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FORTHCOMING
Marzipan
Marzipan (140 gram vinyl 12")
Cat: ERS 041. Rel: 05 Aug 19
  1. Marzipan Rhombus (Birthday edit)
  2. Thiccup Render (Weeknd Jam)
  3. Fret Not (Millenium Arrangement)
  4. Marizpan (Left Overs)
Review: In seeking to explore music's place in time and space, Emotional Response has cast a wide fusion. Interpretations on krautrock (Black Deer/Montezumas Rache), techno (Not Waving/Roy Of The Ravers), kosmische (Brain Machine), polyrhythms (Durian Brothers/Don't DJ), psychedelic (Fuxa/Tomaga), balearic (Secret Circuit/The Naturals), drone (Abul Mogard/Matthewdavid) and ambient (pretty much the rest of the catalogue) has prevailed a meandering journey, with some surprises.

This continues with this 'archival' release of Brainwaltzera's Marzipan EP. As can occur in the nature of electronic music, the self-released 2016 original came and went in a blink. Hyped and sold out, soaring resale values testify a record successfully combining old and new, of known and unknowns, within a romanticised view of sound.

Organic, smart, melancholic, the deliberately mysterious nature of the artist fits. A life in movement, this music stands as testament. Freedom, a propensity to ignored complacency. 5 tracks become 4. A retro-futurist brain dance. Blurred, intelligent, trippy, deep, heady, all and more.
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Intérprete: Piers Harrison
coming soon TBA
FORTHCOMING
Sweet Jesus
Sweet Jesus (2xLP)
Cat: DCLS 040. Rel: 30 Aug 19
  1. As Good As Gold
  2. Chauffer De Camion
  3. Samba School
  4. Feline Plastique
  5. Scattered To The Four Winds
  6. The Unvarnished Truth
  7. The Groom Stripped Bare By His Suiter
  8. Requuiescant In Pace
  9. From Roots To Fruits
  10. All The Rivers That Rise In These Hills
  11. Truer Than Words
Intérprete: Andy Sims, Soft Rocks
coming soon $29.91
FORTHCOMING
Buzzard Country
Buzzard Country (140 gram vinyl LP)
Cat: IIBLP 006. Rel: 02 Sep 19
  1. Soaring
  2. Soft Top Saab
  3. Shimmer Dub
  4. Ranura De Marihuana
  5. Sun Culture
  6. Dos Canas
  7. Feedback Valley
Review: Coyote / Buzzard Country A bird shrieks. This is Buzzard Country after all. Two wise old balearic owls rub the sandman from their peelers, and cast their gaze upon a new day. Stretching to greet the Sun, giving thanks, and remembering all those lucky years that went before. All the long journeys into night, days of altered states, and morning-afters staring out to sea. Veterans at this game, fixed on the horizon. Cosmic synths purr over a sleepy Rave baseline. Sparse, spare piano, and woodwinds pick out a path, to help you wind your way home. Around the houses, down forgotten roads. A Spanish guitar plays in the harbour, and the memory of yesterdays parties' 4 / 4 boom sparks a slow, easy Acid flashback. Echoes of 90s IDM, Intelligent Dance Music, clever beats for stoners, mixing with the faded, but not jaded, vision of an introspective White Isle sunrise. There's the spectre of a spine-tingling rush. The keys kick it off. Percussion rattling, a breakbeat shuffling, as you recall the dancers. Flamenco's shout, stamp and clap, the songs of passion, songs for heroes, while lives less ordinary screen inside your head. Movies of your own making muddling up the photo-album snapshots, and the make-believe. Tabla touches, marimba tones, and Eastern drone adorn an oasis of Dub. Conjuring a psychedelic North Africa. A mirage where Tuareg nomads cross the Sahara, accompanied by tasikisikit and prayer. Then the backing track's spinning in reverse, to score a coastal drive. Wayfarers on, as clouds caught in time-lapse charge against the blue
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coming soon TBA
FORTHCOMING
Live Sessions Vol 2
Live Sessions Vol 2 (140 gram vinyl 12")
Cat: ERS 043. Rel: 22 Jul 19
  1. Can't You See Me
  2. Can't You See Me (Auf Togo Meets Becker & Mukai)
  3. Simple Customers
Review: Emotional Response presents the final recordings of the Saint Petersburg Disco Spin Club, a loose band alias of Kirill Sergeew aka Kito Jempere. Principally active for just a few years, these recordings were never finalised - lost as such, until now.

Growing out of Kito's productions, the 8-piece band, including friends Lipelis (Public Possession / Animals Dancing) and Sergey Lipsky (Simple Symmetry), was developed to create live transformations of his music.

The EP captures SPDSC at their peak; working with a desire to experiment via live improvisation. Can't You See Me, their version of an earlier studio release, morphs the original's melodic 4/4 in to an expansive, surround sound slo-mo Balearic funk experience for the heavens.

This is backed with a remix by Auf Togo Meets Becker & Mukai. After EPs on Leng, Aug Togo, aka Clement Cachot-Coulom and Sasha Crnobrnja (In Flagranti), previously teamed up with Jean-Gabriel Becker and Susumu Mukai (Zongamin), for an acclaimed EP on SaS Recordings. Their remix sensually creeps up, skilled musicianship creating a warm dub, as soothing bass and laid back vocals float to sunset horizons.

As finale, Simple Customers is an 11-minute whirl of lazy, psychedelic beauty. The interplay between bass, drum and guitar is water tight, letting vocals shine to some latter day anthem. A fitting epitaph, a band at ease, confident and as one, these proved to be their last output before Kirill regrouped as today's Kito Jempere Band.




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Intérprete: Dj soFa
coming soon TBA
FORTHCOMING
Vol 2
VARIOUS
Vol 2 (140 gram vinyl double 12")
Cat: JC 12. Rel: 05 Aug 19
  1. Miwako Saito - "12 No Garnet"
  2. Yoshio Suzuki - "Touch Of Rain"
  3. Ayuo Takahashi - "Mizu Iro No Kagami"
  4. Toru Hatano - "Kanki"
  5. Akira - "Essence Of Beauty"
  6. Osamu Mizukami - "Flower Moon"
  7. Tomoko Yasuno - "Sur La Terra"
  8. Masanori Sasaji - "Rune"
  9. Shi-Shonen - "Harvest (Long Size)"
  10. Flat Face - "Hibi No Awa"
  11. Hiroko Kokubu - "Barcarolle"
  12. Mio Fou - "Picasso No Ao"
Review: Jazzy Couscous founder Alixkun comes back with a 2nd volume of "Kumo No Muko", 12 Japanese music gems from the 80s exploring Ambient & Synth-Pop atmospheres. It opens with Miwako Saito's "12 No Garnet", a soft, slow paced and dreamy piece of synth-pop. Following are Yoshio Suzuki's "Touch Of Rain" and Ayuo Takahashi's "Mizu Iro No Kagami", both flirting with Jazz, Ambient & New Age influences. Traces of YMO members can be found with Hosono produced Tomoko Yasuno's "Sur La Terra" & Flat Face's "Hibi No Awa", released on Sakamoto's related label. While going through more exotic vibes with Shi-Shonen's "Harvest (Long Size)", Alixkun doesn't forget more chill out ambiances: Toru Hatano's "Kanki" is a singular mind trip led by a guitar solo a la Pink Floyd. The project closes with Mio Fou's "Picasso No Ao", a moody track illustrated by a combination of acoustic guitar and solo piano.




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Intérprete: Manu•Archeo
coming soon TBA
FORTHCOMING
Sweet Season
Sweet Season (140 gram vinyl 2xLP)
Cat: ERC 078.
  1. Ramana
  2. Bohdran
  3. Amazonas
  4. Blue Castle
  5. Rain
  6. Semi-Piliated Human
  7. Drala
  8. Bendir
  9. Sweat Season
  10. Seven Heaven
  11. Silver Lining
Review: Emotional Rescue is delighted to present a collection of works by the founding father of the modern drum movement, Glen Velez. Collated from his first 3 solo albums from 1985 to 1989, Sweet Season is a snapshot in to the pioneering composing and performance of this four-time Grammy winner. Born in 1949, of Mexican American ancestry, Velez grew up in Texas before moving to New York in 1967. Playing jazz on the drums he soon gravitated to hand drums from around the world (frame drums in particular), seeking out teachers from many different musical traditions.

Among the many instruments Velez favours are the Irish bodhran, the Brazilian pandeiro, the Arabic riq, the North African bendir and the Azerbaijani ghaval. Although these instruments are similar in construction they have their own playing techniques that open new possibilities.

Sweet Season highlights this vocabulary, mixing and adapting techniques from various cultures to develop new ones. The music, often composed as cross-cultural ensembles, has a particular fondness for polyrhythms - superimposing different meters simultaneously - while incorporating Stepping Split-tone and Central Asian Overtone singing to complete the global horizons.

This new genre of contemporary drumming has been hugely influential and seen Velez work with the likes of John Cage and Steve Reich, as well as teaching his virtuosic combinations of hand movements and finger techniques to many emerging players.




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