JAY TRIPWIRE Vinilo y CD

Review: For the next edition of Mosaic's LTDX series, label boss Steve O'Sullivan invites a trio of artists to lay down some seriously infectious beats on 'Rhythm Method Vol.5'.

Kicking off proceedings with '3 Days Cooler,' from Cologne based Hidden Sequence, you'll find yourself instantly locked into the groove. One of those simple yet effective stripped back jams that balances rhythmic effervescence with subtle evolving elements, steeped in that all important dubby twist.

Next,Berlin based Yorkshireman Fletcher steps up with the robotic twinge of 'From Somewhere' - fusing electro styled drum programming with a heavy dose of psychedelics, the sort of thing you'd expect from Romanian minimalist party starters. A powerful rolling and intoxicating brew, this one will find favour among the sound purists.

Last but not least, trusted Canadian talent Jay Tripwire pairs up with newcomer JayBee with the heady, off-kilter throb of 'Cookie Maschine' - a punchy, incessant ride that just keeps on coming back for more as spatial overtones rise and fall.

Review: There is a load of Jay Tripwire newness around at the moment and some of it is from his back catalogue and some of it is all new. Here the longtime minimal mainstay and Canadian scene-pioneer serves up a multi-volume collection of cult tracks of his from the early 2000s. They have a west coast tech house sound and are still future in design. The likes of Villalbos have long been banging these and they sit well with the days current underground sound. Acid, dub, tech, electronic soul and more all colour the grooves.

Review: There is a load of Jay Tripwire newness around at the moment and some of it is from his back catalogue and some of it is all new. Here the longtime minimal mainstay and Canadian scene-pioneer serves up a multi-volume collection of cult tracks of his from the early 2000s. They have a west coast tech house sound and are still future in design. The likes of Villalbos have long been banging these and they sit well with the days current underground sound. Acid, dub, tech, electronic soul and more all colour the grooves.

Review: Steve O'Sullivan invites a trio of artists to lay down some serious head nodding beats for 'Rhythm Method Vol.4'. Calling on one of Canada's trusted talents and solid purveyors of deep grooves Jay Tripwire leads the charge with 'Mung Bean Medley'. There's simply no messing: pushing through a taught rhythmic workout, incessant toms and metallic tones etch deep into the mood - awash with dubbed out atmospherics and crafty touches that more than a give a nod to the dark house dubs of yesteryear. On the flip, 'Hidden Sequence' inject their creative flex, demonstrating the all important art of minimalist bounce with 'Synchro'. The kind of fully swung beats and tripped out twinges that brighten the groove more often than not when 7am comes calling. The svelte bustle and soothing tones of 'Makka' from Fletcher by contrast, soothe the mind and leaves plenty of room to kick back as weary limbs take their toll: a fine tonic indeed.

Review: It's time to get to know Club Magnus, a new label that launches with Moonlight 001, a various artist collection that brings together some fresh contemporary talents across three forward thinking cuts. Jay Tripwire opens up with his scintillating tech house sounds embellished with all the usual acid and after party freakiness. Magnus Asberg then keeps you on your toes with his nimble drum work and the cyborg electro funk of 'Sunset' (vs Sound Of The Suburbs) while Microman closes with the more dark, involving and intense techno convulsions of 'Inga Aviseringar'.

Review: Jay Tripwire has always operated at the fringes of the tech house world. His spaced out sounds are perfectly designed for late nights and cos back rooms. He's landed on various labels over the years and now take charge for the 15th EP from FA>lE. Opener 'Mary Wanna' is a dark yet alluring groove peppered with toms and more of Trip's signature spaced out pad work off in the distance. 'Iwontstop' ups the ante with a rattling percussive line and shuffling drums, dumpy kicks and the sort of rattling drum work that is nice and loose.