Roy Ayers

Review: The legendary Roy Ayers has a wealth of great material to his name but Virgin Ubiquity: Unreleased Recordings 1976-1981 might just be the cream of the crop. It's packed with gold that fuses soul and funk, jazz and disco into a load of killer cuts that never got their own release. There are husky vocal tracks featuring Merry Clayton on "Oh What A Lonely Feeling," "I Really Love You" and "What's the T?", sensual soul stirrers from Carla Vaughn such as "Mystic Voyage" and "Together Forever" and of course liquid synths and rhythm sections underpinning each of the tracks.

Review: There is a wealth of Roy Ayer reissues out there right now, and we're all for it. West Coast Vibes is the latest, and is a full length written in 1963 while Ayers was working in Los Angeles with pianist Jack Wilson. It lead to his first recording contract and is what many believe to be his finest and freest musical expression, with no commercial overtones but plenty of the warmth and colour that he became so well known for. It has all the unique percussion you would expect and is a much more conventional jazz record than he later offered up. Add in the soulful saxophone of Curtis Amy who played along, and you have an essential Ayers record.

Review: Expansion's latest must-check seven-inch mines Roy Ayers' 1983 album "Lots Of Love", a sparkling post-disco set that combined the vibraphonist's usual jazz-funk flavours with colourful synthesizers and genuine boogie flavours. "Everybody" on the A-side is particularly potent; a lolloping synth-boogie head-nodder rich in life-affirming synthesizer squelches, rubbery jazz-funk bass, fluid Ayers vibraphone solos and background vocals that sneakily reference "Everybody Loves The Sunshine". Flipside "And Then We Were One" is if anything even more summery in feel, with mazy synth and vibraphone motifs dancing atop a killer jazz-funk groove. It's a little more up-tempo than the A-side, but arguably a little less addictive.

Review: Second time around for "Virgin Ubiquity", a killer collection of previously unreleased Roy Ayers recordings that first appeared in stores way back in 2003. Focusing on the period between 1976 and '81, much of the material joins the dots between jazz-funk, soul, disco and boogie. Highlights are plentiful throughout, from the weighty, horn-heavy release of the Merry Clayton voiced "What's The T" and heady "Oh What A Lonely Feeling", to the languid vibraphone solos of mellow groover "Green and Gold", jazzy bliss of "Mystic Voyage (Version)" and the stomping, disco era street funk of "I Am Your Mind". In a word: essential.

Review: Massive reissue incoming! BBE have answered many of our prayers with this long awaited repress of Roy's 1983 disco funk excursion "Silver Vibrations". A record that's currently fetching triple figures, this is the first time it's been repressed since it was released. Opening with the iconic whispered message of "Chicago", Roy takes us on a trip through his funkiest of quarters; the salubrious slap bass of "Lots Of Love", the Afrobeat staccato vocals and glock rocking vibrancy of "Silver Vibrations" and the dreamy cosmic jazz trip of "DC City" are just some of the highlights, all shared across the 12"s with no more than two tracks per side. Vibes that can't be slept on.

Review: When it comes to offering up seven-inch singles of tracks taken from classic or sought-after albums, Dynamite Cuts has an impressive track record. They're at it again here, this time mining Roy Ayers and Wayne Henderson's 1978 jazz-funk/disco fusion masterpiece "Step Into Our Life". On the A-side you'll find the languid, loose and groovy title track, a memorable affair in which dueling vibraphone and trumpet solos make merry atop a head-nodding, toe-tapping jazz-funk groove. Flipside "For Real" is a little more energetic and loved-up, with touchy-feely vocals, husling slap-bass and sci-fi synths to the fore.