All genres charts

Review: One of the most important albums of the 20th century, Pink Floyd's 'Dark Side of the Moon' gets a 50th anniversary specially packaged edition. Pressed exquisitely on clear 2x12 180-gram vinyl. 2x12 you ask? Well, each first side features the music while each second side has special accompanying UV enhanced artwork. This makes for a beautiful and unique special edition that sets itself aside from many reissues. This comes complete with full cover slipcase for the gatefold to reside in plus a poster as well! This album deserves a groundbreaking packaging and Warner Brothers sure gave it the proper tribute. Act quickly!

Review: Now celebrating its landmark 50th anniversary, Pink Floyd's seminal The Dark Side Of The Moon remains a timeless masterpiece and is a groundbreaking fusion of progressive rock and psychedelic soundscapes. This iconic album, known for its conceptual brilliance and sonic innovation, continues to captivate with its introspective lyrics and haunting melodies half a century on and this 50th Anniversary Edition pays homage to the monumental work on some very special vinyl pressings and packaging. With its celestial tapestry of sound and thought-provoking themes, his record is often cited as one you need to hear before you die, and you really do.

Review: The influence of Type O Negative continues to be felt long after Peter Steele's death signalled the end of the band. The goth metal band have a generous number of high points in their career, and 2003 album Life Is Killing Me is surely one of them. Drawing on his personal struggles at the time, Steele created a powerful statement draped in the grandiose style of rock he had cultivated since the band's debut. As well as the single 'I Don't Wanna Be Me', there was a cover of the song 'Angry Inch' and the opening track 'Thir13teen', a piece of music from classic TV show The Munsters. Two decades on from its original release, this is the first time the album has been released on vinyl, presented as a triple black and green pressing in a trifold sleeve.

Review: A compilation album that spans a wide range of subgenres, including deep house, tribal house and garage, its highlights include Ron Trent's 'Star Strut' - a devious, dark, and gritty deep house track captivates listeners with its wicked and intense energy - and Vick Lavender's 'Day Light', a soulful and sexy house track that features melodic elements and a touch of disco. Another great one is Timmy Regisford's 'Funa' (instrumental mix), a deep house workout that is both melodic and smooth, while Joe Claussell's 'A Deeper Grace' (LP version) is a classy house track infused with jazzy notes. Overall, this compilation is a must-listen for fans of deep house music - you definitely get your money's worth with this packed release.

Review: The debut solo album by David Crosby of Crosby, Stills & Nash fame, If I Could Only Remember My Name is an ironic title for an artist first striking out on their commercial own. But despite its faux-amnesiac title, this freak-folk opus is actually a striking claim to, not a loss of, personal musical identity. Following the success of 1970's Deja Vu with Stills & Nash, Crosby sought to expound on that album's methodology - hard psychedelic drugs, brushes with insanity, copious studio time - to produce a crisp, profound and multifaceted vision on the intersection of blues, folk and collective music-making, with every legend from Neil Young to Joni Mitchell to Graham Nash in tow. The highlight has to be, above all, 'Tamalpais High (At About 3)'.

Review: London Records has announced a deluxe reissue of Orbital's iconic debut album, affectionately known as the Green Album. Originally released in 1991, it straddled the line between rave and ambient techno, featuring timeless tracks like 'Chime', 'Belfast,' and the Butthole Surfers-sampling 'Satan.' Now, those tracks are considered cornerstones of the early UK techno movement. This 4 disc CD set offers the most comprehensive experience, with the original album on disc one and a treasure trove of Green Album-era B-sides, remixes, and alternative versions on discs two and three. Disc four treats fans to two live sets from 1991/92, sourced from the band's soundboard recordings. Wrapped in a 12" box, the deluxe edition includes reprinted flyers from the era and a lavish 60-page hardback book chronicling the Green Album's story, complete with new notes and a track-by-track analysis by Phil and Paul Hartnoll. This reissue is a must-have for Orbital fans and electronic music aficionados alike, offering a comprehensive exploration of a seminal album's legacy.

Notes: The Groovewasher Mondo Record & Stylus Care System

Groovewasher's top-of-the-line record and stylus care system. Elegant and effective.

Groovewasher's walnut products are solid chunks of 40 year old Black Walnut trees. Every one is unique. Some may have small surface cracks, splits or knots. This is the character of the wood, not a craftsman's mistake.

Review: Eleven miasmic, brooding tape meditations from the legendary Bryn Jones, reissued and packaged by Ukrainian label I Shall Sing Until My Land Is Free. Recorded in the immediate wake of the Oslo I accords, the album both bares Jones' stance on the peace pact and eerily predicts its aftermath, with humming, resonant drones, tinny vocal fragments and reversed percussion colliding in aural analogues of political tension, distrust and cyclicality. Overall it is an equally meditative and ominous listen, peppered with many of the hallmarks of mid-nineties Muzlimgauze productions, from swung, steppy, proto-DMZ ride cymbals, to plucked FM synth MIDI earworms, to his ever-present swathes of darkly churning string drones. Essential!

Notes: The Milty Pro Zerostat 3 is effective at neutralizing static charges on virtually any surface without the need of sprays.

The Zerostat 3 is highly rated for its ability to improve the sound quality of records and CDs by removing static. The Zerostat 3 incorporates a unique Piezo Crystal device which generates a positive electrical charge of Ions with a gentle squeeze of the trigger, and a negative charge on the material. Constructed from a durable hard plastic, it requires no batteries or refills and is a long lasting alternative to cleaning brushes.

Review: Was anyone ready for one of the most talked-about albums of the year to be Andre 3000 going ham on the flute? Probably not, but in a post-reality world New Blue Sun just slots right in. Of course the legions of Outkast fans are going to be split when an artist of such prominence takes a wild swerve into experimental musical pastures, but for those with an open mind or a pre-existing appreciation of ambient and leftfield music, this album is an easy sell. Teasing the tension between acoustic and electronic, ancient and hypermodern, grounded and ethereal, Andre has been bold and honest in presenting this album to the world and his gamble has paid off.

Notes: Replacement JNP110 stylus with elliptical stylus and aluminium alloy cantilever.

Fits MP110 cartridge.

Review: It was big news this year when hip-hop legends De La Soul finally made all of their music available to stream on digital platforms. That move was backed up by them also dropping a load of reissues of their finest albums and now we have, for Record Store Day/Back Friday, this special coloured vinyl boxset featuring their most iconic LP, 3 Feet High and Rising, on seven individual 7"s, making them perfect for DJ deployment. The box set also includes a funky slipmat making this a perfect Christmas gift for the hip-hop head in your life.

Review: Mark Knopfler's One Deep River album from 2023 immerses listeners in a reflective journey through Americana's heartland. It is a typically poignant album from the rock icon that showcases his mastery of storytelling as it weaves together tales of life's trials and triumphs. With his distinctive guitar work and soulful vocals front and centre, Knopfler paints vivid landscapes of dusty highways and riverbanks at dusk on each track, from the introspective 'Beneath a Prairie Moon' to the bluesy swagger of 'Ride On Across.' With its timeless allure, One Deep River speaks of Knopfler's enduring legacy as a guitar troubadour of the modern age.

Notes: Ultimate strength 100-capacity record box with 20mm aluminium frame, removable lid and reinforced corners.

Review: The Beatles: The Red Album: 1962-1966 encapsulates the iconic band's early years with a dynamic selection of tracks that have now all been remastered at half speed so they sound extra good. This compilation showcases the evolution of their sound from the exuberant energy of 'Love Me Do' to the groundbreaking creativity of 'A Hard Day's Night' and beyond. There are also timeless hits like 'Twist and Shout' and 'Yesterday,' which means this collection serves as a definitive journey through the first part of the The Beatles' legendary catalogue. Each song is a direct portal back to the 60s and to the vibrant era of Beatlemania at the peak of its powers.

Notes: The UDG Ultimate Record Cases are designed to keep your vinyl protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your valuable records safe.

UDG have further fined-tuned already a great design concept of the flight case into one specially for the most discerning DJ/ producer. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases.

The UDG Ultimate Record Cases are designed to keep your vinyl protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your valuable records safe.

Specifications

Colour: Black
Weight: 2,50 kg / 5.5 lbs
Outer Dimensions (W x H x D) 35.0 x 36.0 x 29.5 cm | 13.8 x 14.2 x 11.6 inch
Inner Dimensions (W x H x D) 33.0 x 34.0 x 27.5 cm | 12.9 x 13.4 x 10.8 inch
Material: Aluminum

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle

Fits: Approximately up to 80 12"/LP vinyl records. Capacity will depend on the thickness of the records & their packaging.

Notes: The SlingBag is a medium size bag that holds approximately 50 Vinyl records or a (MIDI) controller, an Audio Interface, a Headphone and cables. A perfect bag for the starting DJ.

It has a pocket on each side and one full size pocket in the front. Next to this the bag features the special steel bolts which make it impossible for grips and straps to break loose from the bag. The SlingBag can be used as a set in combination with the UDG SlingBag Trolley. A perfect size bag for a quick DJ set!

*Photographed records are not included

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer.

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Review: As part of Atlantic Records' 75th Anniversary celebration, the label has launched an extensive year-long vinyl series featuring 90 releases spanning the entire history of the company, from its earliest days until the present. Of these emerges this latest reissue of Crosby, Stills & Nash's self-titled debut album, first released on the label all the way back in 1969. The album features some of CSN's most well known and iconic songs; 'Suite: Judy Blue Eyes,' 'Marrakesh Express,' 'Guinnevere,' 'Wooden Ships,' 'Helplessly Hoping' and 'Long Time Gone.' This album saw a shift in sound to what was popular at the time - blues based rock - opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the '70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

Review: The prolific and influential John Coltrane comitted many a seminal recording to vinyl across his career. His 1961 work My Favourite Things is one such album and it now gets a special new pressing as part of the 75th anniversary celebrations of Atlantic Records. The landmark album came from the same sessions as Coltrane Plays The Blues (1962) and Coltrane's Sound (1964), but marked something of a shift in his career. His playing is exploratory and innovative, unforced and naturally stylistic across gems like 'Everytime We Say Goodbye' and more.

Review: The legendary experimental German band Einsturzende Neubauten is back with their first album since 2020, Rampen (apm: alien pop music). Since their formation in 1980, the band his sought out to blaze their own trail in making what others would assume is noise into their own brand music. Their own music language was created and brought with them legions of followers that have added a bit of Einsturzende Neubauten's influence to their own sounds. The band has once again pushed their sound even further - alien pop music. This edition comes on yellow vinyl.

Review: Thin Lizzy's double album 'Life,' recorded during their farewell tour in 1983, offers a boisterous yet intriguing glimpse into the band's final days. It boasts guest appearances by guitar legends Gary Moore, Eric Bell and Brian Robertson and boasts a tracklist that spans their discography, featuring selections from their last four albums. Highlights include fiery renditions of tracks like 'The Sun Goes Down,' 'Renegade,' and 'The Boys Are Back in Town.' Notable moments include a mind-blowing guitar solo by John Sykes on 'Got to Give It Up' and a chaotic jam session on 'The Rocker' featuring all five guitarists. While Life captures Thin Lizzy's energy and spirit os fully captured it remains a solid representation of the band's live performance abilities and serves as a fitting farewell to their legendary career. This reissue comes in limited gatefold translucent on blue vinyl which makes it extra special.

Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-155:

Designed for medium size speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

6.1"x7.5"/15.5x19cm Short: 2.9"/9.5cm Tall: 8.75"/22.5cm 40 lbs/18kg

Notes: The AT-XP5 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulphide (PPS)/glass fibre body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 5.5 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.

Notes: Audio-Technica's PRO5X headphones are proper all-rounders, just as happy in the DJ booth as they are in the studio. Plenty of people like them for general listening too. Cult favourites for good reason.

Supplier notes:
Audio-Technica updates the PRO5 line with the ATH-PRO5X professional DJ monitor headphones. Featuring lightweight, sturdy construction and two interchangeable, locking cables - a 1.2 m - 3.0 m (3.9' - 9.8') coiled cable and 1.2 m (3.9') straight cable - the ATH-PRO5X headphones are designed to stand up to professional DJ use.

The PRO5x headphones are equipped with newly developed 40 mm drivers capable of handling 1,500 mW of input power, giving you extremely accurate sound reproduction that remains distortion-free even at high volume. And the soft, durable earpads fit comfortably over the ears to provide excellent sound isolation.

Notes: The new mini innoFADER PRO can turn any ordinary mixer or controller into a true scratch machine for minimal cost. It works as an upgrade for mixers and controllers that already contain the mini innoFADER.

The mini innoFADER PRO offers unparalleled precision and adjustability. It can respond to DJ movements in less than a millisecond. And now the fader itself can be adjusted by controls on the front panel using the additional innoJUSTER style controls. DJ's can get the dead space down to 0.1mm for super tight and fast cuts, or go to 1mm or so for clean beat juggling. The mini Innofader Pro comes standard with either light tension for scratching.

Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the NI S8 or Pioneer DDJ-RX/SX3) in the main compartment. The UDG Controller Sleeve is available in 2 sizes: Medium & Large skillfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 2,40 kg / 5.28 lbs
Outer Dimensions (W x H x D): 73.0 x 43.0 x 14.0 cm | 28.7 x 16.9 x 5.3 inch
Inner Dimensions (W x H x D): 71.0 x 40.0 x 11.5 cm | 27.6 x 15.7 x 4.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:
Pioneer DDJ-FLX6, DDJ-1000SRT, DDJ-800, DDJ-1000, DDJ-RX, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RR, DDJ-SR2, DDJ-SR, DDJ-S1, DDJ-T1, DDJ-Ergo
Pioneer XDJ-RR, XDJ-R1, XDJ-Aero
NI Traktor Kontrol S3, Traktor Kontrol S8
Denon DJ MC7000
Numark NS4FX, NS6II, Mixtrack Platinum/ Pro 3, Mixdeck Quad, 4Trak, N4
Reloop Mixon 8 Pro, Mixon 4, Touch, Terminal Mix 8, Beatmix 4
Roland DJ-505
or similar size controllers

Notes: The RHP-10 Mono is the latest member of the Reloop headphones family, and the first devoted to one-ear monitoring. The single ear-cup construction is designed for fast cueing of a track which, thanks to the large driver, is also possible when the ambient noise levels are high.

The ergonomically designed padded handle and the water-resistant ear pad made of artificial leather are intended to withstand demanding live applications. The sturdy XLR cable connection and supplied spiral cable further emphasise the professional approach, allowing for a clutter-free and reliable performance.

For fans of one-ear monitoring the RHP-10 Mono is a true and dependable partner.

Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA

Notes: Module A-160-2 is an enhanced version of the standard clock divider A-160. The module is a frequency divider for clock/trigger/gate signals, designed to be a source of lower frequencies, particularly for rhythm uses. The Clock input will take any digital signal from, eg. LFO, MIDI sync, or the gate from a MIDI-CV interface. At the outputs, you have access to three sets of seven different sub-divided clock signals, from half the clock frequency down to 1/128. The low/high levels of the output signals are 0V and about +10V.

The A-160-2 also has a reset input. Whenever a reset signal is sensed, all outputs are set to certain levels which depend upon the selected mode.

These are the most important features of the module:

Three different sets of dividing factors, selected by a three-position switch at the front panel:
- Power of two: 2, 4, 8, 16, 32, 64, 128
- Prime numbers: 2, 3, 5, 7, 11, 13, 17
- Integer: 2, 3, 4, 5, 6, 7, 8

Two output modes, selected by a two-position switch at the front panel:
- Gate mode: outputs act like the outputs of typical binary dividers
- Trigger mode: in this mode the outputs are AND-wired with the clock signal (i.e. the clock pulsewidth affects the pulsewidth of the outputs)
- Clock edge type selected by a jumper on the pc board:
- Positive: the rising edge of the clock signal triggers the state change of the outputs
- Negative: the falling edge of the clock signal triggers the state change of the outputs

Reset behaviour by two jumpers on the pc board:
- Level triggered: the level at the Reset input triggers the Reset
- Edge triggered: the edge of the signal at the Reset input triggers the Reset
- Positive: a high level (> 2.5V) or the rising edge at the Reset input triggers the Reset
- Negative: a low level (< 1 V) or the falling edge at the Reset input triggers the Reset

Output polarity selected by a jumper on the pc board:
- Positive: non-inverted outputs
- Negative: all seven outputs are inverted

Width: 4HP / 20mm
Depth: 35mm (Measured from the rear side of the front panel)
Current: +12V: +50mA, -12V: -0mA

Notes: Limited-edition white version of Arturia's ever-popular MiniLab controller, now in its third iteration. Features 25 velocity-sensitive keys, eight RGB pads, eight rotary encoders and four faders.

Supplier's Notes:
MiniLab 3 Alpine White

Ice-cold music maker

MiniLab 3 Alpine White is a music-making controller keyboard with a fresh makeover. Control music software, create your own tracks with inspiring sounds & samples, and get playing with comfy keys & pads - all in dazzling white.

A MIDI controller with a minimalist aesthetic

Rediscover the keyboard controller of choice for today's production pros & beginner music makers alike, decorated with a lush modern aesthetic to elevate any setup.

A fresh all-white look

This mini keyboard controller is going for that ultra-clean, contemporary design vibe with a white exterior, white keys, and white controls.

A fresh all-white look

This mini keyboard controller is going for that ultra-clean, contemporary design vibe with a white exterior, white keys, and white controls.

Easy to use

Explore amazing synth & instrument sounds on your computer, make beats & musical ideas in minutes, and sharpen your production skills - great for beginners.

Everything you need

Play keys, punch in a drum loop, connect to MIDI gear, and get creative with premium musical software included as standard.

Be creative anywhere

MiniLab 3 Alpine White is tiny. It fits perfectly in your lap, in small spaces in your home studio, balanced on top of other gear, and even on an airline tray-table. Don't let a lack of space get in your way. Whenever you get the chance to live out your creativity, this little controller will be ready.

Pint-sized control freak

Small but mighty, MiniLab 3 Alpine White has an expressive, velocity sensitive keyboard, 8 RGB backlit pads, 8 rotary encoders, and 4 faders to put you in total control of your virtual instruments, DAW, and effects. 1 knob is even clickable, letting you navigate menus and select presets right on your controller!

Every sound you need included

What software & sounds do you get with MiniLab 3? From recording software to a library of over 4 million samples, you're totally kitted out for whatever music you want to make.

A Hands-on Experience

Explore the layout, features, and hidden talents of MiniLab 3 in detail, from its quality slim keyboard to its easy-to-use creative commands.

Main Features

Premium Keybed quality

25 high quality note velocity-sensitive slim keyboard

Pads & controls
2 banks of 8 velocity & pressure sensitive pads with RGB backlighting
8 rotary encoders
4 sliders
2 capacitive touch sensors for pitch bend and modulation wheel

Display control
Mini display & clickable browsing knob
real-time feedback on tweaks and controls

Smart features

Built-in arpeggiator
Chord mode
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless integration with all Arturia software instruments, including Analog Lab: select sounds, browse presets and smart-assigned controls
1 DAW preset for automatic integration with any major DAWs
DAW Transport Control with MCU protocol for every other DAWs
Up to 5 user presets for a totally customizable experience
Connectivity

USB-C connects to computers and iPad
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB powered

Size & weight

Instrument size: 14 x 8.7 x 2 inches (355 x 220 x 50mm)
Instrument weight: 3.3 lbs (1.5 Kg)

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple

Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments