PRINS THOMAS Vinilo y CD

Review: "Nummer Fire" is the 4th Lindstrom & Prins Thomas 12" on Eskimo in their typical and highly acclaimed Nordic disco style.

Review: "Boney M Down" is the 3rd single for Lindstrom & Prins Thomas from their very successful album 'Lindstrom & Prins Thomas' on Eskimo Recordings. The title track which happens to be one of the best tunes from the album, comes in an alternative version, whereas "Sykkelsesong" was recorded live at Goa club in Rome, Italy. "Tempo Tempo" is a new track, in true style a generous helping of spaced out disco!

Review: 2nd 12" of these Norwegian talents, linked to their album 'Lindstrom & Prins Thomas'.

Review: Eskimo comes up with its first artist album. Hans Peter Lindstrom and Thomas Hermansen (aka Prins Thomas) provide us with lush basslines, sublime melodies and rolling rhythms.

Review: Eskimo comes up with its first artist album. Hans Peter Lindstrom and Thomas Hermansen (aka Prins Thomas) provide us with lush basslines, sublime melodies and rolling rhythms.

Review: This double pack addendum to the Paradise Goulash mix from Prins Thomas for Eskimo will be of interest to any collectors out there who consider themselves completists of the Full Pupp founder's work. It's entirely made up of previously unreleased re-edits from the Norwegian maestro done specifically for the 57 track mix and it's quite the treat! Witness as the twinkling delights of "Xoul Particles" by Actress is embellished with the most subtle of percussive underbellies, the krauty delights of "Don't Dream It Be It" are blessed with a fine kosmische groove and Box Saga's "Zen & The Art of Deadlinesss" is made all the more sleazier. A fine set of scandolearic DJ tools straight from the master's mixing deck.

Review: This triple-album collection is something of a treat for Prins Thomas fans. Released as an accompaniment to his epic, three-disc Paradise Goulash mix, it's entirely made up of previously unreleased re-edits from the Norwegian maestro. Musically, it's as cosmic and varied as you'd expect, variously touching on ambient (Claude Speed), Balearic jazz (Gabor Szabo), Middle Eastern oddness (Cat Trance), synth-samba (Richard Schneider Jnr), modern classical (a Johanna Billings cover of Arthur Russell's "This Is How We Walk On The Moon"), and all manner of hazy, sun-kissed grooves. There's little slamming dancefloor fare, but plenty of unique versions of overlooked, little known or forgotten musical gems. For that alone, it should be an essential purchase.

Review: Prins Thomas and Belgian label Eskimo have form when it comes to the epic mix CD, the pair combined to classic effect on the Cosmo Galactic Prism back in 2007, but they've really outdone themselves with Paradise Goulash. We do not envy the Eskimo employees tasked with licensing all 57 (count 'em) on this triple disc set which fully confirms Prins Thomas as a master of joining the dots between multiple corners of the cosmic cosmos. Described as "a gentle wander within the musical mind of the Prins," Paradise Goulash of course takes its name from Larry Levan's Paradise Garage and unfolds into one of the most mind-bogglingly good mixes you will hear this year.

Review: 3-part Prins Thomas mix on a 2GB USB key.

As the title suggests, Paradise Goulash is a tribute to famous New York venue Paradise Garage. It comprises three discs, each with its own distinct sound. The first is the most retro-leaning, featuring cuts from defunct groups like Brian Bennett Band and Mistral, along with experimental selections from Sun Araw and The Durian Brothers. Disc two takes the techno route courtesy of tracks by Pev & Kowton, Robert Hood and Abdulla Rashim, while the final part weaves through work from Morphosis, Ricardo Villalobos and Marcellus Pittman.

"The music contained within is a willfully diverse collection of music that I hope you'll find pleasing to your ears," Prins Thomas says. "Much like a bowl of goulash, not all the ingredients might be to your liking. It is undeniably more rustic roadside tavern than refined dining but I hope you already trust me behind the pots and pans."