New releases last eight weeks: All genres

Notes: Dedicated transmitter which enables SonicLink connection.

The dedicated transmitter HP-TX01 instantly transfers sound to the HDJ-F10 via ultra-low latency wireless communication with simply connecting to DJ mixer. Any DJ mixer equipped with a PHONE or 3.5 mm stereo mini jack monitor output can be used with the HDJ-F10. It is compact, lightweight, and easy to carry with your gear.

*The HP-TX01 does not support a wireless connection with the WAVE-EIGHT portable wireless DJ speaker.

Notes: Serious drum power, presented here in a limited-edition retro colourway. Ten analogue drum circuits, powerful sequencer and excellent performance features, all in a user-friendly package.

Suppliers' Notes:
Drumbrute Impact 1984

Defiant analogue sound

A limited-edition analogue drum machine that fuses a timeless look with a beefy, Brute-powered sound. With per-voice colour controls, built-in analogue distortion, and polyrhythmic sequencing - craft raw, punchy rhythms with ease.

Unleash the rebel within

The same powerful 10-voice analogue drum machine, reimagined in an iconic off-white finish. DrumBrute Impact 1984 merges in-your-face analogue percussion with a polyrhythmic 64-step sequencer and modern-sounding appointments in a compact, instantly satisfying beat-making machine.

Punch it in

Perform beats on the fly with 8 responsive pads. Finger-drum live or record in real-time. Improvise over existing sequences or record your jam as you go. Switch banks while playing, quickly mute or solo channels, and watch the pads light up with every triggered sound.

Hook it up

Thanks to DrumBrute Impact 1984's advanced I/O, you can produce and perform your own way - sync up with your entire hardware rig and let the analogue mayhem commence.

With multi-out, midi and sync, route your hats and snares through external effects, jam with a modular system, or chain multiple drum machines together. It's up to you.

Discover your flow

From crisp, quantized hits to unquantized jamming - DrumBrute Impact 1984 adapts to your style. Use accents for extra dynamic punch or dive into polyrhythms to create endless evolving grooves. Add movement with step components like random, repeat, or roll for a living, breathing sequence.

10 in-your-face analogue sounds: Kick, Snares, Toms, Hats, Cowbell, Cymbal, and FM.
64 patterns with up to 64 steps, chainable in Song mode.
Chain patterns to create 16 songs, perfect for live sets.
Swing control to add groove, per instrument or globally.
Randomness to generate beat variations.
Output distortion for rich analogue warmth, with bypass.
Colour control for per-voice tonal shaping.
Sync to anything via USB, MIDI, or Clock.
3.5mm headphone output with metronome override.
Group outputs for kick, snares, hats, and FM.

A closer look

Explore DrumBrute Impact 1984 in detail, from its hard-wearing pads to its raucous driven sound palette

Get hands on

DrumBrute Impact 1984 is a drum machine for demanding musicians who crave raw power and monstrous tone. Tweak the Color, slam the Distortion, push the Polyrhythms further than ever before. Are you ready to make an impact?

Notes: Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: Top quality sound from this classic condenser design. Ideal for vocal recordings but also suitable for most instruments, the OC16 is a perfect all-rounder for studio use, podcast production or broadcast.

Supplier's Notes:
Elevate Your Craft. Explore Your Sound.

Legendary sound quality meets unrivalled state-of-the-art technology when you pick up the Austrian Audio OC16 large diaphragm condenser microphone.

This robust and powerful mic combines the patented CKR6 capsule and Austrian Audio's "Open Acoustics" design approach to deliver an utterly transparent and natural sound that has been highly acclaimed in the press.

The OC16 is perfect for studios of any size-whether you're tracking in a bedroom studio or topping the Billboard charts.

Each handmade CKR6 capsule - the same that is used in the OC18 - is tested and measured in-house before leaving the factory in Vienna, ensuring superior precision and quality.

Precision Meets Passion

Each handmade CKR6 capsule is tested and measured in-house before leaving the factory in Vienna, ensuring superior precision and quality.

The OC16 performs with impressive versatility, capturing pristine sound on any instrument - from drums to acoustic instruments, electric guitars, pianos, wind and string instruments vocals, podcast recordings, live streaming to broadcast applications.

For sound engineers, recording artists, musicians, voice artists, and content creators looking for professional sound and outstanding quality, look no further than the Austrian Audio OC16 large diaphragm condenser microphone.

Technical Specifications

Directional characteristic: Cardioid
Frequency range: 20Hz - 20kHz
Sensitivity: 11 mV/Pa
Equivalent noise level: 14 dB SPL (A)
Max. SPL: 148 dB SPL
Analogue low cut filter: 40 Hz, 160 Hz
Impedance: 275 O
Load impedance: > 1 kO
Supply voltage: 48 V (<2.2mA)
Main connector: XLR 3 pin
Dimensions: 157 x 66 x 34 mm
Weight: 335g

Notes: Great sound you can count on

The Austrian Audio OD303 dynamic stage mic offers effortless sound quality and rugged reliability, for great sound you can count on.

The well-balanced, open, but at the same time powerful sound is unparalleled at this price point.

With its rugged construction, the OD303 will withstand daily use in the rehearsal room and the rigors of a hard touring life without problem. The die-cast housing is almost indestructible and the microphone fits perfectly in the hand.

Technical Specifications

Directional characteristic: Supercardiod
Frequency range: 35Hz - 16kHz
Sensitivity: 1.8 mV/Pa
Pop noise protection: 3D Pop Noise Diffuser
Impedance: 1200 O (symmetrical)
Load impedance: > 1 kO
Main connector: XLR 3 pin
Dimensions: 194 x 53 x 53mm
Weight: 330g

Notes: Introducing Ear Shots Pro LED, the earphones that immerse you in a world of breathtaking audio free from distraction. Active noise cancelling technology blocks out background noise allowing you to focus solely on the music. Bluetooth 5.4 connectivity gives you freedom to listen wirelessly wherever you go, with up to 5 hours of continuous playback from a single charge. The innovative charging case delivers an additional 20 hours of playtime and incorporates a bright and responsive LED touch screen for control of your music and calls without needing access to your device.

Speaker: drivers13mmO dynamic
Frequency response: 20~20kHz
Noise cancellation: 30-35db
Impedance: 32 Ohms
Power: battery: 30mah each earbud, 300mah charging case
Battery life: 5h earbuds @ 50% volume, 20h charging case
Charge time: 1h for earbuds, 1h for dock
Bluetooth version: v5.4
Bluetooth range: Up to 10m (clear line of sight)

Dimensions: 23 x 45 x 60mm
Weight: 65g

Notes: A handy extension cable with a power switch, removing the need to pull the USB Type-C connector out of your device every time you want to power up/down or reset. The switch itself has a solid 'click-on-click-off' action with LED indicator that sits in the middle of the 25cm lead, making it ideally positioned beside your device when connected. This updated version is compatible for the latest Quick Charge and Power Delivery mains adaptors and is ideal for Raspberry Pi 4 model B, laptops, tablets, smart phones and more.

USB Type-C socket to USB Type-C plug extension
Integral power button with LED indicator and solid click action
Updated version compatible with the latest Quick Charge and Power Delivery mains adapters.

Cable: diameter: 4mm
Cable: length: 27.5cm (including connectors)
Weight: 18g

Notes: Nostalgia at its finest! Bags Unlimited purchased one of the original dies for manufacturing the Plastic Inserts for 45 rpm vinyl records. The inserts are a non-slip design and a perfect fit.

Notes: Inspired by the RSF Polykobol, the mighty Kijimi is a serious analogue synth, packing eight voices of two-VCO architecture and SSI2140-based filters. MK2 upgrade features more powerful firmware, extensive LFO options and neat wooden end panels.

Supplier's Notes:
KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.

Continuous analogue timbral control

Instead of fixed waveforms, KIJIMI's voltage-controlled oscillators can morph continuously through waveform types. Sine, triangle, sawtooth, and variable pulse waves are smoothly variable, with pulse width as you turn to the far right. It's a scheme that provides unique, independent timbral over each of the eight voices.

Deep 8-voice architecture

Each of KIJIMI 's 8 voices features 2 analogue oscillators each with a square sub-bass oscillator, for buttery timbres with extensive sound design options. The sub-oscillator produces an octave lower than the combined VCO1 and VCO2 outputs, meaning you can tune two sub-pitches. Hard sync is available in VCO sync and VCO1->2 and 2->1 configurations for maximum flexibility. There's also a noise source for adding bite and percussion components. A rich lowpass filter is built around the legendary 2140 chip and the ability to frequency-modulate it via VCO2, creates a full range of sounds from metallic and aggressive to subtle. Both filter cutoff and resonance are available as modulation destinations.

Unique envelope functionality with dedicated controls

Two ADSR envelopes come with independent rate multipliers, keyboard control of attack rate, and versatile routing. Engage the CYCLE button for a cycling trapezoidal mode, similar to that on vintage instruments like the EMS Synthi. Few polysynths offer this level of detailed control, let alone with front-panel controlsino menu diving needed.

Endless modulation programmability

Modulation possibilities set the KIJIMI apart from other polysynths. Two LFOs can be routed independently to up to eight destinations, directly on front-panel buttons, controlling frequency and waveform modulation, sub-oscillator amount, filter cutoff and frequency, and amplitude modulation. Each LFO includes multiple waveform options (sine, triangle, saw, ramp, square, random) and separate attack and decay knobs in addition to rate. ADSR2 sports four independent destinations, also via front-panel push buttons and knobs. Even velocity and aftertouch get their own dedicated control section for applying velocity or aftertouch to each parameter (LFO rate, waveform morph, sub, pitch bend, and VCA). Dedicated knobs let you apply your aftertouch and poly-aftertouch, to taste, right where you want it. You'll rarely use the menus, and when you do, it'll only be to unlock even more advanced functionality (like multiple LFO features!). KIJIMI is a rare case of fusing straightforward one-control-per-feature design with unrestricted possibilities.

Full MIDI and expressive control, tuning support

Combine all the elements, and KIJIMI is an instrument that's playable like no other. Each note you play separately triggers modulation, independently on each voice, with full control via aftertouch. Add in full MIDI control, complete MIDI polyphonic expression (MPE) support, advanced tuning capabilities (including microtuning via SCALA and 128 memory locations for tuning settings), and velocity polyphonic aftertouch, each with up to six more destinations with its own bipolar settings. KIJIMI finally brings a synthesizer architecture that can unlock the possibilities of your expressive controller of choice.

Updated package

The MK2 version of KIJIMI includes all the acclaimed sonic power and character of its predecessor, in an improved package. Updated firmware now includes the ability to assign different LFO settings (rate, waveform, envelope, and depth) to each individual destination. In addition to 128 factory and 1152 user presets, we've included user banks by Mathew Jonson, Richard Devine, and Paul Schilling. All this comes in a compact, 2.71kg/5.97 lb device with wood panels attached (or the option of metal rack ears instead). DIN MIDI and isolated USB are onboard.

Notes: Stylish, lightweight, and durable, the CB-BM Series cases are the ideal solution for transporting your compact BOSS multi-effects unit and essential accessories. They are a perfect fit with a durable exterior and soft internal padding that shields your processor while on the go.

Notes: Stylish, lightweight, and durable, the CB-BM Series cases are the ideal solution for transporting your compact BOSS multi-effects unit and essential accessories. They are a perfect fit with a durable exterior and soft internal padding that shields your processor while on the go.

Notes: Fully featured audio mixer with 4 mono input channels, a stereo line input, stereo Aux input and a further minijack stereo input. Each mono mic/line channel has a combo XLR/jack input with +48V phantom power switchable in pairs for the XLR inputs. Each mic/line channel has a Gain control for matching the input source and a low-cut switch to filter out rumble or handling noise from microphones. Each mono channel also has High/Mid/Low EQ controls, Aux out level, FX level and Pan control. The onboard foot-switchable DSP effects engine has 99 presets for delay, reverb and modulation effects, each of which can be adjusted using two parameter controls. An onboard Bluetooth receiver has an illuminated pairing button and independent volume control. The USB type-A port on the top panel is for playback of audio files or can be used to record the main outputs to a USB storage device or as an external audio device when connected to a laptop. Main output is served by left & right XLR, in addition to 6.3mm monitor and headphone outputs and the Aux send & stereo return loop. The CMB-series offers large console features in a more manageable format for live performers and project studio recordists.

DSP effect section with 99 adjustable presets
USB mp3 audio player/recorder
Bluetooth receiver with independent volume control
PC/Mac audio device and aux power via USB A connection
3-band EQ per channel
Independent Aux send + stereo return
Switchable +48V phantom power
Balanced XLR/Jack mono inputs
USB type-C power supply

Power supply: 5Vdc 2A min. (USB-C adaptor included)
Power consumption: max.10W
Effects: 99 program DSP (2 parameter controls)
Inputs: 4 x combo XLR/jack, stereo L+R 6.3mm, stereo RCA + stereo 3.5mm
Audio source: Bluetooth receiver, USB mp3 player/recorder
Bluetooth version: 5.1 (+BR+EDR+BLE)
EQ: low+/-15dB @ 80Hz
EQ: mid+/-15dB @ 2.5kHz
EQ: high+/-15dB @ 12kHz
Phantom power: +48V switchable in pairs (XLR inputs only)
Frequency response: 20Hz - 22kHz (i1dB)
Input level: Mic +10dBu max. / Line +22dBu max.
Input impedance: Balanced XLR 2k Ohm, Balanced TRS jack 10k Ohm (unbal 20k Ohm)
THD +N: <0.05% @ 1kHz
Noise: EIN -122dBu (22Hz - 22kHz)
CMRR: >75dB (Mic 1kHz)
Sensitivity: XLR -60 to +10dBu, TRS jack -20 to +20dBu, Stereo -20 to +14dBu
Crosstalk>80dB (1kHz fader shutoff)
Outputs: Main L+R XLR, L+R Monitor 6.3mm, Headphones 6.3mm
Max. output level: XLR +22dBu, TRS +20dBu
Sends : returns1 Aux send, L+R return
Dimensions: 270 x 260 x 74mm
Weight: 1.495kg

In the Box

CMB-series mixing console
In-line USB-C power supply

Notes: Contains 2x 5pin DIN Midi cables

Notes: Optional Accessory MIDI cable for WIDI Jack Bluetooth MIDI Interface by CME

Notes: Enjoy high-speed MIDI data transmission without latency thanks to the ultra-thin, high-performance plug design. The right angled plugs fit seamlessly into tight spaces and is easy to connect with convenient protrusions.

Seamlessly connect your MIDI devices - keyboards, synthesizers, controllers and guitar pedals - using TRS 3.5mm (1/8") Type A and 5-pin DIN MIDI In, Out & Thru ports, following the MIDI Association standard.

Nickel-plated connectors and oxygen-free copper core endure frequent plugging and unplugging. Integrated shielding prevents interference, ensuring error-free MIDI data transfer of all your MIDI messages.

Notes: Enjoy high-speed MIDI data transmission without latency thanks to the ultra-thin, high-performance plug design. The right angled plugs fit seamlessly into tight spaces and is easy to connect with convenient protrusions.

Seamlessly connect your MIDI devices - keyboards, synthesizers, controllers, guitar pedals - using TRS 3.5mm (1/8") Type A and 5-pin DIN MIDI In, Out & Thru ports, following the MIDI Association standard.

Nickel-plated connectors and oxygen-free copper core endure frequent plugging and unplugging. Integrated shielding prevents interference, ensuring error-free MIDI data transfer of all your MIDI messages.

Notes: Enjoy high-speed MIDI data transmission without latency thanks to the ultra-thin, high-performance plug design. The right angled plugs fit seamlessly into tight spaces and is easy to connect with convenient protrusions.

Seamlessly connect your MIDI devices - keyboards, synthesizers, controllers, guitar pedals - using TRS 3.5mm (1/8") Type A and 5-pin DIN MIDI In, Out & Thru ports, following the MIDI Association standard.

Nickel-plated connectors and oxygen-free copper core endure frequent plugging and unplugging. Integrated shielding prevents interference, ensuring error-free MIDI data transfer of all your MIDI messages.

Notes: Dual-purpose 1-in-1-out USB-C-to-MIDI cable with filter/mapper/router.

Notes: 4-pack of low-profile 5-pin DIN MIDI cables, male-male, 3 ft/90cm

Notes: Experience the perfect balance of power and form with the H2MIDI Pro.

Advanced features, engineered for excellence, designed for your workflow.

Seamlessly connect USB MIDI keyboards, controllers, and devices to traditional MIDI hardware without the need for a computer. Compatible with USB class-compliant MIDI instruments, including digital pianos, drum machines, portable keyboards, guitar pedals, EWIs, synthesizers, and more.

Accommodate up to 8 USB MIDI devices via an optional USB hub, providing flexibility for complex setups.

Enjoy bidirectional MIDI communication via 5-pin DIN MIDI ports, perfect for interfacing with MIDI hardware.

Easily connect to your computer via USB-C, offering 2 inputs and 2 outputs of virtual MIDI ports.

Compatible with leading operating systems, including MacOS, Windows, iOS, Android, Linux, and ChromeOS.

Master your MIDI setup with precision using the HxMIDI Tools software, available for macOS, Windows, Android, and iOS. Customize routing, apply intelligent MIDI filtering, and perform robust message remapping effortlessly.

Notes: Say goodbye to MIDI connection headaches and hello to limitless possibilities! The H4MIDI WC is your ticket to seamless USB MIDI integration like never before.

Notes: This is the world's smartest MIDI-to-USB cable compatible with all major operating systems via USB. Easily configure MIDI split/thru, merge and filter out any MIDI message via the free UxMIDI Tools software (Win/Mac).

USB-A with up to 1-in-1-out, compatible with all major operating systems
5-pin DIN MIDI with 1-in-1-out MIDI I/O compatible with most MIDI hardware
Advanced router, filter and mapper options via free UxMIDI Tools software with 2 MIDI assignable presets

Notes: This is the world's most versatile MIDI Interface compatible with all major operating systems via USB. Easily configure MIDI split/thru, merge, reassign and filter out any MIDI message via the free UxMIDI Tools software.

Sync all your MIDI devices with extreme accuracy, transmit any MIDI message without data errors and drop-outs. Connect your computer, laptop, mobile device via USB-C with 48 MIDI channels over 3 virtual MIDI ports.

Enjoy ultra-low 3ms latency and smart connectivity for seamless wireless performance. Benefit from WIDI groups for wireless splitting (1-to-4) and merging (4-to-1) with USB-C or DC external power options.

Master your MIDI setup with precision using the UxMIDI Tools software, available for macOS, Windows, Android, and iOS. Customize routing, apply intelligent MIDI filtering, and perform robust message remapping effortlessly.

Stay ahead of the curve with integration and customizable expansions, ensuring your setup evolves with your needs.

Notes: This is the world's most versatile MIDI Interface compatible with all major operating systems via USB. Easily configure MIDI split/thru, merge, reassign and filter out any MIDI message via the free UxMIDI Tools software (Win/Mac).

Notes: WIDI Bud Pro is your plug-and-play Bluetooth MIDI interface Simply add advanced wireless MIDI to PC, laptop and mobile devices without installing any drivers. Enjoy ultra-low 3ms latency and secure connectivity via Adaptive Frequency Hopping. Compatible with all major operating systems via USB

Notes: What is WIDI Jack?

WIDI Jack is your virtual MIDI interface

Now you can connect all your MIDI devices with standard MIDI I/O wirelessly via Bluetooth MIDI.

Enjoy ultra-low 3ms latency and secure connectivity via Adaptive Frequency Hopping.

Smart Connectivity Algorithms

Latency is not an issue with WIDI.

WIDI distinguishes itself from any other Bluetooth MIDI technology available through its unique SCA technology.

SCA is a collection of highly effective algorithms that optimize performance and minimize interference.

Latency is reduced to an inaudible 3ms as measured between 2 WIDI devices.

MIDI transmits data at a standard rate of 31.25 kbps via cable. WIDI products go up to 400 kbps.

Plug, pair & play- Transmit and receive Bluetooth MIDI via standard TRS/DIN MIDI I/O ports

Wide compatibility- Add the right TRS/DIN MIDI cable to connect all your MIDI devices. Plus TRS type A/B switch.

Bluetooth 5- High performance wireless MIDI with a working range of 20m/65ft without obstacles

Smart Power Solutions- Works fully standalone via powered MIDI OUT. USB power for unpowered MIDI ports.

Ultra low 3ms latency- Breakthrough latency reduction of just 3ms between two WIDI devices

Bluetooth MIDI groups- Connect up to 5 Bluetooth MIDI devices per group via WIDI App or Group Auto-learn mode

Automatic pairing- Setup instantly. Operate easily, with convenient auto-pairing between WIDI devices

Magnetic design- Clever design solution with magnetic sticker to stick on any surface

Transmit any MIDI message- Transmit any MIDI message over Bluetooth including notes, CC, MIDI clock, SysEx and MPE.

WIDI App for iOS/Android- Get lifetime updates and personalise settings with latency or jitter optimisation

What can you do with MIDI over Bluetooth?

Fully Standalone. Completely Wireless. 100% MIDI.

Notes: WIDI distinguishes itself from any other Bluetooth MIDI technology available through its unique SCA technology. SCA is a collection of highly effective algorithms that optimize performance and minimize interference.

Latency is reduced to an inaudible 3ms as measured between 2 WIDI devices. MIDI transmits data at a standard rate of 31.25 kbps via cable. WIDI products go up to 400 kbps.

Notes: Double Stand for Elektron MK2 and up to x2 Digi

The ergonomic, portable, and eco-friendly stand by COVERUP is designed to hold Elektron MK2 and up to two Digi devices. It allows for versatile positioning of your equipment while saving valuable space in your setup. Perfect for studio or live performances, this stand combines functionality and sustainability in a sleek design.

Notes: Own a piece of DJ history with the D-Styles Phantazmagorea Show Vinyl Variants & Deviations Set, a highly exclusive, limited-edition release with only 500 units made worldwide. This collector's set is a must-have for turntablists, vinyl enthusiasts, and fans of D-Styles' groundbreaking "Phantazmagorea."
Featuring two premium vinyl records (12" and 7") packed with battle breaks, scratch kits, and sound effects, as well as the rare 3" Razorblade Alcohol Slide, this set is designed for DJs who demand the best in quality and creativity. Complete your collection with the 3" slip mat included in this one-of-a-kind release.

What's Included:

12" Battle Breaks Vinyl (White):

Tracks include "Felonious Funk Skratch Vocal Kit," "John Wayne on Acid Skratch Drum Kit," "Diabolikal Skratch Drums + Bassline Kit," and 4 bonus scratch kits.

A total of 23 tracks designed for DJs to unleash their creativity.

7" Battle Breaks Vinyl (Red):

Tracks include "Return to Planetary Deterioration Synth," "Felonious Funk Skratch Vocals + EFX," and 2 bonus drum & synth tracks.
A total of 12 tracks perfect for scratch DJs and live performances.

3" Razorblade Alcohol Slide (Black):

A rare collector's item featuring unique sound effects and scratch tools.

3-Inch Slip Mat:

Includes an integrated adapter for seamless use with 3" records.

Key Features:

Limited to Only 500 Units Worldwide: A true collector's item for fans of D-Styles and turntablism. Once it's gone, it's gone forever!
Premium Quality Vinyl: Designed for scratch DJs with high-quality sound and durability.
Complete DJ Toolkit: Packed with vocal kits, drum kits, basslines, synths, and bonus scratch kits for endless creativity.
Exclusive Design: Unique variants and deviations inspired by "Phantazmagorea" make this set unlike any other.
Whether you're a professional DJ, a vinyl collector, or a fan of D-Styles' legendary work, this set is your chance to own a rare, limited-edition masterpiece. With only 500 units available, don't miss your opportunity to secure this iconic release!

Notes: The Decksaver cover for the Ableton Move is the ultimate accessory for protecting your gear while preserving its sleek aesthetic.

Precision-moulded from ultra-durable polycarbonate, this cover is designed to shield your Move from dust, spills, and accidental impact without compromising accessibility.

Whether you're transporting it to a gig, storing it in your studio, or simply keeping it safe between sessions, the low-profile design ensures a snug fit and hassle-free use.

Engineered with the same attention to detail as the Ableton Move itself, the Decksaver cover combines robust protection with a clear, professional finish that showcases your gear.

Dimensions

Weight: 0.38 kg
Length: 15.2 cm
Width: 31.9 cm
Height: 3.8 cm

Material: smoked polycarbonate

Notes: The Decksaver cover for the Korg MicroKorg 2 is a reliable and stylish way to keep your synth protected and performance-ready.

Built from premium polycarbonate, it acts as a tough shield against dust, liquid spills, and accidental knocks, giving you the confidence to focus on your music without worrying about your gear.

Its custom-molded fit hugs the MicroKorg 2 perfectly, providing robust protection without compromising its compact and iconic design.

Lightweight and durable, this cover is ideal for both studio setups and on-the-go musicians, ensuring your MicroKorg 2 is always safe, secure, and ready to deliver its signature sounds.

Dimensions

Weight: 0.69 kg
Length: 23.6 cm
Width: 55.3 cm
Height: 4 cm

Material: smoked polycarbonate

Notes: The Decksaver cover for the Oberheim TEO-5 and Sequential Take 5 synths is a must-have accessory for musicians who value both their gear and their creative workflow.

Expertly crafted from premium polycarbonate, this cover provides robust protection against dust, spills, and accidental knocks, ensuring your keyboard remains in pristine condition.

Its low-profile design offers a perfect fit, preserving the synth's sleek contours while allowing for easy storage and transport.

Whether you're in the studio or on the road, the transparent finish lets you admire the TEO-5/Take 5's iconic design while keeping it safe from harm.

Built to last and engineered for convenience, the Decksaver cover is the ideal way to protect your investment and keep your music-making uninterrupted.

This cover utilises Decksaver's very own Soft fit inserts, to protect those precious synth cheeks.

Fits:

TEO-5
Take 5

Dimensions

Weight: 1.05 kg
Length: 33.1 cm
Width: 65.5 cm
Height: 4.4 cm

Material: Smoked clear polycarbonate.

Notes: Your Teenage Engineering OP-1 or OP-XY is more than just a synth - it's an essential part of your creative process. Whether sculpting sounds, remixing beats, or pushing the boundaries of music-making, your OP deserves the best protection. That's where our Decksaver cover comes in.

Designed with the ultimate precision, this custom-molded polycarbonate cover fits seamlessly over your device, safeguarding it from dust, spills, and accidental knocks. Its ultra-durable yet lightweight design keeps your controller protected without adding bulk, making it ideal for both studio setups and on-the-go musicians.

With a Decksaver cover in place, buttons, knobs, and surfaces stays pristine, allowing you to focus on your craft without the worry of everyday wear and tear. The smoked transparent, low-profile design ensures your OP-XY retains its sleek aesthetics while remaining fully accessible when inspiration strikes.

Slip it into your backpack, gig bag and travel with confidence knowing your OP is safe from unexpected mishaps. Whether you're performing live, producing in the studio, or jamming at home, the Decksaver cover is the ultimate armor for your creativity.

Keep your OP protected. Keep your creativity flowing.

Notes: This professional 24-bit/192kHz USB-C audio interface boasts 2 inputs and 2 outputs with excellent quality, making it the ideal choice for anyone seeking exceptional audio quality and versatility. Positioned right inbetween the Amber i1 and the larger Amber i4, the Amber i2 offers a balanced blend of performance and affordability without quality compromises.

Flexible Monitoring with ADM (Advanced Direct Monitoring): Tailor your monitoring experience to your needs with various configurations and enjoy real-time, zero-latency monitoring for flawless recording sessions.

Professional Mixer: Easily mix the input sources and playback signals directly on the interface.

Bidirectional MIDI Ports: Connect your MIDI devices seamlessly and use the 2 ports as either inputs or outputs.

Modern, Eye-Catching Design: Featuring a sleek look with a functional LCD display and an amber-colored volume knob that stands out against the green sand main body color.

Ultra Low Latency Drivers: Experience high-performance audio with exceptional stability.

The Amber i2 combines top-notch features with an unbeatable price, delivering above-average quality and performance. Whether you're a seasoned professional or just starting your audio journey, the Amber i2 is your go-to interface for creating stunning audio.

Notes: This professional 24-bit/192kHz USB-C audio interface boasts 4 inputs and 4 outputs with excellent quality, making it the ideal choice for anyone seeking exceptional audio quality and versatility. Positioned right at the pinnacle of ESI's Amber lineup and a step above Amber i2, the Amber i4 offers unparalleled performance and affordability without quality compromises.

Flexible Monitoring with ADM (Advanced Direct Monitoring): Tailor your monitoring experience to your needs with various configurations and enjoy real-time, zero-latency monitoring for flawless recording sessions.

Professional Mixer: Easily mix the input sources and playback signals directly on the interface.

Bidirectional MIDI Ports: Connect your MIDI devices seamlessly and use the 2 ports as either inputs or outputs.

Modern, Eye-Catching Design: Featuring a sleek look with a functional LCD display and an amber-colored volume knob that stands out against the green sand main body color.

Ultra Low Latency Drivers: Experience high-performance audio with exceptional stability.

More Inputs and Outputs: Equipped with 4 inputs (including 2 line inputs on the back), 4 outputs, and 2 independent headphone outputs, providing great flexibility for various recording and playback needs, as well as A/B comparison of mixes.

The Amber i4 combines top-notch features with an unbeatable price, delivering above-average quality and performance. Whether you're a seasoned professional or just starting your audio journey, the Amber i4 is your go-to interface for creating stunning audio.

Notes: Building on the legacy of ESI's renowned nEar studio monitors and upgrading the popular aktiv 05, the nEar i5 near field reference monitor sets a new standard for entry-level users seeking professional-level 5" near field monitoring speakers.

This DSP-based Class-D studio monitor features an ultra-flat low frequency response, a newly designed silk dome tweeter (40W powered), and a special 5" woofer (50W powered) made from selected sustainable sturdy paper fibers. These components deliver an unparalleled punch in the low-mid frequency range, offering a response unheard of in this class.

The unique Character selection switch provides a smooth Mix & Listen setting or a precise Reference sound.

The nEar i series is yet another milestone in the ESI studio monitor legacy.

Notes: Building on the legacy of ESI's renowned nEar studio monitors, the nEar i7 near field reference monitor sets a new standard for entry-level users seeking professional-level 6.5" near field monitoring speakers.

This DSP-based Class-D studio monitor features an ultra-flat low frequency response, a newly designed silk dome tweeter (40W powered), and a special 6.5" woofer (50W powered) made from selected sustainable sturdy paper fibers. These components deliver an unparalleled punch in the low-mid frequency range, offering a response unheard of in this class.

The unique Character selection switch provides a smooth Mix & Listen setting or a precise Reference sound.

The nEar i series is yet another milestone in the ESI studio monitor legacy.

Notes: Building on the legacy of ESI's renowned nEar studio monitors and upgrading the aktiv 08, the nEar i8 near field reference monitor sets a new standard for entry-level users seeking professional-level 8" near field monitoring speakers.

This DSP-based Class-D studio monitor features an ultra-flat low frequency response, a newly designed silk dome tweeter (55W powered), and a special 8" woofer (65W powered) made from selected sustainable sturdy paper fibers. These components deliver an unparalleled punch in the low-mid frequency range, offering a response unheard of in this class.

The unique Character selection switch provides a smooth Mix & Listen setting or a precise Reference sound.

The nEar i series is yet another milestone in the ESI studio monitor legacy.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: 8010A

Studio Monitor

The 8010A squeezes true reference performance and extended frequency response into an extremely compact package.

Small size, huge performance

When studio space is limited or you record on the move, the 8010A is your reliable monitoring companion. Don't be fooled by its affordable price tag and modest dimensions, the 8010A is every bit a Genelec pro monitor: uncoloured, accurate and powerful.

Trust is everything

A combination of enclosure, driver and electronic design gives the 8010A extremely neutral characteristics and the ability to adapt to your space via simple rear panel room compensation switches. So whether you're in a bedroom studio, hotel room or OB van, you can always trust what you're hearing.

System Specifications

Frequency Response: 74 Hz - 20 kHz (+/- 2.5 dB)
Low cutoff -6dB: 67 Hz
High cutoff -6dB: 25 kHz
Peak SPL =105 dB

Maximum peak acoustic output per pair on top of console, at 1 m distance with music material.

Short term max SPL =96 dB

Max. short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz, at 1m distance.

Long term max SPL =91 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) @ 1m.

Self-generated noise: =5 dB SPL
Self generated noise level in free field at 1m on axis (A-weighted)

Weight: 1.5 kg (3.3 lb)

Dimensions
Height: 181 mm (7 1/8 in)
Height with Iso-Pod: 195 mm (7 5/8 in)
Width: 121 mm (4 3/4 in)
Depth: 115 mm (4 1/2 in)

Enclosure material: Die cast aluminium

Enclosure type: Reflex port

Drivers:

(Bass)
Driver type: Cone
Diameter: 76 mm (3 in)

(Treble)

Driver type: Metal dome
Diameter: 19 mm (3/4 in)

Harmonic distortion:
70...400 Hz =3 %
> 400 Hz =0.5 %

Amplifiers

8010A bass amplifier: 25 W Class D
8010A treble amplifier: 25 W Class D

Mains voltage: 100-240 VAC 50/60Hz

ISS Active =0.5 W
Idle =5 W
Full output: 30 W

Signal processing section

Connectors
Input: XLR female, 7 kOhm.

Crossover

Bass/Treble: 3000 Hz

Package contains:
1 x 8010A monitor
1 x mains cable 1,8 m
1 x operating manual
1 x IsoPod kit

Notes: When workspace is at a premium, don't compromise on quality. With the 8020D, Genelec's renowned accuracy and reliability will fit your project and your space.

The Genelec 8020D is small in dimensions, but big in ambition. The 8020D, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8020. Designed to suit the broadest possible range of listening environments, 8020D thrives when space is at a premium, and draws on the innovation of the 8000 Series for an unrivalled near-field experience.

Trust in the colour-free, accurate reproduction of the Minimum Diffraction Enclosure (MDE), while relying on the precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW). And when you're finished, Genelec Intelligent Signal Sensing (ISS) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From post-production studios to OB vans and DAW-based rooms, the 8020D is your near-field solution of choice.

Notes: Compact dimensions, big sound. Higher SPL and lower bass extension than the classic 8010 and 8020 models, offering low frequencies down to 47 Hz. Ideal for medium-sized studio spaces.

Supplier's Notes:
If you love the compact format of the 8010 and 8020 models but demand higher SPL and more bass extension, meet the 8030C.

Welcome to the sweet spot

Short term max SPL: >104 dB

Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz at 1 m.

Long term max SPL: >96 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) at 1 m.

Self-generated noise: <5 dB SPL

Self generated noise level in free field at 1 m on axis (A-weighted).

Notes: The Genelec 8040BMM studio monitor is a major upgrade from their 8040A model, adding ISS power management to an already amazing nearfield monitor. Boasting performance comparable to much larger systems, but in a compact package, the bi-amplified Genelec 8040BMM is ideal for use in many situations where a wide frequency response is needed but space is limited. Whether you're building your project studio, outfitting your mobile rig, or upgrading your editing suite, you're going to be glad you chose the Genelec 8040BMM studio monitors.

The 8040BMM features Genelec's MDE (Minimum Diffraction Enclosure) with rounded edges and gently curved front and sides. This allows the 8040BMM to achieve a very smooth frequency response and superb imaging qualities with minimised cabinet edge diffraction.

Like all Genelec 8000 Series monitors, the 8040BMM also features the advanced Genelec DCW (Directivity Control Waveguide). The revolutionary DCW has been further enhanced to provide extremely accurate control of the 8040BMM's directivity. Genelec designed this specially shaped, very smooth surface and integrated it with the enclosure. Its area has been maximised to achieve an astoundingly flat on and off axis frequency response. As a result, the 8040BMM has an astoundingly wide, flat frequency response both on and off axis. This also gives the 8040BMM superb imaging qualities and reduces listening fatigue.

To increase the 8040BMM woofer's low frequency extension and SPL capacity, Genelec designed an ingenious flow optimised reflex port. The long, curved tube maximises airflow, so the 8040BMM can reproduce deep bass without compression. The tube terminates with a wide flare, minimising port noises and providing excellent bass articulation. An optimised die cast aluminium structure with extremely durable semi matte finish and acoustically optimised metal grilles add to the 8040BMM's acoustic excellence.

Genelec's low distortion drivers (6.5" bass speakers and 3/4" metal dome tweeters) are driven by the 8040BMM's dedicated 90 watt bass and treble amplifiers after sophisticated filtering. Magnetic shielding, overload protection circuitry, and versatile room response controls are standard.

Thanks to Genelec's ISS (Intelligent Signal Sensing) power management system, you never have to remember to shut down your 8040BMM monitors again. ISS constantly checks for input signal. After a while, if ISS doesn't detect anything, it switches your 8040BMM over to a low power sleep state, safeguarding your gear and sparing you the wasted electricity.

The versatile mounting features on the 8040BMM include integrated rear support points for wall and floor stands plus a further M10 thread for mounting on the cabinet base. In addition, every Genelec 8040BMM monitor comes with a standard IsoPod (Isolation Positioner/Decoupler). The IsoPod is a clever mounting stand, which allows the 8040BMM to perform in either the vertical or horizontal position. The IsoPod also enables the acoustic axis of the monitor to be aimed at the listener while acoustically and mechanically decoupling the monitor from the surface it is resting on.

Notes: GS Music's fully analogue six-voice synth module. Huge sonic power from the classic single-oscillator design, brought up to date with modern touches like balanced stereo outputs and USB control. Also available in blue.

Supplier's Notes:
The JHS Pedals 3 SerieThe Bree6 is a polyphonic analog synthesizer that features a fully analog sound generation. It offers six voices of polyphony, each equipped with a single voltage controlled oscillator (VCO), and a sub oscillator. The signal path includes a mixer, a 4-pole low-pass voltage-controlled ladder filter (VCF), and a voltage-controlled amplifier (VCA). The control signals are digitally generated, incorporating one low-frequency oscillator (LFO) and two ADSR-type envelope generators. Additionally, the Bree6 integrates an effects processor with chorus and delay.

The Bree6 interface is engineered for straightforward and intuitive use, featuring one knob per function and ensuring ease of access to its robust features, including MIDI connections, USB, balanced stereo audio outputs, headphone output, and CV inputs.

The signal path in the Bree6 is entirely analog, including a single VCO per voice, a sub oscillator, a mixer, a 4-pole low-pass ladder VCF, and a VCA. The control voltages are digitally generated, comprising one LFO and two ADSR-type envelope generators. It also features a stereo digital effects processor with Delay and Chorus.

The Bree6 features a single VCO plus a sub oscillator per voice. The oscillator includes sawtooth and pulse waveforms, with pulse width modulation control that can be modulated by the LFO. The oscillator tuning can be adjusted, and modulation can be applied from the LFO. The sub oscillator generates a square wave one octave below the main oscillator.

The Bree6's filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated by EG1, with velocity affecting the modulation depth, and can also be modulated by the LFO. It can also be controlled by the modulation wheel and aftertouch.

The synthesizer offers a stereo ensemble type chorus effect. It simulates a string or vocal ensemble using multiple delay lines modulated by their dedicated LFOs. The stereo delay can reach a maximum delay time of up to 1 second.

The Bree6 contains one LFO with selectable waveforms (triangle, ramp up, ramp down, square, and random with sample and hold). The LFO's frequency can be set from 0.1Hz to 100Hz, and modulation can be applied to the VCO, VCF, and VCA.

There are two ADSR-type envelope generators in the Bree6, designed for precise control over the dynamics of both the filter and the amplifier.

The synthesizer supports MIDI Polyphonic Expression (MPE), facilitating detailed performance dynamics when used with compatible MPE controllers. The Bree6 has been carefully tested with Osmose, Linnstrument and Geoshred.