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Walrus D1 High-Fidelity Delay MAKO Series Pedal
Cat: 807710 Rel: 31 Mar 21
Delay/dual & stereo effects pedal
Notes: Feature-rich delay packed with inspirational delay algorithms. Digital, Analog, Lo-fi and Slap Back help go from rhythmic riffs to warm, murky repeats.

The first in the Mako series, the D1 is a powerful multi-function delay with five, studio grade, high-fidelity, custom tuned programs. The programs are Digital, Mod, Vintage, Dual and Reverse. Each can be tuned and tweaked with modulation, tone, age, and subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control and on-board presets. A workhorse of a delay that is just as ready for the road as it is the studio.


Each program can be fully customized to your taste and playing style with the Tweak knob. Flip the toggle switch to Mod to bring in a tasteful modulation to your delay trails. Tone will brighten or darken your delay trails. Age will add some grit and wear reminiscent of vintage delay units. Subdivisions can be easily changed between quarter, eighth and dotted eighth.

Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.

Mod - The Mod delay progam has unique modulation LFOs applied to the repeats that are random and run at multiple rates to create unpredictable pitch modulation. This results in very unique sounding repeats perfect for warping minds and scattering trains of thought.

Vintage - The Vintage program allows for analog delay inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off low end.

Dual - The Dual program employs two delays in parallel, each with different time divisions. When connected in mono, the two delays are added together. When connected in stereo, one set of repeats is sent to the left output and one set is sent to the right. The division switch has unique functionality in Dual mode. We'll break it down for you below:

In the quarter note position, the D1 offers 1/4 note and 1/4 triplet repeats.
In the eighth note position, the D1 offers 1/8 note and 1/4 triplet repeats.
In the dotted eighth note position, the D1 offers 1/4 note and .1/8 repeats.
Reverse - The Reverse program reads the delay memory backwards creating a unique delay repeat character known as reverse delay.


The D1 is capable of saving up to nine on-board presets and up to 128 are accessible via midi. Onboard presets are accessible with the bank switch. Cycle between presets in each bank by pressing bypass and tap at the same time. You will see the tap LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple to show that you have edited the preset. Refer to the manual for accessing and saving presets via midi.


The Attack knob will soften the attack of the echoes. Dreamy and ethereal soundscapes can be created with higher repeat and attack settings.

Bypass and Tempo Modes:

The D1 has three different bypass modes. True bypass, DSP+True Bypass (trails), and DSP Bypass. The D1 offers global and preset tempo modes. Global mode keeps the tempo the same when changing presets. Preset tempo will use the delay time that was stored when the preset was saved. Refer to the manual for more info on switching modes.

Momentary Functions:

Press and hold the bypass switch to ramp up the repeats of the delay. Release to set the feedback back to the knob location.

A world-class delay with lots of sounds

The D1's programs are Digital, Mod, Vintage, Dual and Reverse. Each can be tuned and tweaked with modulation, tone, age, and subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control and on-board presets. A workhorse of a delay that's just as ready for the road as the studio.

5 Unique Programs:

The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.
The Mod delay program has unique modulation LFOs applied to the repeats that are random and run at multiple rates to create unpredictable pitch modulation. This results in very unique sounding repeats perfect for warping minds and scattering trains of thought.
The Vintage program allows for analog delay inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off low end
The Dual program employs two delays in parallel, each with different time divisions. When connected in mono, the two delays are added together. When connected in stereo, one set of repeats is sent to the left output and one set is sent to the right. The division switch has unique functionality in Dual mode.
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MRP:$385.59 SAVE 18%
coming soon $316.78
Cosmotronic Cosmix Aural Enhancing Stereo Mixer Module
Cat: 803497
Distortion/dual & stereo/mixer/dynamics/effect/panning synth module
Notes: Cosmix is an 8-channel stereo mixer with a built in analog stereo dual band maximizer.

It has four mono channels and two stereo channels, the left inputs 5 and 7 are normalised to the right inputs 6 and 8 respectively.

The four mono channels have panning- and aux send controls.

All channels are accommodated with a dedicated mute switch for live performance.

The aux output can be routed to an external effect and the four small switches below the volume faders set whether the signal that is routed to the aux bus is pre or post fader.

The master bus can optionally be fed into the stereo Drive circuit.

This circuit is true stereo, and improves almost any sound source, with full bass and amazing spatial resolution.

It works like a dual band maximizer, with separate faders for high and low frequencies.

The analog overdrive circuit can be bypassed but we don't recommend it as it sounds great and really glues the whole mix together nicely.

The overall volume can be set with the main volume knob.

The output of the compressor feeds into a diode clipping circuit, to to create a warm saturated distortion.

By playing with the levels of each channel different clipping characteristics can be achieved.

However if you prefer to keep the output signal clean, the bypass switch allows you to bypass the circuit.

The white lines indicate the non-distorted 0dB point for each channel, when the drive circuit is active and the sliders are set to zero.

Driving a channel above the white line pushes it into more overdrive and distortion, assuming 10vpp Eurorack level.

Different tones can be created by playing around with the gain staging!

Main output is eurorack level (10vpp)
Input impedance: 100k
Output impedance: 1k

70 mA +12V
70 mA -12V
0 mA 5V
20 mm deep
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coming soon $269.08
Modulaire Maritime Decca Voltage Source/Manual CV Gate/Muting Control Module
Notes: This module is a manual control module for modular synth. Thought for live performance or to bring more manual control while recording in "one take" the module is, at the same time:

-Voltage source
-Manual CV-Gate
-Muting - Control module

Details & use:

Two voltage source's outputs (at the top) provides voltages from 0 to 5V*. Those voltages are buffered thru op-amp and are controllable by potentiometers. Each have a dedicated button-switch so the selected voltages can be applied precisely (for exemple applying it on filter's cv's, oscillator's fm, delay's cv, etc.) on one part of the sequence for eg. or at desired moment.
Those buttons are maintained (enable/disable, stays active when pressed) and are illuminated when "on".

The voltage sources, beside their use for manual cv modulation, are also very useful in all situation where fixed voltages are needed (to fix and keep desired cv amount, for the same accent on drum module for ex. or when using an external instruments who works on line level so much more quite than modular- once connected to a modular-you'll need a constant voltage to keep the VCA permanently open so that the instrument can reach the modular's level and you can hear it, use it normally, etc.

The four grey button-switches (on the sides) are the simple manual gates and are momentary with no latency. They will send gate signal as long as you keep them pressed (led indicated).
You'll use them to trigger manually an envelopes, play drum modules for eg, apply it on any other cv/gate input..

The three illuminated button-switches have inputs so they can be used to mute signals.

The two on the bottom are maintained while the one in the middle is momentary - for the bigger flexibility of use. The button's leds will indicate the signal going thru.

You'll use those switches to stop, mute one signal let go another one, break a sequence's gate with another one from the another switch, etc. -all under your fingers!

If nothing is plugged in the inputs of those switches they'll find their manual gate use-just like their neighbor buttons.

Made for more fun with a modular!
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MRP:$137.61 SAVE 36%
coming soon $88.55
Rides In The Storm Modules DPM Dual Passive Multiple Module
Cat: 805806 Rel: 01 Feb 21
Dual passive multiple module
Notes: DPM Dual Passive Multiple Module

Three 3.5mm inputs and two 6.3mm outputs or vice versa.

Rackspace: 4HP
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coming soon $47.67
Rides In The Storm Modules SUN Compact Eurorack Power Adapter Module
Cat: 805807 Rel: 01 Feb 21
Eurorack power adapter module
Notes: Rides In The Storm Modules SUN Compact Eurorack Power Adapter Module
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coming soon $183.92
Tenderfoot Electronics SVF-1 State Variable Filter Module
Cat: 805888 Rel: 01 Feb 21
State variable filter module
Notes: The new SVF-1 from Tenderfoot Electronics is a great sounding state variable filter with voltage controlled cutoff and resonance. The SVF-1 self-oscillates when the resonance is turned up and has a 1V/octave input for use as a sine wave VCO.

The resonance circuit includes a Q control, a drive control, and a button to press if you're feeling less polite and really want to push the resonance beyond its limit and get it sounding dirty! The Q control is also controllable via a CV input jack.

All outputs are available simultaneously:
Low Pass
Band Pass
High Pass

A tonne of versatility from a filter in 8HP.

53 mA +12V
53 mA -12V
0 mA 5V
21 mm deep
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MRP:$216.64 SAVE 21%
coming soon $170.30
LA67 WFM Oscillator Module
Cat: 806152 Rel: 01 Feb 21
Oscillator module
Notes: An analog VCO with a unique wave shaping circuit. Based on the 1970s Kobol synthesizers, the WFM output provides a continuously variable wave shape from triangle to saw to modulated pulse, with many interesting points in between. Voltage control over wave shape and output amplitude allow for wide timbral variations.

Technical Specifications

35mm depth
Current draw: 65mA/65mA +12v/-12v

Reverse power polarity protection

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coming soon $321.32
Tenderfoot Electronics Hike 2 Channel LFO/EG/Random CV Source Module
Cat: 805885 Rel: 01 Feb 21
2-channel envelope generator module
Notes: Hike

Hike is the new 2 - channel envelope generator from Tenderfoot Electronics.

Each channel has 3 main modes:
Red = Looping envelope 0V to 8V
Green = One-shot triggered A/D envelope
Yellow = ASR envelope for use with longer gate signals.

Each channel has separate mode buttons, rise and fall knobs, as well as additional CV control over the rise and fall.

Each channel has an attenuator to dial back the 0V to 8V output.

Holding the mode button puts the channel into random voltage mode and acts similarly to a sample and hold circuit.

The 'rise' knob alters the rate at which the sample triggers occur.

the 'fall' knob adjusts the level of randomness from one sample to the next.
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MRP:$216.64 SAVE 13%
coming soon $188.47
Tenderfoot Electronics Ease 3 Channel Mixing Attenuverter Module
Cat: 805886 Rel: 01 Feb 21
3-channel attenuverter/CV & audio mixer module
Notes: Ease is a 4HP, 3-channel attenuverter that can also be used as a CV or audio mixer.

If their outputs are not in use, channel 1 and 2 mix into the output of channel 3.

With the inputs unpatched, each channel can be used as a +/- 5V DC source.
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MRP:$121.26 SAVE 21%
coming soon $95.36
Gamechanger Audio Footswitch for Plus Sustain Pedal
Cat: 807408 Rel: 15 Feb 21
Footswitch pedal for Gamechanger Plus Sustain
Notes: This is a special Footswitch that gives you quick and easy access to the PLUS Pedal's "WET only" mode.

Acting as a kill-switch for your instruments DRY signal (which is useful to have on your board anyway), it lets you build huge drones and then drop your instrument back into the mix with one click!.

The WET Only Footswitch serves as a remote foot-controller that bypasses the SPLIT & MIX toggle switch on the PLUS Pedal's side panel, thus letting you switch in and out of the WET Only mode on the fly.

This flexibility allows you to build up a rich layer of ambient sound effects and then quickly unmute your instrument and return to playing on top.

(Note: Switch for OUT 1 must be set to MIX in order to use footswitch.) When using the WET Only footswitch (plugged into "CLEAN OUT/FSW"), you can still access the DRY only signal through a special DRY OUT output built into the Footswitch itself.

Input: 1/4" TRS (Stereo) in from PLUS Pedal, TRS Cable is included
Output: 1/4" Mono Dry Out
Product Dimensions: WLH 58 x 66 x 46 mm (2.3 x 2.6 x 1.8 in)
Product Weight: 230 g (0.5 lbs)

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MRP:$53.14 SAVE 19%
coming soon $43.14
Gamechanger Audio Plasma High Voltage Distortion Rack Unit
Cat: 807417 Rel: 15 Feb 21
Distortion rack unit
Notes: The PLASMA RACK is a 1U sized high-end audio effects unit designed for professional and studio use.

At its heart is the unique High Voltage Distortion concept - a brand new way of analog signal processing developed in 2018 by Gamechanger Audio.

By using a High voltage step-up flyback transformer, PLASMA RACK turns your instrument's signal into a rapid series of electric discharges in a Xenon-filled tube. These powerful discharges (up to 5500 Volts) then get picked up by a specially designed electromangatec receiver and turned back into audio-level signal. This process results in a large amount of punishingly heavy distortion, and also saturates the sound with a wide range of harmonics and overtones.

The harmonic artefacts, created as a byproduct of the high-voltage discharge are uncommon in traditional signal amplification, and therefore PLASMA distortion is unlike anything you have heard before.

The way PLASMA Rack reacts with different instruments and sound sources simply cannot be recreated with any other analog machine, plugin or by digital sound modeling.


Gives you more and control over key PLASMA frequencies.
(10Hz, -20 to 20 dB LP Shelving Filter; 600Hz, -6 to 6 dB; 20kHz, -10 to 10 dB HP Shelving filter)


Can be used to fine-tune the PLASMA RACK for any type of input signal (adjusting to different pickups etc.)
(Preamp gain range -26dB to +12dB )


Built-in adaptive compressor that lets you prolong the PLASMA Tube's output at Low-Voltage settings.

The resulting effect is like a long electrical sputter and is quite unpredictable and extraordinary.


Analog Octave up / Overtone effect achieved byoverpowering the PLASMA Tube.

This gives note attacks some serious Octavia-style upper harmonics, and also makes the whole sound extremely intense.


Use the PLASMA Tube's gating effect on any CLEAN Signal without the added Distortion.

Works great on all percussive instruments, as well as breaking up heavy reverbs and creating "bit-crush" type effects, but using an analog spark gap as a medium.


A very unusual Tremolo circuit that takes full advantage of the PLASMA Tube's sputtery and abrupt bursts.

The Tremolo range goes from slow to full-on screaming Ring mod.

Also, features a Dynamic Tremolo mode (Trigger the Ring mod (or tremolo) effect on transients, or only as the sound starts decaying.


PLASMA sound blends very well together with a classic op-amp distortion, therefore the PLASMA RACK gives you access to a built-in distortion circuit to create a huge sound instantly.

The CLEAN GATE button applies the Tube's gating effect to the distorted channel.


Modify the signal path by inserting external effects or plugins into various parts of the PLASMA Rack's signal chain.

FX LOOP 1 - affects the DRY signal only;
FX LOOP 2 - affects the WET signal only, before it goes into the PLASMA tube;
FX LOOP 3 - affects the WET signal only, after the PLASMA Tube.


INPUTS: 1 Unbalanced 1/4' TS Jack input (Instrument), 1 Balanced combo XLR/Jack input (with PAD)

OUTPUTS: 1 Balanced XLR & 1 Unbalanced 1/4' TS Jack

MIDI: In, Through, and Out.


Control all parameters and values via CC Messages and Program Change Messages.

PLASMA Rack also features 8 Preset slots for saving sounds - incl. button states and knob values.

Also, multiple PLASMA Racks can be synchronised via MIDI CC messages.


Any potentiometer on the PLASMA Rack can be assigned to an Expression pedal.


Make your PLASMA Rack gig-ready by setting up the default boot-up states of all buttons and functions.
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coming soon $1,764.94
Tenderfoot Electronics Quad Quantizer Module
Cat: 805847 Rel: 01 Feb 21
4-channel CV quantizer module
Notes: A four-channel CV quantizer

The new Quad Quantizer from tenderfoot electronics is a versatile 4-channel CV quantizer.

This module has custom note selection, 12 pre-programmed scales and key transpositions that can be manually selected, or CV selected via the associated CV inputs.

Each channel features:
CV input - which accepts the input you wish to quantize
trigger input - which samples and holds the current voltage at the CV input (left unpatched, the quantizer continually processes the CV input)
CV output - where your freshly tuned and reordered CV will emerge to go on to your VCO or otherwise in your modular system.
trigger output - where a trigger signal is outputted every time a new CV value is produced at the CV output.

The encoder allows you to select various notes within the scale, with the left-hand button adding or deleting the selected note.

The right-hand button has multiple functions:

long press (2 seconds) - deletes all of the currently selected notes to leave you with a blank canvas.
middle press (1/2 second) - quick-saves the current selected notes into memory.
momentary press - this switches between the current panel settings and the settings saved in the quick menu.

Width: 12HP

Depth: 32mm

Current draw:

101 mA +12V
10 mA -12V
0 mA 5V
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MRP:$312.01 SAVE 18%
coming soon $255.46
Tenderfoot Electronics Ringr Dual Passive Ring Modulator Module
Cat: 805877 Rel: 01 Feb 21
Dual passive ring modulator module
Notes: Ringr - a Father Moo inspired passive ring modulator.

Inspired by Father Moo and designed by Tenderfoot Electronics,

ringr is a 2-channel, transformer-based, passive ring modulator.

Leaving the carrier unpatched, the input is routed through the diodes acting as a wave rectifier.

With both the input and carrier patched, ringr gives you 2 channels of that classic ring modulator sound in 4HP!
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MRP:$134.89 SAVE 26%
coming soon $99.91
AniModule AnVilope Module
AniModule AnVilope Module (clock generator / envelope generator / LFO synth module)
Cat: 794381
Envelope generator module
Notes: A Simple, Affordable, 4HP, Analog Envelope Generator.

Attack, Decay, Release... Simple.

- Envelope Out 0V to +7V
- Loop function so you can use it as a Variable Wave-Shape LFO / Timer
- Inverted out that goes from +7V to 0V

When the gate is High the envelope will rise and cycle through it's phases.
When gate goes low again the envelope will revert to the release phase.

If the Gate is longer than the ADR phases, the decay will play out then go to release and the envelope will end after the release.

Sprinkle them all over your system!

4HP Depth : 28mm
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MRP:$117.18 SAVE 17%
coming soon $97.64
Tenderfoot Electronics Lattice 12 Step Sequencer Module
Cat: 805814 Rel: 01 Feb 21
12-step sequencer module
Notes: Lattice is a 12-step sequencer laid out in 4 rows of 3 steps. These steps can be navigated horizontally, vertically, or sequentially through all 12 steps. Sending different clock inputs from related or unrelated signals can open up a whole world of evolving, polyrhythmic goodness.
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MRP:$298.39 SAVE 24%
coming soon $227.07
Rides In The Storm Modules TUL Dual Attenuverter & Offset Generator Module
Cat: 805793 Rel: 01 Feb 21
Dual attenuverter/offset generator module
Notes: TUL Dual Attenuator/-verter and Offset Generator

Temperature stable and accurate circuit design. The attenuator is exponential and can be regulated more precisely in the initial range.

As an attenuverter, the fader describes an S-curve, i.e. it is in Range +/- 0 finer adjustable. The AC gain is 1, so there is no loss at maximum Att/Attv settings.

The offset potentiometer shift by +/- 5 volts and can be switched to another mode on the back of the PCB using jumpers.

Here the attenuation is towards zero made until it is zero.

The normal mode leaves the voltage at the specified offset value.

Channel A is normalized to channel B so you can get two different CVs.

On the rear side of the PCB, you have a jumper to switch from offset pre fader (good for ADSR) and post fader.

Power consumption: +/- 20mA

Rackspace: 6HP

CV out is (-/+5Volt) if nothing is patched to IN A/B, so you can use it as a manual CV source.
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coming soon $74.92
Rides In The Storm Modules CON Quad Gain Converter Module
Cat: 805794 Rel: 01 Feb 21
Quad gain converter module
Notes: Two channels from line level to modular level and two channels from line level to modular level. Very low noise and low distortion circuit while preserving the transients.

Rackspace: 2HP
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coming soon $74.92
Tenderfoot Electronics Cells Expander Module (for Lattice)
Cat: 805816 Rel: 01 Feb 21
Expander module
Notes: Cells adds a number of additional features to Lattice:

A 3x4 grid of keys to select steps manually and play the sequencer more like an instrument.

Forward / Reverse mode controlled by a CV trigger and physical button.

Random step selection by CV trigger.

CV selection of the current step - great for inputting a positive envelope or LFO to cycle through the steps on the Lattice.

Gate output - Whenever a new step is navigated to, a pulse will be output by Cells in order to trigger a voice's envelope. Pressing on the keypad will also output a constant gate signal.
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MRP:$298.39 SAVE 24%
coming soon $227.07
Transient Modules u2X Dual Buffered Multiple Module
Transient Modules u2X Dual Buffered Multiple Module (dual&stereo/multiple synth module)
Cat: 804252 Rel: 25 Jan 21
Dual buffered multiple module
Notes: The u2X is a dual buffered multiple with bicolor leds for monitoring signals. Each input is copied into three outputs. As the top section is normalled to the bottom section it's also possible to get 6 copies of the same signal.

Technical specifications:

12HP, Intellijel 1U size.

20 mm depth.

Consumption: 20mA +12V; 20mA -12V
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MRP:$54.50 SAVE 17%
coming soon $45.41
Dreadbox Nostalgia 3-Stage Delay Module
Cat: 809397 Rel: 30 Apr 21
Delay/effect/external eurorack module
Notes: Enter a galaxy of rich and vibrant delays. The Dreadbox Nostalgia 3 Stage Delay is a superb effect module that can give you amazing results in moments. Delay is a true staple in the effects world and it can take your modular music to the next level via just a few cables.

The Dreadbox Nostalgia 3 Stage Delay is ideal for a range of modular music styles, from ambient to acid house. This 10HP module fits snugly in your system and has enough CV control to keep even the most avid patcher satisfied.

117 mA +12V
25 mA -12V
35 mm deep
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MRP:$107.64 SAVE 17%
coming soon $89.69
Patching Panda Moon Phase Stereo Multimode Filter Module
Cat: 804366 Rel: 25 Jan 21
Stereo multimode filter module
Notes: Stereo 12dB/octave state-variable multimode filter with powerful imaging technique to enhance and alter the stereo field.

The resonance sounds beyond any other filter when you play with the stereo imager control.

With 8 different combinations and span to separate both filters, you increase the possibilities to treat your sounds and open them in the stereo field.

Applying audio rate cv to the stereo imager or span control input and sweeping the cutoff control will create a unique character to the filter.

The resonant peaks can be shifted around the stereo field, every cv input can be modulated up to audio rate frequencies creating a wide palette of sonic combinations.

Size: 14HP

Power consumption 82mA@+12V, 63mA@-12V
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MRP:$329.73 SAVE 17%
coming soon $274.76
Patching Panda Vibrazum V2 Triple Multimode VCF Module
Cat: 804368 Rel: 25 Jan 21
Triple multimode VCF module
Notes: Versatile triple multimode VCF capable of subtle to extreme tone shaping without losing the performance availability.

The three channels have dedicated outputs, as well as a mix output.

Multiple combinations of frequencies drawings are possible.

It was designed to create a movement to the sound thanks to the individual frequencies voltage control inputs.

Each channel is able to sweep through all the frequency spectrum.

A dedicated shift control with attenuverter cv input is able to swap all 3 filtres at the same time.

The Vibrazum shines at high feedback with 24dB slope, the resonance is well compensated and performative, even taking it to the extreme will not go out of control.

It sounds very “creamy” and full of rich harmonics from a gnarly tone-­shaping tool of sonic destruction, vowel robotic sounds, acid basslines, resonant percussive sounds and more…

Simple layout without compromising the wide range of sonic possibilities.


Width: 14hp
Depth: Skiff-friendly
Current draw: +12V: <65mA, -12V: <68 mA
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MRP:$337.90 SAVE 17%
coming soon $281.57
Patching Panda Copycat Buffered Mult Module (with bicoloured LEDs)
Cat: 804381 Rel: 25 Jan 21
Dual-buffered mult module
Notes: 2hp dual Buffered Mult features 2 channels of 3 outputs or 1 channel of 6 outputs if nothing is connected to the second input, it has 2 bi-colour led showing positive and negative voltage.

2hp buffered mult

DC coupled

2 inputs

Bi-colour led showing positive (green) and negative (red) voltages

Power consumption 20mA@+12V, 28mA@-12V

Skiff friendly

(This is not a precision buffered multi)
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MRP:$96.74 SAVE 17%
coming soon $80.61
LA67 LR4 Crossover Module
Cat: 806154 Rel: 01 Feb 21
Three-way crossover module
Notes: A three-way crossover under voltage control. Two four-pole state variable filters in series allow an input signal to be split into three non-overlapping bands, while the fourth-order Linkwitz-Riley slopes provide ideal band separation. And because both filters are full range, the bandwidths are arbitrary, not range-restricted.

Technical Specifications

20mm depth
Current draw: 45mA/45mA +12v/-12v

Reverse power polarity protection
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coming soon $211.17
Sound Force DCO Digitally Controlled Oscillator Module
Cat: 804293 Rel: 25 Jan 21
Oscillator module
Notes: The SoundForce DCO is an oscillator for Eurorack based on the architecture of the Juno-60/106 oscillator section. It is a modern homage to that sound using technology from the future. It provides true analog waveforms with digital stability.

A DCO is not an all-analog VCO but also not a digital oscillator. It's an hybrid design that combines the best of both. Similarly to many VCO's, the DCO generates its core waveform, the saw wave, by charging a capacitor in an op-amp integrator configuration. A VCO will restart the waveform cycle when the signal has reached its maximum amplitude. But the DCO starts an new cycle when a micro-controller, a small computer chip, commands it to. The micro-controller also controls the rate at which the capacitor is charging, hence the frequency of the oscillator. As with a digital oscillator, the DCO acquires the CV input voltages and turns them into numbers that will later set the frequency of the oscillator. This is done inside the micro-controller using 16 bits sigma-delta analog to digital converters. All signals are true analog signals. The PULSE wave is derived from the SAW wave using a comparator and the SUB oscillators are generated using a flip-flop IC. Furthermore, the use of a very modern micro-controller with built-in 32 bits timers have improved the frequency accuracy a lot compared to the original design.

The SoundForce DCO features 10 slide pots (faders) reminiscent of the Roland synths. 5 sound sources are available: SAW, PULSE, SUB1 (1 octave lower), SUB2 (2 octaves lower) and NOISE. The built-in mixer allows you to mix them together using the faders and the MIX output jack. The PULSE has manual pulse width control, as well as PWM with a CV input and an attenuator. An FM input is also available with an attenuator. The oscillator can be hard synced to another oscillator using the SYNC input.

Frequency range : 20Hz - 14kHz
Depth: 38mm (including power connector)
Power: +12V 82mA, -12V 26mA
V/OCT input range -3 to 7V
FM input range -5V to 5V
PWM input range -5V to 5V
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MRP:$272.50 SAVE 18%
coming soon $224.80
Transient Modules 7J Compact Joystick Module
Transient Modules 7J Compact Joystick Module (attenuator/controller/CV modulation/expression/polariser synth module)
Cat: 804248 Rel: 25 Jan 21
Compact joystick module
Notes: Transient Modules 7J Joystick Module

25 mA +12V
15 mA -12V
0 mA 5V
38 mm deep
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MRP:$193.48 SAVE 17%
coming soon $161.22
Transient Modules 8S 8 Step Sequencer Module
Transient Modules 8S 8 Step Sequencer Module (sequencer/randon synth module)
Cat: 804251 Rel: 25 Jan 21
8-step sequencer module
Notes: The 8S is an 8 step sequencer in 8 HP with control over some parameters of the sequence as reset, hold, random step and direction. The inputs have been designed to work with clock related signals like triggers or gates but any type of CV signal can be used. The output signal path is completely analog and its range can be set to unipolar (0 to +5 volts) or bipolar (-5 to +5 volts) via jumper on the back of the module.

Technical specifications:


38 mm depth

Consumption: +12V: 25mA ; -12V: 5mA
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MRP:$181.21 SAVE 29%
coming soon $129.42
LA67 MACA Filter Module
LA67 MACA Filter Module (synth module)
Cat: 806156 Rel: 01 Feb 21
4-pole multimode filter module
Notes: A 4-pole multimode filter based on the SSI2140 integrated circuit. Essentially an updated version of the classic SSM2040, the new SSI2140 adds better temperature compensation and a VCA that helps eliminate low frequency damping at high resonance settings. Besides the obligatory 4-pole low pass, MACA adds both 2-pole low pass and 4-pole band pass outputs. There is also a input level control that allows you to easily overdrive the filter core.

Technical Specifications:

20mm depth
Current draw: 25mA/25mA +12v/-12v

Reverse power polarity protection
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coming soon $219.13
AniModule Line_Amp Module
AniModule Line_Amp Module (multiple / preamp / utility / dual stereo / external synth module)
Cat: 793793
Buffered multiple module
Notes: Check out AniModule's Line to Synth Level Converter.

2 Channels of 1 in <--> 2 Out.

Each channel is designed to multiply your input by *3 to boost your Line Gear / Tablet / Phone so you can integrate audio OR Control Voltages from your auxiliary systems.

Each channel's input is designed with Line Level gear's input impedance in mind.

Perfectly compatible with Synth Output Impedances, but the standard Synth Input Impedance is higher than Line level equipment is expecting.

Don't need to amplify your XPhone right this minute? Never fear! Just Hit the Switch!

This module won't sit unused in your cabinet breeding resentment and dust bunnies.

Hit the switch and that channel becomes a normal 2 HP Unity Gain Buffered Mult.

Only need one channel of each? It's YOUR Choice!
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MRP:$113.09 SAVE 17%
coming soon $94.23
AniModule STD Syncopated Timing Disruptor Module
AniModule STD Syncopated Timing Disruptor Module (clock generator / clock modulator / logic synth module)
Cat: 793790
Syncopated timing disruptor module
Notes: The STD, or Syncopated Timing Disrupter is a dual tap tempo clock with CV control for clock division and multiplication. If one wishes to synchronize the STD with other clocked gear, there is also a Gate input. The CV inputs can shift the clock to being upto 8x faster or /8 to be slower. This function is voltage controllable to turn the STD into a nonstop groove machine. Included in this are three logic functions that output gates depending on how the two channels are interacting. There is OR, ADD, and XOR logic functions.

2 Independent Tap Tempo Clock Channels
Prefer to use a Gate? No Prob! Just Patch in to the Gate Input.

Use the Div/Mult/Offset Pot to Multiply or Divide your Clock Time up to *8 - /8

Or patch In to the CV Input to Modulate the Mathematical Madness!
When CV is being input the Div/Mult/Offset Pot behaves as an Offset.

CV Input wants 0V to +5V, but whatever you got, Between the Offset, and the Front Panel CV Attenuators, it's easy to dial in your desired range of "On the Fly" Mathematical Clock Time Modulations.

Want to sync the 2nd channel to the first?
Latch the Ch1 - Ch2 switch and the Output of Channel 1 is normalled to the jack Switch of Channel 2.
You can still control the Multiplications / Divisions of each channel Independently!

If that wasn't enough to get you poppin' penicillin prophylactically there's more!

The bottom row of jacks constantly output OR, AND, and XOR Logic Combinations of the 2 channels combined!

Want to use something funky (like a Sine Wave / Envelope / Random Voltage Generator) to set the rhythm? The Input is a Buffered Comparator set to trigger at any signal above +1.2V

Perfectly happy up in to the Mid- Audio range.

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MRP:$224.81 SAVE 17%
coming soon $187.33
AniModule MIDI_Gate Module
AniModule MIDI_Gate Module (MIDI synth module)
Cat: 793791
MIDI gate interface module
Notes: The AniModule MIDI_Gate is an easy way to integrate your MIDI-synced workflow with your Modular Synth.

10 Gate Outs that correspond to MIDI notes C1 - A1 (36 - 46).

MIDI NoteOn >> Gate is High

MIDI NoteOff >> Gate is Low

Programmed to receive on MIDI Channel 10

All this in 4HP!!!

Use it to send Multiple Clocks synced to your main Clock.

Use it to trigger events to effect samples piped in via a Line_Amp or TrAniModule in realtime in the analog domain for Live Performance or Resample.

Use it to interface in realtime with your Keyboard, Pad Based Controller, or DAW.

Width = 4HP

Depth = 33mm
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MRP:$212.55 SAVE 17%
coming soon $177.11
Dreadbox NYX V2 Duophonic Synthesiser
Cat: 809376 Rel: 30 Apr 21
Analogue paraphonic synthesiser
Notes: With an incredible dual filter and two powerful VCOs, the Dreadbox NYX V2 is an evolutionary update to the much-lauded NYX synthesizer. With a freshly designed panel layout, you can get deeper in the sounds you are making. And with the autotuning function. NYX v2 is ready to make the music you will love quickly. The filter is a stand out feature of the two modes - LPF and BP - allow you to add a serious level of control to your sounds.

There is a multitude of features such as Drone Mode and a powerful reverb module to help you get the most from NYX v2's sound creation. On top of all this, the 30 patch points across the side of the synth give you even more scope for designing sounds and exploring the sonic capabilities of NYX v2.

15V DC center pin 2.5mm positive (included)
35 x 18 x 5.5 cm
2.38 kg
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MRP:$734.39 SAVE 17%
coming soon $611.99
Sound Force Dual Filter Module
Sound Force Dual Filter Module (filter synth module)
Cat: 804296 Rel: 25 Jan 21
Dual filter module
Notes: The SoundForce Dual Filter is a 2-stage cascaded OTA design based on the late MS-20. The design has been fine-tuned with extended resonance control as well as a resonance CV input. Each filter can be either a 12dB/oct low-pass or 6dB/oct high-pass. To keep the module HPs on the low side, the filter mode setting is located on the back of the module. The module was designed to be a very affordable full-featured modern filter.

With only 2 poles, it uses a total of 3 OTA ICs and 4 OP-AMP ICs for both filters even with the added resonance voltage control. Early on, efficiency and part counts were a focus during testing and development. In combination with automated manufacturing and a very short supply chain, the module has a very high quality standard at a very affordable price. The module uses only A-brand ICs and passive and no costs were cut during purchasing.

The SoundForce Dual Filter features 2 identical filter sections, one on the left and one on the right. Each filter has 2 audio inputs (one of which has a level control pot IN1), a manual cut off frequency pot and a manual resonance pot. There are 2 CV inputs for the cut off frequency both with their attenuverters and 1 CV input for the resonance with an attenuator.

At the back of the module you can find trimmers to fine-tune the amount of resonance. By default, the trimmers are set so the filter starts to self-resonate when the resonance knob is at 4 o'clock. Turning the trimmer clockwise will create a more exaggerate resonance and it will start to self resonates earlier. On the other hand turning the trimmer counterclockwise will tame the resonance range. The factory value is marked on the pcb with a sharpie so feel free to experiment and go back to the default if necessary.

Filter modes settings:
Each filter has 3 jumpers that sets the mode: lowpass or highpass. You will find those on the back of the PCB with clear labels for the positions of both modes. The jumpers are color coded, one filter is black, the other is white.

- 12HP
- Depth: 38mm (including power connector)
- Power: +12V 40mA, -12V 40mA
- Cutoff CV inputs range -10V to 10V
- Resonance CV input range 0V to 10V
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MRP:$177.13 SAVE 18%
coming soon $145.32
AniModule Gate_Mod Module
AniModule Gate_Mod Module (clock modulator / dual stereo / frequency divider synth module)
Cat: 793797
Gate modifier & trigger delay module
Notes: Got a gate that's gonna make you late? Run it through the Gate_Mod! Got a trigger comin' sooner than you figger'd? Run it through the Gate_Mod!!

Let's face it, couldn't we ALL use a little more length?

This Tiny (yet powerful) Module allows you to manipulate your gate length and delay your event triggers with ease and minimal impact on your HP.

Take an incoming Signal above ~1.1V (OpAmp Comparators on the Inputs make very forgiving Clock Inputs) and shrink it down to 5MS or lengthen it up to 5 Seconds.

That Gate will appear at the Gate Out.

When the Gate is Over a 10MS Trigger will turn on at the Delay Out.

Set the length of the Gate with the Time Potentiometer OR with the CV Input.

The switches allow you to choose between Interrupt OR Dividing Behavior (1 for each channel).

If you have Interrupt selected, when Clock In receives a new Clock Pulse the time will reset, essentially lengthening your Gate Out and Delay Out to the Time you have set + the time that has already elapsed.

So Gate will never go Low and Delay will never go High if you have a Time set longer than the interval between Clock Pulses (Useful if you have staggered, irregular or random Clocks).

When Dividing is selected Clock In will Ignore new Clock Pulses until it has finished the current cycle it's running.

The Delay 1 Out is Normalled via the Jack switch of the Clock 2 Input for all kinds of Timing madness!

Width = 4 HP
Depth = 37mm
Current Draw:
+12V = 35mA
-12V = -18mA

*The Gate_Mod firmware has been updated as of Mid August 2015. There was a bug in the Delay Out section that prevented it from resting at full 0V. All Gate-Mods shipped After the Firmware was updated include the new revision.
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MRP:$200.29 SAVE 17%
coming soon $166.89
Sound Force Dual ADSR Attack Decay Sustain & Release Module With CV
Cat: 804299 Rel: 25 Jan 21
ADSR envelope generator module
Notes: The SoundForce Dual ADSR is a feature-rich envelope generator with full CV control of each stage.

The Dual ADSR is powered by a 120Mhz ARM Cortex-M micro-controller with a built-in DAC. This modern chip allows for extremely smooth envelopes curves even at high frequencies. Thanks to digital technology, the implementation of CV control in software makes the hardware more simple thus economical, and allows for different time ranges and 2 curve responses (LIN/EXP).

The SoundForce Dual Filter features 2 identical envelope sections, one on the top and one on the bottom. Each section has 4 manual sliders to control each stage of the envelope. The CV input signals are added to the manual sliders position allowing you to modulate the ADSR curves with external CV sources.

The ADSR curve of the Sound Force Juno 106 was replicated and is available in time range M in combination with the EXP response. Please note that the attack phase is linear in that mode to model the Juno ADSR faithfully.

An digital "end of" output can trigger at the end of a chosen ADSR stage, either end of attack, end of decay or end of release, according to the position of the respective toggle switch.

Thanks to cycle mode you can create LFO-like waveform without an input GATE signal, but also generate interesting cycling envelopes.

The Dual ADSR has 3 time ranges:

S: 0.2ms to 1s
M: 1m to 3s
L: 9ms to 60s

S: 0.5ms to 2s
M: 2ms to 12s
L: 30ms to 30s

S: 0.5ms to 2s
M: 2ms to 12s
L: 30mss to 30s

- 20HP
- Depth: 38mm (including power connector)
- Power: +12V 85mA, -12V 10mA
- GATE & RE inputs range 0V or 5V
- OUT range 0V to 10V
- INV range 0V to -10V
- EO range 0V or 5V
- CV inputs range -5V to 5V
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MRP:$238.44 SAVE 17%
coming soon $198.69
Patching Panda Shuby Complex Analog Noise Generator Module
Cat: 804375 Rel: 25 Jan 21
Analogue noise generator module
Notes: Complex noise generator with 2 different outputs. Out 1 produces clean square waves with sub-harmonics and tone selection, remembering the nostalgic video consoles and taking it to strange metallic vibes.

Out 2 is dedicated to the heavy chaotic metallic winds and explosions from other dimensions .

Both shares the same signal modulation path, a dedicated output mix is placed to combine both textures to create a unique complex metallic percussions.

Size: 4hp

22mm deep
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MRP:$158.05 SAVE 30%
coming soon $111.26
Patching Panda Flipanda Dual Attenuverter Module
Patching Panda Flipanda Dual Attenuverter Module (attenuator/utility synth module)
Cat: 804376 Rel: 25 Jan 21
Dual attenuverter module
Notes: Dual attenuverter

Sum output

Inverted output

5v or 10v constant voltage when no input is connected

Size: 3hp

Skiff friendly

Power consumption: 27mA@+12V, 29mA@-12V
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MRP:$122.63 SAVE 17%
coming soon $102.17
Patching Panda Petit Mix Compact Mixer Module
Cat: 804377 Rel: 25 Jan 21
Compact mixer module
Notes: The Petit Mix is a 3hp Eurorack mixer module with 4 inputs. Each input has its own level control and all inputs are DC coupled to allow for CV mixing as well as audio. There is a bi-colour led on the Frontpanel to indicate signal polarity for active channels.

3hp Mixer Module

DC coupled

4 inputs

Low noise

Bi-colour led showing positive (green) and negative (red) voltages

Power consumption 7mA@+12V, 8mA@-12V

Skiff friendly
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MRP:$122.63 SAVE 17%
coming soon $102.17
AniModule M1xXOR Module
AniModule M1xXOR Module (mixer / sequencer / switch synth module)
Cat: 793792
CV sequencer module
Notes: The Animodule M1xXOR is the Jon Snow of Animodule's product lineup. Described as a "bastard progeny" and "unholy union" by its creators, the module is an amalgamation of the V9a, VCSS, XXX_OR, and MixMan modules. Each of the module's channels, as well as the mixer, can be used independently of the sequencer, enabling a variety of self-contained and inter-module uses. When used independently for self-contained functionality, the module can function as a 4-channel DC-coupled mixer or as 4 individual channels of gated attenuation.

How It Works:
-Signal goes in to Channel Input (it's DC connected so you can use Audio OR CV).
-Signal is attenuated via Channel Attenuator.
-Signal is allowed to pass through to Individual Channel Output AND Mixer Output IF Gate Input is High OR Switch is depressed.

-Clock Pulse High in to Clock Input Moves Sequence forward 1 Step.
-The Channel that the step is On will be open
-CV can be used to control the Sequencer via the CV Input.
-There is a resolution of 5 steps (4 channels and a 0 step allowing for all channels to be cleared from the Sequencer).
-There is an attenuator and offset to help properly scale and position your CV Input.
-CV Input is expecting 0V to +5V, but with the Attenuator and Offset will easily work with -/+5V.
-Clock and CV maybe used in tandem resulting in some mind melting rhythms!
-In that case the Clock will step forward 1 step from it's current position (unless it's on step 4 in which case it will roll over to step 1)
-The Clock used in conjunction with the CV will bitshift the sequence to the left, incrementing the static position of the step counter by 1 (wrapping around to step 1 after step 4).
-Fer' Instance, 2 Clock counts and CV is on 0. Step will be on Channel 2
-Gate High in to Reset will reset Clock counter to step 1 OR if Clock Input is being used in conjunction with the CV Input the reset will clear the Clock Counter and return the step to where the CV indicates it should be without any BitShifting

*Gate Input / Switches in conjunction with Sequencer:
-The Sequencer and the Gate Input / Switches combine in a XOR gate. If one is High and the other is not, that channel will be open. If BOTH are High, that channel will be closed.

Despite the lengthy description, the M1xXOR is very intuitive (and unbelievably Fun!) to use.
Each Channel (and the Mixer) May be used independently of the Sequencer.
So if you're not in the mood for Rhythmic Insanity You still have a gateable 4 Channel DC-Coupled Mixer AND/OR 4 independent and gateable channels of Attenuation.
You will NEVER just have it filling space in your cabinet.
You will find a use for it in EVERY patch!

All this in 8HP with a depth of 33mm (from rear of Front Panel).
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MRP:$249.34 SAVE 17%
coming soon $207.77
Patching Panda Punch 3 Dynamic VCA-Decay & AM Module
Cat: 804373 Rel: 25 Jan 21
VCA-decay & AM module
Notes: Punch is the ultimate VCA-DECAY module for Eurorack

Specially designed to generate dynamic percussive sounds but also capable of basslines, leads, envelopes and more. The VCA has a built in voltage controlled Decay envelope that can be turned from smooth to more aggressive exponential responses and can be activated with triggers, gates or cv's.

Punch features two modes per channel to play, with a dedicated switch control: "vintage style drum machine mode" and "dynamic cv mode"

Punch is capable of creating AM sounds with control voltage on the "amount"

Each envelope can be inverted via dedicated switches on the front panel.

If you use an inverted envelope alongside the accent input you can create ducking effects like side-chain compression..

* Disconnect your synth from the power source.
* Double check polarity from the ribbon cable, unfortanetly if you damage the module by powering in the wrong direction it will not be covered by the warranty.
* After connecting the module check again you have connected the right way, the red line should be on the -12V.
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MRP:$222.09 SAVE 17%
coming soon $185.07
Neutron Sound Dust Of Time Dual Stereo Oscillator Module (black faceplate)
Neutron Sound Dust Of Time Dual Stereo Oscillator Module (black faceplate) (CV modulation/digital/MIDI/oscillator/dual & stereo synth module)
Cat: 802481
Dual stereo oscillator module
Notes: This is a dual stereo oscillator with built in modulators and utilities based on a teensy 3.6 micro controller.

Each of the 2 oscillator pairs have a few different methods, each with separate tuning, pitch modulation, and 2 parameters that can be adjusted and modulated with stereo offset or inversion of the modulation. Some OSC modes are procedurally generated, some are wavetables, and it can play waveedit files from the SD card. some methods are oversampled, some are raw.

All modulators are at full 50KHz sample rate except chaos, which is at 3KHz.

There are 4 DAHDSR with looping modulation and virus style slope sustain.

4 (resettable to actual degrees) LFO which can go from about 17 hours to 999.999Hz.

2 chaos attractors each with x and y outs (16 types ofchaos available).

2 fusers, which take 1-3 modulators and mix, multiply or otherwise combine them.

A sub oscillator
2. "control" modulators, any of the pots, midi velocity, mod or bend, can be selected.

4 CV ins and v/oct in are available as mod sources anywhere, 2 of them are at 25KHz sample rate, 2 at 3KHz.

2 gate/trigger ins, MIDI gate, and 2 internally generated gates are combined in a matrix to 4 gate/trigger buses.

2 aux CV outs, can be any of the mod sources or t/g buses.

Width: 16HP
Depth: 20mm
Power Consuption: 90 mA +12/20 mA -12
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MRP:$476.88 SAVE 31%
coming soon $326.99
Sound Force VCF & VCA 6 Voltage Controlled Filter & Amplifier Module
Cat: 804304 Rel: 25 Jan 21
VCF/VCA module
Notes: The SoundForce VCF/VCF 6 is a Eurorack interpretation of the Juno 60/106 VCF, VCA and HPF sections. It was built based on the original service manuals documentation using modern components.

Signal flow:

The SoundForce VCF / VCA 6 features a simple 2-input audio mixer, a voltage controlled low pass filter (VCF), a VCA and a high-pass filter with 3 fixed cutoff frequencies plus a bass boost position. The signal flow is: mixer -> VCF -> VCA -> HPF.


The VCF section is a voltage-controlled low pass filter with a selection between 4 poles (24db/octave) or 2 poles (12db/octave). The travel of the FREQ slider has been calibrated to give you the best experience in the original 4 poles mode. FM1 and FM2 CV inputs can be used to modulate the cutoff frequency of the filter. Those CV signals are added to manual position of the FREQ slider. Note that you can invert the polarity of FM1 using a toggle switch. The VOCT input can be used to close the filter more or less based on the pitch of the note played by your musical CV source. It can also be used to "play" the filter when it is self-resonating. The filter will be in tune across about 8 octaves. Self-resonance is occurring when the RES slider is around position 9 or higher. The resonance can be also voltage-controlled using the Q CV input, this signal is added to the manual position of the RES slider. Please note all CV inputs have attenuators expect the VOCT input.


LDC stands for "loudness drop compensation", it is engaged when the switch is in the upper position. This feature avoid the usual input signal loudness drop with high level of resonance. Please note you will need to lower the input signal and/or VCA level to avoid distortion as LDC requires some extra headroom.


This section is a "vintage-style" single OTA VCA. There is a manual slider control as well a CV input for the VCA. Both are summed together.


The high-pass filter section is a combination of both the Juno 60 and 106 HPFs. Position 0 will give you the bass boost from the 106. Position 1 will not filter at all. From position 2 to 4 will cut progressively more bass and the cut off frequencies are 225 Hz, 339Hz and 720Hz.


Depth: 38mm (including power connector)
Power: +12V 91mA, -12V 51mA
V/OCT, FM1, FM2: input range -5 to 5V
QCV, ACV: input range 0V to 10V
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MRP:$320.19 SAVE 17%
coming soon $266.82
Gamechanger Audio Plasma High Voltage Distortion Pedal
Cat: 807411 Rel: 15 Feb 21
Distortion pedal
Notes: The PLASMA PEDAL is a revolutionary approach within the realm of overdrive and distortion, as it is a new and previously unexplored method of achieving signal clipping. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the PLASMA PEDAL transforms your instrument's live signal into a series of continuous high-voltage discharges within a xenon-filled tube.

In essence- you are playing a bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analog audio signal, producing a quick, responsive, and extremely heavy distortion with TONS of unique character!

By maxing out the BLEND knob you can achieve a fully wet signal, produced only by the gas-discharge tube. This means that as soon as you stop playing, the electrical discharge within the gas-filled tube is interrupted, and the pedal will not produce any output signal at all. This feature allows you to achieve extreme contrasts between individual notes, by eliminating all of the in-between noises created by the instrument's pick-ups or by humming strings.

Thanks to this, PLASMA PEDAL is extremely well suited for playing heavy riffs or sharp staccato solos. Really - there's nothing like it!

PLASMA PEDAL converts your instrument's signal into a rapid series of electric discharges, which results in a large amount of non-linear harmonic saturation that causes extremely rich and responsive attacks, and brings out screechingly sharp overtones and harmonics.
These harmonic artifacts, produced as a byproduct of the high-voltage discharge are uncommon in traditional signal amplification, and therefore PLASMA Pedal's distortion is unlike anything you have heard before.

The PLASMA PEDAL loses the original DRY input signal and creates a new signal from fluctuations in the electromagnetic field surrounding the gas-discharge tube.

This allows to bring out an extremely wide range of frequencies that are often beyond the instrument's capabilities.

PLASMA PEDAL is designed primarily for guitarists, but it is also an awesome distortion tool for all sorts of electronic beats, synths and live instrument samples.

As you max up the VOLTAGE knob, you can add satisfying amounts of electrical buzz to any sound...
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MRP:$366.51 SAVE 21%
coming soon $290.66
Sound Force Samples 6 Channel Drum Module
Cat: 804301 Rel: 25 Jan 21
6-channel drum module
Notes: The SoundForce Samples is a 4HP 6-channel drum module.

The sounds:
The 6 sounds available on separate channels are the one-shot sounds from the infamous 808 drum machine. It's using a big STM32F405 chip to drive the 6 DACs and store the sounds. The samples are baked-in and can't be changed.

6 input jacks to trigger the sounds with +5V signals.
6 output jacks for the audio outputs ~10Vpp.

Depth: 38mm (including power connector)
Power: +12V 85mA, -12V 11mA
Inputs range 0-5V
Output range -5V to 5V
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MRP:$143.06 SAVE 17%
coming soon $119.21
Sound Force SFC-5 V2 USB MIDI Controller
Cat: 804286 Rel: 25 Jan 21
USB MIDI controller
Notes: The SoundForce SFC-5 is a class-compliant boutique USB MIDI controller dedicated to the U-he Repro-5 and the Arturia Prophet V. The 2020 V2 model offers fantastic upgrades compared to the original V1 model: 100% sheet metal case, wobble-free metal shaft pots and walnut side panels.

With 32 rotary pots and 28 switches, you can finally control your virtual instrument in an instinctive and fun way. Create better synth sounds easier and improve your overall experience. A couple of extra "user" controls let you control for instance your external FX plugins. The controller sends out standard MIDI cc messages and can be used with any software that is MIDI-mappable. A web-based control panel app allows the user to change the cc messages number for each control and save or load different configurations.

Build quality:
The enclosure is made of 100% sheet metal and is manufactured by Grawart in Poland. The case is made of bent steel and powder coated in black. The front panel is aluminium, also powder coated and screen printed with scratch-proof white ink. Walnut wood side panels of 8mm thickness are fitted to both sides of the controller. The sides are made in Amsterdam by Rob Gould.

The SFC-5 V2 is a boutique-manufactured product assembled in small quantities in the Netherlands. A lot of operations are still performed by hand and automation is used when possible to improve quality and processes.

Length x Width x Height : 370 mm x 140mm x 60mm

System supported:
Mac/Windows (other OS not tested)
Class compliant USB MIDI device
DAWs : Tested and working in Pro Tools 10/11/12, Logic 9/X, Cubase 7/8/9, Abelton 9/10, Reaper, Bitwig

- USB 2.0 Type-B plug (cable provided)

Power :
- USB-bus powered
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MRP:$361.06 SAVE 25%
coming soon $270.22
Acid Rain Technology Chainsaw Digital Oscillator Module
Cat: 804567 Rel: 25 Jan 21
Digital/dual & stereo/oscillator module
Notes: Chainsaw is a powerful digital oscillator designed to bring polyphony to your rack in a compact and playable interface. We were inspired by the super-saw; a mainstay of electronic music production, and a waveform rich with harmonics for filters and effects to chew on. Chainsaw features 3 voices of 7 waves, with individual pitch control per voice. All waves morph from super saw to super square for giant hollow basslines and more.



35mm deep

110 mA on +12V, 10 mA on -12V, 0 mA on +5V
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MRP:$321.55 SAVE 17%
coming soon $267.95
Acid Rain Technology Maestro 6 Channel Clocked Modulation Module
Cat: 804571 Rel: 25 Jan 21
6-channel clocked modulation module
Notes: Maestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.



25mm deep

65mA on +12, 18mA on -12, 0mA on 5V
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MRP:$476.88 SAVE 17%
coming soon $397.39
Gamechanger Audio/Third Man Records Plasma Coil Distortion Pedal
Cat: 807414 Rel: 15 Feb 21
Distortion pedal
Notes: Gamechanger Audio's Plasma pedal is truly unique; standing out within a stompbox market that's overflowing with options. Producing a gnarly, spluttery distorted tone via a series of electrical discharges that occur within its built-in xenon tube; the highly-unconventional Plasma pedal is the first (and only) commercial musical device that literally amplifies your audio signal up to 3500 Volts. There's nothing quite like it!

However, Gamechanger Audio's Plasma Coil pedal is a tweaked version of the original formula. Created in collaboration with Jack White's Third Man Records, the Plasma Coil relies on the exact same 'High Voltage Distortion' technology that the original is so admired for, but takes it to new heights.

By adding multiple octaver-style circuits and an additional effects footswitch that can be toggled as latching or momentary, the Plasma Coil gives you even more room for experimentation. You can form crazy sub/upper harmonic octave-fuzz sounds just like Jack White, or employ the effect footswitch as a volume boost for when your solos need an extra push.


2 EQ Controls: Lets you boost or cut Low and High frequencies
Master Volume Knob: Cuts or boosts the output signal level
Voltage Knob: Adjusts the amount of electrical current sent to the Plasma Tube
Effect Knob
This allows you to select 1 of 6 different Special Effect types:

Volume Boost:

2 Subharmonic Modes (Bitcrush-style Octave Down)
1 Upper Harmonic Mode (Octafuzz-style Octave Up)
2 Mixed Modes (Upper and Lower harmonics combined)
Effect Footswitch: Engages the Plasma Coil's special effect circuit
Effect Footswitch Toggle: Configure Effects Footswitch as a latching On/Off switch or as a Momentary switch
On/Off Switch: Silent footswitch
Input Jack: Mono
Plasma Tube: Xenon Gas Filling

Power Requirements:

Standard 9V DC pedal power supply with a centre negative connector, 300 mA or higher
Power supply: Not included

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MRP:$434.64 SAVE 22%
coming soon $340.61
Gamechanger Audio Plus Sustain & Sostenuto Pedal
Cat: 807404 Rel: 15 Feb 21
Sustain pedal
Notes: The PLUS Pedal is more than just a stomp-box - it is a vast extension of your instrument that bridges the gap between rhythm and lead parts, and lets all musicians explore completely new territories.

Besides being a powerful arrangement and compositional tool, The PLUS Pedal can also be used for creating interesting and unique sound effects that would otherwise be impossible to achieve in real-time.

Whether you are a composer, solo performer, sound designer or part of a band - the ability to instantly turn any melodic sound produced by your instrument into a layer of continuous sound will completely change the way you approach music.

Real-time audio sampling is a unique audio algorithm developed by GAMECHANGER AUDIO that lets you capture and sample tiny bits of your instrument's signal in real time and loop them into a seamless, warm and responsive sustained tone.

Unlike existing granular synthesizers and synth-pad triggers, PLUS Pedal actually runs a constant Hi-Res recording of your instrument, and once engaged, the RealTime sampling algorithm instantly creates a circular micro-loop out of the most recent audio signal produced by you.

Think of it as a smart looper that only catches the last segment of your chosen note or chord, and uses it to create a continuous sound.

The resulting layers of sustain can be practically indistinguishable from the original tone of your instrument, and you can further adjust and fine-tune the PLUS Pedal to achieve the exact type of sustain you have imagined.
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MRP:$407.39 SAVE 21%
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AniModule XXX_OR Module
AniModule XXX_OR Module (clock modulator / CV modulation / logic / ring modulator synth module)
Cat: 794039
XOR module with analogue & digital outputs
Notes: A Triple Analog XOR module with an Analog and a Digital (Gate) Output.

You can use the Gate Output for your normal Boolean XOR functions (feel free to input Analog signals.)

But the real magic happens at the Analog Output.

-Take 2 waveforms and feed 1 to A and 1 to B
-When 1 signal is low the other is normal
-When 1 signal is high the other is inverted

It's not just on and off like a digital XOR- you get all the varied nuances of a tri, sine or saw wave that you put in to it.

-The Analog Output of Channel 1 is normalled to Channel 2 A Input via the jack switch
-The Analog Output of Channel 1 is normalled to Channel 3 A Input

This way you can still use your Analog Out from each channel and not worry about patching the next XOR function in the chain together.

Use it for CV!
Use it for Clocking, Tempos and Rhythm manipulation!
Most of all Feed your Audio into it!

Width = 4HP Depth = 29mm

Current draw is:
+12V = +33 mA
-12V = -21 mA
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MRP:$136.25 SAVE 17%
coming soon $113.54
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