HARUOMI HOSONO Vinilo y CD

Review: It's 1999 and Haruomi Hosono and pal Makoto Kubota - the latter arguably best known for their part in Les Rallies Denudes - decide to take on a daring project for the era. The Japanese artists opt to put out an album inspired by one of the world's foremost musical cities, New Orleans, which on paper couldn't be much further removed from the soundtrack of their homeland at that time.

Dig deeper, though, and while the Mississippi blues feels resolutely Deep South, an experience at odds with the Far East, Japan's incredibly fertile music scene back then actually shared more in common with Louisiana's aural calling cards than you might think. A hotbed of ideas, an understanding of what funk and soul mean, mastery of jazz's loose structures. Exceptional stuff, finally on re-issue

Review: Originally released in 1998, Mixmaster Morris & Jonah Sharp's Quiet Logic surprisingly flew under the radar when it came out.- perhaps because of the huge amount of electronic music being released at the time. The pair have some of the most important albums and tracks in their respected genres and are arguably two of the most important figures in the electronic music chill out scene from the 90s, and when you add the input of Haruomi Hosono from Yellow Magic Orchestra on two tracks, it becomes an even more essential listen. Chill out heads unite!

Review: Back in the 1990s, the combination of Mixmaster Morris, Jonah Sharp (he of Spacetime Continuum fame) and Haruomi Hosono was the closest thing you got to an ambient supergroup (the Orb's collaboration with Robert Fripp and Thomas Fehlmann as FFWD not withstanding). The trio only recorded one album together, the sublime Quiet Logic, but it's an absolute doozy - as this timely reissue proves. For one reason or another, it was only ever released in Japan at the time, meaning this is the first time it has been available worldwide. As you'd expect with such masters of the art form at the helm, it is genuinely superb - a slowly evolving opus that moves between unfurling, dub-fired ambient techno ('Waraitake') to ambient jazz eccentricity ('Dr Gauss/Yakan Hiko (Night Flight)'), via deep ambient d&b ('Uchu Yuei (Night Swimming)') and deep space ambient.

Review: Haruomi Hosono of Yellow Magic Orchestra infamy gets a Stones Throw "reworks-reissue" of his landmark debut solo record Hosono House, this time under the name Hosono House Revisited. Not a reissue per se but rather an exemplary case of an "interpretations" LP - in which favourite adjacent artists and contemporaries choose their favourite track from a given artist's discography, and do their best to capture their own subjective recorded responses to the song as they know it best - this version sees several musicians from the Stones Throw roster and beyond offer up their own interpretations of Hosono's songs. Leading the charge is John Carroll Kirby's 'Fuku Wa Uchi Oni Wa Soto', a mixable, much funkier and bubblegum-gobbed version of the originally kalimba-led, totally live-recorded track.