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Coming soon: Studio Equipment
Studio Equipment vinyl due out soon
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Koma Elektronik Chromaplane Analogue & Polyphonic Electromagnetic Synthesiser (analogue electromagnetic synthesiser)
Cat: 1050564 Rel: 30 Apr 25
Analogue & polyphonic electromagnetic synthesiser
Notes: The Chromaplane is an instrument created in collaboration between KOMA Elektronik & Passepartout Duo.
The Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
… Read moreThe Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 25 $345.03
(No payment required now - pay when released)
FORTHCOMING
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SoMa Laboratory Lyra-4 4-Voice Organismic Analogue Synthesiser (white) (analogue desktop synthesiser)
Cat: 1055355
4-voice organismic analogue synthesiser
Notes: Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.
LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply: stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
… Read moreLYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply: stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $369.74
(No payment required now - pay when released)
FORTHCOMING
Related products...
Embodme Erae II Polyphonic MIDI Controller & Looper (MIDI controller/looper)
Cat: 1018998 Rel: 28 Feb 25
Notes: Unlock Limitless Creativity.
Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
… Read moreExperience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 28 Feb 25 $833.21
(No payment required now - pay when released)
FORTHCOMING
Related products...
Sonicware CyDrums Expressive Drum Synthesiser (drum machine)
Cat: 1064160 Rel: 28 Feb 25
A wavetable-based, 8-track expressive drum synthesiser
Notes: CyDrums | Expressive Drum Synthesiser
4D Drum Sound Evolution
22 Custom-Built Sound Structures
Versatile Effects & Flexible Routing
Powerful 8-Track Beat Making
Endless Creative Possibilities
Included:
- CyDrums unit
- 32GB SD card preloaded with many preset programs
- Power Supply Unit
- Warranty
*Batteries, USB cable and the other connection cables sold separately.
4D Drum Sound Evolution
Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve
22 Custom-Built Sound Structures
22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities
Versatile Effects & Flexible Routing
Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing
Powerful 8-Track Beat Making
Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer
Endless Creative Possibilities
Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop
Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve
CyDrums offers 64 original wavetables, each comprising up to 256 single-cycle waveforms. With full control over start/end positions, playback directions with modes, speed, and curves, the sonic possibilities go far beyond imagination.
22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities
CyDrums features 22 sound structures specifically tailored to each instrument, combining dual Wavetables, Noise, and Pulse sources to deliver sounds that range from classic drum machine tones to deep, innovative sonic exploration.
No need to start from scratch
CyDrums offers 520 ready-to-use preset sound patches, covering classic drum machine tones, synth bass, and FX.
Find them quickly with the tag search feature.
Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing
CyDrums delivers five versatile effect routing modes, allowing you to assign any track to specific effects via BUS Routing.
Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer
CyDrums boasts a powerful 8-track, 128-step sequencer based on the acclaimed workflow of the Lofi-12 XT. Unlock the freedom to experiment with odd time signatures and evolving polyrhythms.
Store up to 128 patterns per project, enabling you to create complex song arrangements or seamlessly switch patterns during live performances.
Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop
CyDrums empowers your creativity with powerful generative pattern tools.
Randomization lets you craft unique variations per track or control all parts in real time, while Probability allows you to set trigger chances from 25% to 100% for tracks or individual notes-sparking endless possibilities and new musical discoveries.
Seamless Integration with Your Setup
TRS analogue output, digital output via USB, MIDI in/out, and AudioSync for effortless DAW and hardware compatibility.
Compact, Battery-powered, and Built-in Speaker
CyDrums is designed for inspiration anywhere-from your living room to the outdoors.
- A single project contains:
128 patterns (incl. 32 preset patterns)
16 songs
Up to 256 projects can be stored.
- 1,024 sound patches (incl. 520 preset sounds)
- 256 effect patches
- 128 drum kits
- Polyphony: 1 voice per track + USB & External stereo audio
- Realtime non-quantize recording (with MicroTiming edit)
- Directly enter notes for each step when playback is on or off
- Duplicate to extend a sequence
- Copy and paste function for various parameters between tracks
- Parameter Lock function to record parameter settings for each step
- Drum roll with the D-pad
- Play chromatic/scales in Pad mode
- Enter longer notes (Tied notes)
- Diverse Mute features?
- Pattern BPM / Global BPM can be set
- Switching between half-speed and double-speed BPM
- Metronome and pre-count function
Hardware specifications
Pads: 15 velocity-sensitive pads with RGB LEDs
Controllers: Control knob x 5, Directional pad with 2 button controls
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (Omni-directional, 94dBSPL)
Built-in Speaker: Mono x1 (1.5W 4O)
Audio Inputs
INPUT L/Guitar (Switchable 10k and 1M impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R/Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB
Audio Outputs
STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)
USB port
micro USB Type-B
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit Input: 2 channels, Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately
MIDI ports
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector
Bottom side hole
1/4-20UNC screw for tripod mount
Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz
Power supply
DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately
Accessories
32GB SDHC card preloaded with many preset programs
Power Supply Unit
Warranty
*USB cable and the other connection cables sold separately
… Read more4D Drum Sound Evolution
22 Custom-Built Sound Structures
Versatile Effects & Flexible Routing
Powerful 8-Track Beat Making
Endless Creative Possibilities
Included:
- CyDrums unit
- 32GB SD card preloaded with many preset programs
- Power Supply Unit
- Warranty
*Batteries, USB cable and the other connection cables sold separately.
4D Drum Sound Evolution
Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve
22 Custom-Built Sound Structures
22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities
Versatile Effects & Flexible Routing
Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing
Powerful 8-Track Beat Making
Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer
Endless Creative Possibilities
Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop
Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve
CyDrums offers 64 original wavetables, each comprising up to 256 single-cycle waveforms. With full control over start/end positions, playback directions with modes, speed, and curves, the sonic possibilities go far beyond imagination.
22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities
CyDrums features 22 sound structures specifically tailored to each instrument, combining dual Wavetables, Noise, and Pulse sources to deliver sounds that range from classic drum machine tones to deep, innovative sonic exploration.
No need to start from scratch
CyDrums offers 520 ready-to-use preset sound patches, covering classic drum machine tones, synth bass, and FX.
Find them quickly with the tag search feature.
Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing
CyDrums delivers five versatile effect routing modes, allowing you to assign any track to specific effects via BUS Routing.
Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer
CyDrums boasts a powerful 8-track, 128-step sequencer based on the acclaimed workflow of the Lofi-12 XT. Unlock the freedom to experiment with odd time signatures and evolving polyrhythms.
Store up to 128 patterns per project, enabling you to create complex song arrangements or seamlessly switch patterns during live performances.
Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop
CyDrums empowers your creativity with powerful generative pattern tools.
Randomization lets you craft unique variations per track or control all parts in real time, while Probability allows you to set trigger chances from 25% to 100% for tracks or individual notes-sparking endless possibilities and new musical discoveries.
Seamless Integration with Your Setup
TRS analogue output, digital output via USB, MIDI in/out, and AudioSync for effortless DAW and hardware compatibility.
Compact, Battery-powered, and Built-in Speaker
CyDrums is designed for inspiration anywhere-from your living room to the outdoors.
- A single project contains:
128 patterns (incl. 32 preset patterns)
16 songs
Up to 256 projects can be stored.
- 1,024 sound patches (incl. 520 preset sounds)
- 256 effect patches
- 128 drum kits
- Polyphony: 1 voice per track + USB & External stereo audio
- Realtime non-quantize recording (with MicroTiming edit)
- Directly enter notes for each step when playback is on or off
- Duplicate to extend a sequence
- Copy and paste function for various parameters between tracks
- Parameter Lock function to record parameter settings for each step
- Drum roll with the D-pad
- Play chromatic/scales in Pad mode
- Enter longer notes (Tied notes)
- Diverse Mute features?
- Pattern BPM / Global BPM can be set
- Switching between half-speed and double-speed BPM
- Metronome and pre-count function
Hardware specifications
Pads: 15 velocity-sensitive pads with RGB LEDs
Controllers: Control knob x 5, Directional pad with 2 button controls
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (Omni-directional, 94dBSPL)
Built-in Speaker: Mono x1 (1.5W 4O)
Audio Inputs
INPUT L/Guitar (Switchable 10k and 1M impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R/Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB
Audio Outputs
STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)
USB port
micro USB Type-B
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit Input: 2 channels, Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately
MIDI ports
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector
Bottom side hole
1/4-20UNC screw for tripod mount
Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz
Power supply
DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately
Accessories
32GB SDHC card preloaded with many preset programs
Power Supply Unit
Warranty
*USB cable and the other connection cables sold separately
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 28 Feb 25 $396.51
(No payment required now - pay when released)
FORTHCOMING
Related products...
Dreadbox Artemis 6-Voice Polyphonic Analogue Synthesiser (analogue desktop synthesiser)
Cat: 1054559 Rel: 31 Jan 25
6-Voice Polyphonic Analogue Synthesiser
Notes: Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!
From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.
At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.
These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.
Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.
This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.
… Read moreFrom classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.
At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.
These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.
Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.
This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $1,138.05
(No payment required now - pay when released)
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Cat: 1055354
4-voice organismic analogue synthesiser
Notes: Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.
LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
… Read moreLYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $369.74
(No payment required now - pay when released)
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Intech Studio Grid PO16 16-Potentiometer Modular MIDI Controller (modular MIDI controller)
Cat: 1032095
Modular MIDI controller consisting of 16x potmeters
Notes: The PO16 is a sleek, compact, single-turn rotary potentiometer module for controlling quick motion changes like EQ, filters, or synth parameters.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm Eurorack-sized modules (4.19 x 4.19 inches)
16 linear 300- single-turn conductive plastic potentiometers
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic potentiometers in black with plastic knobs
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreEquipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm Eurorack-sized modules (4.19 x 4.19 inches)
16 linear 300- single-turn conductive plastic potentiometers
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic potentiometers in black with plastic knobs
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $128.74
(No payment required now - pay when released)
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Old Blood Noise Endeavors Dark Star Stereo Soundscape Reverb Effects Pedal (black limited edition) (time effects pedal)
Cat: 1059451
Stereo soundscape reverb effects pedal
Notes: Dark Star Stereo Flagship Reverb Pedal
The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.
Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.
… Read moreThe continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.
Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $307.95
(No payment required now - pay when released)
FORTHCOMING
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Intech Studio Grid EF44 4-Encoder & 4-Fader Modular MIDI Controller (modular MIDI controller)
Cat: 1032106
Modular MIDI controller consisting of 4x encoders & 4x faders
Notes: Shape your sound with the EF44 Grid through fine-grained control over performance effects, modulation, panning and much more.
Geared with metal-shaft audio-grade linear faders and detent push-encoders. Seamless use for MIDI CC mapping for your DAW.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor. Each module is flexibly extendable with other Grid controllers enabled by the golden pins and magnets on all sides.
Thanks to its compact and lightweight structure, the EF44 is a fully ergonomic parameter controller. The encoders have a clicky, detent tactile feedback on turning, while the faders have a smooth travel and can be upgraded with old-school mixer style caps.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
4 audio-grade linear metal shaft faders with 60 mm travel
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreGeared with metal-shaft audio-grade linear faders and detent push-encoders. Seamless use for MIDI CC mapping for your DAW.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor. Each module is flexibly extendable with other Grid controllers enabled by the golden pins and magnets on all sides.
Thanks to its compact and lightweight structure, the EF44 is a fully ergonomic parameter controller. The encoders have a clicky, detent tactile feedback on turning, while the faders have a smooth travel and can be upgraded with old-school mixer style caps.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
4 audio-grade linear metal shaft faders with 60 mm travel
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $153.46
(No payment required now - pay when released)
FORTHCOMING
Related products...
Nystrom Crum Hum 3 Voice Experimental & Expressive Soundscaping Synthesiser (soundscaping synthesiser)
Cat: 1058814
A 3-voice experimental and expressive soundscaping instrument with generative, ever evolving melodic and harmonic creation
Notes: Crum Hum is a 3-voice experimental and expressive soundscaping instrument with generative, ever evolving melodic and harmonic creation.
3 melodic voices with expressive touch control
12 different Sound engines
Generative & randomized melodic and chord generation
12 different Scales
Delay, Reverb, Overdrive, LFO
3.5mm CV output
3.5mm Clock input
Send and receive Midi sequencing and Midi CC.
… Read more3 melodic voices with expressive touch control
12 different Sound engines
Generative & randomized melodic and chord generation
12 different Scales
Delay, Reverb, Overdrive, LFO
3.5mm CV output
3.5mm Clock input
Send and receive Midi sequencing and Midi CC.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $318.24
(No payment required now - pay when released)
FORTHCOMING
Related products...
Intech Studio Grid EN16 16-Encoder Modular MIDI Controller (modular MIDI controller)
Cat: 1032101
Modular MIDI controller consisting of 16x encoders
Notes: EN16 is made for fine-tuning enthusiasts: this Grid module offers 16 velocity sensitive incremental encoders with infinite rotation and mappable push functionality.
Create separate actions by left and right rotation or add distinguished commands with push rotation. Map banks to the same control or switch immediately from one command to another in just a second using only one module. Unlock potential through the Grid Editor with coarse or fine settings.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreCreate separate actions by left and right rotation or add distinguished commands with push rotation. Map banks to the same control or switch immediately from one command to another in just a second using only one module. Unlock potential through the Grid Editor with coarse or fine settings.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $163.76
(No payment required now - pay when released)
FORTHCOMING
Related products...
SuonoBuono Polyvera Polyphonic Digital/Analogue Synthesiser & Sampler (digital/analog synthesizer)
Cat: 1057611
Polyphonic digital & analogue synthesiser & sampler
Notes: Polyvera is the result of 4 years of development, reviving details of the 80s digital sound that and reinterpreting them in a modern way, thanks to analog filters and powerful sound design features, to create sounds that go beyond legacy.
At the core of Polyvera there are 2 oscillators (wavetable or sampler) with modern and vintage digital styles. While analog-style warm waveforms are possible, the oscillators can even recreate the alias and digital grit of early vintage synthesizers and samplers.
A multimode analog filter with overdrive fattens the sound and shapes the digital artifacts in new ways.
… Read moreAt the core of Polyvera there are 2 oscillators (wavetable or sampler) with modern and vintage digital styles. While analog-style warm waveforms are possible, the oscillators can even recreate the alias and digital grit of early vintage synthesizers and samplers.
A multimode analog filter with overdrive fattens the sound and shapes the digital artifacts in new ways.
coming soon TBA
FORTHCOMING
Related products...
Korg Multi/Poly Module Analogue Modelling Synthesiser (analogue desktop synthesiser)
Cat: 1066374
Breath-taking analogue-inspired sound with the limitless power of digital technology
Notes: Multi/poly module
Breath-taking analogue-inspired sound with the limitless power of digital technology.
Summary
The multi/poly module takes analogue modelling to new heights, offering musicians and sound designers an incredible fusion of classic analogue warmth and cutting-edge digital power in a compact, rack-mountable module form. Inspired by the legendary Mono/Poly, this revolutionary synthesizer features four oscillators per program, advanced modulation capabilities, and a wealth of hands-on controls, allowing you to craft everything from rich, layered textures to futuristic, experimental tones. The new 19" rack-mountable enclosure has the same controls as the keyed model yet boasts an easily transportable form factor that fits neatly into any studio or desktop production system.
Overview
Inspired by the legendary Korg Mono/Poly, the new multi/poly analogue modelling synthesizer delivers breathtaking analogue sounds combined with extraordinary digital power and flexibility.
Korg is now pleased to introduce the multi/poly module: all of the multi/poly's incredible features and sounds in a compact 19" desktop/rackmount package. With support for MIDI 2.0 property exchange and poly aftertouch, the module is an excellent companion to Korg's Keystage controller. It's also fully compatible with programs from the multi/poly native software, as well as an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed model, yet is easily transportable and fits neatly into any studio or desktop production system.
Next-level analogue modelling
multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly di6erent character, creating rich and naturally evolving timbres
Just like in an analogue synthesiser, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended release time, newly played notes "catch" the envelope at its current state rather than restarting from zero Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.
The multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave di6erently depending on voltage, with varying thresholds for turning on and o6, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.
MIDI 2.0 property exchange and polyphonic aftertouch support
All models of multi/poly, hardware and software, support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to Korg's Keystage controller.
Rack-mount and desktop compatible
The multi/poly module is cleverly designed for both desktop and rack-mount use. The front panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets over a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio
Specifications
Maximum Polyphony: 60 voices (varies depending on settings)
Dimensions (W× D × H) 483 x 172 x 107 mm / 19.02" x 6.77" x 4.21"
Weight: 1.7 kg / 3.75lb
Included items: AC adapter
Other specifications are the same as for multi/poly.
… Read moreBreath-taking analogue-inspired sound with the limitless power of digital technology.
Summary
The multi/poly module takes analogue modelling to new heights, offering musicians and sound designers an incredible fusion of classic analogue warmth and cutting-edge digital power in a compact, rack-mountable module form. Inspired by the legendary Mono/Poly, this revolutionary synthesizer features four oscillators per program, advanced modulation capabilities, and a wealth of hands-on controls, allowing you to craft everything from rich, layered textures to futuristic, experimental tones. The new 19" rack-mountable enclosure has the same controls as the keyed model yet boasts an easily transportable form factor that fits neatly into any studio or desktop production system.
Overview
Inspired by the legendary Korg Mono/Poly, the new multi/poly analogue modelling synthesizer delivers breathtaking analogue sounds combined with extraordinary digital power and flexibility.
Korg is now pleased to introduce the multi/poly module: all of the multi/poly's incredible features and sounds in a compact 19" desktop/rackmount package. With support for MIDI 2.0 property exchange and poly aftertouch, the module is an excellent companion to Korg's Keystage controller. It's also fully compatible with programs from the multi/poly native software, as well as an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed model, yet is easily transportable and fits neatly into any studio or desktop production system.
Next-level analogue modelling
multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly di6erent character, creating rich and naturally evolving timbres
Just like in an analogue synthesiser, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended release time, newly played notes "catch" the envelope at its current state rather than restarting from zero Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.
The multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave di6erently depending on voltage, with varying thresholds for turning on and o6, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.
MIDI 2.0 property exchange and polyphonic aftertouch support
All models of multi/poly, hardware and software, support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to Korg's Keystage controller.
Rack-mount and desktop compatible
The multi/poly module is cleverly designed for both desktop and rack-mount use. The front panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets over a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio
Specifications
Maximum Polyphony: 60 voices (varies depending on settings)
Dimensions (W× D × H) 483 x 172 x 107 mm / 19.02" x 6.77" x 4.21"
Weight: 1.7 kg / 3.75lb
Included items: AC adapter
Other specifications are the same as for multi/poly.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $730.21
(No payment required now - pay when released)
FORTHCOMING
Related products...
Intech Studio Grid PBF4 4-Potentiometer/4-Button/4-Fader Modular MIDI Controller (modular MIDI controller)
Cat: 1032084
Modular MIDI controller consisting of 4x potentiometers, 4x buttons & 4x faders
Notes: From subtle adjustments to expressive performances, this versatile combination of control elements definitely won't disappoint you.
Includes metal shaft faders with medium resistance, smooth-turning knobs and sturdy buttons. Control your most used parameters, like expression, modulation and volume with the PBF4 Grid.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor.
Thanks to its compact and lightweight structure, the PBF4 is a fully ergonomic parameter controller with classical control elements in a slim modular design. Four banks, 4x possible configuration mappings switchable on the fly.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Grid controllers are built with quality control elements. After numerous iterations the potentiometers have been carefully chosen to allow a firm grip and a stable control experience enabled by special shaft bushings.
The modules are made to withstand everyday studio use as well as the intense performances during tours. For connecting several Grids together, a flat surface or the use of our module stands is recommended.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 audio-grade linear metal shaft faders with 30mm travel
4 conductive, 300- single-turn plastic potentiometers with medium-hard resistance
4 tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Plastic black potentiometers
White tactile plastic buttons
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreIncludes metal shaft faders with medium resistance, smooth-turning knobs and sturdy buttons. Control your most used parameters, like expression, modulation and volume with the PBF4 Grid.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor.
Thanks to its compact and lightweight structure, the PBF4 is a fully ergonomic parameter controller with classical control elements in a slim modular design. Four banks, 4x possible configuration mappings switchable on the fly.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Grid controllers are built with quality control elements. After numerous iterations the potentiometers have been carefully chosen to allow a firm grip and a stable control experience enabled by special shaft bushings.
The modules are made to withstand everyday studio use as well as the intense performances during tours. For connecting several Grids together, a flat surface or the use of our module stands is recommended.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 audio-grade linear metal shaft faders with 30mm travel
4 conductive, 300- single-turn plastic potentiometers with medium-hard resistance
4 tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Plastic black potentiometers
White tactile plastic buttons
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $128.74
(No payment required now - pay when released)
FORTHCOMING
Related products...
Old Blood Noise Endeavors Dark Star Stereo Soundscape Reverb Effects Pedal (pink limited edition) (time effects pedal)
Cat: 1059452
Stereo soundscape reverb effects pedal
Notes: Dark Star Stereo Flagship Reverb Pedal
The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.
Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.
… Read moreThe continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.
Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $307.95
(No payment required now - pay when released)
FORTHCOMING
Related products...
Majella Audio Implexus West & East Coast Synthesiser (analogue desktop synthesiser)
Cat: 913189 Rel: 31 Jan 25
A hardware desktop synthesiser combining west- and east-coast synthesis techniques into a single formfactor.
Notes: The IMPLEXUS is a hardware desktop synthesizer combining west - and east-coast synthesis techniques into a single formfactor. The IMPLEXUS uses analogue waveshaping, folding and audio rate modulation to create a immense range of sounds and textures!
The IMPLEXUS is a performance-oriented musical instrument which will inspire you to compose music and explore its unique soundscape. The IMPLEXUS has a carefully designed analogue signal path with many unique ways to create intriguing sounds. The many sound shaping methods and modulation possibilities help you to create west-coast style harmonically rich sounds as well as thick east-coast analogue sounds.
The IMPLEXUS has a powerful "one-knob-per-function" interface with graphical feedback, utilizing LED rings to indicate modulators. The drone mode, tap tempo and looping envelopes let you explore the IMPLEXUS as a standalone sound generator. The MIDI and Eurorack compatibility and clock synchronisation options make sure it can be played in every setting. The IMPLEXUS is built to last. It has metal shaft potentiometers, an aluminium casing with scratch and solvent resistant graphics and an internal power supply (no adapter!). The IMPLEXUS is a characteristic, unique and complete musical instrument.
"West-Coast"
The characteristic sound of the IMPLEXUS comes from shaping and folding a sinewave, resulting in a complex waveform. The shaping and folding can be modulated at audio-rate in a single knob turn utilizing the second generator. Instead of subtracting you will be adding harmonics. After tweaking for a while you will be surprised to find out you didn't touch the filter... yet.
Unique filter design
The IMPLEXUS offers a 12dB/oct VCF with a unique analogue topology. This filter offers a lowpass and highpass mode. For cutoff modulation there is an envelope amount control with polarizer and a CV input on the back of the IMPLEXUS. There is an input mixer that has amplitude control over three inputs: complex generator, basic generator and the sub-oscillator.
Syncable delay
The IMPLEXUS has a stereo digital delay with dry/wet, delay-time and feedback control. There is a subtle modulation difference between the left and right channels to create a wide stereo image.
The delay can be synchronized to MIDI and external (modular) clock sources. Also the delay can be synchronized to Tap Tempo. For clock synchronization there are five divisions: 1/1 3/4 1/2 1/3 1/4.
Global pitch controls
The IMPLEXUS has a global pitch control section offering control over glide rate and pitch envelope amount. There is a dedicated vibrato LFO with manual control over amount and frequency.
Syncable LFO's
The IMPLEXUS has two LFO's with a variety of waveforms and multiple modulation destinations. The LFO's offer a wide range of 0.01 - 100Hz and can be BPM synced to MIDI and external clock. The LFO's can also be synchronized to Tap Tempo and can even be set in five different divisions.
Connections
The IMPLEXUS offers a 1/4" stereo balanced output. In addition to that there is a stereo headphone output with dedicated volume control.
There is standard MIDI input and thru over DIN and USB. Also there is a eurorack compatible patchbay on the back. This extends the sound and modulation possibilities of the IMPLEXUS even more!
Built in VCO tuner
There is a strobe tuner with 3 LED's on board, which lets you tune both the Complex and the Basic generator to a perfect "A" within just a couple of seconds.
A unique project by a small company
Majella Audio is a small company, and because of that, Majella Audio do most of the design and development themselves. The amount of hard work and effort that went into this project is what makes the IMPLEXUS a unique piece of gear with outstanding build quality. Majella Audio have created a few "How its made" videos to give you an insight into the design and development of the IMPLEXUS, which are viewable on their web page.
Features/specifications
Generators
Analog Complex Generator consisting of a waveshaper cascaded by a wavefolder to create Complex Waveforms
Analog Basic Generator
Sub-Ocscillator one octave below Complex Generator
Dedicated octave switches with 6 octave settings
Pitch modulation sources: Envelope, Vibrato, Glide, Pitchbend, External 1V/oct (CV)
Cross modulation: Linear FM, Folding, Folder DC Bias
Filter:
Analog VCF
12dB/oct Slope
Switchable Low-pass/High-pass
Mod Envelope to Cutoff with attenuverter
External CV for Cutoff
3x audio input from the Generators
2x LFO section:
Accurate digital waveform generation
5 waveform shapes: Random, Square, Sine, Ramp, Saw
Syncable from all clocking sources or "Free" running
Frequency range: 0.01 Hz-100 Hz
Clock divider options: 1/4 | 3/16 | 1/8 | 1/3 | 1/16
Destinations options LFO 1: Bias, Folder, Harmonics,
Destinations options LFO 2: Bias, Folder
2x Analog Envelope Generators:
1x Modulation EG and 1x Amplitude EG
Attack, Decay, Sustain, Release controls
Velocity amount per Envelope
MOD EG is Loopable as AD-LFO triggered by gate
MOD EG Destinations: Filter Cutoff, Harmonics, Folding, Global pitch
AMP EG has 'DRONE" mode for instant sound generation
Delay FX:
Digital Audio Delay with Analog Dry/Wet mixing
Maximum delay time: 1 second
Syncable delay time from all clocking sources
Clock divider options: 1/4 | 3/16 | 1/8 | 1/3 | 1/16
Performance Features:
"One Knob Per Function" philosophy
LED ring indicators for visual feedback and easy understanding of CV signal routing
Guitar Style Tuner for Basic and Complex Generator making it easy to tune the IMPLEXUS
Drone mode for instant sound without any external gear necessary
Physical:
2mm thick solid aluminium casing
Graphics are underneath the anodisation layer and thus scratch and solvent resistant
Handcrafted wooden side panels made from regional oak
All metal shaft potentiometers
High quality switches and connectors (Neutrik)
Internal power supply (AC Input 100-240 VAC)
No adapters needed
Dimensions: W 345 mm x D 206 mm x H 75 mm
Weight: ca. 3kg
Serial number plate
Connectivity:
External CV inputs: Pitch (1V/oct), Gate, Velocity, Folding, Harmonics, Bias, VCF cutoff
External CV outputs: Complex generator, Basic Generator, Clock output
MIDI IN over USB
MIDI IN over DIN
MIDI thru over DIN
1/4" TRS Balanced line outputs
1/4" Dedicated stereo heaphone amp
Clocking options:
External Modular/Eurorack Clock (automatic detection)
MIDI clock via DIN or USB (automatic detection)
Tap Tempo
Global Controls:
Master Volume
Headphone Volume
MIDI Channel selection
… Read moreThe IMPLEXUS is a performance-oriented musical instrument which will inspire you to compose music and explore its unique soundscape. The IMPLEXUS has a carefully designed analogue signal path with many unique ways to create intriguing sounds. The many sound shaping methods and modulation possibilities help you to create west-coast style harmonically rich sounds as well as thick east-coast analogue sounds.
The IMPLEXUS has a powerful "one-knob-per-function" interface with graphical feedback, utilizing LED rings to indicate modulators. The drone mode, tap tempo and looping envelopes let you explore the IMPLEXUS as a standalone sound generator. The MIDI and Eurorack compatibility and clock synchronisation options make sure it can be played in every setting. The IMPLEXUS is built to last. It has metal shaft potentiometers, an aluminium casing with scratch and solvent resistant graphics and an internal power supply (no adapter!). The IMPLEXUS is a characteristic, unique and complete musical instrument.
"West-Coast"
The characteristic sound of the IMPLEXUS comes from shaping and folding a sinewave, resulting in a complex waveform. The shaping and folding can be modulated at audio-rate in a single knob turn utilizing the second generator. Instead of subtracting you will be adding harmonics. After tweaking for a while you will be surprised to find out you didn't touch the filter... yet.
Unique filter design
The IMPLEXUS offers a 12dB/oct VCF with a unique analogue topology. This filter offers a lowpass and highpass mode. For cutoff modulation there is an envelope amount control with polarizer and a CV input on the back of the IMPLEXUS. There is an input mixer that has amplitude control over three inputs: complex generator, basic generator and the sub-oscillator.
Syncable delay
The IMPLEXUS has a stereo digital delay with dry/wet, delay-time and feedback control. There is a subtle modulation difference between the left and right channels to create a wide stereo image.
The delay can be synchronized to MIDI and external (modular) clock sources. Also the delay can be synchronized to Tap Tempo. For clock synchronization there are five divisions: 1/1 3/4 1/2 1/3 1/4.
Global pitch controls
The IMPLEXUS has a global pitch control section offering control over glide rate and pitch envelope amount. There is a dedicated vibrato LFO with manual control over amount and frequency.
Syncable LFO's
The IMPLEXUS has two LFO's with a variety of waveforms and multiple modulation destinations. The LFO's offer a wide range of 0.01 - 100Hz and can be BPM synced to MIDI and external clock. The LFO's can also be synchronized to Tap Tempo and can even be set in five different divisions.
Connections
The IMPLEXUS offers a 1/4" stereo balanced output. In addition to that there is a stereo headphone output with dedicated volume control.
There is standard MIDI input and thru over DIN and USB. Also there is a eurorack compatible patchbay on the back. This extends the sound and modulation possibilities of the IMPLEXUS even more!
Built in VCO tuner
There is a strobe tuner with 3 LED's on board, which lets you tune both the Complex and the Basic generator to a perfect "A" within just a couple of seconds.
A unique project by a small company
Majella Audio is a small company, and because of that, Majella Audio do most of the design and development themselves. The amount of hard work and effort that went into this project is what makes the IMPLEXUS a unique piece of gear with outstanding build quality. Majella Audio have created a few "How its made" videos to give you an insight into the design and development of the IMPLEXUS, which are viewable on their web page.
Features/specifications
Generators
Analog Complex Generator consisting of a waveshaper cascaded by a wavefolder to create Complex Waveforms
Analog Basic Generator
Sub-Ocscillator one octave below Complex Generator
Dedicated octave switches with 6 octave settings
Pitch modulation sources: Envelope, Vibrato, Glide, Pitchbend, External 1V/oct (CV)
Cross modulation: Linear FM, Folding, Folder DC Bias
Filter:
Analog VCF
12dB/oct Slope
Switchable Low-pass/High-pass
Mod Envelope to Cutoff with attenuverter
External CV for Cutoff
3x audio input from the Generators
2x LFO section:
Accurate digital waveform generation
5 waveform shapes: Random, Square, Sine, Ramp, Saw
Syncable from all clocking sources or "Free" running
Frequency range: 0.01 Hz-100 Hz
Clock divider options: 1/4 | 3/16 | 1/8 | 1/3 | 1/16
Destinations options LFO 1: Bias, Folder, Harmonics,
Destinations options LFO 2: Bias, Folder
2x Analog Envelope Generators:
1x Modulation EG and 1x Amplitude EG
Attack, Decay, Sustain, Release controls
Velocity amount per Envelope
MOD EG is Loopable as AD-LFO triggered by gate
MOD EG Destinations: Filter Cutoff, Harmonics, Folding, Global pitch
AMP EG has 'DRONE" mode for instant sound generation
Delay FX:
Digital Audio Delay with Analog Dry/Wet mixing
Maximum delay time: 1 second
Syncable delay time from all clocking sources
Clock divider options: 1/4 | 3/16 | 1/8 | 1/3 | 1/16
Performance Features:
"One Knob Per Function" philosophy
LED ring indicators for visual feedback and easy understanding of CV signal routing
Guitar Style Tuner for Basic and Complex Generator making it easy to tune the IMPLEXUS
Drone mode for instant sound without any external gear necessary
Physical:
2mm thick solid aluminium casing
Graphics are underneath the anodisation layer and thus scratch and solvent resistant
Handcrafted wooden side panels made from regional oak
All metal shaft potentiometers
High quality switches and connectors (Neutrik)
Internal power supply (AC Input 100-240 VAC)
No adapters needed
Dimensions: W 345 mm x D 206 mm x H 75 mm
Weight: ca. 3kg
Serial number plate
Connectivity:
External CV inputs: Pitch (1V/oct), Gate, Velocity, Folding, Harmonics, Bias, VCF cutoff
External CV outputs: Complex generator, Basic Generator, Clock output
MIDI IN over USB
MIDI IN over DIN
MIDI thru over DIN
1/4" TRS Balanced line outputs
1/4" Dedicated stereo heaphone amp
Clocking options:
External Modular/Eurorack Clock (automatic detection)
MIDI clock via DIN or USB (automatic detection)
Tap Tempo
Global Controls:
Master Volume
Headphone Volume
MIDI Channel selection
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $1,337.86
(No payment required now - pay when released)
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Related products...
Decksaver Ableton Move Dust Cover (groovebox dust cover)
Cat: 1064291
Dust cover designed to fit the Ableton Move
Notes: The Decksaver cover for the Ableton Move is the ultimate accessory for protecting your gear while preserving its sleek aesthetic.
Precision-moulded from ultra-durable polycarbonate, this cover is designed to shield your Move from dust, spills, and accidental impact without compromising accessibility.
Whether you're transporting it to a gig, storing it in your studio, or simply keeping it safe between sessions, the low-profile design ensures a snug fit and hassle-free use.
Engineered with the same attention to detail as the Ableton Move itself, the Decksaver cover combines robust protection with a clear, professional finish that showcases your gear.
Dimensions
Weight: 0.38 kg
Length: 15.2 cm
Width: 31.9 cm
Height: 3.8 cm
Material: smoked polycarbonate
… Read morePrecision-moulded from ultra-durable polycarbonate, this cover is designed to shield your Move from dust, spills, and accidental impact without compromising accessibility.
Whether you're transporting it to a gig, storing it in your studio, or simply keeping it safe between sessions, the low-profile design ensures a snug fit and hassle-free use.
Engineered with the same attention to detail as the Ableton Move itself, the Decksaver cover combines robust protection with a clear, professional finish that showcases your gear.
Dimensions
Weight: 0.38 kg
Length: 15.2 cm
Width: 31.9 cm
Height: 3.8 cm
Material: smoked polycarbonate
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $30.89
(No payment required now - pay when released)
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Nystrom Crum Drum 4-Voice Drum Machine (drum machine)
Cat: 1058816
4-voice drum machine that utilises elements of randomisation & probability
Notes: Crum Drum is a 4-voice drum machine. Get creative with fresh & unique beats using elements of randomisation & probability.
4 instruments: Kick, Snare, Hihat, Bass
8 sound parameters per instrument
Overdrive, Reverb, Delay & Swing
Send & Recieve Analog & MIDI clock
Send & Recieve MIDI sequencing
Randomized sequencing
And more!
Firmware 1.2 changes:
1. CV INPUT with 3 modes to control Frequency, Decay or Tone on one or more instruments.
2. Wider tempo range and more stable internal clock.
3. Improved delay feedback
4. Bug fixes
… Read more4 instruments: Kick, Snare, Hihat, Bass
8 sound parameters per instrument
Overdrive, Reverb, Delay & Swing
Send & Recieve Analog & MIDI clock
Send & Recieve MIDI sequencing
Randomized sequencing
And more!
Firmware 1.2 changes:
1. CV INPUT with 3 modes to control Frequency, Decay or Tone on one or more instruments.
2. Wider tempo range and more stable internal clock.
3. Improved delay feedback
4. Bug fixes
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $318.24
(No payment required now - pay when released)
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Analog Sweden SWEnigiser Proto VCF/A Multi-Mode Filter & VCA Module (silver) (filter/VCA synth module)
Cat: 1062321
Enigiser multimode filter and VCA in 12hp- circuit based on original Enigiser prototype
Notes: SWEnigiser Proto VCF/A
Enigiser multimode filter and VCA in 12hp. Circuit based on originalEnigiser prototype kindly loaned by Anthony Linell of Northern Electronics.
VCF
Unique configuration with 3 x 4 filter modes
2x audio input with drive
2x cutoff CV attenuverter inputs
1x cutoff CV input, tunable to 1v/oct
VCF output normalized to VCA input.
VCA
1x audio input with gritty drive, normalized from VCF output
2x CV input. CV1 knob adds offset for drone etc.
CLIP switch for old/new revision Enigiser diode setting adjusting drive character.
+12V 22mA
-12V 22mA
Skiff friendly
Includes power cable, 4 screws+ plastic washers
Available in sand blasted silver and black panel versions.
… Read moreEnigiser multimode filter and VCA in 12hp. Circuit based on originalEnigiser prototype kindly loaned by Anthony Linell of Northern Electronics.
VCF
Unique configuration with 3 x 4 filter modes
2x audio input with drive
2x cutoff CV attenuverter inputs
1x cutoff CV input, tunable to 1v/oct
VCF output normalized to VCA input.
VCA
1x audio input with gritty drive, normalized from VCF output
2x CV input. CV1 knob adds offset for drone etc.
CLIP switch for old/new revision Enigiser diode setting adjusting drive character.
+12V 22mA
-12V 22mA
Skiff friendly
Includes power cable, 4 screws+ plastic washers
Available in sand blasted silver and black panel versions.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $231.73
(No payment required now - pay when released)
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Intech Studio Grid BU16 16-Button Modular MIDI Controller (modular MIDI controller)
Cat: 1032097
Modular MIDI controller consisting of 16x buttons
Notes: A neat button module with long-lasting 4x4 tactile buttons that provide instant access to triggering samples, launching clips, controlling playback, or just simply drumming.
Set them to momentary, 2 or 3-step toggle action to enjoy playful experimentation. Can be used with other Grid controllers used as a HID macro controller or for MIDI programming in your creative environment.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
Thanks to its compact and lightweight structure, the BU16 is a fully ergonomic parameter controller with easily mappable push buttons.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 white tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Plastic push buttons in white
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreSet them to momentary, 2 or 3-step toggle action to enjoy playful experimentation. Can be used with other Grid controllers used as a HID macro controller or for MIDI programming in your creative environment.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
Thanks to its compact and lightweight structure, the BU16 is a fully ergonomic parameter controller with easily mappable push buttons.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 white tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Plastic push buttons in white
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $118.44
(No payment required now - pay when released)
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JMT Synth LD-2 Analogue Desktop Synthesiser (analogue desktop synthesiser)
Cat: 1061008
CV-controllable synthesizer with two oscillators + suboscillator, noise generator, lots of LFOs, a good filter, and as a refinement, a great delay
Notes: Two VCOs (oscillators) are input to the VCF (filter) and output through DELAY (can be turned off).
The VCO can be a 4LFO module, which is a mix of 4 LFOs, a noisegenerator, an LFO, and a SUB OSCILLATOR, and the VCF can be an LFO.
With a variety of tones, you can create various sounds even with a subtle knob position.
It can be used with a single 9V battery or a 9V DC center negative adapter.
CV IN can be used with CV input to the filter. (VCO1.2,VCF)
INPUT is capable of audio input. The input sound goes to the filter- delay (can be turned on and off) in parallel with the built-in VCO.
CV IN can be input from +8 volts to -8 volts.
This analogue synth runs on DC9V negativecenter or a 9V battery. 2 VCOs go to VCF and Delay. VCO receives 4 modulations inside. NOISE GENERATOR,4 mixed LFO and SUB OSC. VCF receives CV of LFO.It becomes the wave filter with it. ? Delay section has the on/bypass switch. INPUT goes to VCF and DELAY with internal VCOs.
… Read moreThe VCO can be a 4LFO module, which is a mix of 4 LFOs, a noisegenerator, an LFO, and a SUB OSCILLATOR, and the VCF can be an LFO.
With a variety of tones, you can create various sounds even with a subtle knob position.
It can be used with a single 9V battery or a 9V DC center negative adapter.
CV IN can be used with CV input to the filter. (VCO1.2,VCF)
INPUT is capable of audio input. The input sound goes to the filter- delay (can be turned on and off) in parallel with the built-in VCO.
CV IN can be input from +8 volts to -8 volts.
This analogue synth runs on DC9V negativecenter or a 9V battery. 2 VCOs go to VCF and Delay. VCO receives 4 modulations inside. NOISE GENERATOR,4 mixed LFO and SUB OSC. VCF receives CV of LFO.It becomes the wave filter with it. ? Delay section has the on/bypass switch. INPUT goes to VCF and DELAY with internal VCOs.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $440.80
(No payment required now - pay when released)
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Erica Synths Perkons Voice Drum Module (drum synth module)
Cat: 1067659
Erica Synths Perkons Voice is a eurorack incarnation of the percussion voices from the PERKONS HD-01 Drum machine
Notes: Erica Synths Perkons Voice is a eurorack incarnation of the percussion voices from the PERKONS HD-01 Drum machine. Like on the drum machine, the module has hybrid architecture, featuring a digital sound engine followed by an analogue multimode filter and overdrive. Users can select among 13 sound generation algorithms and save up to 99 presets that can be recalled easily. Tune and Patch CV inputs are configurable for various CV settings and are tuned to 1V/oct. Module also features a 4-voice poly overlap mode and samples on the "Rompler" engine can be easily replaced.
Specifications:
Audio output: 10Vptp
CV levels configurable: -5V - +5V
Power consumption: +59mA, -30mA
Module width: 14HP
Module depth: 35mm
… Read moreSpecifications:
Audio output: 10Vptp
CV levels configurable: -5V - +5V
Power consumption: +59mA, -30mA
Module width: 14HP
Module depth: 35mm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $293.53
(No payment required now - pay when released)
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ASM Hydrasynth Explorer 888 Polyphonic Wave Morphing Synthesiser (orange limited edition) (digital keyboard synthesiser)
Cat: 1052523 Rel: 31 Jan 25
8-voice 37-key polyphonic digital wave morphing synthesiser
Notes: The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and our new, mid-sized Polytouchr polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.
With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.
As for the performance capabilities, the Hydrasynth Explorer has our proprietary 37-note mid-sized Polytouchr keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.
Polytouchr Keybed
The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; we've had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!
Enter ASM, with our patented Polytouchr technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouchr keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouchr keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.
Battery-powered operation
The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.
Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, our oscillators 1 & 2 have our easy-to-use WAVELIST mode. This mode lets you select any 8 waves from our diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.
Mutants
Oscillators 1 & 2 are routed into our MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.
Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.
The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.
Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful? Well, in all humility, we did.
Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.
LFO's
5 Low-Frequency Oscillators
Much like our sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? We're glad you asked...
Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. Our 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!
Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. We should mention that there are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.
It's rare that someone actually uses all 32 mod routes in a patch anyway, but hey, we're feeling generous.
Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.
CV / Gate - MIDI - USB
Industry-standard MIDI and USB/MIDI interfaces are available on the Hydrasynth, but we go deeper and allow the use of CV / Gate interfaces for connecting to the modular world. This opens a door to the unlimited expansion of your musical horizons.
Our CV / Gate / Mod connectors support the standard voltages for Eurorack modulars, the 1.2V per octave Buchla standard, as well as some of the Japanese Volts > HZ products. The CV Mod Out jacks allow for modulation that reaches into the audio range, which multiplies your modulation capabilities.
Main Controls
The Main System controls are where you navigate the patch banks, configure system settings, and can view parameters like the envelopes, waveforms, and filters in the OLED screen.
The INIT and RANDOM buttons make it possible to initialize or randomize a complete patch, a specific module, or an individual parameter with a simple press & hold button combination. There's even an option that randomly selects features from other patches to make a new patch. The results are surprisingl
… Read moreWith an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.
As for the performance capabilities, the Hydrasynth Explorer has our proprietary 37-note mid-sized Polytouchr keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.
Polytouchr Keybed
The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; we've had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!
Enter ASM, with our patented Polytouchr technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouchr keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouchr keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.
Battery-powered operation
The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.
Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, our oscillators 1 & 2 have our easy-to-use WAVELIST mode. This mode lets you select any 8 waves from our diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.
Mutants
Oscillators 1 & 2 are routed into our MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.
Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.
The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.
Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful? Well, in all humility, we did.
Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.
LFO's
5 Low-Frequency Oscillators
Much like our sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? We're glad you asked...
Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. Our 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!
Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. We should mention that there are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.
It's rare that someone actually uses all 32 mod routes in a patch anyway, but hey, we're feeling generous.
Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.
CV / Gate - MIDI - USB
Industry-standard MIDI and USB/MIDI interfaces are available on the Hydrasynth, but we go deeper and allow the use of CV / Gate interfaces for connecting to the modular world. This opens a door to the unlimited expansion of your musical horizons.
Our CV / Gate / Mod connectors support the standard voltages for Eurorack modulars, the 1.2V per octave Buchla standard, as well as some of the Japanese Volts > HZ products. The CV Mod Out jacks allow for modulation that reaches into the audio range, which multiplies your modulation capabilities.
Main Controls
The Main System controls are where you navigate the patch banks, configure system settings, and can view parameters like the envelopes, waveforms, and filters in the OLED screen.
The INIT and RANDOM buttons make it possible to initialize or randomize a complete patch, a specific module, or an individual parameter with a simple press & hold button combination. There's even an option that randomly selects features from other patches to make a new patch. The results are surprisingl
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $734.32
(No payment required now - pay when released)
FORTHCOMING
Related products...
Magma Solid Blaze Totepack 85 For DJ/Producer Equipment & Vinyl Records (DJ/producer equipment bagpack)
Cat: 1049248
Backpack designed to carry your DJ & production equipment
Notes: SOLID BLAZE TOTEPACK 85
?
The new SOLID BLAZE TOTEPACK 85 is built for traveling DJs and music producers who need a functional, durable, and compact solution to carry their gear, such as MPC Live 2, MPC Push, vinyl records etc.
Made from recycled PET bottles, this sustainably crafted backpack combines a bold style and practicality for life on the move.
Its wide, easy-access opening allows you to quickly grab your laptop, drum machine, DAW controller, or vinylrecords, making setup and breakdown effortless.
With adjustable carrying handles that can transform the backpack into a tote, this versatile bag adapts to any situation, giving you maximum comfort and flexibility wherever your journey takes you. Stay organized and prepared on the road with the SOLID BLAZE TOTEPACK 85 - your go-to bag for creative professionals.
Fits
Ableton:
Push 3
Move
Akai:
APC 64
MPC Live 2
MPC One +
Denon:
Prime Go
Headliner LA:
Headliner R2
Native Instruments:
Maschine MK3+
X1MK3 (2 pcs), incl. bag
Z1MK3, incl. bag
Pioneer:
XP2
DJM-S7
DJM-S9
DJM-S3
Reloop:
Spin
Roland:
SP404MK2
Teenage Engineerin :
EP 133
Additional Gear:
Laptops up to 17"
Camera gear
40 x 12" Records etc.
Basics
Fabrics made from 85 0,5 l recycled PET plastic bottles - Global Recycling Standard certified
Small front pocket with internal mesh and zip-pockets
Outer material crafted from robust and water-repellent RPET 900D Polyester with eco-friendly water-based PU-coating
2 Expandable side-pockets for bottle or gimbal storage
Lining made from RPET TC Polyester
Comfortable air channel back padding with hidden anti-theft document pocket
Lockable dual PVC-coated YKKr AquaGuardr zippers
Contoured and ergonomic riveted shoulder-straps with metal buckles
Main compartment with wide easy access opening
Wear as a backpack or transform into a tote with adjustable handles
Internal padded laptop-sleeve (up to 17") and tablet sleeve
Trolley-Sling
Internal elastic mesh pouches and zippered pockets to organize smaller gear
Cabin luggage compatible
Hanging mesh pocket for headphones or camera storage
Big front pocket with magnetic flap and internal mesh and zip-pocket
Specs
Outer dimensions (H/B/T):
47 x 34 x 20 cm / 18.5" x 13.4" x 7.8"
Inner dimensions:
44 x 33 x 15 cm / 17.3" x 12.9" x 5.9"
Weight:
1,7 kg / 3,74 lb
Color: black
… Read more?
The new SOLID BLAZE TOTEPACK 85 is built for traveling DJs and music producers who need a functional, durable, and compact solution to carry their gear, such as MPC Live 2, MPC Push, vinyl records etc.
Made from recycled PET bottles, this sustainably crafted backpack combines a bold style and practicality for life on the move.
Its wide, easy-access opening allows you to quickly grab your laptop, drum machine, DAW controller, or vinylrecords, making setup and breakdown effortless.
With adjustable carrying handles that can transform the backpack into a tote, this versatile bag adapts to any situation, giving you maximum comfort and flexibility wherever your journey takes you. Stay organized and prepared on the road with the SOLID BLAZE TOTEPACK 85 - your go-to bag for creative professionals.
Fits
Ableton:
Push 3
Move
Akai:
APC 64
MPC Live 2
MPC One +
Denon:
Prime Go
Headliner LA:
Headliner R2
Native Instruments:
Maschine MK3+
X1MK3 (2 pcs), incl. bag
Z1MK3, incl. bag
Pioneer:
XP2
DJM-S7
DJM-S9
DJM-S3
Reloop:
Spin
Roland:
SP404MK2
Teenage Engineerin :
EP 133
Additional Gear:
Laptops up to 17"
Camera gear
40 x 12" Records etc.
Basics
Fabrics made from 85 0,5 l recycled PET plastic bottles - Global Recycling Standard certified
Small front pocket with internal mesh and zip-pockets
Outer material crafted from robust and water-repellent RPET 900D Polyester with eco-friendly water-based PU-coating
2 Expandable side-pockets for bottle or gimbal storage
Lining made from RPET TC Polyester
Comfortable air channel back padding with hidden anti-theft document pocket
Lockable dual PVC-coated YKKr AquaGuardr zippers
Contoured and ergonomic riveted shoulder-straps with metal buckles
Main compartment with wide easy access opening
Wear as a backpack or transform into a tote with adjustable handles
Internal padded laptop-sleeve (up to 17") and tablet sleeve
Trolley-Sling
Internal elastic mesh pouches and zippered pockets to organize smaller gear
Cabin luggage compatible
Hanging mesh pocket for headphones or camera storage
Big front pocket with magnetic flap and internal mesh and zip-pocket
Specs
Outer dimensions (H/B/T):
47 x 34 x 20 cm / 18.5" x 13.4" x 7.8"
Inner dimensions:
44 x 33 x 15 cm / 17.3" x 12.9" x 5.9"
Weight:
1,7 kg / 3,74 lb
Color: black
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $164.78
(No payment required now - pay when released)
FORTHCOMING
Related products...
SoMa Laboratory Harvezi Hazze Distortion Effect Pedal (distortion effect pedal)
Cat: 1064230
A versatile and unique distortion pedal with a wide tonal palette.
Notes: Harvezi Hazze is a versatile and unique distortion pedal with a wide tonal palette.
The heart of Harvezi Hazze is a waveshaper designed around a unijunction transistor, a relic from the early days of the semiconductor industry unearthed from the e-waste bins of flea markets in Tbilisi, Georgia.
The unique properties of the unijunction transistor allow one simple component to replace a number of very complex devices: depending on the operating mode, we can get a distortion, a limiter, a waveshaper and a generator - with a smooth transition between them. Experiments have shown that this transistor is an excellent basis for a distortion stompbox.
The name translates from Georgian as "a fault on the transmission line" or "signal jamming", and both the semantic and phonetic natures of it unequivocally imply what to expect - an impediment to the input signal, ranging from pleasant harmonic distortions to complete obliteration. The signal chain of the unit consists of an optical compressor with fixed parameters; a dual-mode distorting amplifier with either softer or harsher clipping; a waveshaper built around a unijunction transistor; and a tone stack section trying to tame all this mess.
Signal Chain:
Input -> Compressor -> Distorting amplifier -> Waveshaper -> Tone stack -> Output
Controls:
Gain - controls the output amplitude of the signal in the distorting amplifier section. Depending on the position of the switch, the distortion introduced by this section is soft (switch in the left position) or more aggressive with an abundance of high harmonics (middle position).
Spoil and Spread - control the operation of the unijunction transistor (waveshaper section). Spoil sets the point on the amplitude axis at which the wave will fold, and Spread sets the amplitude of the folding. The sonic meaning of these knobs can be described as follows: the higher the Spread value, the more severe the distortion will be, and Spoil changes timbre and response threshold. By adjusting Spoil you can achieve various gating and cutoff effects. At low Spread values, distortion sounds are mixed into the clean sound.
Tone - adjusts the brightness of the sound; the higher the value, the more high harmonics are present in the signal.
The switch regulates either the distortion mode in the amplifier section (left and center positions), or it turns on the total feedback mode (right position), when the values of all knobs begin to influence each other and effects occur such as resonance at certain frequencies and self-oscillation.
Level - controls the output volume of the signal.
The footswitch routes the signal through the effect circuitry or from input to output directly (true bypass).
The array of switches on the side of the unit gives a few more tonal options:
TONE STACK - routes the signal through the tone stack section (Tone knob).
BASS BOOST - enhances bass frequencies.
TONE MODE - changes the behaviour of the Tone knob (tilt or lowpass).
NOTCH FREQ - changes the central frequency of the filter.
HIGH CUT - attenuates high frequencies.
COMPRESSOR - routes the signal through the compressor.
The lower position of the switch enables the function.
Examples:
Compression:
Switch in the central position, Spoil, Spread, Gain - min, Tone - 12 o'clock.
TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.
Soft clipping:
Switch in the left position, Spoil, Spread - min, Tone - 12 o'clock, Gain - 2 o'clock.
TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - on, HIGH CUT - off, COMPRESSOR - on.
Distortion:
Switch in the middle, Spoil, Spread - min, Tone - 1 o'clock, Gain - max.
TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.
Fuzz:
Switch in the left position, Spoil - 1 o'clock, Spread - max, Tone - 11 o'clock, Gain - 10 o'clock.
TONE STACK - on. BASS BOOST - on, TONE MODE - on, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.
Black:
Switch in the left position, Spoil - 12 o'clock, Spread - 1 o'clock, Tone - 3 o'clock, Gain - 3 o'clock.
TONE STACK - on. BASS BOOST - off, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.
Feedback:
Switch in the right position, Spoil - 11 o'clock, Spread - 4 o'clock, Tone - 2 o'clock, Gain - 9 o'clock.
TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.
Technical specifications:
Input - 1/4-inch/6,35mm mono jack.
Input impedance - 750 kOhm.
Output - 1/4-inch/6,35mm mono jack.
Output impedance - 100 Ohm
True bypass.
Power - DC 9V, 50mA, DC jack 2.1mm, centre negative.
… Read moreThe heart of Harvezi Hazze is a waveshaper designed around a unijunction transistor, a relic from the early days of the semiconductor industry unearthed from the e-waste bins of flea markets in Tbilisi, Georgia.
The unique properties of the unijunction transistor allow one simple component to replace a number of very complex devices: depending on the operating mode, we can get a distortion, a limiter, a waveshaper and a generator - with a smooth transition between them. Experiments have shown that this transistor is an excellent basis for a distortion stompbox.
The name translates from Georgian as "a fault on the transmission line" or "signal jamming", and both the semantic and phonetic natures of it unequivocally imply what to expect - an impediment to the input signal, ranging from pleasant harmonic distortions to complete obliteration. The signal chain of the unit consists of an optical compressor with fixed parameters; a dual-mode distorting amplifier with either softer or harsher clipping; a waveshaper built around a unijunction transistor; and a tone stack section trying to tame all this mess.
Signal Chain:
Input -> Compressor -> Distorting amplifier -> Waveshaper -> Tone stack -> Output
Controls:
Gain - controls the output amplitude of the signal in the distorting amplifier section. Depending on the position of the switch, the distortion introduced by this section is soft (switch in the left position) or more aggressive with an abundance of high harmonics (middle position).
Spoil and Spread - control the operation of the unijunction transistor (waveshaper section). Spoil sets the point on the amplitude axis at which the wave will fold, and Spread sets the amplitude of the folding. The sonic meaning of these knobs can be described as follows: the higher the Spread value, the more severe the distortion will be, and Spoil changes timbre and response threshold. By adjusting Spoil you can achieve various gating and cutoff effects. At low Spread values, distortion sounds are mixed into the clean sound.
Tone - adjusts the brightness of the sound; the higher the value, the more high harmonics are present in the signal.
The switch regulates either the distortion mode in the amplifier section (left and center positions), or it turns on the total feedback mode (right position), when the values of all knobs begin to influence each other and effects occur such as resonance at certain frequencies and self-oscillation.
Level - controls the output volume of the signal.
The footswitch routes the signal through the effect circuitry or from input to output directly (true bypass).
The array of switches on the side of the unit gives a few more tonal options:
TONE STACK - routes the signal through the tone stack section (Tone knob).
BASS BOOST - enhances bass frequencies.
TONE MODE - changes the behaviour of the Tone knob (tilt or lowpass).
NOTCH FREQ - changes the central frequency of the filter.
HIGH CUT - attenuates high frequencies.
COMPRESSOR - routes the signal through the compressor.
The lower position of the switch enables the function.
Examples:
Compression:
Switch in the central position, Spoil, Spread, Gain - min, Tone - 12 o'clock.
TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.
Soft clipping:
Switch in the left position, Spoil, Spread - min, Tone - 12 o'clock, Gain - 2 o'clock.
TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - on, HIGH CUT - off, COMPRESSOR - on.
Distortion:
Switch in the middle, Spoil, Spread - min, Tone - 1 o'clock, Gain - max.
TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.
Fuzz:
Switch in the left position, Spoil - 1 o'clock, Spread - max, Tone - 11 o'clock, Gain - 10 o'clock.
TONE STACK - on. BASS BOOST - on, TONE MODE - on, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.
Black:
Switch in the left position, Spoil - 12 o'clock, Spread - 1 o'clock, Tone - 3 o'clock, Gain - 3 o'clock.
TONE STACK - on. BASS BOOST - off, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.
Feedback:
Switch in the right position, Spoil - 11 o'clock, Spread - 4 o'clock, Tone - 2 o'clock, Gain - 9 o'clock.
TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.
Technical specifications:
Input - 1/4-inch/6,35mm mono jack.
Input impedance - 750 kOhm.
Output - 1/4-inch/6,35mm mono jack.
Output impedance - 100 Ohm
True bypass.
Power - DC 9V, 50mA, DC jack 2.1mm, centre negative.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $297.64
(No payment required now - pay when released)
FORTHCOMING
Related products...
Haken Audio EaganMatrix Micro Modular Digital Synthesiser (digital desktop synthesiser)
Cat: 1065113
A full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB
Notes: EaganMatrix Micro
The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.
The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.
The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.
The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.
Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.
The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.
EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.
Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS
Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.
Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)
… Read moreThe power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.
The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.
The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.
The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.
Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.
The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.
EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.
Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS
Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.
Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $458.31
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cat: 1025150 Rel: 28 Feb 25
Portable synthesiser & sequencer
Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.
PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
… Read morePGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 28 Feb 25 $293.53
(No payment required now - pay when released)
FORTHCOMING
Related products...
Twisted Electrons TWISTfm Polyphonic FM Synthesiser (analogue desktop synthesiser)
Cat: 1065254
A polyphonic FM synthesiser with 8 individual analog filters for a wide range of sound design options.
Notes: Unleash the full potential of FM synthesis with TWISTfm, a cutting-edge polyphonic synthesizer that blends vintage FM synthesis with advanced analog filtering and modern control. Designed to offer a rich, dynamic sound palette, TWISTfm is the perfect tool for musicians and sound designers looking to push the boundaries of sonic creativity.
At the core of TWISTfm are two legendary Yamaha OPL-3 YMF262 FM chips paired with dual YAC512 stereo DACs, providing 8 discrete voices. Each voice is equipped with its own analog multimode filter for an unparalleled range of sound design possibilities.
With HEAT and Dual Resonance Modes: Featuring 8 individual analog filters, inspired by the iconic designs of Mutable Instruments, TWISTfm gives you precise control over sound shaping with 15 filter modes, including low-pass, high-pass, band-pass, phaser, notch, and more. The HEAT parameter adds anything from warm, subtle saturation to harsh analog distortion, allowing you to push the filters to their limit. Additionally, you can switch between two resonance flavors-LIQUID, for smooth and subtle resonance, and MS20, for more aggressive, cutting tones. With digital control over resonance and cutoff, the filters offer flexible modulation and the ability to store settings with presets.
TWISTfm's MPE mode fully supports three dimensions of control-pitch (X), timbre (Y via CC74), and pressure (Z)-offering precise per-note modulation for unparalleled expressiveness and depth in your sound.
Whether you're composing in the studio or performing live, TWISTfm's robust feature set and intuitive design make it a powerful addition to any setup. Its combination of vintage FM tones and modern control capabilities offers a unique, versatile sound engine capable of producing everything from smooth ambient pads to aggressive basses and leads.
… Read moreAt the core of TWISTfm are two legendary Yamaha OPL-3 YMF262 FM chips paired with dual YAC512 stereo DACs, providing 8 discrete voices. Each voice is equipped with its own analog multimode filter for an unparalleled range of sound design possibilities.
With HEAT and Dual Resonance Modes: Featuring 8 individual analog filters, inspired by the iconic designs of Mutable Instruments, TWISTfm gives you precise control over sound shaping with 15 filter modes, including low-pass, high-pass, band-pass, phaser, notch, and more. The HEAT parameter adds anything from warm, subtle saturation to harsh analog distortion, allowing you to push the filters to their limit. Additionally, you can switch between two resonance flavors-LIQUID, for smooth and subtle resonance, and MS20, for more aggressive, cutting tones. With digital control over resonance and cutoff, the filters offer flexible modulation and the ability to store settings with presets.
TWISTfm's MPE mode fully supports three dimensions of control-pitch (X), timbre (Y via CC74), and pressure (Z)-offering precise per-note modulation for unparalleled expressiveness and depth in your sound.
Whether you're composing in the studio or performing live, TWISTfm's robust feature set and intuitive design make it a powerful addition to any setup. Its combination of vintage FM tones and modern control capabilities offers a unique, versatile sound engine capable of producing everything from smooth ambient pads to aggressive basses and leads.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,028.89
(No payment required now - pay when released)
FORTHCOMING
Related products...
Matthews Effects The Technician Dual Channel Auditory Manipulator Effect Pedal (time effects pedal)
Cat: 1062851 Rel: 31 Mar 25
A dual-channel audio manipulator crafted for musical exploration, combining reverb, delay, modulators, a resonance filter, and a stereo looper to build everything from basic delays to complex layered soundscapes
Notes: Delay modes
Digital
Starting as a crisp digital delay, this mode, when paired with the tap footswitch, covers a lot of ground for your delay needs. The "Red" modulator lets you adjust the dampening of the delay, making the repeats either brighter (emulating towards a tape or HIFI sound) or darker
Reverse
Instead of reading the delay buffer in a forward direction like the "Digital" delay we read the buffer backwards creating unique sound possibilities. You can further modify this sound with the "Red" modulator to adjust the dampening of the repeats to grow brighter or darker.
Granular
Takes the delay buffer and chops it up into "Grains" and then plays those grains back. The size of the grains, direction (forward/reverse), the speed (pitch) and location in the buffer is all randomized so every time you experience this mode it will be a unique exploration into granular synthesis. The "Red" modulator allows you to adjust the max size of the randomized "size" of the grains and the amount of grains from 1-5.
Re-sample
What if you want a more complex soundscape like other instruments are playing with you? Re-sample accomplishes this by playing the delay buffer at different speeds which changes the pitch and timing of the delayed phrases creating a more complex musical expression of what you are playing. "Red" lets you adjust the mix of the octave down and the octave up.
Reverb modes
Hall
The least diffused of the reverb modes "Hall" allows you hear the reflective nature of the hallway your sound is in.
Plate
Emulating a classic plate reverb sound that is diffuse and reflective.
Chasm
An exploration into reverb design feedback networks that can allow for unnaturally large decay lengths.
Grim
Takes the "Chasm" mode and splits the output to a parallel octave down so you get the normal output + the octave down for a deep rich soundscape.
Looper modes
Gives you latching control over the rec/dub of your looper.
Momentary
Only rec/dub while holding the rec/dub switch.
Quantise
Works like the latching but will trim your loop to a division of the existing delay time.
MOD ONE and MOD TWO allow you adjust the following modulators
Modulators
Delay
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Reverb
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Looper
Clock: fine detail adjustment of the speed and direction of the clock.
Quantized Clock: Quantized adjustment of the speed and direction of the clock locked to octave intervals.
Loop Start: Adjust the starting point of the loop.
Loop End: Adjust where the loop will end.
MIDI: 3.5MM IN/OUT
USB: USB-C
Expression: TRS input
Controls
MIX (mod one)- The mix of the Reverb DSP block
DECAY (mod two)- The time it takes for your instruments reverberations to fade away, or die.
FEEDBACK (mod two)- How many repeats the delay will have
MIX (mod one)- The mix of the Delay DSP block
CLOCK (pre-delay)- Adjusts the "size" of the reverb DSP block
MIX (mod one)- The mix of the Looper DSP block
FREQUENCY (resonance)- Adjusts the Frequency of the Filter DSP block
TIME (dry mix)- Set the time of the Delay DSP block up to 2 sec
Modifiers
Reverb Mode (modulators)- Sets what Reverb Algorithm is active
Looper Mode (modulators)- Sets how you control the Looper DSP block
Tap Division (effect order)- Sets which tap division is active for the Delay DSP block. 1/2: Half note, 1/4: Quarter note, .1/8th: Dotted eighth note, 1/8th: Eighth note
Delay Mode (modulators)- Sets which Delay Algorithm is active
Input/Output: Stereo / mono - stereo / stereo - mono / parallel mono
Bypass: True Bypass / Tails
Power: 9v 400MA
Dimensions: 4.8 x 5.5
MIDI: Yes. 3.5mm Jack
USB: Yes
Jacks: Top Mounted Input And Output Jacks
… Read moreDigital
Starting as a crisp digital delay, this mode, when paired with the tap footswitch, covers a lot of ground for your delay needs. The "Red" modulator lets you adjust the dampening of the delay, making the repeats either brighter (emulating towards a tape or HIFI sound) or darker
Reverse
Instead of reading the delay buffer in a forward direction like the "Digital" delay we read the buffer backwards creating unique sound possibilities. You can further modify this sound with the "Red" modulator to adjust the dampening of the repeats to grow brighter or darker.
Granular
Takes the delay buffer and chops it up into "Grains" and then plays those grains back. The size of the grains, direction (forward/reverse), the speed (pitch) and location in the buffer is all randomized so every time you experience this mode it will be a unique exploration into granular synthesis. The "Red" modulator allows you to adjust the max size of the randomized "size" of the grains and the amount of grains from 1-5.
Re-sample
What if you want a more complex soundscape like other instruments are playing with you? Re-sample accomplishes this by playing the delay buffer at different speeds which changes the pitch and timing of the delayed phrases creating a more complex musical expression of what you are playing. "Red" lets you adjust the mix of the octave down and the octave up.
Reverb modes
Hall
The least diffused of the reverb modes "Hall" allows you hear the reflective nature of the hallway your sound is in.
Plate
Emulating a classic plate reverb sound that is diffuse and reflective.
Chasm
An exploration into reverb design feedback networks that can allow for unnaturally large decay lengths.
Grim
Takes the "Chasm" mode and splits the output to a parallel octave down so you get the normal output + the octave down for a deep rich soundscape.
Looper modes
Gives you latching control over the rec/dub of your looper.
Momentary
Only rec/dub while holding the rec/dub switch.
Quantise
Works like the latching but will trim your loop to a division of the existing delay time.
MOD ONE and MOD TWO allow you adjust the following modulators
Modulators
Delay
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Reverb
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Looper
Clock: fine detail adjustment of the speed and direction of the clock.
Quantized Clock: Quantized adjustment of the speed and direction of the clock locked to octave intervals.
Loop Start: Adjust the starting point of the loop.
Loop End: Adjust where the loop will end.
MIDI: 3.5MM IN/OUT
USB: USB-C
Expression: TRS input
Controls
MIX (mod one)- The mix of the Reverb DSP block
DECAY (mod two)- The time it takes for your instruments reverberations to fade away, or die.
FEEDBACK (mod two)- How many repeats the delay will have
MIX (mod one)- The mix of the Delay DSP block
CLOCK (pre-delay)- Adjusts the "size" of the reverb DSP block
MIX (mod one)- The mix of the Looper DSP block
FREQUENCY (resonance)- Adjusts the Frequency of the Filter DSP block
TIME (dry mix)- Set the time of the Delay DSP block up to 2 sec
Modifiers
Reverb Mode (modulators)- Sets what Reverb Algorithm is active
Looper Mode (modulators)- Sets how you control the Looper DSP block
Tap Division (effect order)- Sets which tap division is active for the Delay DSP block. 1/2: Half note, 1/4: Quarter note, .1/8th: Dotted eighth note, 1/8th: Eighth note
Delay Mode (modulators)- Sets which Delay Algorithm is active
Input/Output: Stereo / mono - stereo / stereo - mono / parallel mono
Bypass: True Bypass / Tails
Power: 9v 400MA
Dimensions: 4.8 x 5.5
MIDI: Yes. 3.5mm Jack
USB: Yes
Jacks: Top Mounted Input And Output Jacks
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Mar 25 $390.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Analog Sweden SWEnigiser Proto VCF/A Multi-Mode Filter & VCA Module (black) (filter/VCA synth module)
Cat: 1062319
Enigiser multimode filter and VCA in 12hp- circuit based on originalEnigiser prototype
Notes: SWEnigiser Proto VCF/A
Enigiser multimode filter and VCA in 12hp. Circuit based on originalEnigiser prototype kindly loaned by Anthony Linell of Northern Electronics.
VCF
Unique configuration with 3 x 4 filter modes
2x audio input with drive
2x cutoff CV attenuverter inputs
1x cutoff CV input, tunable to 1v/oct
VCF output normalized to VCA input.
VCA
1x audio input with gritty drive, normalized from VCF output
2x CV input. CV1 knob adds offset for drone etc.
CLIP switch for old/new revision Enigiser diode setting adjusting drive character.
+12V 22mA
-12V 22mA
Skiff friendly
Includes power cable, 4 screws+ plastic washers
Available in sand blasted silver and black panel versions.
… Read moreEnigiser multimode filter and VCA in 12hp. Circuit based on originalEnigiser prototype kindly loaned by Anthony Linell of Northern Electronics.
VCF
Unique configuration with 3 x 4 filter modes
2x audio input with drive
2x cutoff CV attenuverter inputs
1x cutoff CV input, tunable to 1v/oct
VCF output normalized to VCA input.
VCA
1x audio input with gritty drive, normalized from VCF output
2x CV input. CV1 knob adds offset for drone etc.
CLIP switch for old/new revision Enigiser diode setting adjusting drive character.
+12V 22mA
-12V 22mA
Skiff friendly
Includes power cable, 4 screws+ plastic washers
Available in sand blasted silver and black panel versions.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $231.73
(No payment required now - pay when released)
FORTHCOMING
Related products...
Walrus Audio Qi Etherealizer Multi-Effects Pedal (terracotta) (multi-effects pedal)
Cat: 1066021 Rel: 31 Jan 25
Multi effects pedal with granular effect function
Notes: The Qi Etherealizer (pronounced "chee ethereal-izer"), a collaborative creation with Yvette Young, is a multi-effects pedal that combines Chorus, Delay, Granular effects, and, of course, Reverb, into a creative playground for atmospheric exploration.
Known for her innovative and explorative fingerstyle playing technique, love of guitar pedals, and leadership of the math rock band Covet, the Qi reflects her approach to creating lush, evolving soundscapes. Named after the vital life energy that flows through all living things, the Qi is designed to deliver rich textures, expansive atmospheres, and dynamic layers. By blending Yvette's artistic vision with cutting-edge design, the Qi opens the door to immersive, otherworldly sounds.
The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.
The Qi is the first creation to emerge from Walrus' groundbreaking proprietary digital processing platform, MDSP. Designed in-house by their talented engineering team, MDSP sets a new benchmark for high-fidelity audio and innovative design, delivering decades of inspiration to creators seeking practical yet forward-thinking gear.
At the core of MDSP is the powerful ARM-based Cortex M7 processor, renowned as the highest-performing processor in its class. With a proven history in high-level electronics, the Cortex M7 has been meticulously tailored for advanced audio algorithm processing in the MDSP platform. This unique system integrates a microcontroller and a DSP into a single compact unit, enabling a smaller, modular design that can seamlessly adapt to a wide range of pedal formats.
This modular and "mini" approach empowers Walrus Audio to push the boundaries of audio processing. The enhanced capabilities of Walrus's MDSP allow for the development and execution of more sophisticated algorithms than ever before, delivering unparalleled creative possibilities for musicians and audio professionals alike.
The MDSP platform also boasts a superior audio codec, supporting faster sample rates, increased bit depth, greater headroom, and an exceptional signal-to-noise ratio. These enhancements ensure outstanding audio performance, setting a new standard in digital signal processing for the music industry.
The introduction of MDSP reflects Walrus Audio's commitment to providing creators with cutting-edge tools that inspire innovation and creativity.
Global Controls
Space Knob: Space adds a delightfully charming reverb to your affected signal. Use this knob to modify the mix and decay of the reverb. Go from smaller room sounds to a huge, diffused ambient reverb at maximum settings. It's lush and complimentary, and adding it in with the other effects will put you squarely in dreamscape territory.
Tone Knob: The Tone parameter controls the cutoff of a synth-style resonant low pass filter, allowing you to shape the tone of the effect output.
Series and Parallel: In series, effects will feed into each other in the order of Chorus > Delay > Grain > Output.
In parallel, all of the effect outputs on Chorus, Delay, and Grain are summed together and do not feed into each other. The top row of knobs will act as level controls, and the user can control the level of each effect.
The Mix/Dry parameter controls the mix of wet and dry signal in series mode and dry level in parallel mode.
Grain Controls
The featured Grain effect features two 'flavours' of operation:
Grain Cloud: This mode triggers small samples (grains) randomly from your playing, which gives you unpredictable, yet charming glitchy texture for your sound. The X knob controls the length of time between grains, so you can go from dense clusters to sparse accents.
Phrase Sample: This mode triggers grains rhythmically from your playing. Initial peaks in your playing are detected and grains are played back starting at these peaks, creating a rhythmic and intentional effect. The X knob controls the tempo at which the samples will be played back. Turning the X knob to the minimum position will sync the Phrase Sample time to the Delay time so that repeated grains are in time with the Delay repeats.
The Grain effect also features 5 playback modes that dictate different ways the grain samples are projected.
x1: Normal
x2: Double-speed and +1 octave
x.5: Half-speed and -1 octave
REV: Reverse playback
RNDM: Randomized combination of the previous four modes.
Delay Controls
The delay effect is a full, clean digital delay that offers repeats for up to two seconds. Use the time knob to control the time between delays as well as the feedback knob to control the amount of delays. The TAP/OSC switch on the bottom right of the pedal can also be used to control the delay effect via tap tempo, or when held down will ramp up the feedback and cause the delay to oscillate.
Subdivisions
Delay trails can be projected in three subdivision modes:
Quarter Note
Dotted Eighth Note
Eighth Note
Chorus Controls
The Chorus effect offers two modes:
Tri Chorus: A multi-dimensional chorus favourite. Lush, complex, modulated sounds combining three voices for a full, vibrant sound.
Stereo Chorus: This mode is a classic chorus effect but with the modulation of the chorus being offset 180 degrees to the right channel to achieve the stereo width effect.
Other Features
Three on-board presets (red, green, blue) plus a live mode (white).
TRS MIDI 1/8" in and thru ports for MIDI control.
USB-C port included for future firmware updates.
Momentary Grain Freeze
Momentary Grain + Max Reverb Freeze
… Read moreKnown for her innovative and explorative fingerstyle playing technique, love of guitar pedals, and leadership of the math rock band Covet, the Qi reflects her approach to creating lush, evolving soundscapes. Named after the vital life energy that flows through all living things, the Qi is designed to deliver rich textures, expansive atmospheres, and dynamic layers. By blending Yvette's artistic vision with cutting-edge design, the Qi opens the door to immersive, otherworldly sounds.
The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.
The Qi is the first creation to emerge from Walrus' groundbreaking proprietary digital processing platform, MDSP. Designed in-house by their talented engineering team, MDSP sets a new benchmark for high-fidelity audio and innovative design, delivering decades of inspiration to creators seeking practical yet forward-thinking gear.
At the core of MDSP is the powerful ARM-based Cortex M7 processor, renowned as the highest-performing processor in its class. With a proven history in high-level electronics, the Cortex M7 has been meticulously tailored for advanced audio algorithm processing in the MDSP platform. This unique system integrates a microcontroller and a DSP into a single compact unit, enabling a smaller, modular design that can seamlessly adapt to a wide range of pedal formats.
This modular and "mini" approach empowers Walrus Audio to push the boundaries of audio processing. The enhanced capabilities of Walrus's MDSP allow for the development and execution of more sophisticated algorithms than ever before, delivering unparalleled creative possibilities for musicians and audio professionals alike.
The MDSP platform also boasts a superior audio codec, supporting faster sample rates, increased bit depth, greater headroom, and an exceptional signal-to-noise ratio. These enhancements ensure outstanding audio performance, setting a new standard in digital signal processing for the music industry.
The introduction of MDSP reflects Walrus Audio's commitment to providing creators with cutting-edge tools that inspire innovation and creativity.
Global Controls
Space Knob: Space adds a delightfully charming reverb to your affected signal. Use this knob to modify the mix and decay of the reverb. Go from smaller room sounds to a huge, diffused ambient reverb at maximum settings. It's lush and complimentary, and adding it in with the other effects will put you squarely in dreamscape territory.
Tone Knob: The Tone parameter controls the cutoff of a synth-style resonant low pass filter, allowing you to shape the tone of the effect output.
Series and Parallel: In series, effects will feed into each other in the order of Chorus > Delay > Grain > Output.
In parallel, all of the effect outputs on Chorus, Delay, and Grain are summed together and do not feed into each other. The top row of knobs will act as level controls, and the user can control the level of each effect.
The Mix/Dry parameter controls the mix of wet and dry signal in series mode and dry level in parallel mode.
Grain Controls
The featured Grain effect features two 'flavours' of operation:
Grain Cloud: This mode triggers small samples (grains) randomly from your playing, which gives you unpredictable, yet charming glitchy texture for your sound. The X knob controls the length of time between grains, so you can go from dense clusters to sparse accents.
Phrase Sample: This mode triggers grains rhythmically from your playing. Initial peaks in your playing are detected and grains are played back starting at these peaks, creating a rhythmic and intentional effect. The X knob controls the tempo at which the samples will be played back. Turning the X knob to the minimum position will sync the Phrase Sample time to the Delay time so that repeated grains are in time with the Delay repeats.
The Grain effect also features 5 playback modes that dictate different ways the grain samples are projected.
x1: Normal
x2: Double-speed and +1 octave
x.5: Half-speed and -1 octave
REV: Reverse playback
RNDM: Randomized combination of the previous four modes.
Delay Controls
The delay effect is a full, clean digital delay that offers repeats for up to two seconds. Use the time knob to control the time between delays as well as the feedback knob to control the amount of delays. The TAP/OSC switch on the bottom right of the pedal can also be used to control the delay effect via tap tempo, or when held down will ramp up the feedback and cause the delay to oscillate.
Subdivisions
Delay trails can be projected in three subdivision modes:
Quarter Note
Dotted Eighth Note
Eighth Note
Chorus Controls
The Chorus effect offers two modes:
Tri Chorus: A multi-dimensional chorus favourite. Lush, complex, modulated sounds combining three voices for a full, vibrant sound.
Stereo Chorus: This mode is a classic chorus effect but with the modulation of the chorus being offset 180 degrees to the right channel to achieve the stereo width effect.
Other Features
Three on-board presets (red, green, blue) plus a live mode (white).
TRS MIDI 1/8" in and thru ports for MIDI control.
USB-C port included for future firmware updates.
Momentary Grain Freeze
Momentary Grain + Max Reverb Freeze
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $462.44
(No payment required now - pay when released)
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Der Mann Mit Der Maschine P8S8 Slider & Switch Controller Module (slider & switch control module)
Cat: 1056311
8 HP slider & switch controller module for those who love those little sliders
Notes: The P8S8 controller is for those who love those little sliders. The sliders behave like regular pots, so we named the module P8S8 (the "S" stands for the switches).
The P8S8 has eight Alpha sliders with a range of 20 mm. As a speciality the sliders contain LEDs. Their brightness can be controlled and used for any purpose. As long as you don't use the LED registers, the brightness of the LEDs reflect the current slider positions.
At the bottom the P8S8 has eight 3-way toggle switches.
As always in the DROID universe, it can be patched as whatever comes to mind, but looking at this module, it's almost imposing to be used as modulation sequencer or ADSR controller.
Shipping includes a short ribbon cable for connecting the controller to the master or to the previous controller. If you want to place the controller further away from the master, you can purchaser longer ribbon cables here in the shop.
Current Draw: 20 mA +12V, 0 mA -12V, 0 mA 5V
Width: 8 HP
Depth: 25 mm
… Read moreThe P8S8 has eight Alpha sliders with a range of 20 mm. As a speciality the sliders contain LEDs. Their brightness can be controlled and used for any purpose. As long as you don't use the LED registers, the brightness of the LEDs reflect the current slider positions.
At the bottom the P8S8 has eight 3-way toggle switches.
As always in the DROID universe, it can be patched as whatever comes to mind, but looking at this module, it's almost imposing to be used as modulation sequencer or ADSR controller.
Shipping includes a short ribbon cable for connecting the controller to the master or to the previous controller. If you want to place the controller further away from the master, you can purchaser longer ribbon cables here in the shop.
Current Draw: 20 mA +12V, 0 mA -12V, 0 mA 5V
Width: 8 HP
Depth: 25 mm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $128.74
(No payment required now - pay when released)
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Doepfer A-188-9 HVCO High-Speed VCO Module (oscillator synth module)
Cat: 1046640
High-speed voltage controlled oscillator module - 4HP
Notes: Module A-188-9 is a so-called high speed VCO that tracks perfectly to the 1V/oct scale in the frequency range of about 15kHz ... 500 kHz. The main application is the exact drive of BBD modules (A-188-1/2) to generate sounds realized by means of the so-called Karplus-Strong synthesis. But even in cooperation with other modules featuring high speed inputs (e.g. digital noise, delay, frequency divider) the A-188-9 makes sense. In principle the module is made of a precision audio VCO followed by a PLL (phase locked loop) unit that multiplies the frequency of the audio VCO by 32. Thus the module can be used also as an audio VCO as it features the standard waveforms sawtooth, triangle and rectangle with adjustable pulse width.
Controls:
Frq: frequency control (coarse)
CV: attenuator for the frequency control input CV
Fine: frequency control (fine), small control without knob
PW: pulsewidth control for the rectangle output of the audio VCO, in HSVCO mode this control has to be in the range marked "HSVO", small control without knob
Sockets:
1V: frequency control input 1V/oct scale
CV: frequency control input with attenuator CV
socket with rectangle symbol: rectangle output of the audio VCO, the pulse width of this output is adjusted by means of the control PW, output level ~ 7Vpp (~ -3.5V/+3.5V)
socket with sawtooth symbol: sawtooth output of the audio VCO, output level ~ 7Vpp (~ -3.5V ... +3.5V)
socket with triangle symbol: triangle output of the audio VCO, output level ~ 7Vpp (~ -3.5V ... +3.5V)
socket with inverted comb symbol: high speed VCO output, waveform rectangle, output level ~ 5Vpp (~ -2.5V/+2.5V)
Switches:
Range
upper position: audio VCO mode (frequency range of the audio VCO about 15 Hz to 6 kHz, the high speed output is not usable in this mode! )
lower position: High Speed VCO mode (frequency range of the high-speed output about 15 kHz ... 500 kHz, frequency range of the audio VCO about 500 Hz ... 15 kHz), in this mode the audio VCO and the high speed VCO can be used simultaneously
Slew
upper position: medium slew time
centre position: short slew time
lower position: long slew time
Technical Note regarding the Slew parameter:
Besides the audio VCO the module contains a so-called PLL circuit (Phase Locked Loop) and a 1:32 frequency divider. A slew limiter is part of the PLL. It defines how fast the frequency of the PLL follows the frequency of the VCO. The PLL cannot follow the VCO without any delay. Rather one has to find a compromise between the residual ripple of the PLL frequency and the frequency follow rate. That is the job of the slew limiter (works in principle like a glide or portamento unit). For this the module is equipped with a 3-position switch that is used to switch the slew time in 3 ranges. When mostly higher frequencies are used ((~ 100kHz ... 500 kHz) a short slew time can be chosen. When also lower frequencies are required (< 100kHz) a longer slew time may be used to reduce the residual frequency ripple. More details about the working principle of a PLL can be found in the information about module A-196. Module A-188-9 is in principle an A-196 combined with an audio VCO and a 1:32 frequency divider.
Width: 4HP / 20.0 mm
Depth: 45 mm (measured from the rear side of the front panel)
Current: +30 mA (+12V) / -15 mA (-12V)
… Read moreControls:
Frq: frequency control (coarse)
CV: attenuator for the frequency control input CV
Fine: frequency control (fine), small control without knob
PW: pulsewidth control for the rectangle output of the audio VCO, in HSVCO mode this control has to be in the range marked "HSVO", small control without knob
Sockets:
1V: frequency control input 1V/oct scale
CV: frequency control input with attenuator CV
socket with rectangle symbol: rectangle output of the audio VCO, the pulse width of this output is adjusted by means of the control PW, output level ~ 7Vpp (~ -3.5V/+3.5V)
socket with sawtooth symbol: sawtooth output of the audio VCO, output level ~ 7Vpp (~ -3.5V ... +3.5V)
socket with triangle symbol: triangle output of the audio VCO, output level ~ 7Vpp (~ -3.5V ... +3.5V)
socket with inverted comb symbol: high speed VCO output, waveform rectangle, output level ~ 5Vpp (~ -2.5V/+2.5V)
Switches:
Range
upper position: audio VCO mode (frequency range of the audio VCO about 15 Hz to 6 kHz, the high speed output is not usable in this mode! )
lower position: High Speed VCO mode (frequency range of the high-speed output about 15 kHz ... 500 kHz, frequency range of the audio VCO about 500 Hz ... 15 kHz), in this mode the audio VCO and the high speed VCO can be used simultaneously
Slew
upper position: medium slew time
centre position: short slew time
lower position: long slew time
Technical Note regarding the Slew parameter:
Besides the audio VCO the module contains a so-called PLL circuit (Phase Locked Loop) and a 1:32 frequency divider. A slew limiter is part of the PLL. It defines how fast the frequency of the PLL follows the frequency of the VCO. The PLL cannot follow the VCO without any delay. Rather one has to find a compromise between the residual ripple of the PLL frequency and the frequency follow rate. That is the job of the slew limiter (works in principle like a glide or portamento unit). For this the module is equipped with a 3-position switch that is used to switch the slew time in 3 ranges. When mostly higher frequencies are used ((~ 100kHz ... 500 kHz) a short slew time can be chosen. When also lower frequencies are required (< 100kHz) a longer slew time may be used to reduce the residual frequency ripple. More details about the working principle of a PLL can be found in the information about module A-196. Module A-188-9 is in principle an A-196 combined with an audio VCO and a 1:32 frequency divider.
Width: 4HP / 20.0 mm
Depth: 45 mm (measured from the rear side of the front panel)
Current: +30 mA (+12V) / -15 mA (-12V)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $129.51
(No payment required now - pay when released)
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JMT Synth NOISY MIC-2 Vocal Processor (analogue effects unit)
Cat: 1060981
Vocal instrument and processor designed for extreme timbres
Notes: The JMT Synth NOISY MIC-2 is a unique vocal instrument and processor designed for extreme textures stemming from the human voice. The multiplexer circuit combines the microphone output with a switchable internal VCO, this mixed signal is then passed through a high-gain distortion equipped with an equalizer for final tone-shaping. The VCO can be modulated by an LFO or an external CV source for complex FM-like timbres. This combination of simple circuits forms a unique vocal processor with a wide range of timbres and effects. The microphone is outfitted with a mute switch, making it suitable for live performance.
*Do not connect any other equipment except the included microphone. It is different from normal Midi terminals in that it has special wiring, so connecting other objects to it will damage the circuitry.*
… Read more*Do not connect any other equipment except the included microphone. It is different from normal Midi terminals in that it has special wiring, so connecting other objects to it will damage the circuitry.*
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $372.82
(No payment required now - pay when released)
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SetonixSynth SkyWave Segmented VCO Module (oscillator synth module)
Cat: 1064128
An all-analogue voltage controlled oscillator capable of producing many different timbres and unique harmonic behaviours
Notes: The SetonixSynth SkyWave is an all-analogue voltage controlled oscillator capable of producing many different timbres and unique harmonic behaviours, thanks to an original step-based control scheme which allows the user to dial in completely different wave-shapes and levels for successive oscillator cycles.
This complex VCO uses an internal feedback loop with the clock output of the oscillator triggering a step sequencer which in turn cycles through settings at the frequency of the core oscillator, thus changing the shape and level of the waveform output on a per-cycle basis while also staying in tune and tracking pitch like a typical VCO.
… Read moreThis complex VCO uses an internal feedback loop with the clock output of the oscillator triggering a step sequencer which in turn cycles through settings at the frequency of the core oscillator, thus changing the shape and level of the waveform output on a per-cycle basis while also staying in tune and tracking pitch like a typical VCO.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $284.24
(No payment required now - pay when released)
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Decksaver Oberheim TEO-5 & Sequential Take 5 Dust Cover (soft-fit) (synthesiser dust cover)
Cat: 1064602
Dust cover designed to fit the Oberheim TEO-5 & Sequential Take 5
Notes: The Decksaver cover for the Oberheim TEO-5 and Sequential Take 5 synths is a must-have accessory for musicians who value both their gear and their creative workflow.
Expertly crafted from premium polycarbonate, this cover provides robust protection against dust, spills, and accidental knocks, ensuring your keyboard remains in pristine condition.
Its low-profile design offers a perfect fit, preserving the synth's sleek contours while allowing for easy storage and transport.
Whether you're in the studio or on the road, the transparent finish lets you admire the TEO-5/Take 5's iconic design while keeping it safe from harm.
Built to last and engineered for convenience, the Decksaver cover is the ideal way to protect your investment and keep your music-making uninterrupted.
This cover utilises Decksaver's very own Soft fit inserts, to protect those precious synth cheeks.
Fits:
TEO-5
Take 5
Dimensions
Weight: 1.05 kg
Length: 33.1 cm
Width: 65.5 cm
Height: 4.4 cm
Material: Smoked clear polycarbonate.
… Read moreExpertly crafted from premium polycarbonate, this cover provides robust protection against dust, spills, and accidental knocks, ensuring your keyboard remains in pristine condition.
Its low-profile design offers a perfect fit, preserving the synth's sleek contours while allowing for easy storage and transport.
Whether you're in the studio or on the road, the transparent finish lets you admire the TEO-5/Take 5's iconic design while keeping it safe from harm.
Built to last and engineered for convenience, the Decksaver cover is the ideal way to protect your investment and keep your music-making uninterrupted.
This cover utilises Decksaver's very own Soft fit inserts, to protect those precious synth cheeks.
Fits:
TEO-5
Take 5
Dimensions
Weight: 1.05 kg
Length: 33.1 cm
Width: 65.5 cm
Height: 4.4 cm
Material: Smoked clear polycarbonate.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $55.88
(No payment required now - pay when released)
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SetonixSynth Shaka-4 Stereo Matrix Expander Module For Shaka-8 (expander module)
Cat: 1062996
Expander module for Shaka-8
Notes: The Shaka system is a Voltage-Controlled Stereo Matrix Mixer with an all-analog signal path. While it is similar in function to other Stereo Matrix Mixers, the Shaka-8 uses high quality audio VCAs to enable voltage control over each matrix patch point, i.e. the send level of each L/R pair of inputs to each L/R pair of outputs.
In addition to the 4 input and 2 output channels on the Shaka-8, the Matrix may be expanded to a 4x3, 4x4 or more matrix mixer by chaining Shaka-4 Stereo Matrix Expanders to the main unit via a 12-pin connector on the back of the Shaka-8. The Shaka-4 cannot be used without a main Shaka-8 unit.
The Shaka-8 and Shaka-4 operate in much the same way as a typical stereo audio matrix mixer, with the send level of each input to each output controlled by the corresponding knob, and the resulting "mix" being a sum of the knob settings in each column, added to the CV input corresponding to each knob.
For Eurorack users hungry for interesting new ways to route stereo or mono filters, oscillators, and effects, the Shaka-8 and Shaka-4 are sure to provide an affordable, flexible, and highly useful patching ecosystem to explore.
Summary of Functions
L/R Audio Inputs 1-4: AC-coupled stereo input channels. Audio content below 5 Hz is removed from each input for highest quality audio response. If a signal is patched to a channel's L input and the R input is left unpatched, the R input will be normalized to the signal patched to the L input so that mono and stereo signals may be summed and used together.
Initial Level Controls: Sets the initial gain level of each stereo Audio Input pair as it is routed to the corresponding stereo Audio Output pair, with a maximum Initial gain of 1:1 or Unity gain and a maximum attenuation of -100dB--in practice extremely quiet. Note that the input signal can be pushed past unity gain if the Initial Level control is turned up while external CV is also applied to the matrix point.
CV Inputs: Exponential Control Voltage inputs which are summed with the related Initial Gain knob to control the level of the matrix point. The Shaka-8 and Shaka-4 can accept bi-polar voltages at the CV inputs, with the Initial Level control used to compensate.
L/R Audio Outputs: Stereo mix outputs. The audio present at each pair of Outputs is the sum of all the input signals, at the gain levels controlled by the column of Initial knobs and CV inputs directly above it.
Specifications (Shaka-4)
Current Draw: 25mA @ +12V, 25mA @ -12V
Width/depth: 6hp; 25mm
… Read moreIn addition to the 4 input and 2 output channels on the Shaka-8, the Matrix may be expanded to a 4x3, 4x4 or more matrix mixer by chaining Shaka-4 Stereo Matrix Expanders to the main unit via a 12-pin connector on the back of the Shaka-8. The Shaka-4 cannot be used without a main Shaka-8 unit.
The Shaka-8 and Shaka-4 operate in much the same way as a typical stereo audio matrix mixer, with the send level of each input to each output controlled by the corresponding knob, and the resulting "mix" being a sum of the knob settings in each column, added to the CV input corresponding to each knob.
For Eurorack users hungry for interesting new ways to route stereo or mono filters, oscillators, and effects, the Shaka-8 and Shaka-4 are sure to provide an affordable, flexible, and highly useful patching ecosystem to explore.
Summary of Functions
L/R Audio Inputs 1-4: AC-coupled stereo input channels. Audio content below 5 Hz is removed from each input for highest quality audio response. If a signal is patched to a channel's L input and the R input is left unpatched, the R input will be normalized to the signal patched to the L input so that mono and stereo signals may be summed and used together.
Initial Level Controls: Sets the initial gain level of each stereo Audio Input pair as it is routed to the corresponding stereo Audio Output pair, with a maximum Initial gain of 1:1 or Unity gain and a maximum attenuation of -100dB--in practice extremely quiet. Note that the input signal can be pushed past unity gain if the Initial Level control is turned up while external CV is also applied to the matrix point.
CV Inputs: Exponential Control Voltage inputs which are summed with the related Initial Gain knob to control the level of the matrix point. The Shaka-8 and Shaka-4 can accept bi-polar voltages at the CV inputs, with the Initial Level control used to compensate.
L/R Audio Outputs: Stereo mix outputs. The audio present at each pair of Outputs is the sum of all the input signals, at the gain levels controlled by the column of Initial knobs and CV inputs directly above it.
Specifications (Shaka-4)
Current Draw: 25mA @ +12V, 25mA @ -12V
Width/depth: 6hp; 25mm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $122.56
(No payment required now - pay when released)
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Cat: 1059350
A compact, precision-machined, four rotary potentiometer MIDI Controller
Notes: The EL4P is a compact, precision-machined MIDI controller featuring four high-quality Taiwan Alpha rotary potentiometers, designed for those who value intuition over complex menu diving. Housed in a recyclable, anodized aluminum case with matching custom knobs, this minimalist tool is compact and built to endure.
It connects via USB-C for power and data, and includes a TRS MIDI Out (Type A) for seamless integration with your MIDI-compatible devices. No external drivers are required, simply connect, set it as a MIDI input, and start creating.
Whether you're at home or on the road, our custom online configurator ensures it integrates perfectly with your setup: Adjust MIDI channel assignments, control change (CC) values, and note messages for each knob to suit your specific production needs.
The EL4P is hand-assembled in our lab in Amsterdam and crafted to stand the test of time, designed to be your favorite MIDI controller, possibly forever.
… Read moreIt connects via USB-C for power and data, and includes a TRS MIDI Out (Type A) for seamless integration with your MIDI-compatible devices. No external drivers are required, simply connect, set it as a MIDI input, and start creating.
Whether you're at home or on the road, our custom online configurator ensures it integrates perfectly with your setup: Adjust MIDI channel assignments, control change (CC) values, and note messages for each knob to suit your specific production needs.
The EL4P is hand-assembled in our lab in Amsterdam and crafted to stand the test of time, designed to be your favorite MIDI controller, possibly forever.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $128.74
(No payment required now - pay when released)
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Engineering Lab EL4P Rotary Potentiometer MIDI Controller (all black) (MIDI controller)
Cat: 1059348
A compact, precision-machined, four rotary potentiometer MIDI Controller
Notes: The EL4P is a compact, precision-machined MIDI controller featuring four high-quality Taiwan Alpha rotary potentiometers, designed for those who value intuition over complex menu diving. Housed in a recyclable, anodized aluminum case with matching custom knobs, this minimalist tool is compact and built to endure.
It connects via USB-C for power and data, and includes a TRS MIDI Out (Type A) for seamless integration with your MIDI-compatible devices. No external drivers are required, simply connect, set it as a MIDI input, and start creating.
Whether you're at home or on the road, our custom online configurator ensures it integrates perfectly with your setup: Adjust MIDI channel assignments, control change (CC) values, and note messages for each knob to suit your specific production needs.
The EL4P is hand-assembled in our lab in Amsterdam and crafted to stand the test of time, designed to be your favorite MIDI controller, possibly forever.
… Read moreIt connects via USB-C for power and data, and includes a TRS MIDI Out (Type A) for seamless integration with your MIDI-compatible devices. No external drivers are required, simply connect, set it as a MIDI input, and start creating.
Whether you're at home or on the road, our custom online configurator ensures it integrates perfectly with your setup: Adjust MIDI channel assignments, control change (CC) values, and note messages for each knob to suit your specific production needs.
The EL4P is hand-assembled in our lab in Amsterdam and crafted to stand the test of time, designed to be your favorite MIDI controller, possibly forever.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $128.74
(No payment required now - pay when released)
FORTHCOMING
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SoMa Laboratory Flux 37-key Magnetic Keyboard Synthesiser (magnetic keyboard synthesiser)
Cat: 1065362
Digital magnetic synthesiser inspired by the theremin
Notes: Flux brings forth the musicality and expression of classical instruments, such as violin or vocals, enriched by new timbres and the flexibility of postmodern instruments, harnessing the power of current technology. It is a high end professional synthesizer with unique expressive possibilities, an innovative interface design with top quality digital-to-analog converters and analog components.
Flux features a unique continual touchless keyboard that offers seamless control over a number of sound parameters without quantisation. In many ways, it is inspired by the Theremin, offering the unique opportunity of controlling sound by moving your hands in the air without touching any object.
Unlike the Theremin - which works by virtue of the capacitive coupling of hands and antennae - Flux is based on magnetic principles. Two magnetic bows are pressed between your fingers, and the interface is a multipolar magnetic sensor, registering the bows' positions and movements. The X coordinate of the artist's right-hand bow controls the note's pitch, while the Z coordinate controls volume. The left-hand bow's X, Y and Z coordinates control the various synthesis parameters. Since a magnet has two poles, Flux not only detects the bows' spatial coordinates, but also the bows' angle. This means that flipping the right-hand bow on the Y-axis changes the octave, which allows a range of six continuous octaves without transposing the keyboard. With transposition you can get a range from sub-bass all the way to ultrasonic. The left-right tilting of the right-hand bow on the X-axis controls two independent modulation parameters.
The left-hand bow controls the timbres. The timbral sensor, placed in the left part, has six poles, and independently registers positive and negative magnetic fields. This lets you change which parameters you control by flipping the bow, allowing you to control up to twelve independent sound parameters. Together with the pitch, volume and two additional tilt parameters on the right-hand bow, you have access to a total of sixteen sonic controls that you can use during performance, without ever touching the surface of the instrument.
Summing up the concept of Flux: the most direct and immediate way to play with a large number of synthesis parameters in a musical way, creating a dynamic timbre composition. Different synthesis algorithms (engines) will be created as complete musical instruments for direct timbral control. All engines will be available in a single firmware and any engine can be launched in a fraction of a second. Presets will allow the user to save and recall the entire state of the synth including engine and all tunings.
SoMa Laboratory developed Flux with the aim to create a modern instrument for academic music, offering powerful sonic tools such as distortion, complex FM and physical modelling of non-existent, surrealistic musical instruments. It works in monophonic, duophonic and polyphonic modes. Staccato-enabling and quantisation modes are available. The quantization function has an adjustment parameter for vibrato. Flux has a stable, even, and clearly marked note scale. This makes it much easier to learn and to intone cleanly than on the Theremin.
Flux's synthesis is DSP-based. It features built-in spatial FX. The digital-to-analog converters and the analog circuit are based on our in-house designs using Hi-End principles
… Read moreFlux features a unique continual touchless keyboard that offers seamless control over a number of sound parameters without quantisation. In many ways, it is inspired by the Theremin, offering the unique opportunity of controlling sound by moving your hands in the air without touching any object.
Unlike the Theremin - which works by virtue of the capacitive coupling of hands and antennae - Flux is based on magnetic principles. Two magnetic bows are pressed between your fingers, and the interface is a multipolar magnetic sensor, registering the bows' positions and movements. The X coordinate of the artist's right-hand bow controls the note's pitch, while the Z coordinate controls volume. The left-hand bow's X, Y and Z coordinates control the various synthesis parameters. Since a magnet has two poles, Flux not only detects the bows' spatial coordinates, but also the bows' angle. This means that flipping the right-hand bow on the Y-axis changes the octave, which allows a range of six continuous octaves without transposing the keyboard. With transposition you can get a range from sub-bass all the way to ultrasonic. The left-right tilting of the right-hand bow on the X-axis controls two independent modulation parameters.
The left-hand bow controls the timbres. The timbral sensor, placed in the left part, has six poles, and independently registers positive and negative magnetic fields. This lets you change which parameters you control by flipping the bow, allowing you to control up to twelve independent sound parameters. Together with the pitch, volume and two additional tilt parameters on the right-hand bow, you have access to a total of sixteen sonic controls that you can use during performance, without ever touching the surface of the instrument.
Summing up the concept of Flux: the most direct and immediate way to play with a large number of synthesis parameters in a musical way, creating a dynamic timbre composition. Different synthesis algorithms (engines) will be created as complete musical instruments for direct timbral control. All engines will be available in a single firmware and any engine can be launched in a fraction of a second. Presets will allow the user to save and recall the entire state of the synth including engine and all tunings.
SoMa Laboratory developed Flux with the aim to create a modern instrument for academic music, offering powerful sonic tools such as distortion, complex FM and physical modelling of non-existent, surrealistic musical instruments. It works in monophonic, duophonic and polyphonic modes. Staccato-enabling and quantisation modes are available. The quantization function has an adjustment parameter for vibrato. Flux has a stable, even, and clearly marked note scale. This makes it much easier to learn and to intone cleanly than on the Theremin.
Flux's synthesis is DSP-based. It features built-in spatial FX. The digital-to-analog converters and the analog circuit are based on our in-house designs using Hi-End principles
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,117.46
(No payment required now - pay when released)
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Focal Lensys Pro Closed-Back Studio Reference Headphones (studio headphones)
Cat: 1053239 Rel: 31 Jan 25
Closed-back studio reference headphones
Notes: Closed-Back Headphones of Excellence
Experience limitless possibilities with Lensys Professional. Whether you're in the studio or on the move, these headphones provide the comfort and durability you need. Their closed design, meticulous ergonomics, and robust materials make them the ideal choice for any environment. With Focal drivers delivering extremely accurate sound, you can trust these headphones for professional use. Plus, the included case and two cables add further convenience and flexibility to your experience.
Comfort & Insulation
Comfort is essential for headphones used during extended work sessions. The Lensys Professional headphones are designed to be lightweight and feature memory foam ear cushions for a comfortable fit and excellent sound insulation. Additionally, the aerated fabric headband provides a consistent curvature, making it perfect for extended wear.
Accuracy. Anywhere.
The Lensys Professional headphones are designed to offer a neutral tonal balance and high accuracy, making them an excellent choice for mixing. Their versatility and reliability make them a valuable tool in any setting, instilling confidence when working with audio. Additionally, they provide an immersive experience for binaural work.
Focal Expertise
The 40mm aluminium-magnesium 'M' dome drivers provide linear frequency response, low distortion, and improved sound dispersion, resulting in highly accurate sound. Their slightly angled position in the earcups enhances the stereo image, while their acoustic load has been optimized for operation similar to that of a bass-reflex loudspeaker.
… Read moreExperience limitless possibilities with Lensys Professional. Whether you're in the studio or on the move, these headphones provide the comfort and durability you need. Their closed design, meticulous ergonomics, and robust materials make them the ideal choice for any environment. With Focal drivers delivering extremely accurate sound, you can trust these headphones for professional use. Plus, the included case and two cables add further convenience and flexibility to your experience.
Comfort & Insulation
Comfort is essential for headphones used during extended work sessions. The Lensys Professional headphones are designed to be lightweight and feature memory foam ear cushions for a comfortable fit and excellent sound insulation. Additionally, the aerated fabric headband provides a consistent curvature, making it perfect for extended wear.
Accuracy. Anywhere.
The Lensys Professional headphones are designed to offer a neutral tonal balance and high accuracy, making them an excellent choice for mixing. Their versatility and reliability make them a valuable tool in any setting, instilling confidence when working with audio. Additionally, they provide an immersive experience for binaural work.
Focal Expertise
The 40mm aluminium-magnesium 'M' dome drivers provide linear frequency response, low distortion, and improved sound dispersion, resulting in highly accurate sound. Their slightly angled position in the earcups enhances the stereo image, while their acoustic load has been optimized for operation similar to that of a bass-reflex loudspeaker.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $595.28
(No payment required now - pay when released)
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BlaknBlu Alpha Pro Quad Mixer & VCA Module (mixer/VCA synth module)
Cat: 1061228
Alpha Pro is four identical VCAs, each with overdrive and stereo outputs
Notes: At its heart, Alpha Pro is four identical VCAs, each with overdrive and stereo outputs. However, it's also possible to link any of the VCAs together to form a voltage controlled mixer. This flexibility allows Alpha Pro to replace a bank of VCAs, sub-mixers and even your output mixer.
Each VCA has two Signal inputs and a summing mixer with individual attenuators.
There are two mix buses, allowing each VCA to act stand-alone or as part of the mix. So you can configure two separate sub-mixes, with any of the VCAs contributing to the mix, or use all channels to make an 8 input, stereo output main mix.
The VCA gain is controlled by the Initial Gain knob, and two Gain CVs - again mixed together, each with an attenuator. Having two Gain CV inputs allows for more complex modulation possibilities without needing another CV sub-mixer.
Gain response can be set to exponential or linear.
The XING switch enables zero crossing detection to prevent clicks on very fast CV inputs.
Two drive modes are available, a soft clip and a harder fuzz, with the DRIVE control increasing the gain into the overdrive circuit to increase the effect.
The VCA output is stereo, with manual and CV control of pan - again, with an attenuator.
Alpha Pro is available now as a 'founders edition' which includes the Alpha Switch as standard.
Specifications:
Width: 38HP
Depth: 22mm excl. power cable. Approx 32mm inc. shrouded power cable
Power Requirements:
+12v: 250mA
-12v: 100mA
+5v: 0mA
Inputs:
Signal (Zero attenuation): +/-5v nominal, +/-12v max
Gain CV (Zero attenuation): 0-5v nominal
Pan CV (Zero attenuation): +/-5v nominal
Outputs:
Stereo: +/-5v nominal, +/-10v max
With Drive Modes 1&2 outputs are normalised to around +/-5v max
… Read moreEach VCA has two Signal inputs and a summing mixer with individual attenuators.
There are two mix buses, allowing each VCA to act stand-alone or as part of the mix. So you can configure two separate sub-mixes, with any of the VCAs contributing to the mix, or use all channels to make an 8 input, stereo output main mix.
The VCA gain is controlled by the Initial Gain knob, and two Gain CVs - again mixed together, each with an attenuator. Having two Gain CV inputs allows for more complex modulation possibilities without needing another CV sub-mixer.
Gain response can be set to exponential or linear.
The XING switch enables zero crossing detection to prevent clicks on very fast CV inputs.
Two drive modes are available, a soft clip and a harder fuzz, with the DRIVE control increasing the gain into the overdrive circuit to increase the effect.
The VCA output is stereo, with manual and CV control of pan - again, with an attenuator.
Alpha Pro is available now as a 'founders edition' which includes the Alpha Switch as standard.
Specifications:
Width: 38HP
Depth: 22mm excl. power cable. Approx 32mm inc. shrouded power cable
Power Requirements:
+12v: 250mA
-12v: 100mA
+5v: 0mA
Inputs:
Signal (Zero attenuation): +/-5v nominal, +/-12v max
Gain CV (Zero attenuation): 0-5v nominal
Pan CV (Zero attenuation): +/-5v nominal
Outputs:
Stereo: +/-5v nominal, +/-10v max
With Drive Modes 1&2 outputs are normalised to around +/-5v max
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $432.57
(No payment required now - pay when released)
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Zoom MS-90LP+ Multi-Stomp Looper Effect Pedal (time effects pedal)
Cat: 1061944
A stereo looper for guitarists and keyboardists offering high quality sound
Notes: The Zoom MS-90LP+ is a versatile stereo looper. With the tap of your foot you can add loops, layers, effects and rhythm patterns. And with 32-bit float processing, the MS-90LP+ gives creators flawless audio quality every time.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $172.00
(No payment required now - pay when released)
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Knobula Chord Pilot Dark Mode Chord Sequencer Module (sequencer synth module)
Cat: 1066125 Rel: 31 Jan 25
Algorithimic chord generator module with up to 8 voices
Notes: The world's favorite CV to Midi chord generator, now available in black.
Chord Pilot is an algorythmic chord generator that lets you create chords by defining their size and shape, instead of by their name. So forget about major, minor Dorian 7th augmented add 9ths, Chord Pilot lets you tweak your way to musical nirvana. You can store up to 196 original chords and fire them at will using the 8 buttons, CV control or midi.
Connect it up to any midi synth or a Poly Cinematic or a Pianophonic and let Chord Pilot navigate you through a musical journey of inspiring arpeggios, orbiting chord sequences and stunning polyphonic spreads of up to 8 notes at once.
… Read moreChord Pilot is an algorythmic chord generator that lets you create chords by defining their size and shape, instead of by their name. So forget about major, minor Dorian 7th augmented add 9ths, Chord Pilot lets you tweak your way to musical nirvana. You can store up to 196 original chords and fire them at will using the 8 buttons, CV control or midi.
Connect it up to any midi synth or a Poly Cinematic or a Pianophonic and let Chord Pilot navigate you through a musical journey of inspiring arpeggios, orbiting chord sequences and stunning polyphonic spreads of up to 8 notes at once.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $400.63
(No payment required now - pay when released)
FORTHCOMING
Related products...
Korg miniKORG 700Sm 37-Key Analogue Synthesiser (analogue keyboard synthesiser)
Cat: 1066370
A compact tribute to the iconic miniKORG 700, the very origin of Korg's analogue synth history, enhanced to meet the needs of today's musicians
Notes: The miniKORG 700Sm is a compact tribute to the iconic miniKORG 700, the very origin of Korg's analogue synth history, enhanced to meet the needs of today's musicians. Featuring two oscillators for thick, detuned sounds, the miniKORG 700Sm sees the return of the signature Traveler controller, allowing for expressive filter adjustments. With advancements like aftertouch, spring reverb, an arpeggiator, and a range of connectivity options including USB and MIDI, this synth is both a powerful standalone instrument and an excellent companion to stage keyboards. Complete with a custom soft case and a free software bundle, the miniKORG 700Sm brings vintage analogue sound into the present day.
Released in 2021, the miniKORG 700FS was a spectacular recreation of the legendary 1970s miniKORG 700S analogue synthesizer, enhanced with additional functionality that wasn't possible in the original. The miniKORG 700FS was so popular that its limited production run sold out quickly, with significant demand for increased production. Korg has a long history of groundbreaking analogue synthesizers. The miniKORG 700Sm is a tribute to the miniKORG 700, the very origin of Korg's analogue synth history, while being enhanced to meet the needs of today's musicians.
Downsizing the miniKORG 700FS
The miniKORG 700Sm retains all the features of the miniKORG 700FS in an instrument approximately 86% the size of the original. Additionally, the miniKORG 700Sm weighs just 5.8 kg (12.8 lbs), making it easy to transport.
The elements vital to an analogue synth
The character and richness of the sounds produced by the miniKORG 700 could not be realized through analogue modelling. Although it's possible to replicate a circuit by using the same parts and copying the design schematics or circuit board, there's no guarantee that this will reproduce the original sound. This is because the components age over time, dramatically altering the sound. To accurately recreate the original sound, Korg had to rely on the experience and skill of the technicians who worked on the original product.
Korg were able to bring the original sound to life thanks to their team of technicians, who have gained invaluable expertise over the years through their work on numerous synthesizer revival projects. This team was guided by the legendary Fumio Mieda, a Korg engineer since the early 1970s and one of the designers of the original miniKORG 700S. Working closely with Korg's sound designers, they meticulously reproduced the original sound as faithfully as possible. Those who play the miniKORG 700Sm will experience it as a beautifully crafted and authentic recreation of the original.
Beautiful synth leads, thick bass - and more
The miniKORG 700 was Korg's first synthesizer, and produced some of the most recognizable, rich and fattest analogue sounds of the time. The new miniKORG 700Sm features oscillators with an unmistakeable tone and an authentic recreation of the Traveler controller- a signature element of the miniKORG 700- designed to add extraordinary colour and expression to performances. Its sound fits seamlessly in today's music, especially with its standout lead and bass synth tones.
Secondary keyboard possibilities
The miniKORG 700 was originally designed as a secondary keyboard, often placed on top of an organ to expand their sound palette. The miniKORG 700Sm, with its compact and portable form factor, stands out as a powerful solo instrument but also complements stage keyboards like electric pianos and organs perfectly.
The controls on the miniKORG 700 were laid out below its keys in a row, allowing players to easily access them when it was placed on top of another instrument. This intuitive layout remains unchanged, offering simplicity, ease of use, and a unique look that sets it apart from any other instrument.
Expanded functionality When the miniKORG 700 was originally released, electronic components were larger in size, limiting functionality due to the small space inside. Thanks to advancements in technology, there is now room to include a spring reverb as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack. Korg have also added memory programs to store settings, something that wasn't available in the early 1970s.
Traveler controller
A unique feature of the miniKORG 700, the Traveler controller, consisted of two parallel sliders located below the keyboard. With these controls, players could adjust the cutoff frequency, with the upper lever controlling the low-pass filter and the lower lever controlling the high-pass filter. This gave players the freedom to adjust the expressive character of the sound according to the position of the levers. By moving the levers to the left and right while playing the keys, wah-wah and muted sounds could be created along with the iconic "traveling" sound.
Since the sound passing through the filter has a lower cutoff frequency and higher cutoff frequency than the frequencies set by the sliders, all frequencies are filtered and thus no sound is heard when the positions of the two sliders are inverted. In other words, making the two sliders cross would in theory produce no sound. To address this, the original miniKORG 700 featured protrusions on the sliders to physically prevent them from crossing.
The design was both a benefit and limitation of analogue circuitry. In the past- and even today- it's impossible to design a filter with perfect characteristics. During the time that the miniKORG 700 was sold, some players would shave off the protrusions on the sliders to allow them to cross, in an attempt to create new sounds. In fact, some models sold internationally did not even have the protrusions to begin with. The miniKORG 700Sm also does not have the protrusions, opening endless sound design possibilities and allowing players to create patches in unique ways.
A second oscillator The miniKORG 700 was a single-oscillator mono synth. One year later 1974, the miniKORG 700S was released with more space added to the left of the keyboard for a controller. This version also introduced a second oscillator, a ring modulator, and other enhancements. The new Sm model is a revival of the 700S, with its expanded functionality, including two oscillators that deliver powerful detuning and thick, penetrating sounds, particularly for bass and lead sounds.
Includes a made-to-fit soft case
The miniKORG 700Sm comes with a custom-made soft case designed to perfectly fit the instrument, ensuring both protection and portability. This case makes it easy to take your miniKORG 700Sm wherever you go, whether you're performing, recording, or traveling, keeping your synth safe and secure.
Free music software bundle
The miniKORG 700Sm comes with a diverse variety of music software including Izotope (featuring "Ozone Elements" which lets you not only create songs but also master them using AI), "Skoove" which will help you improve your keyboard playing skills, "miniKORG 700S" from the Korg Collection software, as well as a wide range of software synths from Korg and other developers.
Specifications
Keyboard: 37 keys (Slim-key, with aftertouch, no velocity sensitivity)
Range: 7 octaves
Waveform: Triangle wave, Square wave, Sawtooth wave, Chorus I, Chorus II
Programs: 14
Input: USB connector (Type B), MIDI IN connector, SYNC IN and SYNC OUT jack (3.5mm monaural mini phone jack), CV IN and GATE IN jack (3.5mm monaural mini phone jack), AUDIO IN jack (6.3mm monaural phone jack, TS unbalanced)
Output: OUTPUT L/MONO and R jack (6.3mm stereo phone jack, TS unbalanced), Headphones jack (6.3mm stereo phone jack)
Power supply: AC adapter (DC 12V)
Power consumption: 9W
Dimensions (W × D × H): 641 x 228 x 107 mm/25.24" x 8.98" x 4.21"
Weight: 5.8 kg/12.79 lbs.
Included items: AC adapter, Traveler knob (without protrusions type) x 2, Soft case Accessories (sold separately)
SQ-CABLE-6 (Patch Cable)
… Read moreReleased in 2021, the miniKORG 700FS was a spectacular recreation of the legendary 1970s miniKORG 700S analogue synthesizer, enhanced with additional functionality that wasn't possible in the original. The miniKORG 700FS was so popular that its limited production run sold out quickly, with significant demand for increased production. Korg has a long history of groundbreaking analogue synthesizers. The miniKORG 700Sm is a tribute to the miniKORG 700, the very origin of Korg's analogue synth history, while being enhanced to meet the needs of today's musicians.
Downsizing the miniKORG 700FS
The miniKORG 700Sm retains all the features of the miniKORG 700FS in an instrument approximately 86% the size of the original. Additionally, the miniKORG 700Sm weighs just 5.8 kg (12.8 lbs), making it easy to transport.
The elements vital to an analogue synth
The character and richness of the sounds produced by the miniKORG 700 could not be realized through analogue modelling. Although it's possible to replicate a circuit by using the same parts and copying the design schematics or circuit board, there's no guarantee that this will reproduce the original sound. This is because the components age over time, dramatically altering the sound. To accurately recreate the original sound, Korg had to rely on the experience and skill of the technicians who worked on the original product.
Korg were able to bring the original sound to life thanks to their team of technicians, who have gained invaluable expertise over the years through their work on numerous synthesizer revival projects. This team was guided by the legendary Fumio Mieda, a Korg engineer since the early 1970s and one of the designers of the original miniKORG 700S. Working closely with Korg's sound designers, they meticulously reproduced the original sound as faithfully as possible. Those who play the miniKORG 700Sm will experience it as a beautifully crafted and authentic recreation of the original.
Beautiful synth leads, thick bass - and more
The miniKORG 700 was Korg's first synthesizer, and produced some of the most recognizable, rich and fattest analogue sounds of the time. The new miniKORG 700Sm features oscillators with an unmistakeable tone and an authentic recreation of the Traveler controller- a signature element of the miniKORG 700- designed to add extraordinary colour and expression to performances. Its sound fits seamlessly in today's music, especially with its standout lead and bass synth tones.
Secondary keyboard possibilities
The miniKORG 700 was originally designed as a secondary keyboard, often placed on top of an organ to expand their sound palette. The miniKORG 700Sm, with its compact and portable form factor, stands out as a powerful solo instrument but also complements stage keyboards like electric pianos and organs perfectly.
The controls on the miniKORG 700 were laid out below its keys in a row, allowing players to easily access them when it was placed on top of another instrument. This intuitive layout remains unchanged, offering simplicity, ease of use, and a unique look that sets it apart from any other instrument.
Expanded functionality When the miniKORG 700 was originally released, electronic components were larger in size, limiting functionality due to the small space inside. Thanks to advancements in technology, there is now room to include a spring reverb as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack. Korg have also added memory programs to store settings, something that wasn't available in the early 1970s.
Traveler controller
A unique feature of the miniKORG 700, the Traveler controller, consisted of two parallel sliders located below the keyboard. With these controls, players could adjust the cutoff frequency, with the upper lever controlling the low-pass filter and the lower lever controlling the high-pass filter. This gave players the freedom to adjust the expressive character of the sound according to the position of the levers. By moving the levers to the left and right while playing the keys, wah-wah and muted sounds could be created along with the iconic "traveling" sound.
Since the sound passing through the filter has a lower cutoff frequency and higher cutoff frequency than the frequencies set by the sliders, all frequencies are filtered and thus no sound is heard when the positions of the two sliders are inverted. In other words, making the two sliders cross would in theory produce no sound. To address this, the original miniKORG 700 featured protrusions on the sliders to physically prevent them from crossing.
The design was both a benefit and limitation of analogue circuitry. In the past- and even today- it's impossible to design a filter with perfect characteristics. During the time that the miniKORG 700 was sold, some players would shave off the protrusions on the sliders to allow them to cross, in an attempt to create new sounds. In fact, some models sold internationally did not even have the protrusions to begin with. The miniKORG 700Sm also does not have the protrusions, opening endless sound design possibilities and allowing players to create patches in unique ways.
A second oscillator The miniKORG 700 was a single-oscillator mono synth. One year later 1974, the miniKORG 700S was released with more space added to the left of the keyboard for a controller. This version also introduced a second oscillator, a ring modulator, and other enhancements. The new Sm model is a revival of the 700S, with its expanded functionality, including two oscillators that deliver powerful detuning and thick, penetrating sounds, particularly for bass and lead sounds.
Includes a made-to-fit soft case
The miniKORG 700Sm comes with a custom-made soft case designed to perfectly fit the instrument, ensuring both protection and portability. This case makes it easy to take your miniKORG 700Sm wherever you go, whether you're performing, recording, or traveling, keeping your synth safe and secure.
Free music software bundle
The miniKORG 700Sm comes with a diverse variety of music software including Izotope (featuring "Ozone Elements" which lets you not only create songs but also master them using AI), "Skoove" which will help you improve your keyboard playing skills, "miniKORG 700S" from the Korg Collection software, as well as a wide range of software synths from Korg and other developers.
Specifications
Keyboard: 37 keys (Slim-key, with aftertouch, no velocity sensitivity)
Range: 7 octaves
Waveform: Triangle wave, Square wave, Sawtooth wave, Chorus I, Chorus II
Programs: 14
Input: USB connector (Type B), MIDI IN connector, SYNC IN and SYNC OUT jack (3.5mm monaural mini phone jack), CV IN and GATE IN jack (3.5mm monaural mini phone jack), AUDIO IN jack (6.3mm monaural phone jack, TS unbalanced)
Output: OUTPUT L/MONO and R jack (6.3mm stereo phone jack, TS unbalanced), Headphones jack (6.3mm stereo phone jack)
Power supply: AC adapter (DC 12V)
Power consumption: 9W
Dimensions (W × D × H): 641 x 228 x 107 mm/25.24" x 8.98" x 4.21"
Weight: 5.8 kg/12.79 lbs.
Included items: AC adapter, Traveler knob (without protrusions type) x 2, Soft case Accessories (sold separately)
SQ-CABLE-6 (Patch Cable)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,203.98
(No payment required now - pay when released)
FORTHCOMING
Related products...
dsp.coffee 22 Deaf Chinchillas Analogue Synth Voice Module (modular synthesiser)
Cat: 1035224
Analogue synth voice module - 12HP
Notes: 22 Deaf Chinchillas is the first product from dsp.coffee, an all-analogue eurorack voice module based around Electro Smith's analogue submodules. Produced in a very limited hand-numbered edition of 10.
AS3340 VCO (CEM3340):
Sine, Tri, Saw, and Pulse outputs
Saw and Pulse normalled to VCA
Linear FM
Exponential FM
Hard Sync
Soft Sync
PWM
AS2164 VCA:
Dual VCA patched to inputs of the filter, but can also be used by external sources
SSI2144 VCF (SSM2044):
Dual VCF, fed by the output of the VCA
Self-oscillates a pure sine wave
DC coupled outputs. Can be used as a quad LFO (negative 1v/oct input will yield very slow speeds)
Gnarly self-patching possibilities
Ominous bipolar chinchilla eyeball LEDs for feedback
High-quality Rogan Knobs (like ones used on Make Noise and Mutable Instruments modules)
Dimensions:
12 HP, 30 mm deep
Current Draw:
90 mA +12V
73 mA -12V
0 mA 5V
… Read moreAS3340 VCO (CEM3340):
Sine, Tri, Saw, and Pulse outputs
Saw and Pulse normalled to VCA
Linear FM
Exponential FM
Hard Sync
Soft Sync
PWM
AS2164 VCA:
Dual VCA patched to inputs of the filter, but can also be used by external sources
SSI2144 VCF (SSM2044):
Dual VCF, fed by the output of the VCA
Self-oscillates a pure sine wave
DC coupled outputs. Can be used as a quad LFO (negative 1v/oct input will yield very slow speeds)
Gnarly self-patching possibilities
Ominous bipolar chinchilla eyeball LEDs for feedback
High-quality Rogan Knobs (like ones used on Make Noise and Mutable Instruments modules)
Dimensions:
12 HP, 30 mm deep
Current Draw:
90 mA +12V
73 mA -12V
0 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $272.92
(No payment required now - pay when released)
FORTHCOMING
Related products...
JMT Synth NOSC-12 analogue Desktop Drone Synthesiser (analogue desktop synthesiser)
Cat: 1060989
12 oscillator drone synthesiser, six main oscillators with six sub oscillators.
Notes: The NOSC-12, from JMT Synth, is a 12 oscillator drone synthesiser, six main oscillators with six sub oscillators. There are frequency controls for each of the oscillators, including the sub oscillators, which also include sync switches for each of the oscillator pairs. Each of the oscillators are mixed together to a 1/4" output jack.
NOSC-12 Features
12 Oscillator Drone Synth
12 Suboscillators, one per Osc
Volume Controls for each OSC
Sync switches for each OSC.
… Read moreNOSC-12 Features
12 Oscillator Drone Synth
12 Suboscillators, one per Osc
Volume Controls for each OSC
Sync switches for each OSC.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $205.98
(No payment required now - pay when released)
FORTHCOMING
Related products...
Suonobuono NABC+ Sidechain Stereo Analogue Compressor (analogue compressor)
Cat: 1057573
Stereo analogue compressor
Notes: The nABC+ is a unique stereo, analog, digitally controlled sidechain compressor.
Its sound spans from clean and smooth to warm and saturated, thanks to the high-gain analog preamps. The digital control unlocks features that are impossible with any other compressor. Compression can be triggered by MIDI, analog gate/CV and audio signals.
The nABC+ includes extra features designed with live musicians and small studios in mind. For example, you may mix your sidechain signal and the compressed audio directly inside the nABC+, saving on mixer channels and cabling. If you play with acoustic drums, you may even plug a dynamic drums microphone directly to the sidechain input, without need for external preamplifiers or mixers.
… Read moreIts sound spans from clean and smooth to warm and saturated, thanks to the high-gain analog preamps. The digital control unlocks features that are impossible with any other compressor. Compression can be triggered by MIDI, analog gate/CV and audio signals.
The nABC+ includes extra features designed with live musicians and small studios in mind. For example, you may mix your sidechain signal and the compressed audio directly inside the nABC+, saving on mixer channels and cabling. If you play with acoustic drums, you may even plug a dynamic drums microphone directly to the sidechain input, without need for external preamplifiers or mixers.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $351.19
(No payment required now - pay when released)
FORTHCOMING
Related products...
Mooer Audio GL100 Groove Loop Phrase & Drum Station (looper/drummer effects pedal)
Cat: 1064240
A feature-packed dual-footswitch stereo phrase looper and drum machine
Notes: Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.
Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.
The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.
In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.
Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.
As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.
Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.
Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.
2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g
… Read morePerhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.
The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.
In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.
Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.
As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.
Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.
Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.
2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $135.43
(No payment required now - pay when released)
FORTHCOMING
Related products...
Noise Engineering Confundo Funkidos Four-Part Probabilistic Rhythm Crossfader Module (silver) (controller synth module)
Cat: 1064913
A rhythm crossfader and mute utility with CV-controllable crossfader and three Curve algorithms
Notes: Four-part probabilistic rhythm crossfader
Confundo Funkidos is a rhythm crossfader and mute utility. Patch two pairs of rhythms to the left and right inputs, then use the CV-controllable crossfader and three Curve algorithms to fade between them and combine them in different ways. Each channel has a mute switch which can be used to bring a voice in and out of a patch at will. Tap the Burn button for some instant fills, and your percussion performances will never be the same.
New to the second version is the addition of four Accent outputs. Accent patterns are generatively created using the rhythms at the inputs, adding a new, dynamic dimension to even the simplest of trigger sequences. The Accent jacks output high or low gates, which can be used with dedicated percussion modules or as modulation sources in a patch.
The Burn functionality has also been expanded, with the addition of a potentiometer for more versatile and hands-on fill creation. Even the Mute switches have been expanded with three positions: each channel can output triggers but not receive Burn fills or output accents when set to the middle position.
If you want to liven up your percussion system with a completely unique and hands-on utility, Confundo Funkidos brings modular performance to a whole new level.
Size and Power
12HP Eurorack
+12v: 55mA
-12v: 15mA
Confundo from Latin confundo - "to blend"
Funkidos agitation disease - from Flemish fonck "agitation" with suffix dos for "two"
"Second blended agitation"
What's in the box?
Module
Power cable
Noise Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase separately.
… Read moreConfundo Funkidos is a rhythm crossfader and mute utility. Patch two pairs of rhythms to the left and right inputs, then use the CV-controllable crossfader and three Curve algorithms to fade between them and combine them in different ways. Each channel has a mute switch which can be used to bring a voice in and out of a patch at will. Tap the Burn button for some instant fills, and your percussion performances will never be the same.
New to the second version is the addition of four Accent outputs. Accent patterns are generatively created using the rhythms at the inputs, adding a new, dynamic dimension to even the simplest of trigger sequences. The Accent jacks output high or low gates, which can be used with dedicated percussion modules or as modulation sources in a patch.
The Burn functionality has also been expanded, with the addition of a potentiometer for more versatile and hands-on fill creation. Even the Mute switches have been expanded with three positions: each channel can output triggers but not receive Burn fills or output accents when set to the middle position.
If you want to liven up your percussion system with a completely unique and hands-on utility, Confundo Funkidos brings modular performance to a whole new level.
Size and Power
12HP Eurorack
+12v: 55mA
-12v: 15mA
Confundo from Latin confundo - "to blend"
Funkidos agitation disease - from Flemish fonck "agitation" with suffix dos for "two"
"Second blended agitation"
What's in the box?
Module
Power cable
Noise Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase separately.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $338.85
(No payment required now - pay when released)
