YVES TUMOR Vinilo y CD

Review: Yves Tumor's capacity to constantly stylistically evolve between each album once more makes itself evident on Praise A Lord Who Chews But Which Does Not Consume. Everything from goth-pop to experimental noise rock (usual styles for Yves Tumor) crop up here, hammering home ther increasingly crazed world after a directional shift following the EP 'Heaven To A Tortured Mind'.

Review: Is it rock? Is it metal? Is it synth pop? How about art noise? Someone, somewhere, is trying to pen a thesis on how you define the mighty and mysterious Yves Tumor. Best leave it to them, then. Wonder aside, the Knoxville, Tennessee outsider has finally delivered the follow up to Heaven To A Tortured Mind and it's every bit another masterpiece that grabs listeners by the jugular and challenges them, while delivering exactly what they didn't realise they wanted to hear.
While it's difficult to find much genuinely surprising in music today, the sheer breadth of Praise A Lord Who Chews But Which Does Not Consume (Or Simply Hot Between Worlds) is in itself a shock. Over the course of 12 tracks, we hit grinding electroclash ('God Is A Circle'), seductive operatic pop ('Lovely Sewer'), main stage heavy rock ('Parody'), distorted and pained metal ('Meteora Blues'), and high-paced, rousing indie ('In Spite of War'), among other styles, all realised via a unique musical identity some would kill to possess.