Back catalogue: Ambient/Drone

Review: What do we think of when someone says the word 'ambient'? Maybe a stupid question, nevertheless the term is often taken as an implication of background sounds, or at least tracks that are loosely structured around ebb and flow rather than rigid forms. In no way a criticism, Luke Haze's Pure Movements offers a counterbalance to that idea.
Dropping on Bristol's Shall Not Fade - essentially an imprint you might as well buy every release from without bothering to listen - this link was always going to be a bit of a clue as to what's on offer. In many ways, the four tracks here play out like breakdowns within late night club sets, hints of euphoria, an atmosphere of build, informed by acid, progressive and techno, but certainly none of the above.

Review: Fresh, cruddy electro dreamatics from mysterious production outfit Lazer Worshippers here, joining the Atmosphere label to stake their claim to their very own 'theme'. A name like Lazer Worshippers gives off vibes of a apparent machine cult with a penchant for building sonic monuments to our AI-mech overlords. The music is similarly vaunting and numinous, with its synthetic choirs and trilling arps dancing between the left and rights like heavenly visions of a mechanized future. B-siders 'On A Rise' and 'Free Flight' are just as teary-eyed, yet bleepy, recalling the entrancing, oldskool breaksy trance work of Spooky or Digital Justice.

Review: LIMC's Ramp EP is a perplexing thing. Released by Germany's Inch By Inch this year, it sounds like it was born in simpler times, while also being a complex piece of work by anyone's standards. Downbeat? Certainly in terms of tempo, but perhaps not so much when it comes to how you take in the contents, which are designed to keep you hooked rather than play easy on the mind.

IDM? Maybe, there are few genre labels more fitting, although to us it really sounds more like an accomplished, refined, and sophisticated retro-hued video game score looking for a home and finding one not in the colourful on-screen antics of some bright-eyed playable, but the sound systems of forward-thinkers everywhere. A great, if obscure, one to own.

Review: Here we have the remastered edition of Robert Lippok's Open Close Open. Originally released in 2001 on the well-respected German glitch ambient label Raster Noton, the release has built a strong buzz about it. Late last year, the decision was to remaster the EP to the delight of the fans. The first 'Open' is very minimal with a very sparse beat to it. Glitch ambient and the cuts and click style of that period is wonderfully represented by this sound. To most fans of the release, 'Close' is the reason for the buzz. The combination of field recordings, glitch and a beautiful almost movie like soundtrack to it, makes this piece one of the most beautiful ambient pieces in the genre of glitch ambient. Hearing this remastered, really brings out the beauty even more so. This new version also features the very worthy piece 'Licht' to close out the release. It is very fitting that the amazing Morr Music honor this piece by releasing it.

Review: The Spanish guitar has a long history of use in sunkissed dance music, the sort of tracks that never fail to perfectly soundtrack the poolside recovery to the night before or early evening sunset session. 'Mouth Feel' is the first proof this EP gives us that the formula still works, a rolling slow house number that's all warm vibes and good drinks.

From thereon in the evidence only mounts. 'Deep Sea Burn' takes almost any reference to dance music per se out of the equation, owing much more to the meditative ambient tradition before emerging into the light deep electronica of 'Second Sight'. Things are rounded out nicely with 'Belong To Be Here', a pared back, rhythmic slice of minimal, percussive electro and the cinematic moods of 'Exp+Mem'.

Review: Outlier experimental label Eating Music brings back more for us to chew on here in the form of a varied four tracker from various artists. It is Mindexxx that opens with 'Track 1' which layers up snaking synths and deeply buried dark bass that grows in intensity and washes over you like a Tsunami. Laughing Ears then cuts back to a tender mood with soft piano chords and slowly unfolding rhythms that are warm and lithe. Gooooose's 'The Dusk Of Digital Age' is a churchy affair with textured drones shot through with beams of synth light and Knopha's 'Off-Peak Season Tourists' layers up choral vocals and jumbled drum sounds into something hypnotic and escapist.