Felipe Gordon

Review: Sleazy McQueen's Lovedancing is back with Colombia's Felipe Gordon who has appeared previously on top labels such as Quintessentials, Toy Tonics and S3A. Seriously lo-slung disco deviance awaits you on The Glory EP: from the looped-up and dusted down title track and the smooth, Rhodes-led deepness of "Nebiancater". On the flip, get into the groove in slo-mo style on the irresistible "Mara" until he saves the best for last on "The Juno Experience" - mind you, we could be biased. No, seriously: this neon-lit, boogie-down jam for the late night sounds like a familiar classic (as we're sure you'll agree) and is bound to get bums wiggling on the dancefloor guaranteed.

Review: Moment Cinetique return for their second vinyl release showcasing both the Deep and Disco-influenced side of House. The A-Side provides the deeper edge with fast-rising producer Felipe Gordon making his label debut after huge releases on labels including Toy Tonics & Quintessentials with the smooth keys and unrestricted arrangement of 'Rio'.
Homegrown Moment Cinetique producer Freudenthaler who provides a lush, deep, jazz-ladened track in 'Bel Air', joins Felipe on the deeper side.
Side B is a more Disco heavy affair with Edit-hero and Monologues Records' G. Markus delivering 'Cherchez Le G' a driving track highlighted with irresistible female vocals.
Plus Moment Cinetique welcomes it's first producer from it's hometown of Sheffield in Reece Johnson. The infectious Acid-Disco of 'Montreux' carries on from his huge success in 2018 when his track 'Neyt Life' on Lumberjacks in Hell was supported by some of the biggest names in House.

Review: Harlem NYC based 13th Hour return with more music for the witching hour on their third release, after having previously shown off great grooves by Belgian Ricky Razu, Tbilisi's Hamatsuki and local lad M. Vaughan. This time round they have decided to focus on two select talents, with the A side being taken care of by Colombia's Felipe Gordon. He takes a break from the three-piece Mercury to deliver the Jazzmatazz inspired cut "I'll Become Blue" and the dusty, emotive deepness of "The Last Time I Saw You". On the flip, things start to heat up with Australian Loure (Apparel/Slothboogie Jamz) who serves up some sexy late mood lighting on "So Dive" and vocal-led cut "Club Shade".

Review: Given their deep-rooted knowledge of the re-edit scene, it was probably only a matter of time before the Razor 'N' Tape crew turned their attention to Colombian scalpel fiends Felipe Gordon & Vagabundo Club Social. This outing on Aaron Dae and JKriv's imprint could well be the South Americans' finest work to date. We're particularly enjoying A-side "Shakala", a gently tooled-up and dubbed-out revision of a dusty, tropical disco-funk treat rich in Fela Kuti style Afrobeat grooves, rising horns and flanged guitar riffs. That said, we've also got a lot of love for the fiery horns, bustling rhythms and warm bass of "Los Bareteros" (a revision of a well known, boogaloo-era Afro-Latin jazz dancefloor classic), as well as the similarly minded - but altogether heavier - "El Cateter".