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Álbumes
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Review: Manchester mavericks A Certain Ratio have been on a rare run of form of late, with 2023's 1982 counting as one of their most vibrant and endlessly entertaining albums for decades. Of course, all their albums are of a consistent quality, but It All Comes Down To This genuinely crackles with energy. From the word go, the veteran band's inherent funkiness is present, but this time it comes cloaked in fuzzy funk-rock guitar riffs, acid-fried effects, and vocals that are amongst the most forthright they've committed to wax (or, in this case, CD). In many ways, it is - as the band and producer/Sopeedy Wunderground boss Dan Carey intended - a 'back to basics' sound that focuses on the key aspects of ACR's sound. When those 'basics' are so strong, it's no surprise that the results are this impressive.
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Review: The latest offering from serial collaborator and cross-genre tastemaker Stephen O'Malley's Ideologic Organ imprint is a tender filigree bureau of acid folk sketches from Tokyo's Ai Aiso. Across seven tracks, she patiently meanders through broken and phased chord progressions, her simultaneously pure and wavering vocal lines forming elegant arcs over sparse beds of instrumentation and washes of room tone. Some tracks are bookended by applause, and it is this ostensibly 'indoorsy' atmosphere which lends the mini LP a great deal of charm; the delicate atmospherics seem to issue from an intimate and isolated space. Indeed, Bandcamp user Everyvillianislemons317 describes it as "The perfect album for a lonely night in the city." We're more than inclined to agree.
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Cat: PPDISC 08. Rel: 26 Feb 24
Indie/Alternative
in stock $14.27
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Review: During The Black Keys surprise revival of recent years, much of their music has been produced by Dangermouse. While he played no role on the duo's new album, Ohio Players - their 12th in total - his influence remains in the inventiveness of the production. The pair's new-found love of collaboration remains too, with Beck credited as co-writer on roughly half of the album's tracks. His influence is obvious in the funkiness and fuzz-fuelled psychedelia of 'This Is Nowhere' and 'Don't Let Me Go', as well as the quirky, horn-sporting cheeriness of 'Beautiful People (Stay High)' and the low-slung, effortlessly funky indie-rap hedonism of 'Paper Crown' (where he appears on vocals alongside Juicy J. The band's wholehearted love of hip-hop is also explored on the excellent Lil Noid collaboration 'Candy & Her Friends'.
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Review: Bleachers return with their self-titled new album, released via Dirty Hit. Following up their debut album Strange Desire in 2014, the band are seen to continue building on a huge, passionate following across three studio albums, renowned for their impressive live show and infectious camaraderie. There's a rich depth to the sound on Bleachers, laid out in bright, soulful technicolour. The album is frontman Antonoff's distinctly New Jersey take on the bizarre sensory contradictions of modern life, on his position in culture, and the things he cares about. Sonically, it's sad, it's joyful, it's music for driving on the highway to, for crying to and for dancing to at weddings. There's something reassuringly touchable and concrete about its sentiment: exist in crazy times but remember what counts.
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Cat: PNFG 41CD. Rel: 11 Apr 24
Balearic/Downtempo
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Cat: EARS 194CD. Rel: 28 Mar 24
Indie/Alternative
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Cat: SBXAC 24003CD. Rel: 21 Mar 24
Folk/Americana
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Cat: UNCD 072. Rel: 16 Apr 24
Indie/Alternative
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Review: Cranes were a British alternative band formed in 1985. Long before the Dream Pop subgenre name came out, the band earned a cult following culminating in 1992 opening for The Cure on their Wish tour of America. Strangely, there catalogue has been mostly untouched as far as reissues are concerned. But, the news of a remaster and reissue is even better! Originally released in 1986, their debut album Fuse was a cassette only purchase and for 38 years it has stayed that way. Until now! Fans of shoegaze, goth, dream pop and indie should pick this up without question to hear how ahead of time the band's music was.
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Cat: 4AD 0571CD. Rel: 07 Mar 24
Indie/Alternative
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Cat: LMS 1725046. Rel: 18 Apr 24
Indie/Alternative
Weatherall's Weekender (Audrey Is A Little Partial Mix (bonus track - Audrey Is A Little partial mix)
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Cat: ATD 028CD. Rel: 04 Apr 24
Psych/Garage Rock
in stock $14.01
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Cat: 505419 7893995. Rel: 29 Feb 24
Indie/Alternative
Review: For indie heads of a certain vintage, this album - a first full-length collaboration between Oasis lead singer Liam Gallagher and former Stone Roses guitar-slinger John Squire - is one of the most hotly anticipated of the year. It was recorded in Los Angeles over a three-week period last year, with former Foo Fighters and Gorillaz studio don Greg Kurstin handling production. As you'd expect, the album is undeniably nostalgic, with Squire's variously funky, raw and bluesy guitar licks and Beatles-esque backing tracks providing a fitting vehicle for Gallagher's distinctive lead vocals. For proof, check recent singles 'From Mars To Liverpool' - where Squires' solos towards the end seemingly soar above reverb-laden backing vocals that accurately pay tribute to the Fab Four - and the more psychedelic Roses-meets-Oasis flex of 'Just Another Rainbow'. There are no surprises, but fans will love it.
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Review: French dream pop breakthrough Halo Maud follows up her debut record Je Suis Une Ile (I Am An Island) with her second ever LP, Celebrate, which lives up to its name in fantastic fashion. Evidently less introspective than her last, the sonic palette throughout this dozen sunbursts suggests Maud has found her inner John Donne; indeed, opener 'Terres Infinies' is a massive crasher of a three-pronged shoegaze, synthwave and art pop sensibility, and both sonically and titularly suggests a new, deterritorial antithesis to the first album's sense of introspection. Organic, well-rounded instrumentation hears Maud traverse infinite terrains of bright tambourines and detuned synths thereafter.
… Read more in stock $10.90
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Cat: WIGCD 506. Rel: 21 Mar 24
Post Rock/Experimental
Review: Julia Holter has subtly shifted focus on new album (her sixth in total) Something In The Room She Moves, moving away from exploring memory and dream-like states to instead focus on (in her words) "the complexity and transformability of our bodies". To create this rather distinctive (and rather good sound world), she added her own ethereal vocals to self-created backing tracks rich in electric fretless bass, warming wind and reed instruments, and distinctive synth sounds plucked from a Yamaha CS060. The results are predictably immersive and soul-enriching, with highlights including stunning opener 'Sun Girl', the percussively inventive 'Spinning', and the pastoral, dreamy 'Evening Mood'.
… Read more in stock $10.90
