INOKASIRA RANGERS Vinilo y CD

Review: Over the last couple of years, we've been treated to numerous reissues of classic cover versions by Japanese reggae/rocksteady combo Inokasira Rangers, including takes on Nirvana's 'Smells Like Teen Spirit', Pharrell's 'Happy' and New Order's 'Blue Monday'. Here we're treated to another, as the band's 2017 take on Underworld anthem 'Born Slippy' gets a fresh pressing. It's certainly a revolutionary revision, with Keichi Sokabe's surprisingly Karl Hyde-sounding lead vocal rising above a lusciously languid, sub-heavy reggae groove. Over on the flip they take on 'Groove Tube', a 1991 indie-pop-meets-acid house single from Japanese outfit Flipper's Guitar, reframing it as a baggy, glassy-eyed rocksteady number.

Review: By now, we should all be aware of Inokasira Rangers, Japan's premier exponents of undeniably excellent reggae and rocksteady covers of everything from Nirvana, Kraftwerk and New Order to Underworld and Radiohead. Here they put their spin on two more classic cuts. On side A, they turn Madonna classic 'Like a Virgin' into a cheeky rocksteady instrumental, with the pop megastar's vocal being replaced by heady Hammond solos. Over on the reverse, they go for a sun-splashed, Balearic-leaning instrumental reggae revision of A-ha favourite 'Take On Me'. Yes, it's a novel and unusual idea, but as ever they've executed it beautifully.

Review: Inokasira Rangers is a reggae band from Tokyo who've been around since the 1990s, but they're hardly (criminally) known outside of Japan. Their latest release, 'Can't Take My Eyes Off You,' promises to change that, covering Frankie Valli's timely original from the late '60s, not to mention Crystal Waters' dance-pop hit on the B. A Shibuya-kei sensibility runs through this sweet pair of covers, but the main mode is lo-fi reggae. The Waters cover is particularly charming, as if this were the original, and the song had existed as a folk song for generations prior to the glitzy rave version.

Review: Inokashira Rangers are renowned for their ska/reggae covers of some of the world's best-known songs, with versions of 'Smells Like Teen Spirit', 'Creep' and 'I'm Not In Love', all laid to sweet 7" over the years. Here they team up with regular collaborating singer Sofia Manari, who takes centre stage in covering two J-pop classics closer to home. 'Love Squall', originally written by jazz great Yuji Ohno, hears a vocal rendition, while Mariya Takeuchi's 'Plastic Love' gets a similarly jubilant reworking on the B.

Review: Japan's brilliantly curious but highly listenable Inokashira Ranger band has covered everything in imaginable in their storied 10-year-plus career. Now they turn to The Nolans for some buttery lovers' rock with a warm and familiar edge. 'I'm In The Mood For Dancing' biomes a rolling rhythm with bright Hammond chords and swaggering riffs. The vocal comes from Yuima Enya and is nice and sweet and soulful. 'Central Freeway' on the flip is a smiler-sounding tune with easy-going drum sways and effortless cool vocals.

Review: By now, we've become accustomed to Japanese outfit Inosakira Rangers offering up reggae and vintage rocksteady style cover versions of pop and dance tracks of old. Their latest cover, of James Brown classic 'Sex Machine', is a little different. It's no less warm, dusty or on-point than its predecessors, but there's no reggae or rocksteady flex - just a warmer, more laidback take on the funk classic, complete with distinctive lead vocals from Keichi Sokabe. They're back in lazy, Sunday afternoon rocksteady mode on original B-side 'Nagoriyuki', a sweet and quietly soulful number that pushes the band's bassist and organist - or more specifically their fine instrumentation - high in the mix for added nostalgic pleasure.

Review: Over the last decade, Inokashira Rangers have proved that you can turn pretty much any track - whether it's a TV theme tune, rave banger or grunge classic - into a reggae or rocksteady gem if you know what you're doing. They're at it again on their latest "45", which opens with a storming, largely instrumental reggae-soul version of Edwin Starr's 1968 soul classic '25 Miles'. Their version - full of reverb-laden drums, fuzzy organ motifs, mazy solos, warming bass and JB's guitars - is naturally hugely different to Starr's version, but recognisably the same song. Their flipside take on Spinners' classic 'It's a Shame' is rather more difficult, with the trio slowing it down to a skanking reggae crawl while retaining the familiar melodic refrain.