: 2*1/4" mono audio input jack (impedance value 1Mohm)
Output: 2*1/4" mono audio output jack (impedance value 510ohm)
Num. of saving slot: 77
Num. of groove: 121
Power requirements: 9V 300mA, center negative (Original power supply is recommended, to avoid unexpected noise)
Dimension: 75mm(D) * 115mm(W) * 33mm(H)
Accessories: Power supply, USB-C to USB-A cable, Quick Guide, LOGO Sticker

Notes: The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!

Notes: The New Standard in Octave Pedals

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

OC-5 Octave Sound Tryout

Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

High-Octane Octave Performance

Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.

Classic Tones with Vintage Mode

Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.

Enhanced Poly Mode

The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.

Extended Range with Octave Up

Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.

Guitar/Bass Switch and Direct Out

The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.

Specifications

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)

Current Draw: 60 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb

Notes: The DigiTechr Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.

General Specifications
Input1/4" Unbalanced (Tip-Sleeve)
Output1/4" Unbalanced (Tip-Sleeve)
ControlsAmount, Momentary On/Off
A/D/A Converter24-bit
Sampling Rate44.1 kHz
Power SupplyPS0913DC-01 (US, JA); PS0913DC-02 (EU, AU, UK)
Drop Tune Range1-7 Semitones Down, Octave Down, Octave Down + Dry
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.36 lbs.

Notes: Analogue delay with extensive controls and tap tempo all in an affordable package!

The EHX Deluxe Memory Boy Analog Delay's Quality ICs deliver warm and organic analog tones while "tap tempo" allows you to always be in sync with the groove. Choose five note divisions for metronomic variances. Sweet modulations can add lush ambience while the expression pedal input gives you external control. The Deluxe Memory Boy is the most flexible, affordable analog delay ever designed.

Tap Tempo
Tap Divide timing subdivisions
Expression pedal input for flexible control
Triangle and square wave modulation with adjustable rate and depth for superior chorus, vibratos and sweeps
Total analogue bucket brigade design
Built in EFX loop
Total Analog bucket brigade design
Power adapter included

Specifications

Circuit
Analogue: Analogue w/ Digital Control
Bypass: True Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2010

Notes: Zoar is a highly interactive medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that highly sought after touch sensitive amp-like quality.

It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.

From defined sparkle and tightness of an overdrive to low-medium gain fuzz that's perfect for drop tuned guitars and basses, Zoar can do it all. Zoar lets you dial in and control every nuance of your tone from jangly on-the-verge of break up to blowing the walls out heavy saturation.

While having its roots in a very familiar past, the passive 3-band EQ has been finely tuned for modern tones. While this style of tone shaping seems simple on the surface, it is deceptively complex and highly interactive - yet surprisingly easy to instantly dial in dozens of mind blowing sounds.

Want to elevate your sonic spirit to a higher level? Try running Zoar at higher voltage! Zoar can handle power up to 18v DC. Higher voltages will yield a different frequency response with more defined dynamics and a faster response. When powered at 18v, the range of clean tones are widened, dirty tones become punchier with better note articulation, low frequencies are tightened, higher frequencies will cover a broader spectrum without becoming harsh and the output volume nearly doubles! The experience is not unlike plugging into a wall of high wattage tube amplifiers!

This meticulously crafted box has six knobs that allow you to truly customize your sound with the Level, Weight, Gain, Bass, Middle, and Treble controls.

The Gain control on Zoar goes from the edge of break up all the way over the cliff into the crunchy, grinding abyss. The character of the distortion is heavily dependent on the setting of the Weight control as well as the pickup type and further fine-tuned by the EQ section.

Zoar's 3-Band EQ and Gain controls give you nearly unlimited options with great focus and sensitive precision, but the real powerhouse of Zoar is the Weight control. This control dictates the amount of low end that is passed into the circuit, thus controlling the entire character of the pedal. Simply dial in the 3-Band EQ to 12 o'clock and adjust the Weight to see how drastically it dictates your sound. From a mere clean boost to a high gain distortion to overdrive to the crispy Hi-Fi fuzz territory, this function gives you everything.

The Level control hits unity around noon, but this is dependent on where the other controls are set. In addition to controlling the output volume, it also plays a small part in controlling the voice of Zoar. By adjusting the Level control with any combination of EQ (boosting the frequency bands and cutting the output volume), you can achieve drastically different curves that have the feel of the more traditional low pass filter type tone control.

Notes: Celebrating the classic, shimmering flanger sounds of Andy Summers, the EHX Walking on the Moon is a tribute to the tones Andy employed while carving his niche in the early days of playing with the Police. Liquid flange effects that hint toward chorus with extra depth and nuance make Andy's sound one of the most coveted in all of the guitar universe.

"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers

The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.

Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.

Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.

Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)

Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023

Notes: EarthQuaker Devices Special Cranker

An Overdrive you can trust

The Special Cranker is an all-discrete analogue distortion enhancement device designed to give your signal some extra grit and boost without drastically altering your tone and retaining all of the natural nuances and character of your amp. Think of it as sticking an extra preamp tube in your amplifier for more saturation. Single notes will blossom and bloom with rich harmonics and singing sustain with responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Special Cranker is designed to preserve your tone's integrity without muddying up the low-end or smearing the midrange.

The Special Cranker picks up where the beloved Speaker Cranker left off. It has the same spongy, dynamic, and touch-sensitive character of the original but with more gain, double the output volume (now with a user-friendly Level control), an added Tone control to shape your signal, and a diode selector switch featuring the original asymmetrical Silicon diodes as well as a hot, new Germanium diode option.

The More control goes from nearly clean to a medium gain overdrive when at maximum. This control adjusts the bias of the transistor, so you may hear a little noise as you turn the control. Don't freak out; it's totally fine. The gain characteristics are dependent on which diodes are chosen. When the Germanium diodes are selected, the Special Cranker delivers a softer, more rounded response with tamed highs and lower output, while the Silicon diodes add a brighter, more modern edge and higher output. Both are exceptionally responsive to playing dynamics and have excellent clarity. The Tone control gives the user full command over treble frequencies, cutting the highs when counter-clockwise and adding a slight high-frequency boost when turned clockwise. The Level control adjusts the output from nothing to nearly double at maximum.

Tech Specs:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 5M P
Output Impedance: <25 kO

Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power:

This device should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

The Special Cranker can be safely operated from 9-18 volts.

Notes: Part of Dreadbox's impressive effects line-up, the Disorder is a rowdy fuzzbox crossed with a self-oscillating filter, serving up some pleasingly nasty tones. An envelope follower with CV output adds versatility.

Supplier's Notes:
The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person's daily life.

Dreadbox Disorder is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds.

Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah-wah sounds.

Specifications

Circuit: Analogue
Bypass: CMOS
Audio: Mono
Inputs / Outputs
IN/OUT: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (Not included)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 50mA

Notes: An advanced, feature laden, stereo overdrive and distortion pedal with a broad range of options and controls. With the Operation Overlord - whether you play keyboards, guitar, bass or pretty much any electronic instrument - dialling in great drive sounds is fast and fool-proof. Active, Treble, Mid and Bass controls, a foot-switchable Boost mode and a dry blend deliver superlative sound shaping. It even features two independent channels for use with stereo setups. Whatever your rig, the Overlord is your indispensable ally.

Notes: "We meat again!" Proudly presenting the DOD Meatbox (2015).

Answering the call of low frequency freaks everywhere, the DOD Meatbox (2015) is an updated take on the cult favorite Meatbox from the '90s. As a bass subharmonic synthesizer and low-end enhancer, the Meatbox can produce a range of sounds from a slight thickening to a full-on, low-end assault! Use the Meatbox on bass guitars, extended-range guitars, synths, even drum machines and push all the air out of any room. If you're looking for a new way to move your audience, look no further.

More than just a low frequency boost, the DOD Meatbox (2015) can also cut frequencies for tone sculpting as an interactive EQ and even produce distortion depending on where the output level is set.

The DOD Meatbox (2015) offers independent Octave, Output Level, Subharmonic and Low Frequency controls. True bypass allows your tone to remain pristine even when the DOD Meatbox is off. This is a big difference from the original, which would colour your bypassed tone.

The modern 9V DC power supply input makes the pedal more pedalboard friendly.

Notes: Hizumitas was designed for the one and only Wata from the legendary experimental band Boris, one of the heaviest bands ever to come out of Japan. The trio of guitar sorceress Wata, drummer and vocalist Atsuo, and double-neck bassist, guitarist and vocalist Takeshi has almost 100 releases filled with genre and brain-melting music.

In their nearly three decades together, Boris has infused doom, hardcore, thrash, noise-core, ambient, free improv, drone, psychedelia, and more into their extensive discography. Boris is also known for their unique collaborations with mutually adventurous artists, including American Doom mongers Sunn O))), noise legends Merzbow, Keiji Haino, and Ian Astbury of The Cult.

Wata, always seen and heard on stage wielding her black Les Paul Custom, mixes killer riffs with searing, fluid, or jaggedly melodic leads and controlled walls of feedback, often with help from an EBow. It's a connection of chaos and melody that has enchanted Boris fans worldwide and influenced many bands that have followed in their considerable wake. Simply stated, no other band sounds like Boris, and no other guitarist rocks like Wata.

But with EQD's Hizumitas fuzz on your pedalboard, you can carve out your own singular, mega-heavy tone.

Hizumitas is a faithful recreation of Wata's go-to distortion pedal, the Elk BM Sustainar. The Elk is a Japanese variant of the very well-known "Triangle" BMP. The designers at EQD tried several vintage BMP's during development, found that each pedal was wildly different and realized that to truly capture the magic they needed the original. Wata graciously sent her beloved pedal halfway around the world, and EQD discovered that it had something special the others didn't have: heavy saturation with a gritty edge and massive bottom while maintaining a clear and dynamic tone with enough mids and top end to cut through any sludge. The studious wizards at EQD have built all of those characteristics into the Hizumitas.

Notes: EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument's sound like an envelope filter, but instead of the filter's response being controlled by playing dynamics, it's controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory!

Introducing the Blurst, a radical modulating filter. It's an effect often used on synthesizers, but we've designed the Blurst especially for guitar players and bassists who want to explore new sonic territory.

It features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo with tap divide and EXP control over Range, Rate or Filter. An EHX 9.6DC/200 AC adapter is included.

The Blurst is a must have for the experimental musician and works well with an expression pedal, the EHX 8-Step Program and other control voltage sources. Whether used alone or with other effects, the Blurst's hypnotic effects are spellbinding!

Notes: Multi Delay and Reverb effect pedal with inside routing and secondary reverb effects. One of the best Delay and Reverb algorithms in a metal box. Special select 3 classic Delays & 3 classic Reverbs . . . and we added a bonus "Shimmer" and "Freeze" effects which let you create a dreamy waterfall shimmer~ especially handy for intros, interludes, and endings. And now, because of NUX's latest Core Image Technology, the new Verdugo Series effect pedals offer pro-level sound enhancement.

Notes: Seductive swells and reverse tape effects push the envelope on any pedalboard!

The original Attack Decay Tape Reverse Simulator is known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes, and bowed instrument effects. In 2019 the digital Attack Decay reissue was released, and now the Pico Attack Decay gives us volume envelope effects in a simplified, compact package.

The Pico Attack Decay allows you to dial in volume swells and decays, both in Mono mode-one volume envelope for all notes you play-and the revolutionary Poly mode where each note to has its own volume envelope creating cascading swell effects and leads with agile attack smoothing. With intuitive functionality and simple controls, the Pico Attack Decay opens up creative avenues for any player interested in pushing the (volume) envelope.

The Pico Attack Decay is both powerful and simple with four knobs and a mode button that let you create a wide variety of effects. The ATTACK knob sets the swell or fade-in speed of the volume envelope while the DECAY knob sets the fade-out speed of the volume envelope. Set the ATTACK higher for languid volume swells. Set the DECAY higher for artificially staccato notes for synth-like punches. SENS adjusts the threshold for triggering the envelope. VOL controls the overall output volume. A hidden BLEND control allows you to blend wet and dry signals for even more flexibility in tone.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: MOOER has unveiled its latest effect pedal innovation, the MVP1 AUTUNER vocal processor. Unlike most of MOOER's products, this pedal is designed primarily for use with vocals, offering precise pitch correction and exceptional vocal enhancement features. However, MOOER hasn't forgotten about its primary audience, so AUTUNER still provides features that will interest guitarists.

Due to the pedal's primary focus on vocals, the device includes several features specifically designed for microphone usage. This includes XLR input and output, in addition to support for 48V phantom power, ensuring that the pedal supports both dynamic and condenser microphones. However, AUTUNER also includes standard 1/4" guitar inputs and outputs, along with convenient footswitch control to switch between mixed or individual signals.

The pitch correction features behind AUTUNER are highly versatile. With an LED button, users can choose between flat, warm, and bright vocal tones, each indicated by a different colour. Once a tone has been chosen, the 'correction' dial can be used to define the sensitivity of the pitch correction. Users can also press and hold the left footswitch to trigger the pitch correction's vocal synthesizer mode.

AUTUNER's versatility shines particularly brightly thanks to its built-in effects modules. The first of these is delay; the delay module can be can controlled with its dedicated dial, with users having the option to choose between tape delay, digital delay, slapback delay, or bypass. The pedal's left footswitch serves as a tap switch, which allows the user to determine the speed of the delay module.

A reverb module is also featured within AUTUNER. This too has its own dedicated dial, which can be used to morph between room delay, hall delay, and plate delay. Whilst the pitch correction features of the pedal are limited only to vocals, these delay and reverb modules ensure that the pedal has plenty of dedicated features to offer MOOER's guitarist fanbase.

As is common with MOOER products, AUTUNER features a wide range of control mechanisms. In addition to the left footswitch's dual functionality, the right footswitch also acts as a bypass for the pitch correction and effects, whilst still ensuring the tone processing remains active. The pedal's tonal enhancements can then be fully bypassed with the 'flat' tone option.

In addition to its core features, the MVP1 AUTUNER also includes a gain dial, a 48V phantom power switch for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Overall, the features of this pedal ensure that musicians have everything they need for impressive pitch correction, vocal synthesis, and special processing, whilst ensuring that they never have to rely on external batteries.
Vocal pitch correction feature with a controllable sensitivity dial
Footswitch-controllable vocal synthesizer mode
Three vocal tone modes: flat, warm, and bright
Four delay modes: tape, digital, slapback, and OFF
Four reverb modes: room, hall, plate, and OFF
Tap tempo footswitch for delay speed
Bypass footswitch functionality for isolating the tone from effects
Multifunctional footswitches for 'hidden mode'
LED button for tonal control
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Notes: An intuitive looper with 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing that's perfect for practice and live performance!

The EHX 720 Stereo Looper is a powerful looping tool with 12 minutes of stereo recording time, 10 loop memory banks, and creative performance functions. Its simple-to-use design makes it an easy and effective to use in both live and practice situations.

The 720 records in high-quality stereo for use with stereo effects or even use with two instruments. A second footswitch can be programmed to stop loop playback or toggle on/off the built-in Reverse and 1/2 Speed playback effects. The programmable Fadeout mode applies an automatic fade when playback is stopped.

-Extra-long 12 minutes of stereo recording time
10 independent loops
Undo-Redo, Reverse and 1/2 Speed Effects at the touch of a button
High-quality, uncompressed audio, 24-bit A/D/A converters plus 44.1kHz sample rate
Stereo in/out for enhanced usability... record two instruments at once
Foot controller input provides a way to use popular 3-button foot controllers to change a bank up or down, and gives access to instant Undo-Redo
Silent footswitches
Loop fadeout (trails) mode
Power adapter included

Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Stereo
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 75mA
Year Released: 2015

Notes: The Whammy Ricochet lets you bounce your playing up or down in pitch in controlled or crazy shifts. A momentary switch and customizable independent rise and fall time ballistics, allow you to get the Whammy action you know and love without the use of a treadle. Just hold your foot on the footswitch and let the Ricochet do the rest. Seven pitch selections - 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch. The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times. All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before.

General Specifications
ControlsBallistics Control, Pitch Control, Range Switch, Momentary Switch, Effect On/Off
Sample Rate44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
A/D/A Converter24-bit
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power SupplyPS0913DC-01 (US, JA, EU); PS0913DC-02 (AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output1/4" Unbalanced (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input1/4" Unbalanced (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)

Notes: Famous for its noiseless clean sustain, the Philosopher's Tone has staked its claim in the crowded world of compressor pedals. In addition to Volume and Sustain controls, the Philosopher's Tone features a parallel Blend knob that allows the musician to mix their instrument's original tone with the compressed sound effect. This technique restores natural pick-attack and allows more extreme sustain settings to remain musical. The Treble control provides up to a 6db cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher's Tone features true-bypass switching and internal 18V power rails for maximum clean headroom, even when used with hot pickups and line level signals.

Knob-by-knob

Volume: Sets the overall output volume.
Sustain: Sets the amount of sustain.
Treble: Boosts or cuts treble at 2kHz.
Blend: Mixes your compressed effect with your clean signal.

Rare design

Generations of guitar players have sought noiseless clean sustain from a compressor, and this was the guiding goal of the research and design behind Philosopher's Tone, yielding a compressor with an internal 18 volts of headroom and naturally musical tone control.

Modern-day alchemy
Practitioners of the mystical and ancient art of alchemy long sought an element called the Philosopher's Stone. They believed, if found, it could turn lead into gold and bestow immortality upon the person who wielded it. Turns out it was waiting in the depths of space all along.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Queequeg 2

Sub Generator

Reawaken The Depths Below

KMA Machines released the original Queequeg in 2016. The pedal was our take on how simple and effective an analogue monophonic suboctave device could be.

Time doesn't stand still and so with Queequeg 2, KMA's aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. Queequeg 2's super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there.

"Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful place. Queequeg 2- look deep down and believe."

Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of Queequeg 2's specialties. The pedal's super quick tracking benefits from KMA's custom all-analogue circuit design, giving you very organic and smooth suboctave tones.

Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from. These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.

With its one knob MIX control, you are able to dial in just the right blend of the generated octaves and your clean signal. From completely clean on the left, to 100% suboctave action on the right and all with different sonic blends in between, you're sure to find your mighty vessel of tone.

Beware - don't let your lows be dragged under! Queequeg 2 draws the line right here and ends your hunt for an easy-to-set and great-sounding all-analogue and thundering sub-sonic beast!

Notes: Super-versatile dual digital delay in this all-round echo powerhouse. Analog, Tape, Digital, Modulation Delay and Verb modes give you all the options you need, plus a 40-second looper function for good measure.

Supplier's Notes:
Duo Time is a digital delay pedal with dual simultaneous delays, each with independent time and repeat settings. A choice of five very different sounding delay models include Analog, Tape, Digital, Modulation Delay and a unique shimmering Verb delay. A choice of fully independent stereo or mono signal paths are possible, with an option to process a mono input to separate stereo outputs with different delay settings. Controlled via an on/off foot switch and a Tap Tempo foot switch, which also functions as a toggle for the OLED display when held. Add to this versatility a full 40 second looper function and you may never need another delay pedal in your rig except this one.

Specifications:

Power supply: 9Vdc, 300mA (min) pin-negative (not included)
Controls: Level, Model, Parameter, Time 1+2, Repeat 1+2
Modes: Analog, Tape, Digital, Modulation, Verb
Delay time (seconds): Up to 1.8 seconds
Dimensions: 115 x 105 x 58mm
Weight: 440g

The box for this item contains :

Duo Time dual delay modeler pedal
Instruction manual

Notes: Excellent value from this smart little pedal, combining a looper with a built-in drum machine. Pick a rhythm backing, dial in a tempo and then improvise over the top to build up loops and grooves.

Supplier's Notes:
The Groove Loop X2 aims to serve as the ultimate looper and drum machine combo pedal whether in the practice room or on stage. The X2 looper features a whopping 14 save slots that can store loops of up to 10 minutes in length in each slot. Looper controls are familiar and flexible with the ability to toggle count-in mode on/off and an automatic mode that detects and begins the looper once an instrument signal is detected. Time Stretch functionality is also included to allow users to alter the speed of playback without affecting the original pitch.

On the drum machine, the Groove Loop packs in a huge variety of drum grooves separated by 11 different genres, each with 11 different variations that can be easily selected with the included GENRE and PATTERN knobs. Drum machine tempo can be set manually by Tap Tempo or when used in combination with the Looper, tempo will be automatically detected while playing.

The X2 edition of the Groove Loop also adds many requested features such as split stereo inputs and outputs. Looper and Drum machine can also be split to two different outputs for added flexibility. A justify function is included to make sure your drum groove and loop is perfectly in sync and free editor software cand be downloaded from mooeraudio.com and connected to the Groove Loop for easier editing of stored tracks.

Specifications:
Input: 2*1/4'' mono audio input jack (Impedance value 1M ohms)
Output: 2*1/4" mono audio output jack (Impedance value 510 ohms)
EXT CTRL: 1/8" stereo audio jack
Saving slots: 14
Total recording time: 140 minutes (Stereo audio)
Export audio file format: MP3/WAV/FLAC/APE
Sample rate/Sample depth: 44.1 kHz/24bit
Import audio file format: MP3/WAV/FLAC/APE
Export audio file format: WA
Power requirements: 9V 300mA (Center negative). Original power supply is recommended to avoid unexpected noise.
Dimensions: 75mm(D)x115mm(W)x33mm(H)
Weight: 0.334kg

Notes: The J Mascis Ram's Head Big Muff Pi fuzz pedal pays homage to the sonic centre of the alt-rock legend's iconic tone of equal parts thickness and clarity in a special edition white and violet finish.

"That's my sound. The Muff is always on," J says. "All distorted sounds begin with the Muff. That's what I grew up playing so it's kind of amazing to have my own signature one."

Based on the highly coveted 1973 Electro-Harmonix V2 Violet Ram's Head Big Muff, J's signature Big Muff produces the indulgent fuzz and exceptional sustain used as his sonic centre for decades.

The fuzz is sonically more articulate than other Big Muffs with excellent string separation and dynamics, which make it one of the most versatile Big Muffs. The pedal's response feels smooth and aggressive making your leads scream and chords thunder.

Feel the fuzz of a guitar giant: the J Mascis Ram's Head Big Muff Pi fuzz pedal from Electro-Harmonix.

Authentic V2 Violet Ram's Head Big Muff in a nano-sized chassis
Special-edition artist graphics
True bypass
9V battery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 2mA
Year Released: 2022

Notes: Next generation looper pedal with a high-definition colour LCD display, stereo inputs/outputs, and optional MIDI control. Loop Core Stereo allows you to create up to 6 hours of music phrases, save them in one of 99 provided memory slots, and play back as stereo loops or even backing tracks. 50 internal drum patterns can also be selected from for rhythm backing. Signal path can be mono, true stereo, split stereo (loop / drum machine) or direct to mixer (with cabinet simulation). A headphones output completes the package for silent loop practice or personal monitoring. A comprehensive looping machine in a standard compact pedal format.

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Drum, Tap, Save, Settings buttons & rotary Value control
Inputs: L+R 6.3mm mono jack (instrument or line), 3.5mm MIDI jack
Outputs: L+R 6.3mm jack outputs, 3.5mm headphones output
Recording: Up to 6 hours
Sampling format: 44.1kHz, 24-bit
Frequency response: 20Hz - 20kHz
Memories: 99
Noise: -100dBu
Dynamic range: 108dB

Dimensions: 122 x 72 x 48mm
Weight: 264g

In the box

The box for this item contains :

Loop core stereo pedal
Alkaline PP3 battery

Notes: Bridging the worlds of overdrive, distortion, and fuzz in a sub-compact pico chassis!

The EHX Pico Triboro Bridge is a tri-mode drive box with a wide range of tonal possibilities. Featuring Overdrive, Distortion, and Fuzz modes, it bridges any gap in your gain. With a powerful EQ, input contouring, and a pico-sized footprint, the Triboro Bridge can be your tonal keystone or a welcome change from the routine drive.

Starting with Overdrive mode, the gain spectrum ranges from low to mid with an open voicing that can be used as a light always on drive or a solo boost. Engage the Triboro's Distortion mode for additional gain-staging for a tone from crunchy rhythms to fully saturated leads. Transform the pedal into something completely different with the Fuzz mode's over-the-top gain, Gate and Low Pass Filter.

The Triboro Bridge controls features Volume and Gain knobs to control the overall output and saturation of the tone. In Overdrive and Distortion modes, the Treble and Bass knobs act as a Baxandall EQ for simple yet effective tone shaping. In Fuzz mode the Treble knob is now the gate more, controlling the Fuzz's noise gate threshold, and the Bass knob controls a Low Pass Filter for extreme tonal variations. Additionally, the Triboro Bridge features an Input Contouring EQ which can be applied to your tone at the input, for a more modern, sculpted tone in all modes.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Liftoff with the EHX Spruce Goose Overdrive!

Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreakerr-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to send you tone flying! From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.

The engine of the Spruce Goose is an overdrive circuit renowned for its natural breakup and amp-like response. This circuit is then elevated to new heights by the LIFT switch which selects between 3 levels of input gain. LIFT effectively works as an input boost, goosing the front end of the drive circuit hitting harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone. GAIN and VOL knobs adjust for exact drive and output levels. EQ of the pedal consists of a TREBLE knob for taming topping and an active BASS knob to cut or boost bass frequencies. BASS is especially helpful for adding girth to single coil guitars or tightening the low end on warmer humbucker guitars.

The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Great for stepping out in front of the mix for pulling quick lick or moment of sonic chaos.

All trademarks are the property of their respective owners.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 20mA
Year Released: 2023

Notes: From the outset, KMA Machine's goal was to create the most flexible analogue upper octave pedal ever yet produced. Based on a highly refined and improved version of the Shriek circuit from KMA's venerated MOAI MAEA pedal, the MANDRAKE brings an even more robust and present upper octave to the sonic table. By combining that upper-octave might with a versatile, yet highly intuitive user interface, the pedal provides a ton of killer tonal options in a very modern and pedalboard-friendly package.

"The humanesque abomination, begat of the evils that once fertilised his empire of dirt, now senses the bleak emptiness of the air that surrounds him. In recognition of his harvest and the perpetual change to his existence, his mesmerising scream is both devastating and euphoric, so all those that encircle him are subdued from the aural toxicity that emanates from the disfigured effigy."

Octave up pedals (as used by so many legendary performers including Hendrix, Tony Iommi, Josh Homme, Billy Corgan, Jack White and so many more), can really give added bite to your sound. But often, many of these fun tools can be untamed and lead to nasty clashing overtones.

With MANDRAKE however, KMA didn't want to just make a one trick pony octave up device. The powerful and ultra-fast tracking Shriek circuit was expanded on with its edgy and fuzzy character that's reminiscent of many of the best vintage octave-up devices. To do this, a 2nd order Low-Pass Filter was introduced, a TIMBRE and individual Mix controls to KMA's well-regarded circuit to make it way more versatile in a single pedal. Let's look at those cool new things in more detail.

The FILTER control helps to tame your upper harmonics, as well as to improve tracking, letting you achieve unhinged, cutting and shrieking mayhem when the control is fully turned all the way to the left. While turning the knob in the other direction gives a more mellow and blooming synth-like texture. The FILTER section is also very useful for tailoring the upper octave effect to different instruments and pickups, where getting the right tone is not a "one size fits all" equation.

In addition, to enable the octave voicing in MANDRAKE to be sculpted exactly to your own personal taste, the TIMBRE control defines the amount of fuzzy gain present in the upper octave. This allows you to perfectly blend in the pedal's tonality with the rest of your signal chain. Turning the control fully counterclockwise, gives a slightly crunchy and percussive tone that's ideal for melodic arpeggio enhancements. While cranking the TIMBRE knob fully clockwise will transform MANDRAKE into a crushingly saturated doom-hammer, instantly ready to wreak havoc with each power chord you throw at it!

Topping off the features, the DRY and OCT+ controls allow the dry signal and effected upper octave to be mixed independently, for precise tonal balancing. This is especially handy when using MANDRAKE together with other dirt pedals or when you just want to retain the natural body and attack of your instrument.

Subtle descant or decimating octaval Armageddon? With MANDRAKE the choice is totally yours!

Notes: The Blumes is an overdrive based on the Plumes circuit that is ideal for bass players and all purveyors of low-end. While embodying the key characteristics and features of the Plumes, EQD went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end.

At lower gain settings, you'll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that's where the similarities stop.

This all-analogue tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its +/- power supply it utilizes bipolar power, which gives you more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge.

And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs.

The Blumes features EarthQuaker Devices relay-based "soft touch" Flexi-Switch Technology for both momentary and latching footswitch operation as well as a very low 25mA current draw.

Each and every Blumes is built one-at-a-time by delightful little hands in Akron, Ohio; the charred, black heart in the heart of it all...

Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb

Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone

Notes: Your quest for an ultra pedalboard-friendly stompbox that includes plate reverb is fulfilled!

The EHX Neo Holy Grail is an update to our wildly popular compact digital reverb, the Holy Grail. It contains three reverb algorithms: SPRING, HALL, and PLATE. All three algorithms were designed and tailored for the electric guitar, but they work equally well on most instruments and voices.

The SPRING algorithm is a re-creation of the classic spring reverbs that are found in many guitar amplifiers. The HALL algorithm simulates the reverberations heard in large spaces such as a concert hall or cathedral. The PLATE algorithm is an emulation of a metal plate reverb commonly found in high end recording studios during the 1960s and '70s. The PLATE reverb is a very smooth, tonally balanced sounding reverb that sounds great on many different instruments, especially vocals. True bypass switching ensures your tone won't be affected when the pedal is bypassed.

Three super reverb styles in one compact pedal
Features Spring, Plate and Hall Reverbs
True Bypass
Compact, rugged chassis
Power adapter included

Specifications

Circuit: Digital
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 75mA
Year Released: 2015

Notes: EHX's rich history was marked by many revolutionary pedals but one of our most distinctive lines was a group of analog drum synthesizers that included the Crash Pad.

Like the original from 1980, the new Crash Pad can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter. Plus, it's been updated to respond to expression pedal/CV input for external control over the filter in real-time.

Notes: Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready.

Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions.

Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard.

It's like adding an extra musician to the band.

*UK230V power adapter included*

Notes: Compact all-analog multi-effect pedal featuring the Metal Muff, Neo Clone chorus and Memory Toy delay!

The EHX Tone Tattoo is our first fully-interactive, analog multi-effects pedal. Satisfy your tone jones with a chain that features the Metal Muff Distortion, Neo Clone Chorus and Memory Toy Analog Delay.

Delivers crushing Lead & Rhythm tones. Features full tone sculpting, including two levels of scoop. New Noise Gate for minimal noise. With three critically acclaimed effects, it's like a talisman for great guitar.

All Analog multi-effect: distortion, chorus, delay
Delivers three EHX favorites in one compact pedal
Crushing lead and rhythm tone
Full tone sculpting, including two levels of scoop
New Noise Gate for minimal noise
Power adapter included

Specifications:
Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 75mA
Year Released: 2012

Notes: Octava is an all-analog octave fuzz / frequency doubler featuring an on-board low pass Filter control that allows you to achieve singing octave up tones anywhere on the neck, without adjusting your guitar's tone control. A front-end Drive and gushing Fuzz circuit add signal power and easily convert Octava to shoegazey fuzz pedal capable of producing devastating, full-wave rectified distortion. Use the Blend knob to mix the octave up effect on top of your dialed-in drive.

Knob-by-knob

Volume: Sets the overall output volume.
Blend: Mixes in the octave-up effect.
Filter: A low-pass filter tone knob. Sets the cutoff frequency of the low pass filter on the input of the Octave circuit.
Drive: Mixes in warm front-end overdrive by increasing the gain of the J-FET preamp stage.
Fuzz: Activates the fuzz circuit.

All analogue, still versatile

Built with the theory of "do one thing and do it well" paired with the flexibility of more diverse effects units, the Octava transitions seamlessly between a singing octave-up to an overflowing fuzz, and every blended tone between.

The Octavia ribbons

Parallel ribbons made up of complex patternwork wave ever-so-slightly in the blackness of space. It is from this mysterious place Octava was harvested. Pretty much sounded like a badass octave fuzz.

Specifications

Electronics

Voltage: 9-18VDC
Current draw: 100mA
Input impedance: 2.2M
Output impedance: 150 ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Moon Pool is an analog phase shifter and tremolo with independent speed controls featuring the ability to change the rate of one or both of the effects in either direction, corresponding to how hard you play. The 4-stage, VCA-based phaser and variable bias tremolo found in the Moon Pool can each be run as standalone effects or they can be combined in series for a mesmerizing mashup of modulators. A global Depth knob determines overall wetness, while a Sensitivity knob allows you to dial in the responsiveness of these changes to accommodate different playing styles and colors. Runs on standard 9VDC.

Knob-by-knob

Phase Speed: Sets the rate of modulation for the phaser.
Trem Speed: Sets the rate of modulation for the tremolo.
Depth: Sets the intensity of both the phaser and tremolo.
Sens.: Determines how much signal is required to change the speed of both phaser and trem when dynamics processing is turned on.

Trem / Phase (Three-Way Toggle): Up = trem engaged, Center = both engaged, Down = phaser engaged

Phaser Dyn. (Three-Way Toggle): Up = phaser speed increases in response to playing dynamic, Middle = no change, Down = decreases

Trem Dyn. (Three-Way Toggle): Up = trem speed increases in response to playing dynamic, Middle = no change, Down = decreases

Dynamically-responsive, wide-range dual LFOs

Moon Pool features a pair of LFOs that can be independently modulated by the amplitude of your playing. Engaging the dynamics switches enables these LFOs to travel well beyond normal limits, creating wild FM tones at maximum speed and gradually evolving textures when slowed way down. Equal parts out-of-this-world and inherently musical.

Get lost in the slosh

Sometimes, you gotta kick off your moon boots, slip into a moon pool, pour yourself a moon juice, and get lost in the slosh.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 2.2M
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Constellator is an all-analog delay pedal capable of producing up to 600ms of lush echo with adjustable modulation and a comprehensive sound palette. From percussive slapback and doubler sounds to chorused-out, long delays with endless repeats, the Constellator's MN3005 bucket brigade chips provide superior overall headroom and tape-like saturation when pushed to the limit. The Feel toggle switch adjusts several parameters simultaneously for an additional coloring of LFO modulation. With the Feedback control maxed out, the Constellator is capable of self-oscillation which can be pitched up or down by turning the Time knob. Runs on standard 9VDC.

Knob-by-knob

Time: Sets your delay time. Clockwise for slower, counter-clockwise for faster.
Mix: Controls your dry/wet balance.
Mod: Controls the modulation depth. Adds color and warp.
Repeats: Sets the amount of feedback in the delay line.
Feel: Selects between two distinct modulation types. When the switch is pushed in, a chorus effect is selected. When the switch is not pushed in, a vibrato effect is selected.

King of bucket brigades

The pair of analog delay chips used in the Constellator are new production replicas of the mighty Panasonic MN3005 Bucket Brigade Devices (BBD) found in some of the most iconic vintage delay pedals of all time. With 4096 individual "buckets" and +15V power rails, the MN3005 provides the longest possible delay time and most available headroom in an analog delay. Luscious.

Make your ow myth

Develop shimmering delay lines with crystalline overtones and watch them scatter across the canvas in your mind. Constellate your own myth into being.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
1.5
Width: 3.75"
Height: 1.75"
Weight: 0.5lbs

Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.

Notes: The Keeley Compressor is the most popular boutique compressor in the world.

The Keeley Compressor Plus is the first true advancement in Keeley's 2 and 4 knob compressor line. The new features are simple and straight forward. Now, there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. The Tone Control was also added, which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument.

The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.

The new Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in "compression mode" for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition.

The Tone Control is Keeley's own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. That circuit was then taken and made it into a full fledged tone controll- it is the perfect way to gently add back in those highs lost in the compression process.

The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven!

This compressor isn't just for heavy funk or chicken pickin' anymore.The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you've only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you've heard. Nothing pushes an amp better than the Keeley Compressor Plus.

Notes: The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.

Notes: Produces volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects!

The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it's known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The freshly designed EHX Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!

Volume envelope manipulation with adjustable Attack and Decay times
Mono mode: one volume envelope at a time, the envelope resets when you play a new note
Poly mode: gives each note you play its own envelope
Built-in, fully adjustable, Harmonix fuzz enhances the volume envelope effect and produces bowed instrument sounds
Built-in effects loop allows for your own pedals to be inserted onto the volume envelope
Expression pedal or CV control over every knob on the Attack Decay
Save and recall up to three presets
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4.13 x 2.25
Current Draw: 140mA
Year Released: 2019

Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
11 modulation types with multiple modes for each
Intuitive "hidden" parameters accessible through its Secondary Knob Mode
Tap Tempo via the built-in footswitch or an external one
Momentary Mode to switch effects in or out
Comes with a standard EHX EHX 9.6DC200mA power supply
Compact and rugged
Power adapter included

Specifications:
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 150mA
Year Released: 2019

Notes: The Looper X2 is the culmination of over a decade of experience developing easy-to-use standalone and combination pedals. The Looper X2 supercharges practice sessions as well as live performances by empowering the player to start jamming as soon as possible.

The Looper X2 is a dual-footswitch operated looper pedal aimed at providing fast loop creation with no shortage of space to save your favorite tracks and samples. With 11 song banks, each bank featuring 7 save slots, the Looper X2 provides a total of 300 minutes recording time (2.5 mins per slot in bank 1-9, 10 min each in bank 10, 11). Each slot also corresponds to common song structures as to make organizing sections and tracks easier, as indicated on the front of the pedal. Save slots and recorded tracks can also be managed using the specialized editor software that can be downloaded for free, and compatible with Mac and Windows PCs.

Additional features of the Looper X2 include a FADE knob for controlling and toggling the Fade out function for each loop. Users can also toggle an Auto Rec function to start recording a loop every time a guitar signal input is detected by employing the THRESHOLD knob. Additional knobs include separate volume level controls for Recording and Playback, as well as an 11-option knob for scrolling through the song banks. The dual footswitch setup offers familiar Looper controls and for users desiring more control, the Looper X2 also supports an external footswitch that can perform a variety of operations like cycling through different parts of the current selected song bank. See the manual for more information on compatibility.

The Looper X2, like with other X2 devices, includes Stereo I/O and a 14" External Control out for connecting a footswitch as well as True Bypass to stay quiet when not in use.

Specifications:

Input: 2*1/4" mono audio input jack (impedance value 1Mohm)
Output: 2*1/4" mono audio output jack (impedance value 510ohm)
Num. of saving slot: 77
Recording capacity: Approximate 300 minutes (stereo)
Sample rate/sample depth: 44.1kHz/24bit
Import audio file format: MP3/WAV/FLAC/APE
Export audio file format: WAV
Power requirements: 9V 300mA, center negative (Original power supply is recommended, to avoid unexpected noise)
Dimension: 75mm(D) * 115mm(W) * 33mm(H)
Accessories: Power supply, USB-C to USB-A cable, Quick Guide, LOGO Sticker

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: The BOSS RC-1 is Boss' simplest and most user-friendly Loop Station ever, and it's a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they've been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.

On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Maximum Recording Time: Approximately 12 minutes

Controls: Pedal switch, LEVEL knob
Indicators: CHECK indicator, LOOP indicator

Connectors:
INPUT A (MONO) jack: 1/4-inch phone type, INPUT B jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, STOP/UNDO jack: 1/4-inch TRS phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 430 g / 1 lb

Notes: BOSS's iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we've updated the classic stomp with enhanced functionality while fully retaining the original's sound and control layout. It's now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups.

In continuous production for over three decades, the DD-3 has been the go-to delay stomp for countless players. Based on the DD-2-the world's first digital delay pedal from 1983-the DD-3 is revered for its warm, round delay tone and simple controls that let you dial in sounds fast. The DD-3T's sound circuitry and controls are identical to the DD-3, delivering every drop of that classic vibe you know and love.

A key addition the DD-3T brings is tap tempo, an essential feature for creating the rhythmic delay effects at the heart of many guitar styles. In delay mode, hold the pedal switch for two seconds to toggle between bypass and tap operation. And for on-demand tap control, simply connect an external footswitch. When the DD-3T receives tap input, up to 800 ms of delay time is available, and the Mode knob sets the tap subdivision (quarter-note triplet, dotted-eighth note, or quarter note).

The DD-3T features a direct output jack like the DD-3, but it's been moved next to the main output jack to make connections easier. Plugging a cable into the direct out converts the main out to delay only, allowing you to send wet and dry signals to different amps for wide, immersive sounds. And if your amp or switcher has a parallel effects loop, just connect a dummy plug to the direct out to mute the dry sound for effect-only blending.

The original DD-3 (and DD-2 before) included a forward-thinking Hold function, which allowed you to capture a sound up to 800 ms long, play it continuously, and jam over the top. Many years later, BOSS further developed this creative concept with the successful Loop Station products, which helped spawn the new musical style of live looping. The DD-3T includes the same Hold function as the DD-3, but it's been renamed "Short Loop" to reflect today's common usage.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
TEMPO jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 70 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")

Alkaline battery (9 V, 6LR61)

Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 420 g / 15 oz

Notes: Infinite inspiration, ready to play

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

Simply Great-Sounding Reverbs

Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won't turn your tone to mud. And modern players will love the new Shimmer and Reverb + Delay modes.

Dialled-In Sounds at Your Command

The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy- just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6's sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting.

Analogue Dry Tone and Versatile I/O

While the RV-6's reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analogue as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There's also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.

Reverb Modes

+DELAY - This is reverb combined with delay. The synergistic effect provides rich reverberation.
SHIMMER- This reverb is distinctive for its sparkling high-frequency range. It produces fantasy-like reverberation wrapped in spacious overtones.
DYNAMIC- This reverb automatically sets the depth of the effect according to your performance. It produces deep reverberation without blurring the overall shape of your playing.
ROOM- This reverb simulates the reverberation of a room. It produces warm reverberation.
HALL- This reverb simulates the reverberation of a hall. It produces clear and spacious reverberation.
PLATE- This simulates a plate reverb (a reverb unit that uses the vibration of a metal plate). It produces metallic-sounding reverberation with an extended high-frequency range.
SPRING- This simulates a spring reverb built into a guitar amp.
MODULATE- This reverb adds modulation to hall reverb, producing extremely good-feeling reverberation.

Specifications


Reverb Modes:

8 modes- HALL, PLATE, ROOM, SPRING, MODULATE, +DELAY, SHIMMER, DYNAMIC
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E.LEVEL knob, TONE knob, TIME knob, MODE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors: INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, EXP jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Expression Pedal: BOSS FV-500H, FV-500L, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: Fresh-Sliced Inspiration

Envelop your music in vibrant rhythmic energy with the SL-2 Slicer, an inspiring creative tool filled with colourful sonic grooves. This BOSS original chops your sound into unique percussive patterns-including many processed with internal filters and effects-and provides multiple output options that bring grooves to life across the stereo field.

Evolved from the legacy SL-20 Slicer, the SL-2 offers expanded capabilities while shrinking the size to the pedalboard-friendly BOSS compact format. Instantly elevate performances with 88 onboard patterns and tap into more via the BOSS Tone Studio app. Grab the knobs to tweak audio slices on the fly and sync to songs with tap tempo and MIDI. Fun and easy to use, the SL-2 brings fresh musical power to all types of creators, from guitarists and keyboardists to loop performers, DJs, beatmakers, and beyond.

Compact Audio Adrenaline

The SL-2 brings massive sonic groove muscle to the compact pedal format. Modern DSP takes the BOSS Slicer engine further than ever before, delivering rich, animated sounds via single and dual paths chained with multiple internal effects. Eight pattern types-each with 11 variations-will keep you armed with creative firepower for a long time. When you're ready for more, connect to BOSS Tone Studio over USB to audition and load alternate patterns into the pedal and organize memory setups for different songs.


Pre-Loaded Pattern Types:

Single (1 and 2)-Rhythmic patterns that use a single Slicer effect.
Dual (3 and 4)-Rhythmic patterns that use two Slicer effects.
Tremolo (5)-Patterns with a traditional tremolo effect.
Harmonic (6)-Rhythmic patterns with pitch-shifting effects.
SFX (7 and 8)-Rhythmic patterns with different effects applied.

Shape Your Groove

With the SL-2's efficient interface, you can dial in sophisticated textures in seconds. Use the Attack control to shape the edge of the waveform for everything from hard-chopped slices to soft, fluttering movements. Then tweak the waveform's length with the Duty control, going from sharp, percussive transients to longer, fuller audio blocks. Adjust the tempo with the dedicated knob or hold the pedal switch to engage tap tempo mode for hands-free control. And with the Balance knob and +/-12 dB of output level adjustment, you always have complete control of the mix.


Set the Stage

The SL-2 dishes up loads of impressive sounds with a standard mono setup. But things get even better when using the two outputs and seven different output modes. Send direct and effect sounds to different destinations for recording and performance. Or surround yourself and listeners in animated movement using a variety of stereo and 3D processing options. You can also feed the SL-2 with your favourite stereo pedals to bring further magic to your grooves.


Stereo Output Modes:

Fixed (Default)-Sends the same direct/effect mix to both outputs.
EFX/Direct-Sends the effect sound to Output A and the direct sound to Output B.
Random-A stereo effect that randomly outputs the Slicer sound to the left, right, or center.
Ping-Pong-A stereo effect that alternately sends the Slicer sound to Output A or Output B.
Auto-A stereo effect that smoothly pans the Slicer sound between Output A and Output B.
3D Cross-Advanced spatial processing moves the Slicer sound in left/right and forward/back patterns in 3D space.
3D Rotation-Advanced spatial processing rotates the Slicer sound in 3D space.


Expand Your Creative Flow

With its generous external control options, the SL-2 flows with your creative needs. Plug in an external footswitch to instantly tap in the tempo or engage the effect with momentary presses. Or connect an expression pedal to control knob parameters or the overall level as you perform. With the TRS MIDI input, you can sync your SL-2 grooves to a drum machine, DAW, or any other device that sends MIDI clock. It's also possible to control expression, tempo, and bypass functions via MIDI CC messages.


Specifications
Sample Rate: 48 kHz

AD Conversion
24 bits + AF method
AF method (Adaptive Focus method)
This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.

DA Conversion: 32 bits
Patterns: 88
Nominal Input Level: INPUT A (MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A (MONO), INPUT B: +7 dBu
Input Impedance: INPUT A (MONO), INPUT B: 1 MO
Nominal Output Level: OUTPUT A (MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A (MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A (MONO), OUTPUT B: 1 kO
Recommended Load Impedance: OUTPUT A (MONO), OUTPUT B: 10 kO or greater
Bypass: Buffered bypass
Controls: TYPE knob, VARIATION knob, ATTACK knob, DUTY knob, TEMPO knob, BALANCE knob, Pedal switch
Indicator: CHECK indicator (Used for indication of Tempo and check battery)

Connectors:
INPUT A (MONO) jack
INPUT B jack
OUTPUT A (MONO) jack
OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
MIDI IN jack: Stereo miniature phone type
USB port: USB B
Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22, commercially available), AC adaptor (PSA series: sold separately)
Current Draw95 mA

Expected battery life under continuous use: Alkaline: Approx. 2.5 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Dry battery (9 V, 6LR61 or 6LF22)

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb