Review: The fifth Future Primitive release, Babylon Paralysis, sees the label work with an all-time favourite UK techno artist Steve O'Sullivan. We are super happy to be reissuing a classic slab of late '90s Bluetrain material from Steve in the shape of "Congo Shuffle", which originally surfaced as an untitled B1 on the timeless Echo Freaks 12". Newly extended and edited by O'Sullivan, "Congo Shuffle" has been lavishly cut at the Exchange giving new life to this bottom feeding monster.
On the flip, Steve blesses us with two brand new productions continuing the sub-heavy theme of the A side. Invisible Guest steps away from the straight up 4/4 productions he's nailed in recent years in favour of a stealthy broken dub approach that wouldn't be out of place on go-to Bristol label Idle Hands.
"Paralyzed Dub" is both the inspiration for the release title and another classic demonstration of Steve's ability to stun listeners with very few elements. Play loud and keep away from laptop speakers.
Review: Secretsundaze return with a second volume of their new mixtape series. After the success of the Joe Claussell tape they turn to Carista for another introspective mix aimed at a relaxed home-listening session.
In May 2018, Carista performed one of her first international gigs at Secretsundaze in London and went on to play 2 other shows for them that year. A year later, she has become a mainstay on the European club & festival circuit, playing to an ever growing, passionate and loyal fanbase week in week out, already playing shows that most DJs would only dream of, including closing a stage at Lowlands festival to an audience of 10000. No wonder a recent Mixmag article crowned her as "A DJ star in the making".
Her residencies on NTS and Red Light Radio showcase her love of house, boogie, broken beat, disco, funk and beyond. Her DJ gigs can also see her explore further into house and techno but this mixtape showcases a different, softer side of Carista blending ambient soundscapes, jazz, dub and soul as well as some poignant words from Nina Simone.
This is Carista's debut physical format release so don't sleep!
Review: Given the popularity of Todd Terje's 2012 nu-disco anthem "Inspector Norse", it's a bit of a surprise that we've not seen more cover versions over the years. By our reckoning, this is only the second, following the release of The Gene Dudley Group's heavy funk take in 2015. Cruisic's version is very different in tone, re-imagining the Norwegian's spiraling dancefloor epic as a shuffling jazz-funk workout where Terje's spiraling synthesizer lead lines are replayed on electric piano and flute. There are plenty of synths involved, but it's an altogether warmer and looser take on the anthem-like original. Slowly provides the obligatory B-side remix, turning Cruisic's version into a jaunty summer synth-dub workout with a touch of dub disco flavour.
Frenk Dublin - "Good Vibes We Bring" (feat Clinton Sly)
Frenk Dublin - "Good Vibes We Bring" (feat Clinton Sly - dub version)
Review: The Dub Communication label has already made it into our Juno Recommends Dub chart this year, and now the Dutch outfit mints a new compilation series with a tasty triple 7" pack that delivers an equally impressive punch. Once again there is a decidedly electronic bent to the dub served up here, so fans of Basic Channel and Maurizio are sure to snap it up. Label boss Frenk Dublin takes care of four of the cuts, which are underpinned by a halftime swagger, digital synths and sci-fi effects, while Blind Prophet's more sparse rollers come laden with oodles of reverb and flabby bass.
Review: Jamaica's Royal Soldier is the king of contemporary lovers rock and his new album Jah Cure deals with, as the title suggests, modern life as a soldier, as well as issues of love and consciousness. Across the 14 tracks, his forlorn croonings are complimented by guest spots from heavyweights like Damian Marley on the ganga ode that is "Marijuana", Tory Lanez on dancehall cut "Magic" and Popcaan & Padrino on "Life Is Real", a crisp bit of Caribbean trap. Elsewhere, classic roots bleeds into modern day r&b to make for a genre-crossing work that will earn the man behind it plenty of plaudits, as well as new fans.