Review: David Hanke's Renegades Of Jazz project has been relatively successfully in achieving its initial aims, namely "bringing the jazz back to the dancefloor". After a three-year hiatus Hanke and company are back with a new album, "Nevertheless" - a funk-fuelled romp through bustling breakbeats, elastic double bass, fuzzy Stax style horns, jammed out piano lines and groovy guitar riffs. Hanke has roped in a number of guest vocalists and collaborators to put their stamp on the set, with stellar contributions from rapper Donnie Numeric (the hip-hop/jazz/funk fusion of "Hot Wired"), soul singer Clair Fallows (see the punchy floor-rocker "Light Me Up") and Afrika Fuentes (check the tropical funk brilliance of "Don't Break My Love").
Review: This debut album from Jo'burg via Doncaster's Skinny Pelembe comes with a weight of expectation. The distinctive soul maverick has been turning heads with his output on Gilles Peterson's Brownswood Recordings for the past two years, and now he's come good on the promise of those singles and EPs with a wonderful, many-sided LP that oozes personality, depth, and a dusty, hand-wrought musicality that hits on an instinctive level. There are flurries of broken beats, low slung wood-carved percussion, rugged neo soul and weather-beaten funk aplenty, with the lines between organic and electronic beautifully blurred. This album deserves to be huge, positioning Pelembe as a vital new talent in the vanguard of UK soul music.
In London (feat Robert Glasper - interlude) (2:49)
Lazy Daze (feat Robert Glasper) (7:29)
Colors Change (6:21)
Review: Hailing from New Orleans, Tank & The Bangas have a history of joining the dots between hip-hop, soul, funk and the city's horn-powered jazz history. "Green Balloon", the delayed sequel to impressive 2013 debut "Think Tank", delivers a similarly impressive blend of past, present and future fusion, with highlights including the off-kilter hip-hop soul of "Spaceships", the warm and woozy Rhodes-powered shuffle of "Ants", the quirky jauntiness of "Forgetfulness" and the Fugees style soulful deepness of "I Don't Get High". Lauded jazz pianist Robert Glasper is amongst a high class list of guest musicians, with his contributions - particularly the loose and languid live hip-hop of "Lazy Daze" - counting among the album's standout moments.
Review: Given that he's been rather busy with 22a's jazz house band Ruby Rushton, it's quite a surprise to discover that Tenderlonious has found time to record another solo album, his first full-length solo effort for three years. It's a deep, woozy and atmospheric affair, with the storied Peckham producer flitting between jazz-funk-fuelled deep electro ("Buffalo Gurl"), lapsed lo-fi deep house ("Hard Rain", "Casey Jr"), blunted beats ("GU22"), sparkling ambient jazz ("Low Tide"), wonky futurist synthesizer grooves ("Another State Of Consciousness"), and cuts so deep, jazzy and off-kilter that they defy definition ("Aesop Thought", where his distinctive flute playing takes centre stage).