Review: Loz Goddard, formerly of Outplay, Dirt Crew and Quintessentials, has a new deep house parish: Seb Wildblood's immaculate Church imprint. The Manchester producer's label debut is really rather good, though we didn't expect anything less. He begins with the pulsing space funk synthesizer chords, lilting melodies and dusty drums of "Gluttony Bay" before wrapping fluid harp motifs, eyes-closed electronics and thickset bass around a crunchy rhythm track on "Anomaly". Arguably the best of the bunch, though, is the energetic but dreamy dancefloor bliss that is "Find Me", a track whose inherent jazziness is further explored on Session Victim's superb accompanying remix.
Review: Groovy, beguiling and hypnotic- Tusk Wax is a label where anything can happen while still boasting coherency throughout its catalogue. If that sounds vague that's the point; elements of house, funk, jazz, acid and tech never far from the mixing desk. This, the imprint's 30th outing, is another limited press continuing in that fine form thanks to the always-solid Loz Goddard, formerly of Dirt Crew. One made for summertime sessions, intriguingly it could score late night hallucinatory forest raves or sun-drenched terrace parties. It just depends which cut you go for. 'Redrum' is a low-lying cosmic treat, repetitive female vocals ensuring dancefloor potential contrasting the lackadaisical melodies. 'BHD' takes us down an expanding disco wormhole, Ron Basejam's remix of 'Redrum' places the emphasis on live bass and sass, a perfect precursor to the contemporary funk of 'Drumble'.