Review: Thanks to increased interest in South African dance music of the late 1980s, original copies of this obscure album from little-known trio The Bees have been changing hands for large sums online. Happily, Johannesburg-based label Afrosynth Records has decided to give it the reissue treatment. It was first released in 1988 and offers a near perfect example of the early Kwaito style blend of "bubblegum" South African synth-pop and contemporaneous U.S house. Highlights include the chanted vocals, sun-bright synth melodies and rubbery bass of "She's A Witch (Tikoloshi)", the glassy-eyed mid-tempo Kwaito richness of "Mjondolo (Bus House)" and "Mathatha", an anthem in waiting rich in country guitar riffs, positive lyrical messages and jangling house piano.
Review: One of the richest, soulful voices in the European jazz, Biondi regularly works with the likes of Incognito. The High Five Quintet complements his delivery well with a Pimptones style soft-jazz structure but plenty of rhythmic welly. For a little more house and a little less jazz, flip for Opolopo's remix. Weighty and club-ready but with Mario's full vocal still intact, it's yet another notch in Opolopo's award-worthy remix bedpost