STENNY Vinilo y CD

Review: In 2012, the Zenker brothers introduced a new series on their Ilian Tape imprint: The Bias Tapes. We are now into the third edition come 2018 and it's a great one, we must say. Like the name may suggest, The Munich Edition features some heroes of the local scene such as Kareem El Morr: who delivers the dark side electro bass of "Eros 404", likewise label boss Dario Z. (ft. Maurice P.) goes down the same toute on "CEJ". Elsewhere, dubby and cyclical warehouse techno in the vein of G-Man can be heard on Konrad Wehrmeister's "CWS" and usual suspects Marco & Stenny hammer the message home in typically bold fashion with the emotive "Imcon".

Review: The ever-excellent Ilian Tape label regular Stenny's 'Onda' comes as a limited one-time pressing "square wave homage" on 180g vinyl and as ever with this artist both tracks are devastatingly heavy and perfect for ultimate dance floor destruction. The title track takes up the A-side and is a crisp and snappy breakbeat underpinned by vast plunging bass notes and detailed with subtle electric fizzes and fills that are all-conquering. 'Quadra' is no less direct with its mix of physical low ends and microscopic details all warping mind and body in equal measure. Do not sleep on this one.

Review: Frankly, we cannot get enough of the beautifully powerful breakbeats that Stenny serves up, most often on Ilian Tape. They manage to be heavy and physical but so meticulously well crafted that they also somehow sound artful. Here on opener 'Wipe Out' scuffed-up claps brush up against busted synth motifs and bulbous bass as crisp hits drive things on. On the flip, 'Permission' ups the ante with drums and hits making along a warehouse floor with raves synth stabs adding light and edginess. It is the perfect dancing material for the dead of night on lovely heavyweight vinyl.

Review: Ilian Tape fam: Stenny returns with some long-awaited fractured schematics. Last spotted on the previous V/A EPs, this is his first solo EP for over 18 months and he's making up for lost time... Opener "Stress Test" hits like a cross between Youngstar and Tim Wright circa 2001 while "ElasTCT" takes a much bumpier technoid approach in a way you could imagine Craig Richards playing at 5am. "Adequate Force" racks up the electro shock therapy with a blistering breakbeat whipslap which DJ Stingray would happily play, before closer "Fail Better (Bent Mix)" takes things back to the jungle foundations. All molten breaks and glacial pads. Keep it rolling.

Review: Stenny has been one of Ilian Tape's most reliable and prolific artists over the last few years. Consume IV marks his fifth appearance of the Zenker brothers' imprint, and sees him joining the dots between hardcore-era breakbeat house, techno and UK garage. Opener "Lights On" brilliantly fuses together loose rave breaks and spacey deep house chords, while "Consumer's Tool" is a bumpin' garage roller complete with skipping New Jersey beats and bass-heavy British attitude. Stenny heads back towards standard techno territory on the heavy and hypnotic "Scanner", before breaking up the beats once more on the bruk-goes-to-Detroit-via-Sheffield loveliness of "Westward".

Review: It's surprising that Stenny have been kept strictly within the bounds of Ilian Tape thus far, given the distinctive nature of their output, but that's all the better for the label. The quality remains pleasingly high on this latest single, while at five tracks they're no slouches on quantity either. "Caveberg" makes a strong opening statement with its fractious groove and dreamy swathes of grainy chords, while "Hagale" represents a more propulsive if no less swinging techno romp. "Sublimation" meanwhile fuses both concerns to make for a thoroughly cosmic approach to tough, jagged techno, and "Ruins" layers its percussion in a thrilling, tribally-influenced formation before "Three Mile Island" cools the record down with a straining, distorted slice of ambience.

Review: The Zenker Brothers welcome Italian producer Stenny back into the Ilian Tape fold for a third time, with the Eternal Restriction 12" offering a further refinement on his distinctive blend of heavy bass, loud sonics and rhythmic syncopation. Indeed it's the latter element that binds Stenny's three original productions together, with rough and rugged drums the base from which the Turin talent pulls his productions in various directions. There's a dense, alien hustle to the title track that Actress fans left a bit underwhelmed by Ghettoville would gravitate towards, whilst "Boulders" sounds like it recycles a drum beat from a 90s Armand Van Helden track and buries it deep amidst a dirt encrusted techno thrust. Dario and Marco end the record with a remix of the title track that evens out a few of the kinks without edging too close to being straightforward.

Review: Dario and Maco Zenker's Ilian Tape label debuts newcomer Stenny with Solstice Deity, an EP hinged on heavy bass, loud sonics and rhythmic syncopation. Would-be trance synths make for melodious breathers of comfort in between the heavy industrial ballasts of drums in "Outime Artifacts", while "Surface Hoax" pumps with the scuzzing and electrified power of a ruinous thunderstorm. "Trilithe" sees Stenny fuse housey elements with a strong low end presence; similar to SCB's earlier remixes. The EPs remix comes from Paul du Lac, who rips and contorts "Trilithe" with elongated and short bursts of flange and phasing effects, which gives the track an acid tinged bounce - similar to much of his music heard on Clone's Jack For Daze Series.

Review: Ilian Tape's milestone 20th release sees a similar combination to what we saw on Project Squared's not-so milestone, but landmark, 7th release. Basically Stenny and Andrea have hooked up in the same way Tom Diciccio and Kowton did to produce a self-and-collaboratively produced Untitled EP. A1 is Stenny & Andrea together; a gritty and soulful combination of house, techno and tinges of electro. The inner A sees Andrea go solo and produce something as rough and spacious as what you could expect from Kyle Hall, while over on the B-side, Andrea fills in the gaps with extra bass, drums and stressed synths. Stenny wraps up the EP with the quick BPMs and crushed sonics of the aptly "How The Story Ends".

Review: The TRUST XY series continues to yield outstanding explorations of where electro can and should head from here, guided by some of the best on the business. This project is all about crossing over interesting artists for unique results and so we get to see what happens when the likes of Versalife and Stenny pool their considerable talents. One of the most intriguing link ups is Microthol and Clatterbox, who lay down a full-fat, inventive strain of big room electro, while Alex Cortex and D Tiffany lock into something more streamlined and effective for the DJs out there. DL-MS and VC-118A are the ones to bring the deep side of the spectrum with their gorgeous 'Tides'.