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Artículos del 1 al 15 de 15 en la página 1 de 1
FORTHCOMING
Attraktors
Attraktors (140 gram vinyl LP)
Cat: VIVOD 024LP.
  1. Future Systems
  2. Math Redux
  3. Heavy Water
  4. Maximum Minimum
  5. She Of Stars
  6. Mensonge Et La Chute
  7. Theme From Unknown
  8. Search Mode
  9. A Nearfield Background
  10. Interlude For Wounded Deer
Review: Attraktors are JFlower: Antronhy: Jhon:

Former members of Six.BySeven: Bivouac: Julian Cope: The Selecter: Nectarine No9

Inspired by Minimalism: Fripp: Eno: Marcel Duchamp: Krautrock: Proto-Punk: Soundscores: Sci-Fi: Computer Science.




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Intérprete: Tagwell Woods, Ali Renault
coming soon $13.37
FORTHCOMING
Crystal Maze EP
Crystal Maze EP (140 gram vinyl 12")
Cat: ACIWAX 25. Rel: 11 Nov 19
  1. Aztek Zone
  2. Medieval Zone
  3. Crystal Dome Acid
  4. Future Zone
  5. Industrial Zone
Review: Acid Waxa are thrilled to present the debut release of AYU Acid aka Sheffield laddies Christopher Rave and Tich Off Me Nut in this Crystal Maze EP of highly infectious, feel good acid bangers!
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FORTHCOMING
Default: Various Artists
Default: Various Artists (180 gram vinyl 12")
Cat: DFLT 002. Rel: 21 Oct 19
  1. Camelia - "Transferring"
  2. Macarie - "Flu"
  3. Exander - "Odyssey"
  4. Lulla - "Distort Time"
Review:  Default Records has returned with its second release after compiling a roster of artists who are committed to establishing presence in the scene by pushing boundaries and pursuing excellence. Camelia starts us off on the A side with *Transferring*, which presents itself in a light and airy atmosphere. Its playful percussive notes are juxtaposed against its hypnotic groove making for a warm and easy listen. Macarie follows with *Flu*, a vibrant and dance-inducing sludge of gritty, piercing elements that seamlessly blooms into an emotional melody that is driven by its tantalizing rhythm. Label boss Exander shows the heavier side of his creative spectrum on the B side with *Odyssey*. The fullness of this cut accompanied by its intriguing and directive vocal is only enhanced by its delicate features and attention to detail. Closing out the compilation is Lulla's *Distort Time* which reveals all its insides with a symphony of glitchy bleeps and blops all reinforced by a cadence of drums and groove that stirs it into an electric soup.




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FORTHCOMING
Potential For Havoc Burnt
LMD
Cat: LMD 021. Rel: 21 Oct 19
  1. Broken Royal Shank
  2. Collapse Of Meaning
  3. Contrarian
  4. Cabin In The Sky
Review: When it comes to dub-fuelled, mind-altering insanity, few are capable of setting the pulse racing quite like German veteran Bernd "Burnt" Friedman. For proof, check this essential new EP. By his standards, it's particularly wild, utilizing psychedelic electronics, exotic and occasionally droning Indian sounds, weighty bass and ambidextrous rhythms that variously doff a camp to grime, dubstep and the polyrhythms of Africa. Our picks are intoxicating and fragrant opener "Broken Royal Shank" - Asian dancehall via Coburg - and the trance-inducing dub techno hypnotism of "Contrarian", though closing cut "Cabin In The Sky" is pretty darn tasty, too.
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Intérprete: Leif, Alexis Le-Tan
coming soon $10.16
FORTHCOMING
The Living Daylights (Timothy J Fairplay mix)
Cat: ERC 076. Rel: 25 Nov 19
  1. The Living Daylights (original Uncut mix)
  2. The Living Daylights (live In Studio)
  3. The Living Daylights (Timothy J Fairplay Redub)
  4. The Living Daylights (TJF bonus)
Review: The third in the releases where label favourites are represented for today and backed with a remix / version by a contemporary producer of repute, presents 80s leftfield pop-rock band In Embrace. Appearing here are two versions of The Living Daylights, the original long version and a re-recorded live take, plus additional versions by Timothy J Fairplay.

Coming out of the midlands Post Punk / fanzine scene Gary Knight and friends formed the original incarnation of In Embrace in 1981. Picked up by Glass Records, the early, edgy live recording were re-proposed as Knight developed his 'non-musicianship' with an interest in the possibilities of the studio.

The original "Uncut" version takes it's anti-war themed vocal and lays it over a Jah Wobble inspired bassline and tense electronic rhythm. As it builds, the pressure mounts a visceral sense of oblivion of 9+ minutes of deep dubbing and repeating refrain.

Next to this the "Live In Studio" version sees the later 3 piece band replay it out in an energetic raw form that makes a worth addition. Handing the versions, plus backing tracks to Timothy J Fairplay offered a radical departure. His brooding Redub and Bonus mixes take the track to a darker place, drawing out the induced, relentless madness Knight always intended.





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FORTHCOMING
Spoit
Spoit (180 gram vinyl 12")
Cat: MGM 07.
  1. Spoit
  2. Mount Castle
  3. Tiger
  4. Touch
Review: Yuzo Iwata has made one prior appearance to date on Pluie/Noire in 2018. This EP for Malin Genie's label finds him exploring further deep cover plains of expression through the medium of experimental house and techno, leading in with the rippling textures and haunting piano refrain of "Spoit." The delicate gamelan chimes of "Mount Castle" that follow collide with rugged drum machine beats and artful sonic interference, while "Tiger" fuses jagged off-centre beats with gnarled acid lines and fluttering melodies lingering in the middle distance. "Touch" seals the deal on this highly distinctive EP with a writhing, organic mass of sound design strapped to a forthright four to the floor stomp.
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FORTHCOMING
Selected Media 2016-2018
  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
  13. XIII
  14. XIV
  15. XV
Review: Emotional Response is delighted to present a special project, a collection of music from Bartosz Kruczynski, recorded for "Selected Media" and presented here as a time-piece of his continuing works.

Initially known as one half of sample based project Ptaki (The Very Polish Cut Outs / Transatlantyk), Kruczynski first appeared for Emotional Response as The Phantom for the first series of SchleiBen in 2015. Featuring two works of deep 'fourth world' sounds, they highlighted a shift to more mellow, synthetic and hazy compositions.

His break out came, however, when he explored this sound further on his eponymous album Baltic Beat, for the acclaimed Growing Bin Records. This has been augmented with the recent club based music as one half of the wonderful Earth Trax (Rhythm Section International / Phonica Records) project.

Here though, Kruczynski returns to the ambient and ethereal - plus a touch of dub techno - to showcase his expansive collaborative work with Polish studio, TVP Culture. Given free artistic license, the 15 'short form' recordings included here were for programming, in the main, on modern Polish Art including the likes of Magdalena Abakanowicz, Miroslaw Balka and Tadeusz Kantor, as well as some international aspects for Enrico Prampolini, Ai Weiwei and Monica Bonvicini.

Taken from over 70 episodes the material included recollects imagery, video and memory to present a series of short vignettes that together create one whole. Minimal and hazy ambience (V, VII, VIII, XI, XII) envisages classic melodies and chords and is accompanied by further 'fourth world' pieces (I, II, III, VII, X) that present an oeuvre that is recognisably the music of Kruczynski, while remaining fresh and perfectly meditative.

A counter can be found in the atmospheric dub works (IV, IX, XIV) that hint at echo chamber environs to get infinitely lost in. As an album then, "Selected Media" can be heard as a snapshot to Kruczynski's music journey, a meeting of art and music that is oft overlooked but very much essential.



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Intérprete: Kaoru Inoue
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FORTHCOMING
Universal Minds
Universal Minds (180 gram vinyl 12")
Cat: FER 313. Rel: 25 Nov 19
  1. Intense City
  2. Sunrays
  3. Angelic Whispers
  4. Focusyn
Review: We're proud to present these four tracks of pure electronica on a Ferox debut EP from Macedonian maestro Mihail P. Despite his young age, it's easy to hear the influence of 90's UK techno in this release with a slight hint of Terrace and Dan Curtin. With five quality releases under his belt, Mihail is already fast becoming a favourite on the underground electronic scene and obviously injects his own techno soul into his productions. Available on 180g vinyl only.




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Intérprete: Mosaik
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FORTHCOMING
November
November (140 gram vinyl LP)
Cat: PLA 039. Rel: 28 Oct 19
  1. Open Up The Network
  2. Jayne Andrews
  3. Filaments
  4. Steam
  5. Etruria
  6. Sun's Up
  7. War, Children, The West
  8. Helsinki (I'll Never Forgive Myslef)
  9. November
  10. Meg
  11. Penetration
  12. Lapse Wine
  13. Friends
Review: Please find enclosed one 'Deluxe' stereophonic gramophone record from Concept City, containing thirteen recordings of musics entirely produced upon 4-track portastudio for your pleasure and discourse - the sole work of Mr Robert Grant of this parish.

So states the photocopy insert from the 1985 November LP on Cordelia Records. Home to R. Stevie Moore, Rimarimba recently reissued by Freedom To Spend - and label owner Alan Jenkin's The Deep Freeze Mice, Cordelia was home to a menagerie of sound collage plucked from the ether.

Included is the only vinyl release from Concept City, spreading across 13 instrumental tracks of samples and noise. The Welsh choir and robovox meets hypnotic bass of Open The Network glides to the acoustics of Jayne Andrews and Filament, before Steam amasses TV ad cassette archives. As Etruria and Lapse Wine's Durutti meets reel-to-reel to the cold wave of War, Children and wasp synth of Helsinki, Grant slowly unfolds a masterpiece.

Looped drum samples, multiple layered to tape, sped up and slowed down for phasing, the title track is a pinnacle of 80s DiY genius. 'Crossroads' multi-sampling Meg leads to the exotica 'muzak' closings of Penetration and Friends. With just 5 albums over 40 years the music of Mr Concept can be a discovery and cherished.





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FORTHCOMING
Into Dark Water
Into Dark Water (140 gram vinyl LP)
Cat: ERC 080. Rel: 21 Oct 19
  1. Ascension
  2. Rite Of Passage
  3. Raindance
  4. Ba-makala
  5. Cloud Cover
  6. Musica Ficta
  7. Out Of Nothing
  8. Steppe Land
Review: Emotional Rescue reissue 'Into Dark Water', the second album from UK post-industrial ambient pioneers O Yuki Conjugate (OYC).

The willfully obscure OYC formed in Nottingham in 1982 and have had a
sporadic career on the outskirts of musical culture ever since. Initially associated with the early 80s post-industrial scene - along with Soviet France and Muslimgauze - OYC quietly forged their own brand of ambient music at a time when it was distinctly unfashionable to do so.

Always reluctant to categorise their sounds, OYC have been variously described as post-industrial, ambient, darkwave, tribal ambient, chill out, electronica and Fourth World. Take your pick.

'Into Dark Water' was recorded in 1986 over four days in an eight-track garage studio in Nottingham. Produced and engineered by John Kaukis, the result was a blend of flutes, percussion, electronics and loops that focused their sound and became for many the definitive OYC album.

Originally released in 1987 on the Leeds-based Final Image label, 'Into Dark Water' quickly sold out and has been highly sought after ever since. The re-issue, featuring a lovingly recreated sleeve, makes a vinyl version of this classic available again for the first time in over 30 years.





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FORTHCOMING
Chorded Keyset
Chorded Keyset (140 gram vinyl 12")
Cat: UMHS 14. Rel: 04 Nov 19
  1. Price Tags
  2. Soft Stomp
  3. Blue Ink Inverted
  4. Sundialist
Review: Emerging out of the mist once more to impart their mystical twists on the dance music tradition, the elusive entities behind UntilMyHeartStops keep things consistently ambiguous as they present hitherto unknown producer Okand Konstnar. Wherever this sonic traveler originates from, their sound flings far and wide, not least on the insistent ethnic percussion stomp of opening track "Price Tags". "Soft Stomp" places greater emphasis on cyclical swirls of melody, before "Blue Ink Inverted" plots a course for intricate patterns reminiscent of label boss Leif. "Sundialist" closes the record on a hazy, transcendental tip that seals the deal on this wonderful, pointedly mysterious release.
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Intérprete: Leif
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FORTHCOMING
Restless
Restless (cassette)
Cat: HD 059MC.
  1. Waiting
  2. Break It Apart
  3. Desire
  4. Bonbon
  5. More
  6. Restless
  7. Creature
  8. Miaou Disc-0
  9. Almost
  10. To Keep You
Review: A Lou Rebecca full length has been on the cards for a while and now it lands a year after her breakout and self-titled "Lou" EP. The Austin-based Parisian synth-pop singer makes music that is nuanced with romanticism and driven by soft but decisive drum patterns that make you want to bop. There are vibrant songs with contemporary sensibilities, rich pop nuggets and darker tacks like "Break It Apart" but it is when Lou is at her most happy and outgoing that she sounds best for our money. Check the lovely, harmonically smooth ditty that is "Desire" for proof.
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coming soon $11.23
FORTHCOMING
Live Sessions Vol 2
  1. Can't You See Me
  2. Can't You See Me (Auf Togo Meets Becker & Mukai)
  3. Simple Customers
Review: Emotional Response presents the final recordings of the Saint Petersburg Disco Spin Club, a loose band alias of Kirill Sergeew aka Kito Jempere. Principally active for just a few years, these recordings were never finalised - lost as such, until now.

Growing out of Kito's productions, the 8-piece band, including friends Lipelis (Public Possession / Animals Dancing) and Sergey Lipsky (Simple Symmetry), was developed to create live transformations of his music.

The EP captures SPDSC at their peak; working with a desire to experiment via live improvisation. Can't You See Me, their version of an earlier studio release, morphs the original's melodic 4/4 in to an expansive, surround sound slo-mo Balearic funk experience for the heavens.

This is backed with a remix by Auf Togo Meets Becker & Mukai. After EPs on Leng, Aug Togo, aka Clement Cachot-Coulom and Sasha Crnobrnja (In Flagranti), previously teamed up with Jean-Gabriel Becker and Susumu Mukai (Zongamin), for an acclaimed EP on SaS Recordings. Their remix sensually creeps up, skilled musicianship creating a warm dub, as soothing bass and laid back vocals float to sunset horizons.

As finale, Simple Customers is an 11-minute whirl of lazy, psychedelic beauty. The interplay between bass, drum and guitar is water tight, letting vocals shine to some latter day anthem. A fitting epitaph, a band at ease, confident and as one, these proved to be their last output before Kirill regrouped as today's Kito Jempere Band.




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FORTHCOMING
Thousand Knives Of (reissue)
  1. Thousand Knives
  2. Island Of Woods
  3. Grasshoppers
  4. Das Neue Japanische Elektronische Volkslied
  5. Plastic Bamboo
  6. The End Of Asia
Review: Ryuichi Sakamoto was still in the early days of his career when second solo album, "Thousand Knives Of", appeared in 1978. It was recorded around the same time as the formation of the band that made him famous, Yellow Magic Orchestra, and contains a similar reliance on cutting-edge electronic instrumentation. Of course, there are still pieces that doff a cap to his classical roots - see the piano-heavy "Grasshoppers" - as well as workouts that join the dots between jazz-funk and German style "kosmiche" ("Das Neue Japanische Elektronische Volkslied"), but for the most part it's the entirely electronic tracks that hit home hardest. For proof, check the jaunty genius of "Plastic Bamboo", the prototype YMO electrofunk of "The End Of Asia" and the doom-laden weirdness of "Island Of Woods".
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coming soon $29.15
FORTHCOMING
Asimov's Code
Asimov's Code (140 gram vinyl 12")
Cat: VIS 316. Rel: 21 Oct 19
  1. Clandestine Development
  2. Aegis
  3. Lambda
  4. Asimov's Code
Review: Versalife's second release for 20/20 Vision sees Dutch producer Boris Bunnik aka Conforce return with another slab of signature electro.

'Clandestine Development' serves up dark tones and melodies layered within insistent electro beats and growling bass, that sounds huge on big room systems. 'Aegis' delivers a double dose of mechanical funk, played over atmospheric strings and auditory acid delights.

On the B side 'Lamba' continues to impress with a moody laidback bass line holding the groove down over a solid rhythm & dystopian keys. Wrapping things up the title track 'Asimov's Code' plays out like war drums from space pounding away after a blissful intro of building synths.
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