Review: Time Horizon's second episode enlists another team of dancefloor snipers delivering 5 brain-dancing tunes crafted appositively for late night use. After his appearance on the first XCPT record, Andrea is back on the label with his unmistakable shuffling drums and a heavy square bassline followed by Anybody Anytime covering the uptempo-zone with a rotative junglistic tool dressed with celestial pads; closing the A side TANS reveals his new robot alias The Sympathizer providing a neurotic electro progression fully based on his modular system. Flipping the records you will find two XCPT homies bringing the audience straight into Matera landscapes: Farron gets a 909 unceasing toms orchestra surrounded by his atmospheric leads while Kreggo illustrates clearly his hypnotic mid-low vision of breakbeat locked by a mystic bass for the whole track.
Will Saul & Kommon - "Two For One" (original mix) (5:23)
Will Saul & Kommon - "Two For One" (Appleblim remix) (6:29)
Review: As a follow-up to Will Saul's exclusive-packed - and generally well received - DJ Kicks set, !K7 has decided to reissue two of the most celebrated tracks, with fresh new remixes. On the A-side you'll find Jabru and Joel Culpepper's "Church" - a decidedly organic, soulful chunk of deep house/UK garage fusion - with accompanying Zed Bias rub. The UKG veteran gives it a bouncy, bassy two-step makeover, wisely retaining Culpepper's brilliant vocals. Flip for Will Saul and Komon's spacey "Two For One", where dreamy flourishes rub shoulders with throbbing electronics and delicate house beats. The remix is provided by Appleblim, who adds a new layer of percussive toughness - in a bruk-meets-two-step style - whilst retaining the warmth of the original.
Review: Man Band mandem Toma Kami returns to Livity with more sharp tools and insanity, this time in the form of "Negative Extasy". Each cut primed with big roomy broken beats, each cut more beguiling and trippier than the last, each cut rising in intensity; "E-Ache" warms us up with soothing harmonic stabs over a cavernous beat, "Aces" spins us round the stars with housey chords and pretty percussive vapour trails while "Suomi" is nothing short of a 24th century funeral march. For most the title track will be the highlight; more upbeat and bumping, with fat layers of percussion, it's Toma in pure peaktime mode... And everyone's invited.
Review: For the latest release on her admirable Planet Euphorique imprint, Sophie Sweetland has gathered together a quartet of box-fresh club cuts from up-and-coming artists. As you'd expect, much of the material is psychedelic and intoxicating, reprocessing a range of vintage influences in a myriad of ways. Killer DJ's kick things off via the epic trip that is "Track 1", a saucer-eyed fusion of tropical house drums, ambient techno electronics and humid samples. Dj Donini raises the temperature further via the retro-futurist techno trip of "Donini's Dream", before CCL and Flora FM join forces on the bassbin-bothering tribal shuffle of "Liquify Interference". SMP rounds things off in fine style with "Natty Bop", a similarly bass-heavy fusion of skipping, post two-step beats, spacey sounds and low-end power.
Review: Brit in Melbourne Kloke follows up previous releases on this impressive NYC label (and sterling effort in 2014 on Sub Squared) with something different. The intense Latin percussion workout of "PHONE" sounds like Sergio Mendes on steroids in this relentless epic, while "Rhythm #1" is more restrained in its exotic execution. Jamal Moss does an impressive job as ever on the remix. His analogue hardware jam turning the track into something else completely.
Review: Take a look at the artists to grace the A-side of Decadubs 4 and you'll find a collection of names that have released some of this year's most talked about albums: Lee Gamble, Inga Copeland, The Bug and Fatima Al Qadiri. The B-side, however, hosts Hyperdub regulars like Ikonika and DVA, and the boss Kode9 of course, to more intriguing names like footworker DJ Earl and Jeremy Greenspoon & Borys who have previously released music on Dan Snaith's Jiaolong label. Dean Blunt also appears with a jazzy ambient cut, while Cooly G does the same with the sombre, vocal-driven "Mind".
Review: Kouslin launches a brand new label and he's doing it total style. While no one can deny the crucialness of the name Le Chatroom, the real focus is on the music as the London artist tags up with two mates for a trio of far-out, forward-thinking bass/broken cuts. "Brothers" leaps with flautist delight while snake-like percussion rattles and rolls beneath. Aussie Nostro Hood winker Galtier gets his tech on with a Rolando style sense of melody and menace while Bumps man Sheik flexes a much slower jam, all 909s and raw machine soul. Covering corners you didn't even know existed, Le Chatroom has us in the palm of its paw.
Review: Hyperdub kick off the vinyl side to their ten-year celebrations with this weighty four-tracker from some of the leading lights from the label's story. Mala is in a strident mood with "Expected, Level 10" carrying through that extra touch of melody from the Mala In Cuba LP. DVA cuts loose with the leftfield scattershot groove of "Technical Difficulties", reveling in tonal experimentation and jagged rhythmic flair to a stunning end. Still locked into the sci-fi trap tangent that characterised Severant, Kuedo turns out the haunting "Mtzpn" and Helix pops up for a remix of Kode9's "Xingfu Lu" that strips down to bare essentials with a little starlit soul rubbed into the framework.
Review: Mistry enter album mode with a remarkable body of work from Kailin. A quantum leap from the floors the label has been denting, Kailin explores the post-club environment with dense weaves of textures and ghostlike vapours. Ambient in its nature yet spiked with fractured club echoes, it's an ultimately physical affair best experienced being as unphysical as possible. Highlights include the throbbing mechanical palpitations of "Chatter", the clunky glitches and alien designs of "Fracture" and the warped trickles and blurred cascades of "Disintegration". An intense move by all concerned.
Review: It seems fitting that the hundredth and final volume in the "FabricLive" mix series should also be its most hotly anticipated. Coming from heavyweight heroes Kode9 and Burial - whose previous back-to-back mix for Mary-Anne Hobbs' show eight years ago has reached near mythical status. The album is a wonderfully full-throttle and mixed-up affair, with the shadowy bass lieutenants giddily flitting between quick-fire sections focusing on South African gqom, footwork, Juke, vintage hardcore, early jungle and more contemporary dancefloor experimentalism, each broken up by typically blazed and paranoid ambient interludes and the occasional surprise selection. There's a lot going on throughout, but that only adds to the fun. In other words, it's a triumphant finale to a landmark mix series.
Review: Jamie Vex'd returns to his Kuedo project after several years working both underground and commercial sector as an engineer, sound designer and composer. His return couldn't have happened soon enough. "Slow Knife" is anchored by a strong sense of score-like sci-fi throughout as tracks such as the spectrum creeping alien trains of "Slow Knife" and the smouldering twangs and pensive vibrations of "Love Theme" create a dense, sense-blurring narrative. Elsewhere Jamie finds time to escape into raw futuristic soul ("In Your Sleep"), wry broken beat dancefloor procession ("Floating Forest") and overwhelmingly immersive sound design ("Broken Fox") This is just the tip of a sonic iceberg that will take many exciting listens to get acquainted with.