Review: Ever since he first made an impact earlier in the decade, Bosq has proved adept at joining the dots between contemporary club culture and the heady heaviness of vintage African and South American dancefloor styles. He's also rather good at crafting authentic Latin dancefloor workouts, too, as this tidy seven-inch single proves. Check first "Rumbero", featuring the confident vocals of Nidia Gongora, a horn-happy affair that effortlessly joins the dots between rhumba, cumbia and psychedelic punk. His electronic influences come to the fore on flipside "Corazon (Camilo Tumbao)", a contemporary take on the Cumbia sound rich in fuzzy analogue bass, jaunty organs, dub-wise noises and Colombian style male vocals.
Review: Although not widely known, Daniel Dimbas's 1985 album "La Diferencia" is regarded in some circles as one of the greatest Caribbean zouk records of all time, and certainly the heaviest. Rush Hour co-founder Antal is a fan, and here heads-up a double A-side of fresh edits of key cuts from the sought-after set. First up Antal expertly rearranges "Carnaval Soca", delivering a warm, humid and sweaty interpretation rich in driving soca-disco grooves, punchy horns, heady harmony vocals and mazy, Zouk style analogue synthesizer solos. Palms Trax takes a similarly light-touch approach on his edit of the breezier and more sun-kissed "La Musique", occasionally opting for filter trickery on an otherwise traditional style scalpel edit.