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Coming Soon: Studio Equipment

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FORTHCOMING
1010 Music Blackbox Portable Sampler & Groovebox With Sequencing & Effects
Notes: Blackbox is a portable sampler and groovebox that lets you record, save/load, apply effects and edit one-shot samples and beat-sliced loops. Create sequences with samples by tapping on pads, playing a virtual keyboard, using external MIDI controllers or by drawing-in notes using a standard Piano Roll editor on a fast touchscreen interface. Sequences can be played back to create song sections and entire compositions. Finish your song by mixing it, adding stereo effects and by saving it as a Preset for fast and easy recall.

Perform songs live and trigger samples on the fly. Blackbox makes it easy to create and perform music anywhere thanks to its compact and rock-solid hardware design. Just throw it in a backpack and hit the club.

Record hours of song ideas, jam sessions, and performances thanks to a microSD slot that enables you to expand internal memory.

Blackbox comes with gigabytes of premium samples and loops by SoundTrack Loops and Loopmasters to let you start making beats right out of the box.

Blackbox - your own personal sampler.

What Is Included:

- Blackbox compact sampling studio
- MicroSD card with blackbox firmware, about 60 presets and approximately 900 WAV files
- USB power cable and USB wall wart with 3 international adapters
- 2 MIDI Adapters - Male 3.5mm TRS to Female 5 pin DIN, MIDI Class B standard
- Quick Start guide to get you playing right away
Read more
coming soon $684.55
FORTHCOMING
2hp Sine Wave VCO Module (black faceplate)
2hp
Cat: 727389
 
Digital oscillator module with sub output & wavefolding - black
Notes: Sine is a harmonically pure VCO with two distinct outputs.

The primary output contains a perfect sine wave with a wide frequency range and pristine volt per octave tracking. The Sub output features two sine tones that can be blended together to achieve a mix of one octave below, or a fifth above the primary output's frequency.

In addition, both outputs have an internal wavefolder that adds harmonic content to the signal allowing for spectrally complex tones within a single module. Keep your tones pure (or not!) with Sine.
Read more
coming soon $146.38
FORTHCOMING
ACL Sinfonion Harmonic CV Processor Module
Cat: 727745
 
Innovative harmonic processor featuring 3 independent quantizers, 4-voice chord generator & arpeggiator
Notes: Over the years, you have build a big modular system, containing lots of oscillators, filters, voices and sequencers...and now you would like to play all these together without ending in a cacophony?! Sinfonion is the answer!

After a long time of development and refinement, Mathias Kettner is proud to present his creation, which could be finalised in cooperation with ACL.

The Sinfonion comprises of three independent quantizer channels, a four-note chord generator, an arpeggiator and a complex progression sequencer in one. Thanks to a vast array of buttons and knobs placed around a sharp OLED display, it is easy to use and come up with musical ideas.

The Sinfonion is meant to be the control centre of your modular system.

With a total of 8 pitch outputs, 4 gate outputs, 11 CV inputs and 9 gate inputs, it offers a large number of controls. Its plethora of buttons make it an actual instrument you can play. Furthermore, the Sinfonion features an expansion port to add modules and expand functionality in the future.

The three quantizer channels provide direct access to harmonic scale notes via dedicated buttons per channel (Root, 3rd, 5th, 7th, 9th, 11th, 13th). The buttons are made for jamming, controlling the sequences on the go. A fast processor allows quantization times below 1ms.

A chord section generates four pitch outputs, allowing to create four-voiced chords. It offers a lot of options directly accessible from the front panel. Thanks to dedicated knobs for pitch and spread, buttons for selecting the notes chord inversion and optional slew, you can get the chord you are looking for in no time.

The arpeggiator section features 8 different patterns, dedicated knobs for pitch and range, and an array of buttons for selecting the scale notes and the pattern (Up, Down, Up/Down, Down/Up, Baroque, Octaves, Brownian, Random).

All these sections are under control of the Chord Progression Sequencer. It is the brain of the Sinfonion and is operated easily thanks to the display. You can change the root, degree and mode by simply turning the according knobs. It enables the creation of 16 songs with 4 parts each, and 32 steps per part. This comprises the sequencing of chord voicings, octave switches and scale note selections.

The Sinfonion puts an unbelievable sequencing power at your fingertips! Harmony in its purest form! It will bring your music to the next level!
Read more
coming soon $868.85
FORTHCOMING
ACL VC Dual Amp Linear VCA Module
Cat: 734882 Rel: 01 Aug 19
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
Read more
coming soon TBA
FORTHCOMING
Arturia AudioFuse 8Pre Audio Interface & ADAT Expander
Cat: 718641
 
High-spec 8 channel dual mode interface/ADAT expander in studio-friendly rack format
Notes: The Arturia AudioFuse 8Pre is a dual-mode interface and ADAT expander which boasts 8 channels of premium analogue audio, rock-solid sync, USB-C, and optical connectivity. With our award-winning lineage of pristine analogue quality, AudioFuse 8Pre is destined to become the expander of choice in studios and creative spaces around the world.

When you're putting your heart and soul into your music and productions, you need to know your audio is in safe hands.

AudioFuse 8Pre offers unrivalled quality at its price point. The 8 Discrete Pro- preamps and analogue signal path will let you truly "hear" your audio for the first time. The super-low Equivalent Input Noise (EIN) lets you capture every subtle detail, while the huge input gain will drive even the most demanding low-output mics. All this with a totally flat frequency response for total transparency. The superb quality doesn't stop there, AudioFuse 8Pre also features the best A/D converters available.

If you're a recording professional you know that no two days are the same. You need gear that gives you the versatility you need to be prepared for the unexpected.

AudioFuse 8Pre can fulfil any studio role. You already have a powerful interface, but need more inputs? AudioFuse 8Pre is the perfect ADAT preamp expander. Want to record multiple channels, but don't own an ADAT-expandable interface? AudioFuse 8Pre can connect directly with your computer so you can record multi-tracked instruments all at once. It's a high-performance audio interface with USB connectivity, speaker outputs and independent headphone output.

Use on its own; expand your existing interface; cascade 2 AudioFuse 8Pre together via ADAT for 16 superb preamps. AudioFuse 8Pre does it all.

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 8Pre.

AudioFuse 8Pre is easy to use, with one-button, one-function design, and features backward-compatible USB-C connectivity for super compatibility. It's housed in a robust metal chassis, and the included rack ears can be mounted to either face forward or down, letting it stand freely or be integrated into your 19" racks depending on your setup. It also features ADAT in, so you could send your musicians cue mixes using its headphone output.

We've spent years working together with studios, producers, and musicians at all levels to minimize the "pain points" other interfaces give you on a daily basis. AudioFuse 8Pre is the result.

AudioFuse Creative Suite:

AudioFuse 8Pre comes complete with the AudioFuse Creative Suite, an ever-evolving collection of software effects and instruments that will let you add your own unique signature to your music. Combining favourites from our award-winning "You'll Actually Use" series with Analog Lab Lite, AudioFuse 8Pre lets you also enjoy legendary signal processing effects and iconic synth sounds. Colour the pristine inputs of AudioFuse 8Pre with stunning vintage effects!

Box contents:

- AudioFuse 8Pre unit
- Power supply
- USB cable
- DiscretePro Certificate
Read more
coming soon $662.44
FORTHCOMING
Arturia AudioFuse Studio Desktop Audio & MIDI Interface
Cat: 718642
 
Next generation audio interface featuring 2 DiscretePRO microphone preamps
Notes: You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analogue studio consoles with the flexibility of a solid mobile interface - with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was our mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert - whatever, wherever - into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePRO microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, Linux, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment - at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminium chassis you can trust, complete with a hard cover to protect it from damage in your bag - or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.
Read more
coming soon $841.48
FORTHCOMING
Boredbrain INTRFX External Eurorack FX Interface
Cat: 736449
 
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
Read more
coming soon $242.22
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (amethyst purple)
Cat: 725975
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (astral white)
Cat: 725970
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (dark graphite)
Cat: 725978
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (moon grey)
Cat: 725974
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (nuclear yellow)
Cat: 725969
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (oblivion black)
Cat: 725971
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (plasmic pink)
Cat: 725965
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (quantum blue)
Cat: 725967
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (slime green)
Cat: 725964
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Boredbrain Splix 3.5mm Inline Splitter Mixer (solar orange)
Cat: 725976
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
coming soon $13.16
FORTHCOMING
Citronic CSM8 Mixer With USB & Bluetooth Player
Cat: 735372 Rel: 01 Jul 19
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 6 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
Read more
coming soon TBA
FORTHCOMING
Decksaver LE Arturia Keystep Cover (smoked clear, light edition)
Cat: 725368
 
Protective dust cover, custom moulded to fit the Arturia Keystep
Notes: Engineered in the UK specifically for the Arturia Keystep Controller. Custom moulded to fit the contours of the unit whilst leaving USB connections in place, the Arturia Keystep can sit ready for operation. Super durable polycarbonate shell protects delicate keys during transportation and slides straight into a flight case or bag for maximum protection. Don't go losing your keys!
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coming soon $30.28
FORTHCOMING
Delta Sound Labs Mobula ARP 2600 Model 4014 Ring Modulator Module
Cat: 728707
 
Ring modulator based on the ARP 2600's 4014 ring mod - 8HP
Notes: Mobula is Delta Sound Labs' faithful take on the classic ARP 2600 ring modulator model 4014. This particular processor is renowned the world over for its clean sounding ring modulation effect. Due to its unconventional circuit design, where the positive and negative parts of the signal split between two two-quadrant multipliers, it achieves what is referred to as a four quadrant multiplication.

Built with a combination of modern closely matched and discrete transistors this super skiff friendly module is faithful to all of the original features, with the single addition of independent switching of input signal DC-blocking. This module is DC-coupled; meaning it will happily process both control voltages and audio signals at the flick of a switch. The unique electronic architecture leads to both significantly increased low frequency response and superior carrier suppression when compared to traditional transformer based ring modulation designs.
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coming soon TBA
FORTHCOMING
Elektron Digitone Keys Eight Voice Polyphonic Keyboard Synthesiser
Cat: 732321
 
8-voice polyphonic digital synthesiser with 37 semi-weighed keys
Notes: This eight voice polyphonic synthesiser keyboard is a performance machine that can usher in soundscapes of distant dreams and worlds previously out of reach. The 37-key velocity and pressure sensitive keyboard with aftertouch gives you a whole new level of expression and control of the Digitone's intuitive sound engine.

Imagine the sound of whispering dunes, rolling thunder, or the twinkle of distant stars. These are the things that dreams are made of.

Restrictions are for the dreamless:

With this ready-to-go performance machine, curiosity is all you need. Wield the Digitone's powerful sound engine with even more control with intuitive sound crafting, 37 keys, 8 voice polyphony, mod and pitch wheels, dedicated outputs per track, and brand new customizable controls. Multimap lets you configure and assign individual sounds per region, triggering sounds or patterns with the tap of a key, while the ability to use portamento and arpeggio flourishes with the freedom of three octaves. Twist through the looking glass and back with the flick of a wrist.

Sculpt your sound:

With the Digitone's powerful and easy to use FM engine you have Digitone dynamism in keyboard form. A variety of dedicated features put the power at your fingertips. Get maximum control out of the machine with eight new assignable knobs. Choose the function you want for each knob to tailor your Digitone Keys, and then let loose. The freedom to switch between tempestuous and serene soundscapes in an instant is laid out in front of you. In an Elektron first, the Digitone Keys helps you liberate your live show with a flexible mod and pitch wheel setup, allowing you to warp your sound to another world with multiple modulations.

Get connected:

With separate outputs for each track, connecting to external effects mixers and pedals, audio interfaces, and modulation sources is easier than ever before. Pinpoint single Digitone Keys tracks to process independently from the rest of your sound.
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coming soon $1,242.74
FORTHCOMING
Endorphin.es Godspeed VCO Module
Cat: 734884 Rel: 01 Aug 19
 
6HP VCO with auto-tuning & octave shift
Notes: The Endorphin.es Godspeed is sort of the single oscillator version of the famous Furthrrr Generator. From its big brother it takes over the digital Thru-Zero core and the legendary wavefolder. But it also has new features like a sub-oscillator output and an immensely practical autotune function.

Especially for people starting with a modular system this oscillator is highly recommended. On 6HP it delivers all the features (and more) needed for diving into the depths of West-Coast-Synthesis!
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coming soon TBA
FORTHCOMING
Flame Joyrec Joystick Recorder Module
Cat: 731957
 
Small compact joystick module with recording function - 8HP
Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.

Connections:

- CV-Out-X: CV output X-axis bipolar or unipolar
- CV-Out-Y: CV output Y-axis bipolar or unipolar
- CV-OUT MOVE: CV output joystick movement 0..+5v
- Trigger-In: Trigger input Reset/Start
- Trigger-out: Trigger output Reset/Start signal ca. 10ms length
- Gate-ACTIVITY: Gate output joystick movement
Read more
coming soon $152.71
FORTHCOMING
Future Sound Systems OSC1 Cyclical Engine Oscillator Module
Cat: 734840 Rel: 01 Jul 19
 
Analogue VCO focused on all aspects of modulation - 12HP
Notes: The OSC1 from Future Sound Systems presents a voltage-controlled analogue oscillator with a few features unexpected of a basic oscillator, with a particular focus on covering all bases of signal modulation. Once triangle, sinusoidal and pulse waveforms are derived from its sawtooth core, each waveform is passed through a VCA. The outputs from these VCAs are then summed at the Mix output, which can be switched between 2- and 4-quadrant-multiplication modes. These two QM modes allow for a plethora of amplitude modulation effects to be achieved. Level controls for each waveform dictate both static level, but also depth of modulation through careful design of the control summation. Each individual waveform output is taken pre-VCA for maximum patching flexibility.

Shape modulation of the triangular, sinusoidal and pulse waveforms is also available. Both the triangular and sinusoidal waveshapes can be skewed forward or backward into ramp-like shapes, whilst shaping the pulse wave gives standard pulsewidth modulation.

Frequency modulation is available in both Linear and Exponential modes. The OSC1 also tracks to 1V/Octave over four octaves in its audible (HF) range, but can also be used as a low frequency oscillator in LF mode.

A Sync input allows for the OSC1 to be reset by an external signal. A rising edge will reset the sawtooth wave to its peak, from which it descends. The Inject input, meanwhile, allows for external signals to interfere with the sawtooth core. This allows for intermodulation-type effects to be produced, and opens new realms of chaotic oscillations.
Read more
coming soon TBA
FORTHCOMING
Genelec 8030C Active Studio Monitor (single, dark grey)
Cat: 727146
 
Compact, versatile nearfield monitor
Notes: When your project requires a powerful performance with no sacrifice in quality, the Genelec 8030C active studio monitor is designed to exceed your expectations. The 8030C, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8030.

As strikingly stylish as it is sonically impressive, the 8030C features the rounded edges and colour-free, accurate reproduction of the rigid all-aluminium Minimum Diffraction Enclosure (MDE). Every element of the design is crafted to perfect your listening experience. Precise on- and off-axis frequency reproduction is courtesy of the Directivity Control Waveguide (DCW). Broad low-frequencies and high SPLs are delivered with a flow-optimised internal curved reflex tube and a maximised internal volume. And when you're finished, Genelec Intelligent Signal Sensing (ISS) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode.

From professional studios to outside broadcast vehicles, the 8030C has been crafted to combine extraordinary power with absolute precision.
Read more
coming soon TBA
FORTHCOMING
IK Multimedia iLoud MTM Powered Studio Reference Monitor With Measurement Microphone (single)
Cat: 718618
 
High-resolution compact studio monitor
Notes: IK's iLoud Micro Monitors stunned an industry. Producers and engineers at every level marvelled at the performance coming from such a small setup, so IK challenged our team to push its concept even further - to design a new compact speaker to rival 5", 6" and even 8" monitors.

The result is iLoud MTM, and it changes everything about the sound, accuracy and convenience of reference monitors in today's modern studio.

Once you hear iLoud MTM, you'll find it hard to ever go back to traditional big-box speakers.

Reference-class, ultra-linear response:

The first job of any studio monitor is to deliver accurate, un-coloured sound so you can trust your mixing decisions will translate across multiple playback systems. iLoud MTM uses the most advanced DSP techniques to provide total control over the speakers' performance, delivering results simply not obtainable with traditional analogue designs.

Highs are neutral and defined, mids are clear and balanced, and lows are as balanced as ever. You can mix for hours with no ear fatigue, and the work you create will translate better than ever. And of course, it's loud, with 100W RMS total power per speaker and 103dB SPL maximum sound pressure, delivering the proven volume the iLoud brand is known for.

Extended low-end to rival larger systems:

iLoud Micro Monitor wowed the world with the bass performance it delivered from a 3" speaker that "defied physics". But iLoud MTM offers even more, with even bass response down to an astonishing 40Hz ideal for modern music styles.

iLoud MTM debuts IK's new patent-pending Physical Response Linearization (PRL) system, that uses a precise model of the enclosure's design, construction and materials, combined with electro-mechanical measurements of the real units, to correct the system's performance in real time. The result is a stunningly "firm," balanced and defined low end, to surpass the sound of speakers even twice iLoud MTM's size.

Deep bass is solid and firm - you won't believe sound like this comes from a monitor so small.

A new phase in accurate sound reproduction:

Most conventional studio monitors, even high-end designs, suffer from skewed phase response caused by traditional, phase-shifting crossovers and driver/enclosure phase alterations. The end result is an unfocused stereo image, blurry transients, and overall lack of detail. iLoud MTM leverages IK's two decades of DSP experience to offer a true phase-coherent response across the useful frequency spectrum, for unbelievably realistic, natural sound like you've never heard.

You'll hear instruments and dialogue as if it's happening live, discover more detail in your tracks than ever before, and stop wasting hours trying to EQ away issues with your mixes that were never really there. This linear-phase response is rarely found in speakers even several times iLoud MTM's price, and has to be heard to be appreciated.

Symmetrical MTM design for superior imaging and precision:

iLoud MTM uses a midrange-tweeter-midrange symmetrical design, with a pair of 3.5" high performance woofers and one 1" high definition, back-chamber loaded tweeter, which provides ultra precise, defined, point source sound that can't be achieved by traditional 2-way systems at close distances. This means an even more natural, life-like sound, where the speakers "disappear" and you can focus on the music. It also minimizes the ear fatigue caused by traditional 2- or 3-way designs, where different frequencies arrive at your ear at different times. So you can mix longer, with less effort.

iLoud MTM's design also offers exceptional sound dispersion, enhancing the transparency and neutrality of what you hear.

Instantly adjust to any room environment:

Today's studios can be anywhere, from acoustician-designed spaces to a spare bedroom. Too many speaker manufacturers keep designing for ideal acoustic environments, ideal positioning and large listening distances. But many musicians simply don't have that luxury.

iLoud MTM offers built-in acoustic self-calibration via the included ARC reference microphone, to automatically adjust the frequency response to its placement. Just set up the monitors, put the microphone in your preferred listening position, press a button and you'll instantly have a custom calibration for the sweet spot of your listening environment.

Digitally-controlled for precision audio:

iLoud MTM uses audiophile-grade high resolution algorithms and the top-of-the line A/D converters to carefully manage cross-overs, filtering, time alignment, equalization, dynamics control and auto-calibration. Totally DSP-controlled and precision time-aligned, iLoud MTM also manages the off-axis response to manage the effects of room reverberations.
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coming soon $389.66
FORTHCOMING
Korg Minilogue XD 4 Voice Polyphonic Analogue Desktop Synthesiser Module
Cat: 732457 Rel: 01 Aug 19
 
Desktop module version of the now classic synth
Notes: Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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coming soon $621.37
FORTHCOMING
Korg Volca Nubass Vacuum Tube Bass Synthesiser
Cat: 732455 Rel: 01 Aug 19
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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coming soon $188.52
FORTHCOMING
Malekko Goatkeeper 2 Stage Sequential Polyrhythmic Analogue Tremolo Pedal
Cat: 735675
 
2-stage LFO with Sequential, Composite, and Modulation modes
Notes: The Malekko Goatkeeper (MGK) is a completely redesigned version of the Lightfoot Labs Goatkeeper, first released in 2007. The core of the pedal is an all analogue tremolo circuit using a THAT Corp VCA, which when combined with the built in waveforms, can produce tremolo sounds from percussive to smooth. The MGK's LFO generation consists of two stages, each with a range of multiplier values and waveform selection.

The two stages can be run in 3 ways:

- Sequential: The two stages are run one after the other
- Composite: The two stages are run simultaneously and the effective waveform is a polyrhythmic composite of the two.
- Modulation: The two stages are run simultaneously and the effective waveform is the equivalent of one modulating the other.

Tempo can be set with the RATE knob or with the Tap/Sync input. The Tap/Sync input accepts a Malekko Lil' Buddy for tap tempo control, or an analogue clock/metronome signal. The DEPTH knob allows the effect to vary from subtle to high intensity.
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coming soon $228.53
FORTHCOMING
Mooer GE300 Multi Effects Processor Pedal (B-STOCK)
Cat: 737516
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The GE300 from MOOER is the flagship multi-effect instrument processor. By combining the well-received Micro Preamp series, TONE CAPTURE instrument matching technology, tri-voice polyphonic synthesizer module, and a wide-range of guitar effects and tools, the GE300 embellishes every single motive for creation from your mind with nuanced details.

The GE300 contains dual-DSP processors delivering the fastidious detailed characterizes of every delay, reverb, modulation or amp model inside. Thanks to the intuitive and simple UI, controls, and connection ports, the GE300 is an all-in-one working station for musicians whether in a live situation, at home, or in the studio. With the synth module, your instrument will be transformed into an electronic synthesizer without the need for special pickups or instrument modifications, allowing you to spark your creativity with more possibilities.

The SYNTH ENGINE has 3 independent voices with their own parameters for waveform, pitch, attack, level, filter and arpeggiator. The signal path from the instrument input is split and routed directly to the front of each synth voice so they remain completely parallel and independent from one another. The thru dry signal can also be mixed parallel to the entire synth effect block, so you can opt for synth only or mix it with your guitar signal.

TONE CAPTURE is an intelligent learning and comparison engine that can be used to create your very own digital models by sampling real-life equipment. The GE300 is the only MOOER product that features three different TONE CAPTURE modes.

AMP & STOMP MODE can be used to sample your favourite stomp box or amplifier. This can then be applied to an existing amp or drive pedal model within a preset to transform it into your sample.

GUITAR MODE allows you to capture the EQ characteristics of your instrument. Have you ever found yourself searching for a single instrument that has all the different guitar sounds you need? Be it classic country twang, warm ballsy blue tones, the funkadelic "4-position", tight thrashing djent, Piezo acoustic-electric - GUITAR MODE can sample any guitar, provided it has some form of pickup, and create a detailed digital guitar model using MOOER's proprietary non-linear IR technology.

CAB MODE allows you to create your own Impulse Response models of speaker cabinets to use instead of using the CAB effect block already installed on the GE300. GE300 has 108 digital amp models that utilize MOOER's non-linear amp modelling technology.

Each model has been designed based on samples taken directly from real-life tube amplifiers. It is not only the accurate recurrence of the original amps' tone but also the dynamics and feel of a real tube amp. 43 IR based factory speaker cab models with 20 user slots to load in your favourite 3rd party IR files. (Up to 2048 sample pts) 164 high-quality effects that cover all the bases from your favourite stompboxes, plugins and studio rack units. 30 minute capacity loop station with undo/redo, direct dubbing, reverse + 1/2 time effects. Looper sessions can be stored and backed up for import /export of audio files. Recall that new song idea you had any time, or load in your favourite backing tracks to jam along with!

MIDI IN/MIDI OUT/THRU with easy mapping and external ctrl switching to control your other pedals and amps. Direct, low latency USB audio lets GE300 double up as a digital audio interface and become a "one-stop-shop" solution for recording guitar. Apart from that, editor software on computer makes it an all in one working station. Firmware update via USB available.
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coming soon $599.71
FORTHCOMING
Pittsburgh Modular Lifeforms Voltage Lab Synthesiser Voice Module
Cat: 732132 Rel: 02 Sep 19
 
Synthesiser voice module with unique sound palette - 48HP
Notes: The Lifeforms Voltage Lab module is a completely different type of analogue synthesizer, where every function of the instrument has been influenced by the behaviours and systems of the natural world. Wildly experimental and extremely deep, the Lifeforms Voltage Lab module is a sonic playground created to explore the natural systems and lesser known fringes of analogue synthesis. The Voltage Lab module is more than a simple collection of tools and functions, it is a unique modular synthesizer designed to reward deep experimentation and encourage the creation of unique sonic systems.

Generation:
The unique sound palette of the Lifeforms Voltage Lab originates with a complex oscillator pair that utilizes a wide range of shaping and manipulation options to move away from basic geometric shapes to more harmonically rich tones. A custom wave folder with enhanced waveform warping, linear FM, amplitude modulation, ring modulation, waveform cycling, hard sync, and more are available for extreme sonic research.

Manipulation:
A set of multi-function generators work as interactive voltage processing systems to create and modify complex control voltages. The function generators act as voltage controllable envelopes, LFOs, slew generators, and more to produce evolving control signals.

Interaction:
Twin dynamics controllers pull everything together. A unique circuit expanding on the classic low pass gate, the dynamics controller with variable response adds an organic depth to the sound of the Lifeforms Voltage Lab by simulating the natural behaviour of sound. The multi-mode signal processor features a 12db resonant filter, VCA, and percussive low pass gate modes.

Dimensional:
Sound interacts with the world around it. The Voltage Lab uses analogue delay to simulate this interaction and create an artificial sense of time and space. Manipulation of delay time and feedback add depth and warmth through reverb, chorus, flanging, Doppler, slap back, and echo type effects.

Unstable Systems:
Chaos is everywhere. Random gates and control voltages spark uncontrolled reactions, disrupt systems, and generate ideas. The Voltage Lab utilizes noise, stepped random CV, a pseudo-random sequence generator, pitched random CV, pitched random sequences, and random gates to add multiple levels of unpredictability to any patch.
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coming soon $1,137.41
FORTHCOMING
Pittsburgh Modular Lifeforms Voltage Research Laboratory Analogue Modular Synthesiser
Cat: 732129 Rel: 02 Sep 19
 
3 separate Eurorack modules housed together in a purpose-built, handmade enclosure
Notes: The Voltage Research Laboratory is a completely different analogue synthesiser where every function of the instrument has been influenced by the behaviours and systems of the natural world. Wildly experimental and extremely deep, the Voltage Research Laboratory is a sonic playground created to explore the natural systems and lesser known fringes of analogue synthesis.

The Voltage Research Laboratory is 100% eurorack modular format compatible and is comprised of 3 separate eurorack modules housed together in a purpose-built, handmade eurorack enclosure. More than a collection of tools and functions, it is a unique modular synthesiser designed to reward deep experimentation and encourage the creation of unique sonic systems.

The unique sound palette of the Lifeforms Voltage Lab originates with a complex oscillator pair that utilizes a wide range of shaping and manipulation options to move away from basic geometric shapes to more harmonically rich tones. A custom wave folder with enhanced waveform warping, linear FM, amplitude modulation, ring modulation, waveform cycling, hard sync, and more are available for extreme sonic research.

A set of multi-function generators work as interactive voltage processing systems to create and modify complex control voltages. The function generators act as voltage controllable envelopes, LFOs, slew generators, and more to produce evolving control signals. Voltage controllable parameters and multiple unison modes create complex and intertwined modulation systems through time.

Twin dynamics controllers pull everything together. A unique circuit expanding on the classic low pass gate, the dynamics controller with variable response adds an organic depth to the sound of the Lifeforms Voltage Lab by simulating the natural behaviour of sound. The multi-mode signal processor features a 12db resonant filter, VCA, and percussive low pass gate modes.

Sound interacts with the world around it. The Voltage Lab uses analogue delay to simulate this interaction and create an artificial sense of time and space. Manipulation of delay time and feedback add depth and warmth through reverb, chorus, flanging, Doppler, slap back, and echo type effects.

Chaos is everywhere. Random gates and control voltages spark uncontrolled reactions, disrupt systems, and generate ideas. The Voltage Lab utilizes noise, stepped random CV, a pseudo-random sequence generator, pitched random CV, pitched random sequences, and random gates to add multiple levels of unpredictability to any patch.

Intuitive and inspiring, the Lifeforms Touch Controller replaces the creative restrictions of a traditional chromatic keyboard with a set of fully configurable multi-dimensional touch pads. A duophonic touch controller that utilizes two sets of five touch pads to offer a flexible and interactive performance surface. Performances can be interpreted with a unique combination of monophonic and duophonic responses. The channel animator is available to quickly generate complex sequences or glitchy chaos. Intuitive and inspiring, the Lifeforms Touch Controller is the perfect launchpad for an experimental journey.

A Voltage Research Laboratory exclusive, the Utility module adds a few welcome features to round out the functionality of the instrument. A unity gain signal mixer/splitter along with stereo headphone and line outputs.

A beautiful 96hp eurorack enclosure designed with the warmth of walnut and the strength of steel. The Research Console eurorack format modular case pairs classic desktop synthesiser ergonomics with a modern eurorack form factor and clean, reliable power supply.
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coming soon $2,022.07
FORTHCOMING
Rossum Electro-Music Linnaeus Thru Zero State Variable Filter Module
Cat: 732306 Rel: 01 Aug 19
 
Stereo thru-zero state-variable VCF - 16HP
Notes: Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
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coming soon $410.72
FORTHCOMING
Rossum Electro-Music Panharmonium Mutating Spectral Resynthesiser Module
Cat: 728570 Rel: 01 Jul 19
 
26HP Eurorack spectral re-synthesiser module
Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that analyses the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyser:

The Spectral Analyser provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.
- The Centre Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.
- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers:

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesise the spectrum.
- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.
- The Feedback control (and associated CV input) lets you route the re-synthesised audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank:

The Oscillator Bank resynthesises the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.
- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.
- The Octave control, not surprisingly, shifts the pitch of the output by octaves.
- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).
- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesised audio.

Optional Functions:

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.
- Holding the Output Mode button and adjusting the Centre Freq control allows you to instead set the lower frequency of the analysis range.
- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangourous, swarming textures.
- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets:

Panharmonium provides 12 user Spectra memories and 12 user Presets (in addition to 12 each factory memories).

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.
- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.
Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.
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coming soon $511.83
FORTHCOMING
Sequenz Korg Volca Rack (fits up to 4 Korg Volcas)
Cat: 732466 Rel: 01 Aug 19
 
Rack system for 4 Korg Volca Series units
Notes: Volca racks are all about "Volcanomics" (Volcas + Ergonomics). Up to four (2 x 2 ) Volcas can be arranged as desired, all securely in place thanks to durable aluminum framing and rubber legs.

Asymmetrical side panels enable you to flip the rack to be deeper or taller, and it is punctuated with wood ends for sturdiness and great looks.
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coming soon TBA
FORTHCOMING
Supercritical Demon Core Expander Module
Cat: 731220
 
Expander for the Demon Core Oscillator - 8HP
Notes: This module brings polyphonic control to the Demon Core oscillator.

The stacks can be divided between up to 16 polyphonic voices via MIDI or four 1V/oct inputs with attenuator. The oscillator can be set in continuous streaming mode or in MIDI gating mode with an ADSR envelope for each polyphonic voice.

The time sync can be also triggered via MIDI for each voice.
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coming soon $262.23
FORTHCOMING
Supercritical Demon Core Oscillator Module
Cat: 731219
 
16 voice oscillator - 12HP
Notes: The Demon Core Oscillator is a 16-voice DCO based on classic keyboard synthesizers.

This module offers also a static detune spread and a CV controllable core stability feature similar to Sequential Synthesizers. It introduces VCO-like pitch drift and jitter, allowing the module to sound like 80's polysynths.

With the help of the separately available expander, the module can be played polyphonically via MIDI.
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coming soon $458.12
FORTHCOMING
Teenage Engineering PO137 Rick & Morty Pocket Operator Vocal Synthesiser & Sequencer With Built In Microphone
Cat: 737279 Rel: 01 Nov 19
 
Rick & Morty limited edition synth & sequencer pocket operator
Notes: The Emmy award-winning producer Justin Roiland has stepped into the role of inventive mad scientist collaborating with Teenage Engineering. Together, they have created a limited-edition Pocket Operator (PO-137), a vocal synthesiser and sequencer with built-in microphone offering 8 different voice character sampling options, all voiced by Roiland himself plus all new custom Rick and Morty visuals.

Other features of the PO-137 include an animated LCD display, folding stand, 120-seconds sample memory, alarm clock and much more.
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coming soon $142.17
FORTHCOMING
Tiptop Audio Tape Echo ZDSP Cartridge
Cat: 733659
 
Z-DSP tape echo effects card
Notes: TAPE ECHO by Tiptop Audio brings classic tape-based delays to the Z-DSP effects library. Eight expressive algorithms which emulate analogue tape machines and the producers that inspire Tiptop Audio.

With Tape Echo you can do it all - recreate space echo dub sound of Lee "Scratch" Perry and King Tubby or dig deep into the gritty and endless saturated repeats favoured by dub experimenters like Basic Channel and Boards of Canada.

So wide in its functionality, playability and natural in its sound, Tape Echo sits comfortably amongst the greats of the Roland RE-201 Space Echo, Copycat and Maestro Echoplex all while having a unique character of its own.

From wobbly tape to stereo pong, Tape Echo comes with a multitude of expressive settings and presets that allow you to recreate virtually any style of analogue echo or magnetic tape delay or invent your own sound when you adjust the fidelity of the Z-DSP clock!

Tape Echo for the Tiptop Audio Z-DSP is a joy to use. Precision control of the Frequency, Filter and Feedback are clear to read with the Z-DSP display, plus corresponding controls make setting delay times by ear easy and fun to do like its predecessors.
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coming soon $78.98
FORTHCOMING
Zoom F6 Multitrack Field Recorder
Cat: 734836 Rel: 01 Aug 19
 
Professional field recorder with 32-bit float recording & dual AD converters
Notes: The Zoom F6 is the first professional field recorder to feature both 32-bit float recording and dual AD converters, providing an unprecedented amount of dynamic range. With 6 inputs, Zoom's solid time code, multiple power options and wireless control, the F6 is poised to be your new secret weapon.

32-Bit Float Recording:
In the field, fluctuating dynamics can prove challenging. Loud sounds can cause clipping and quiet sounds can get lost in the noise. The F6 uses 32-bit float recording with dual A/D converters to capture both explosive and subtle sounds at full audio quality - without ever adjusting gain!

For Those Hard to Reach Places:
Rugged enough to withstand the most demanding scenarios and small enough to fit into the tightest spaces, the F6 will become your go-to recorder.

Mic Preamps:
The F6 is equipped with six professional-grade preamps. Featuring a super-low noise floor (-127 dBu EIN), high gain (up to 75 dB), and selectable mic/line levels for each input, the F6 is built for location sound.

Precision Time Code:
Keep your tracks perfectly synced even when you power down for lunch. On or off, the F6's Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy.

Advanced Look-Ahead Hybrid Limiters:
When recording in 24-bit, the F6 uses advanced look-ahead hybrid limiters to provide overload protection. By adding a 1-millisecond delay, the limiters "look ahead" anticipating clipping before it's recorded.

Zoom AutoMix:
Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound.

What's included with the F6:

- F6 Field Recorder
- Camera mount adapter
- AA batteries (x4)
- Cubase LE and WaveLab LE download codes
- Quick Start Guide
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coming soon TBA
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