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FORTHCOMING
NUX MG-300 Guitar Multi-FX Pedal
NUX
Cat: 785758 Rel: 24 Oct 20
 
Multi-FX pedal
Notes: The NuX MG-300 is a compact yet powerful live multi-effects processor, recording tool and practice companion for guitar players. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NuX TSAC algorithm, which delivers high definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high quality audio interface, completing the studio-ready guitar rig. The main output has options for guitar amplifiers, D.I to studio equipment or straight to a pair of headphones. On-the-fly controls and a full colour display complete the package, providing a comprehensive and affordable guitar workstation in a very portable format.

The box for this item contains :
NUX MG-300 multi-FX pedal
9Vdc UK power adaptor

Specifications:
Power supply: 9Vdc, 260mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB: portMicro-USB for audio interface and PC/Mac editing
Sampling format: 48kHz, 24-bit
Frequency response: 20Hz - 20kHz (i1dB)
Output: 6.3mm jack to mixer, amp or headphones
THD: +N<0.03%
Dynamic range: 110dB
Input level: -20dB
Output level: -10dB
Dimensions: 230 x 160 x 58mm
Weight: 754g
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MRP:$140.78 SAVE 24%
coming soon $106.54
FORTHCOMING
Old Blood Noise Signal Blender Parallel Effect Blender/Mixer/Router Pedal
Cat: 782163 Rel: 24 Sep 20
 
Effect blender/mixer/router pedal
Notes: The Signal Blender provides a number of parallel routing solutions through its use of a pair of send/returns, primary input and output, switching, and volume control.

Signal Blender can be used as a:
Parallel effect blender
3-to-1 mixer
1-to-3 splitter
Active ABY in either direction
Volume level setter

and more.

A courtesy 9V power outlet and phase correction switches for both Sends add further versatility to this box. Clever switching allows for latching or momentary on/off action.

The Signal Blender uses standard 9V center negative power, and has a current draw of 31 mA.
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MRP:$153.70 SAVE 17%
coming soon $128.09
FORTHCOMING
Electro Harmonix Oceans 12 Dual Stereo Reverb Pedal (B-STOCK)
Cat: 785510
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The Oceans 11's big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect. Comes equipped with a standard EHX 9.6DC200mA power supply.

The Oceans 12's reverbs are: ROOM, SPRING, PLATE, REVERSE, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIMMER, POLYPHONIC, RESONANT
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coming soon $215.26
FORTHCOMING
Empress Effects Tape Delay Pedal
Cat: 783102 Rel: 30 Sep 20
 
Tape delay pedal
Notes: Rich, lush tape delay in an incredibly small box. 3 flavors of tape age let you choose how dark and gritty the repeats will get while filter and modulation controls allow for even more fine tuning. Tap tempos with ratio multiplier mean rhythms like dotted eights are all at your fingertips.

Now with an analog dry path, the Tape Delay is packed with features, all accessible from the advanced configuration mode. Presets can store all your settings and be recalled at the touch of a button, making switching live fast and easy.
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MRP:$342.27 SAVE 17%
coming soon $285.22
FORTHCOMING
TC Electronic Brainwaves Pitchshifter Pedal
Cat: 781362
 
Pitchshifter pedal
Notes: Exceptional pitch shifter with studio-grade algorithms, 4 octave dual voices and groundbreaking MASH footswitch.

With its mind-bending range and kaleidoscopic pitch effects, the studio-grade BRAINWAVES PITCH SHIFTER is the perfect fusion of brains and brawn.

This pink-clad pitch professor masters a variety of polyphonic effects including whammy and detune, plus a bunch of others - thanks to the dedicated TonePrint app.

The award-winning MASH footswitch packs expression pedal performance into a pedalboard-friendly size.

Pitch-shifting mode expands your sound by adding up to two extra voices and letting you decide whether these voices go above or below the original signal.

Just imagine - the solo from "Owner of a Lonely Heart" never sounded so huge.

And since BRAINWAVES is polyphonic, you can use it on your standard-tuned guitar for a wide range of rock-solid sharp or flat tunings - without detuning the actual instrument.

With separate voices pitched in either direction, the polyphonic algorithm lets you easily process pitch-shifted chords, riffs, and furious flurries of single-notes. Since each voice is adjustable from unison to two octaves up or down (and anything in between), BRAINWAVES has more range than an interstellar battle cruiser. You can quickly create custom pitch settings via the free TonePrint app to find or expand your own pitch personality.

Whammy mode packs a powerful fistful of sonic punch. With 2 individually programmable voices, you can instantly go from nice and sweet, to a 2-octave, dive bomb explosion - just by MASHing the footswitch.

Detune mode lets you widen your sound for a more open, sweet and dynamic tone. Unlike most chorus effects, detuning plays really well with complex chord voicings, even those drenched in distortion.

BRAINWAVES also nails the squeaky clean, watery '80s tones we all know and love. Or slap on some dirt and dial up a shallow detune for the secret thickening agent from Van Halen's post-1984 tone. MASH down the footswitch for an extra dose of instant detune goodness; the Mix knob lets you blend in just the right amount of effect, keeping your sound balanced - even at extreme settings!

The BRAINWAVES PITCH SHIFTER features groundbreaking new technology that brings a wide range of creative expression to the party, controlled solely by how much pressure you apply to the depressed footswitch.

Years in the making, and only available in select TC Electronic products, this clever innovation elevates the common footswitch well above rather mundane duties, such as "On" and "Off". More importantly - MASH elevates your performance to the next level.

TonePrint means signature effects - and signature effects means truly creative tones.

With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

Download the free TonePrint app for Android and iPhone, choose the TonePrint you want to hear and beam it instantly from your phone through your guitar's pickup into your TonePrint pedal. No cables needed!
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coming soon $120.55
FORTHCOMING
Empress Effects Echo System Dual Engine Delay Pedal
Cat: 783107 Rel: 30 Sep 20
 
Delay pedal
Notes: Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

In addition to delays, there's the super-useful reverb combos, which will elevate any guitar part. Oh, and don't forget Whisky mode, best accompanied by a dram of whatever you've got!

The pedal has 12 algorithm types, all with multiple variations. For example, there are 4 different tape delays on tap.

Emulations of classic tape and analog units are available, as well as our take on these types of delay.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Global tap tempo as well as local tempo with lots of subdivisions are available on all modes, in addition to being able to set the delay time directly with the knob.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

2 delays can be used at the same time, each with its own full set of controls and routed in serial, parallel or left/right.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

Cabinet Simulator - 3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your delay works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control Port(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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MRP:$594.14 SAVE 17%
coming soon $495.11
FORTHCOMING
KMA Audio Machines Cirrus Delay & Reverb Pedal With Tap Tempo & Modulation
Cat: 782222 Rel: 25 Sep 20
 
Delay & reveb pedal
Notes: Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines' Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.

Cirrus is KMA Audio Machines' first step into the fully digital realm. But KMA have come up with a special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.

Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-f textures. However, the ambient party doesn't stop here!

A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!

Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!

The Cirrus has been equipped with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see ft.

As the final piece of the tonal puzzle, a Serial FX-Loop was added, letting you put any pedal in front of the Delay/Reverb line, to further flavour your own signature sound.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 220mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.
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MRP:$226.03 SAVE 17%
coming soon $188.35
FORTHCOMING
Old Blood Noise Visitor Parallel Multi-Modulator Pedal
Cat: 782184 Rel: 24 Sep 20
 
Multi-modulator pedal
Notes: Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new sounds in a single pedal format. Further strangeness occurs with the delay offset of the secondary modulation and the interaction of the secondary rate and the primary depth.
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MRP:$244.11 SAVE 17%
coming soon $203.43
FORTHCOMING
SynthRotek Cosmic ECHO Delay Pedal (fully assembled)
Cat: 778344
 
delay pedal
Notes: The Cosmic ECHO is an analog-sounding lofi delay that will work with just about anything you plug into it. The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. This new take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Zone and Warp.

Contains PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

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coming soon $101.17
FORTHCOMING
SynthRotek Cosmic ECHO Squared Analogue Delay Pedal (fully assembled)
Notes: The Cosmic ECHO Squared is an analog lofi delay that will work with just about anything you plug into it. The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. This pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Blast and Warp.

Contains PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

This big sister of the Cosmic ECHO is tailored to live guitar and keyboard performers. It has all the features of the original plus:

- Expression pedal input over Rate

- Blast and Warp are now momentary stomp switches

- Blast amount knob now accessible externally
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MRP:$210.53 SAVE 19%
coming soon $171.12
FORTHCOMING
Old Blood Noise MAW Microphone Effects Manipulator Vocal Pedal
Cat: 782148 Rel: 24 Sep 20
 
Vocal manipulator pedal
Notes: What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It's the new multi-tool for effects lovers on stage and in studio.
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MRP:$321.61 SAVE 17%
coming soon $268.01
FORTHCOMING
Old Blood Noise Minim Reverse Modulated Delay/Reverb Pedal
Cat: 782151 Rel: 24 Sep 20
 
Delay/reverb pedal
Notes: Looking back on an inspiring year of collaboration with Datachoir, Old Blood Noise Endeavors created Minim, a new pedal built from the foundation laid out by Rever. Inside is a newly voiced reverb with harmonic tremolo, a modulated delay with nearly infinite repeats available, and a reverse section selectable between normal speed or double speed. Sat next to the Rever, it's like a long lost sibling. Put both on your board and see how well they get along.
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MRP:$282.86 SAVE 17%
coming soon $235.72
FORTHCOMING
Keeley Super Mod Workstation Modulation Pedal
Cat: 782464 Rel: 25 Sep 20
 
Modulation pedal
Notes: Sonically drench yourself in swirling modulated tones. Not many effects can be as provocative as a chopping tremolo, a swirling rotary, a dreamy chorus, or a crazed filter sound. Nothing compares 2 a thick flanger or deep harmonic tremolo. Nothing goes better with modulation than delay and reverb. With the Super Mod Workstation you can combine 2 effects together to create a nearly endless soundscape of tones. Add tap tempo and an expression pedal and you have all the tools at your disposal to create a mesmerizing array of sounds.

The Super Mod Workstation contains many of Keeley's finest effects. The Harmonic Tremolo in this unit is inspired by vintage brown face amps. The Keeley DynaTrem contained our first Harmonic Tremolo. Many consider this deeper and thicker sounding than the U Vibe type effect. The ADT in the Super Mod Workstation is from the 30ms Automatic Double Tracker. Last year that effect set the effect world on fire with the best complete ADT unit in a stomp box.

The Super Mod Workstation allows you to combine effects like Tremolo, Filter, Phaser, Chorus, Rotary Speaker, or Delay with other similar modulation effects, including delay or reverb! For example you can combine our famous 30ms Double Tracker sound in the ADT, with a Flanger, or an Echo, or Plate Reverb. Another example would be to use Bank 1 - Phaser sound, combined with Bank 2 - Delay. You can use the expression pedal to run delays into self oscillation feedback! You can Tap Tempo input a rate for the Harmonic Tremolo sound on Bank 1 and then use an expression pedal input for speed of the Rotary Cab sound on Bank 2. Decide it's #modulationFreeMonday? Well, you can use the Analog Delay on Bank 1 and a super wet Hall Reverb on Bank 2.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Super Mod Workstation has Tap Tempo for Mod Bank One, and external expression control on Mod Bank Two.

Super Mod Workstation effects include:

Tremolo w/triangle to sine waveform control

Harmonic Tremolo w/presence tone control

Filter Trem w/oscillator and random control

Phaser w/feedback control

ADT w/blend control

Rotary Cabinet Sim w/treble horn control

Digital Delay

Analog Delay w/dynamic modulation

Chorus/Vibrato w/blend control

Flanger w/positive or negative feedback

Hall Reverb

Plate Reverb

Tap Tempo on Modulation Bank 1

Expression Control on Bank 2
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MRP:$386.19 SAVE 17%
coming soon $321.83
FORTHCOMING
Keeley Verb O Trem Workstation Powerful Reverb & Modulation Machine Pedal
Cat: 782482 Rel: 25 Sep 20
 
Reverb/modulation pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT Workstation gives you the famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo.

So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT Workstation is a simple and beautiful sounding solution.

The Keeley VoT Workstation is a high-end Dual DSP effect workstation. Each effect, reverb and tremolo are given their own effects engine. This allows us to create rich and ornate filtering. These are studio quality sounds we that have been crafted over the years, refined by working musicians and studio engineers.

Reverbs
Keeley knows and develops reverb spaces. Fat, juicy, sonically rich spaces. Keeley 2 Spring Reverb is the real deal. It's so good sounding, they install it in The Amp now. In fact Keeley reverb has been developed in many other brand's pedals.

There are 8 petals to this flower: 2 Spring, 3 Spring, Plate, Hall, Chamber, Room, Fugue, and Slapback!

Each Keeley VoT Workstation reverb allows you to control:

Level - Output Volume Level for the reverb channel

Decay - this is the length of the reverb trails, the size of the ambient space. External Expression Control port on rear of unit.

Morph - Pre-Delay - The earliest reflections, sometimes heard as a slapback. This is great for setting up a reverb space that sounds huge, or you can dial it in so that it plays well with fast, percussive notes.

Effect Level - This is your Blend Control- how loud you want the reverb in your guitar mix.

Tremolos
A Lotus Flower of Tremolos- you have eight blooming tremolos in the Keeley VoT Workstation!

8 Vintage Tremolo modes: Sine Wave, Square Wave, Harmonic, Dynamic Harmonic, Pitch Vibrato, Ramp Trem, Les'Rotary Speaker, U-Vibe

Level - Output Volume Level for the tremolo-modulation channel

Rate - Speed of modulation, with on-board Tap Tempo, external tap input jack.

Depth - amount of volume change in effect. THROB.

Morph - Controls a variety of aspects including filter points, wave shape, duty cycle, tweeter/woofer control, etc. Instruction manual lists exact details.

VoT - Lotus
The VoT Workstation Tremolo allows you to have on-board Tap Tempo or you can use an external tap switch or generator. Expression pedal control gives you foot controlled access to the Reverb Decay control. This allows you blend the perfect amount of reverb into your guitar mix.
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MRP:$386.19 SAVE 17%
coming soon $321.83
FORTHCOMING
Miditech MP-1 Sustain Pedal
Cat: 784475 Rel: 10 Oct 20
 
Sustain pedal
Notes: The MP-1 is a strong pedal, which has a long switch, and works nearly wihout own noises. Because the polarity is switchable, it is not only compatible to Miditech masterkeyboards, but also it works with all usable master- and MIDI-keyboards from all other companies with a standard sustain input jack socket.
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MRP:$23.25 SAVE 17%
coming soon $19.36
FORTHCOMING
Empress Effects Buffer Plus Pedal
Cat: 782953 Rel: 30 Sep 20
 
I/O interface
Notes: The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+.

Input Impedance: 10k - 1Meg
Output Impedance: 510 Ohms
Frequency Response (-3dB): 5Hz - 40kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 86mA
Total Harmonic Distortion: 0.02%
Signal to Noise Ratio: 105.3dB
Headroom: +9.4dBu
Enclosure Material: Die Cast Aluminum
Input connectors: 1/4" Jack
Output connectors: 1/4" Jack
Height (enclosure): 1.25"
Height with controls: 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$206.66 SAVE 13%
coming soon $179.74
FORTHCOMING
Empress Effects Midibox2 MIDI Pedal Controller
Cat: 783064 Rel: 30 Sep 20
 
MIDI pedal controller
Notes: The Midibox2 allows you to connect Empress Pedals equipped with a control port to MIDI. It converts the standard 5 pin MIDI cable to a simple guitar patch cable.

Specifications:
Power Input Voltage: 9V DC
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 30mA
Enclosure Material: Die Cast Aluminum
Input connector: Standard 5 pin MIDI connector
Output connector: 1/4" Jack
Height: 1.25"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lb
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MRP:$116.24 SAVE 17%
coming soon $96.86
FORTHCOMING
TC Electronic Spectracomp Bass Compressor Pedal
Cat: 781360
 
Bass compressor pedal
Notes: SPECTRACOMP BASS COMPRESSOR is the tiniest big thing to hit the world of bass in a long time. This ultra-compact and highly intuitive multiband compressor, is made to bring out all of the glorious low-end punch and presence of your beloved bass in the most transparent and musical way you've ever heard. Just turn it on and take charge of the groove.

Studio-quality multiband compressor - perfectly tuned for bass
TonePrint enabled
Ultra-small footprint

The magic of multiband bass compression was first introduced in TC's innovative RH-series bass amps, which made dialing in super-smooth compression an absolute breeze. With SPECTRACOMP BASS COMPRESSOR the simplistic one-knob approach from the amps was kept, while greatly improving the compression algorithm. This gives you access to studio-quality compression tones, in a stompbox so small that you can't afford not to have it on your board.

SPECTRACOMP BASS COMPRESSOR contains the same high-quality MD3 dynamics engine known from TC's studio production powerhouse, System 6000. A dynamics engine that has been used on countless hit-records and massive blockbuster movie productions. This advanced algorithm applies perfectly tweaked compression for your high, mid and low frequencies to create a more unified and balanced sound where your low strings never overtake your highs, something that's simply not possible with the one-size-fits-all compression known from a typical stompbox. This way you'll get a tight and punchy attack, with endless sustain all without ever compromising the natural low-end response of your bass.

Picture SPECTRACOMP BASS COMPRESSOR as an ice cream. It's smooth, delicious and easy to love. But maybe you want to super-pimp your ice cream with cherries, chocolate sauce and sprinkles shaped like unicorns? You want to make that tone-sundae your own. This is where TonePrint comes into play. Via the free editor you can customize your own compression tone through a wealth of deep editing parameters, so it suits your rig perfectly. You can also try on custom pre-made tones via the free app for Android and iOS. Tone tweaking just leveled up.
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coming soon $73.18
FORTHCOMING
J Rockett The Dude V2 Dumble Overdrive Special Sound Effects Pedal
Cat: 783208 Rel: 01 Oct 20
 
Overdrive pedal
Notes: The DUDE is designed to achieve the classic D style ODS sounds and feel. From Robben Ford to Larry Carlton to scorching gain, it is all there. The Dude v2 has a less aggressive volume control, new knobs that are easier to read and a noiseless foot switching system.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Analog 18mA Current Draw

True Bypass Switching
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MRP:$257.03 SAVE 17%
coming soon $214.19
FORTHCOMING
Old Blood Noise Whitecap Asynchronous Dual Tremolo Pedal
Cat: 782187 Rel: 24 Sep 20
 
Tremolo pedal
Notes: Combining a three-control analog tremolo and a multi-shape digital tap tremolo, the Old Blood Noise Endeavors Whitecap tremolo lets the user find new tremolo textures by combining the two sounds in series or parallel. Quick chops, slow ramps, asynchronous modulations, smooth sines, phase flipped undulations, textural rhythmic drifts - it's all there in the Whitecap.
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MRP:$244.11 SAVE 17%
coming soon $203.43
FORTHCOMING
Maxon AD-999 Analog Delay Vintage Series Pedal
Cat: 783426 Rel: 31 Dec 20
 
Analogue pedal
Notes: The AD999's Delay tone is pure analog heaven - rich, round and three-dimensional, it reacts to your playing and breathes life into your performance.

The AD999 is loaded with eight custom Bucket Brigade IC's for 900 milliseconds of warm, organic analog tone. These BBD's are clocked extremely low to achieve the longest delay time possible, creating a HUGE delay tone that recalls early 70's Pink Floyd with stunning accuracy.

Yet the real magic of the AD999 is in the Delay repeats - they exhibit a slightly overdriven tonality that sits perfectly behind dirty tones and adds depth and dimension to clean sounds. This distortion reacts dynamically to your pick attack, making the initial repeat pop slightly while the remaining repeats blend seamlessly with your original notes.

The repeats also feature a slight EQ spike at around 1.5 kHz, preventing them from getting muddy or non-descript. This also allows the AD999 to maintain presence in a mix without having to raise your volume.

While there are more affordable and more feature-laden Delays out there, you'd be hard-pressed to find one that sounds better than the AD999. When players wax poetic about the mojo and mystery of analog delay - THIS is what they are talking about.

TECH TALK:
A high impedance input buffer passes signal to a Compander stage that acts as a compressor/expander, bringing the input signal up to an ideal level and keeping it there as it decays. This is good for signal-to- noise ratio and also gives the delay chips a clean, strong signal to work with.

The eight x Maxon MC4107D BBD delay IC's are controlled by 2 of the 3 clock drivers in the pedal. These drivers are running the BBDs at a very low clock rate to achieve maximum delay time. This rolls off a fair amount of high frequencies, giving the AD999 its big, warm delay sound.

The delayed signal hits another Compander to level everything out and then goes to a mixer/amplifier that blends the clean and delayed signals and provides a low impedance output.

The AD999 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Residual Noise: -95 dB (input shorted, IHF-A weighted)

Delay Time: 40 mSec 900 mSec

Control: Delay Time, Repeat, Delay Level

Switch: Normal/Effect (4PDT mechanical true bypass)

I/O: Input, Output (Mix in mono, Wet only in stereo), Dry Output

Current Consumption: 46 mA at 9VDC / 48 mA at 10VDC

Dimensions: 117 (W) x 150 (D) x 60 (H) mm

Weight: 600 Grams
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MRP:$342.27 SAVE 17%
coming soon $285.22
FORTHCOMING
J Rockett Blue Note Tour Series Overdrive Effects Pedal (silver)
Cat: 783205 Rel: 01 Oct 20
 
Overdrive pedal
Notes: The Blue Note Tour Series is exactly what you think a small, compact version of the current production Blue Note. The Blue Note Tour Series is identical in sound to the original Blue Note, but does not offer the Hot Switch option.

The Blue Note Tour Series is designed for the touring musician with a rugged, steel enclosure and the new Speed Switch system. You can live in the jazz/blues world all day long with the Blue Note Tour Series always engaged.

The Blue Note gives you a very woodsy blues overdrive feel and can achieve more gain than a typical tube screamer (no this isn't another TS clone just using this as a reference). With the newly added Hot switch the pedal is capable of multiple tones. The Hot switch adds more gain, more volume and gooses the low mids for a thick juicy feel. The Blue note can be set to run flat in its EQ section or select the Hot position for more prominent mids. Since the Blue note can be run in either position it makes it suitable for many applications. This pedal is all about feel and really works well with any guitar/amp combination.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass
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MRP:$257.03 SAVE 21%
coming soon $203.43
FORTHCOMING
Electro Harmonix Pitch Fork+ Polyphonic Pitch Shifter & Harmony Effects Pedal
Cat: 791774 Rel: 31 Dec 20
 
Pitch shifter & harmony effects pedal
Notes: The Pitch Forkr+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it's your ultimate harmonizer.

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MRP:$253.15 SAVE 17%
coming soon $210.96
FORTHCOMING
Nux NMP-2 Dual Foot Controller
NUX
Cat: 784822 Rel: 15 Oct 20
 
Dual foot controller
Notes: Dual foot switch controller for on-the-fly control of guitar effects and amplifiers. Dual mono or stereo jack compatible with individual latching/momentary options for each switch. Designed for use with NuX pedals and compatible with many other types of equipment.

LED indicator per pedal
Latching or non-latching selectable
Compatible with NUX Loop Core Deluxe, JTC Drum & Loop PRO and Cerberus

The box for this item contains :

NuX NMP-2 dual foot controller

Power supply: 9Vdc (5.5 x 2.1mm, centre-negative) optional for LEDs
Dimensions: 96 x 50 x 46mm
Weight: 200g
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MRP:$45.21 SAVE 31%
coming soon $31.21
FORTHCOMING
Keeley Tone Workstation Drive, Boost & Compressor Pedal
Cat: 782481 Rel: 25 Sep 20
 
Drive/boost/compressor pedal
Notes: Introducing the Tone Workstation. The front end of your signal chain- this is where your tone develops. The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. Compression, Drive, Overdrive, Boost: you get it all here. The Tone Workstation is designed to be the first stage in your pedal board. It may even be the only pedal you bring to a gig. And we designed it that way.

Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. Adjust the Sustain control for increased compression or squeeze. As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. The Blend control is perfect for adding a little bit of bite back in with high output pickups or humbuckers. In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression. When the Blend is set completely CCW, you get only compressed signal out. Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.

Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. With the 62/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive. First, the 1962 is Keeley's British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone. In the Katana Mode, only the volume works; the Tone and Drive are disabled. It's a clean sound people say you just can't turn off.

Last in the chain is Keeley's renowned Red Dirt overdrive. You get 15 years of modding tube screamers distilled into one toneful circuit. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! The Red Dirt circuit captures every nuance of your guitar's tone and delivers a classic, smoking hot, silky smooth lead tone.

Dimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.
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MRP:$386.19 SAVE 17%
coming soon $321.83
FORTHCOMING
Keeley Vibe-O-Verb	Ambient Reverberation Machine Pedal
Cat: 782480 Rel: 25 Sep 20
 
Three mode reverb pedal
Notes: This three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.

Fibonacci
All of the Delay Space in the reverb engine for the pedal are in the Fibonacci series. What does this mean for you? You'll probably make more money, look better (see golden ratio below) and find true happiness. But what this means for Keeley is a secret pleasure in defining a reverb that is unique and possibly more musical. Since great works of art like Debussy's La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios? 0, 1, 1, 2, 3, 5, 8, 13, 21, 34...

Harmonic Reverb
This mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb. Imagine choppy waves of tremolo on your verb! All with the a delicious hint of Vibe! Dynamic Dimension Canyons?!

Vibrato Reverb
Pitch Bending Reverberation Machine. From mild chorus to spacey bayou tones! Too grande to call our modulated chorus, this is one for modern psychedelics. For this one you have to imagine maybe both the source and the reflective wall moving! Maybe even accelerating with respect to each other.

Phaser
Phaser Modulated Reverb. Maybe the most mild but in a way that lets you appreciate some of the space around notes. This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass. Round and round. Get the idea? Dynamic reflections in an all new space.
Enjoy these "Lost Reverbs" Vibe-O-Verb, reverbs that never were- until now.
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MRP:$192.45 SAVE 17%
coming soon $160.38
FORTHCOMING
Empress Efects Buffer Pedal
Cat: 782948 Rel: 30 Sep 20
 
Buffer pedal
Notes: The Empress buffer was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy.
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MRP:$129.16 SAVE 17%
coming soon $107.63
FORTHCOMING
Empress Effects Compressor 2020 Version Pedal
Cat: 782971 Rel: 30 Sep 20
 
Compressor pedal
Notes: Compression is a tool used on pretty much every recording you will ever hear, yet this extremely useful and versatile tool is often overlooked by guitar players as part of their rig.

Other compressor pedals are often limited by oversimplified controls and heavily colored sounds. A truly transparent compressor has been created, complete with all the controls found in the studio. The result is a tool that allows for a wide range of sounds from subtly adding sustain to getting the "quack" that country players love.

A mix knob is also included, to blend in the dry signal for an even more transparent sound and a gain reduction meter so you know what the compressor is doing at all times.

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coming soon TBA
FORTHCOMING
Empress Effects Germ Drive Overdrive Pedal
Cat: 783038 Rel: 30 Sep 20
 
Overdrive pedal
Notes: True to the tweed tube amps of the 50's, the germ drive delivers warm, harmonically rich overdrive that cleans up with a twist of your volume knob. Its tube-like break-up sounds extremely natural and will enhance your sound without masking the original tone of your instrument.

This true bypass overdrive offers gain control, two bands of EQ and output control to fully tweak your sound.
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MRP:$206.66 SAVE 17%
coming soon $172.21
FORTHCOMING
Old Blood Noise Mondegreen Weird Delay Pedal
Cat: 782153 Rel: 24 Sep 20
 
Delay pedal
Notes: The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in. It's delay. Into modulation. And it's weird.

A three-way toggle switch selects between three modes of modulated delay.
STUTTER: A delay with a percussive tremolo on the trails.
WHIRL: A modulated delay adding chorus on the wet signal.
SHEER: A delay with increasing octaves on the repeats.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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MRP:$244.11 SAVE 17%
coming soon $203.43
FORTHCOMING
Maxon GE-601 Graphic Equalizer Reissue Series Pedal
Cat: 783410 Rel: 02 Oct 20
 
EQ pedal
Notes: EQ's may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively). There's also a Master Level control with 12 dB of overall Boost/Cut.

Adjusting these controls, the GE601 can be used to fine tune your sound in an infinite variety of ways, a few of which are detailed below:

Pickup Simulator (Humbucker to single coil) - To turn a Humbucker into a Single Coil, cut 200, 400, & 800 Hz and Boost 100 Hz & 1.6 KHz.

Pickup Simulator (passive Bass to active Bass) - Cut 200 Hz and Boost 100 Hz & 1.6 KHz to give a passive Bass the clarity and punch of an active instrument.

Pickup Simulator (single coil to piezo)- Cut 200, 400, & 800 Hz and Boost 100 Hz, 1.6 & 3.2 KHz to make a single coil electric simulate the bright, chiming sound of an acoustic guitar with piezo pickup.

Half-cocked Wah - Boost at 800 Hz to emulate the tone of a wah pedal with the treadle set half-way forward. This setting is also ideal for solo boosts (Adjust Level control to taste).

Clean Booster - Leave all frequency bands flat and boost the Level control to use as a clean booster for solos or to overdrive an amplifier's input. For more output, set all frequency bands to maximum boost.

TECH TALK:
After a low-impedance input buffer, the GE601 splits its signal into 6 parallel EQ bands each powered by its own Op Amp (JRC4558). Through the sweep of the slider you can cut or boost the selected frequency.

Boost is created by feeding the effected signal back into the Op Amp, creating an effect of exponential multiplication of that frequency - the higher the slider, the more of the effected signal is fed back through the EQ Op Amp chain.

The GE601 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Cut/Boost (6), Level (1)

Switch: Normal/Effect

Max Input: 4 dBu

Noise (IHF-A): -110 dBu

Max Amplitude: 12 dB

Frequency Range: 100 Hz 3.2 KHz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 240 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$148.53 SAVE 17%
coming soon $123.77
FORTHCOMING
J Rockett Archer Boost & Overdrive Effects Pedal
Cat: 783165 Rel: 01 Oct 20
 
Overdrive/boost pedal
Notes: The Archer is sort of a 2 in one pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

Buffered Switching
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MRP:$257.03 SAVE 27%
coming soon $188.35
FORTHCOMING
Maxon FW-10 Fuzz Elements Wind Ten Series Fuzz Pedal
Cat: 783306 Rel: 02 Oct 20
 
Fuzz pedal
Notes: Manufactured under a myriad of brands, this circuit can be found in the Vox Tonebender Professional MKII, Marshall Supa Fuzz, RotoSound Fuzz Box and the rare Rangemaster Fuzzbug. Yet whatever the name, everyone can agree on one thing - this was the guitar sound of early classic rock.

Perfect for replicating the timeless tones of Beck, Page, & Clapton, the FW10 Fuzz Elements Wind captures all the magic of the original Mk II Tonebender and adds a little modern mojo of its own.

Wind offers an edgy, aggressive tone with plenty of midrange sizzle, yet it cleans up beautifully with your volume knob and offers excellent note definition even with complex chords.

Maxon also added two tweaks to this classic circuit to make it more versatile. First; a Vintage/Hot switch that selects between the Gain level of the original and a higher Gain setting. Vintage serves up 100% Tonebender, while Hot offers more sustain for solos or to drive you amp over the edge.

Wind also features a selectable input buffer that works to provide a more accurate, uncolored recreation of the guitar input signal. In short: It's your sound, just dirtier.

The original Sola Sound Tonebender was used by some the greatest guitar players of the 60s and 70s.

If you're looking to worship at the altar of rock's holy trinity, Fuzz Elements Wind will be your guide.

TECH TALK:
The FW10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.

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MRP:$187.28 SAVE 17%
coming soon $156.06
FORTHCOMING
Maxon FWA-10 Fuzz Elements Water Ten Series Fuzz Pedal
Cat: 783307 Rel: 02 Oct 20
 
Fuzz pedal
Notes: Reproducing the sounds of the EH Big Muff has become a cottage industry within this cottage industry of effect building. Yet with dozens of circuit variations and wildly inconstant component selections, it's virtually impossible to cite any one particular Big Muff incarnation as the most desirable version to pay homage to.

The FWA10 Water narrows the playing field by taking the authentic Ram's Head replication of the Fuzz Elements Earth and adding a parametric EQ circuit to the mix.

Water's powerful parametric equalizer covers a massive frequency range from a punchy 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

By manipulating Water's EQ, the user can dial in the entire palette of Big Muff variations, from the more mid-heavy, musical snarl of the original Triangle-Knob Muff to the harmonically-rich sustain of the Ram's Head all the way through to the super-compressed, scooped-mid mayhem of the Green Russian Sovtek's.

The FWA10 Water: Why settle for one Muff, when you can have them all?

TECH TALK:
The FWA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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MRP:$187.28 SAVE 17%
coming soon $156.06
FORTHCOMING
Maxon RTD800 Real Tube Series Overdrive/Distortion Pedal
Cat: 783432 Rel: 02 Oct 20
 
Overdrive/distortion pedal
Notes: With independent Overdrive, Distortion, Boost and Noise Gate circuits all under one hood, the RTD800 may be the last "dirt" pedal that you'll ever need.

By combining various solid-state clipping stages with a real dual-triode tube, the RTD800 offers a massive array of saturated guitar tones. From traditional tube overdrive through full-on gated metal distortion, no other drive pedal offers this degree of versatility in a single package.

The RTD's 3-band EQ circuit is incredibly versatile and can literally dial in any tone imaginable. With zero frequency overlap, all the three controls are highly interactive and make even the slightest of tone tweaks possible under any playing situation.

The Overdrive channel of the RTD creates a warm, organic tone that's like driving a maxxed-out amp with an OD pedal. Where some pedals can get in the way of your dynamics, the RTD retains an expressive and dynamic interaction between your guitar and amp, cleaning up beautifully when you roll back on your guitar's volume and effortlessly tracking picking nuances.

The RTD's Distortion channel offers up all the gain and character of a hot-rodded Plexi, JCM800 or Soldano. Searing, sizzling solo tones and sustain for days, yet with a distinct clarity that lets individual notes "pop" and chime through. Even at maximum distortion settings the RTD retains an expressiveness and dynamic response that takes your playing to the next level.

For even more versatility, the RTD800 features a foot switchable Boost function that can be varied between 3-9 dB via an internal trim pot. The boost comes post OD/Distortion, allowing the user to dial in the perfect level boost for solos.

Higher gain settings on either channel can be kept tight and noise-free using the RTD's switchable Noise Gate with variable Threshold. The gate itself is incredibly responsive and tight, with none of the false-triggering and "sputter" common to other pedals.

Like all Maxon products, the RTD800 features True Mechanical Bypass switching using a 3PDT switch. The RTD800 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

When you require an unparalleled variety of REAL-tube tones, only the Maxon RTD800 will do.

With four independent functions averaging around $100 apiece, the RTD800 may be the most cost-effective, versatile and space-saving pedal available.

TECH TALK:
The RTD800's independent and selectable Overdrive and Distortion modes are configured as follows:

The Overdrive circuit features two stages of clipping - a bi-directional clipping diode in the feedback loop of the op-amp and then a single-diode in the second stage for asymmetrical clipping.

The Distortion circuit also features two clipping stages, but configured differently - a bi-directional clipping diode in feedback loop of the op-amp, and then a 2nd stage with a passive bi-directional clipping circuit.

Unlike other tube overdrive pedals, the RTD800 places the tube after the OD/Distortion circuits, making it the best tube overdrive pedal to recreate an authentic tube-amp tone.

The RTD features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTD800 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTD800 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Max Gain: 72dB (at 1.5 kHz)

Equivalent Input Noise: -110 dBu or less (Input shorted, IHF-A weighted)

Control: GAIN, NR, MASTER, BASS, MID, TREBLE

Switch: BYPASS/EFFECT (Mechanical 3PDT); BOOST ON/OFF, NR ON/OFF, OD/DIST

I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED, BOOST LED, GATE LED

Internal Circuit Voltage: 12.6VDC (DC to DC Converter)

Power Consumption: 440mA / 9VDC

Dimensions: 121 (W) × 152 (D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 620g / 1.4 Lbs. (without power supply)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu = 0.775Vrms
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MRP:$450.77 SAVE 17%
coming soon $375.64
FORTHCOMING
Maxon OD-808 Overdrive Reissue Series Pedal
Cat: 783412 Rel: 02 Oct 20
 
Overdrive pedal
Notes: Can a pedal be considered a clone if it's made by the company that made the original?!? Maxon designed the original OD808 overdrive circuit in the late 1970's - they then rebranded this pedal for Ibanez as the TS808 Tubescreamer, and the rest is history...

The OD808 Reissue offers up all the warm, creamy, organic overdrive as the original and then some. Never one to rest on their laurels, Maxon has tweaked the current version ever so slightly to reduce noise level while retaining the legendary "808" tone (see Tech Talk below).

The OD808 is the perfect pedal for adding smooth, tube-like overdrive to any clean amp - use it as a secondary dirt channel to beef up a song's chorus section, or keep it on all the time for the crunchy tone that has defined rock and roll.

The OD808 is also ideal for pushing an already overdriven amp over the edge, a la Stevie Ray Vaughan. Hell, stack two of them together like Stevie did and the house is a rockin'! You've never heard - or felt - bluesy goodness like this before.

In recent years the OD808 has been adopted as the overdrive of choice by a generation of guitarists in a most unlikely musical genre - metal.

Turns out that the OD808's mild compression and slight low-end cut are perfect for tightening up high-gain amps; allowing fast note runs to stand out with clarity while making rhythms tight and punchy. Just listen to any recording by Grammy-award winning Producer/Killswitch Engage founder Adam Dutkiewicz to hear how the OD808 has become the voice of a whole new generation of metal guitarists.

The Maxon OD808 - After 40 years it's still being used to reinvent guitar tone as we know it. Reinvent your tone - play the Maxon OD808.

Besides the fact that the Maxon OD808 Reissue sounds richer, warmer, and BETTER than the Ibanez TS808 Reissue, there are also these facts to consider:

Lower noise floor than TS808
Smaller, lighter enclosure
More reliable plunger type switch with soft-click tactile feel
More affordable
TECH TALK
Maxon developed the OD808 circuit more than 40 years ago, and since then it's become the most used, most imitated and most lauded overdrive circuit of all time. While the 808-style overdrive circuit is commonplace nowadays, in 1979 it was a unique design and an industry first.

The secret behind the legendary "808 tone" lies in the amplifier section of the circuit. Rather than having separate amplifier and clipping stages, the OD808 features a signal-distorting diode (Panasonic #MA150) located in the negative feedback loop of the amplifier stage.

The OD808 distorts signal in the amplifier circuit itself which yields a smoother, milder, more natural sounding distortion than a separate clipping stage. This is also the reason that the IC type used in the circuit has such a large impact on the unit's tone. The Reissue uses the correct JRC4558 Op Amp that made the 808 the tone of legend.

It should be noted that the Reissue Series OD808 uses different output resistors than the original version. Vintage TS808's are susceptible to microphonic noise due to static electricity buildup on the chassis. To improve performance, the positions of the output resistors on the reissue OD808 were reversed and their values increased in order to reduce noise levels. This circuit change has no audible affect on the sound of the unit, save for reducing the noise levels.

Input Impedance: 500K Ohms
Input Jack: 1/4 inch standard phone jack
Output Impedance: 10K Ohms
Output Jack: 1/4 inch standard phone jack
Output: 1
Controls: Drive, Tone, Balance
Switch: Normal/Effect
Noise (IHF-A): -110 dBu
Max Amplitude: 35 dBu
Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor
Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)
Current Consumption: 5 mA (9V) / 6 mA (10 V)
AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)
Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)
Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)
Weight: 260 g
Accessories: 9V Manganese dry cell battery (S-006P) x 1
Non-skid pad: x 1
Warranty Card: x 1
User's Manual: x 1
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MRP:$148.53 SAVE 17%
coming soon $123.77
FORTHCOMING
Maxon PT-999 Phase Tone Phaser Reissue Series Pedal
Cat: 783418 Rel: 02 Oct 20
 
Phaser pedal
Notes: With its single knob, the PT999 Phase Tone looks deceptively simple. Yet packed into this tiny blue box is a host of the most authentic 70's-era phasing effects available in a current production unit.

The secret behind the PT999's timeless tone lies in the fact that its circuit is exactly the same as it was when first introduced in 1974. While many "reissue" effects are far from true to the original designs, Maxon has taken great pains to keep the Phase Tone unchanged for close to 45 years.

By adjusting the lone Rate control, a wide variety of expressive phasing nuances can be coaxed from the PT999 - all of them whisper quiet and amazingly transparent. Its minimalist circuit doesn't get in the way of your guitar tone - it simply accentuates it, working equally well to spice up clean or distorted sounds.

If you demand classic phase shifting effects without compromising your guitar's signature tone, the PT999 Phase Tone has no equals.

The PT999 is the easiest way to replicate classic 70's phasing tones without dropping $300-500 (or more!) for a vintage Phase 90.

TECH TALK:
The PT999's four-stage phasing circuit offers 720 degrees of phasing sweep variable from .2 to 14 Hz (cycles per second). The PT999's FET's (Toshiba #2SK246) are carefully sorted and matched by hand to produce the smoothest phasing sweep possible with low noise. Unlike some phasers, the PT999 runs negative feedback of the signal to each phase-shifting FET for less signal distortion.

The four-pole shift of the PT999 creates a chewy, organic phase with a subtle drive to the signal. The 4 phasing Op Amps work together to emphasize this phase point, as each successive one accentuates the notch of the previous, creating a very resonant effect. The subtle drive and resonance really bring out pick attack and add a degree of real, dirty dimensionality.

Internal trimmers adjust center frequency and width of the phasing sweep (factory calibrated, we recommend adjustment of these trimmers be left to a qualified technician).

The PT999 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Rate

Switch: Normal/Effect

Max Input Level: 0 dBu

Noise (IHF-A): -80 dBu

Speed Frequency: 0.2 Hz 14 Hz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 12 mA (9V) / 14 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$148.53 SAVE 17%
coming soon $123.77
FORTHCOMING
Maxon CS-550 Stereo Chorus Pro Vintage Series Pedal
Cat: 783420 Rel: 02 Oct 20
 
Chorus pedal
Notes: With a circuit based around the Panasonic MN3207 Bucket Brigade IC, the CS550's "straight-outta '79" chorus effect is bold and resonant without sounding harsh. Unlike the sterile chorus sounds of the 80's, the 550 has an edgy, almost grainy quality that keeps your tone articulate and prevents wash-out.

The CS550's custom-tuned oscillator circuit provides enough speed for authentic rotary speaker simulation, and just the right amount of modulation for a lush vibrato that won't leave you feeling queasy.

With its Delay Time control the CS550 can venture into Flanger territory, adding a resonant, hollow quality to the effect that's great for solos.

A rear-mounted Blend control allows you to adjust the level of the Chorus effect to set it back in the mix against your dry signal.

A unique feature of the CS550 is its ability to create spatial effects that add dimension to your guitar tone without the traditional Chorus wobble. With Speed and Depth set low and the Delay Time at max, the 550 thickens your sound much in the manner of a double-tracked guitar, adding girth and life without excessive modulation.

The CS550 features stereo outputs for mono, stereo, or inverted mono signal routing.

The CS550 is about as close as you're going to get to the legendary Boss CE-1 chorus/vibrato sound, and also offers many additional sounds unattainable with that vintage gem.

TECH TALK:
The CS550 circuit is similar to the Arion SCH-1 Stereo Chorus, or an updated Boss Chorus Ensemble. A high-impedance input buffer passes next into a Compander stage that acts as a compressor/expander, bringing the input level of the signal up to an ideal output level and keeping it there as the signal decays - this provides a good signal-to-noise ratio and gives the chorusing section a nice, steady signal to modulate.

The Chorus effect is produced by a Panasonic MN3102 low-voltage clock driver IC and a Panasonic MN3207 BBD IC which is controlled by the MN3102.

The Delay Time control exhibits an inverse relation between the delay time and the frequency shift of the chorus - as the delay time increases, the frequency that is shifted decreases. This inverse relation creates "double level" and "cancellation" peaks and notches at particular frequency points to create an amazingly realistic, three-dimensional chorus effect. In addition, the Delay Time control is interactive with the Rate and Depth controls, so that if you increase the Depth, the Delay Time range increases, and if you increase the Speed, the Delay Time changes faster.

After the Chorus section, the signal hits another Compander to level everything out and is then fed to an output buffer.

At the end of the circuit the signal is phase-split and sent to the two low-impedance stereo outputs - Output A is in-phase and Output B is phase inverted (90 degrees out of phase).

The CS550 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

* Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is receommended.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack (2)

Output: 2Residual Noise: -100 dB (Level, VR Min)

Maximum Output Level: +5 dB

Delay Time: 0.8 mSec 6.3 mSec

LFO Speed: 0.4 Hz 8 Hz

Controls: Delay Time, Depth, Speed, Mix-Level

Switch: Normal/Effect

Power Voltage: DC10 V (AC-adaptor)

Current Consumption: 21 mA (10 VDC)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: Maxon AC210N Adaptor (9VDC/200mA)

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$295.78 SAVE 17%
coming soon $246.48
FORTHCOMING
Maxon ASC-10  Ambient Stereo Chorus Ten Series Pedal
Cat: 783260 Rel: 02 Oct 20
 
Ambient stereo chorus pedal
Notes: The ASC10's chorusing effect is set especially wide in the stereo spectrum, offering a lush tonality that actually sounds like two guitars playing at once.

The extended operation range of the Rate and Depth controls conjure up everything from gorgeous 12-string simulations to punch-drunk rotary speaker spins.

Stunning on clean sounds and aggressive on distorted tones, the ASC10 is equally at home in the front-end or the FX loop of an amp.

Dual, phase-inverted outputs allow for panning of the ASC10's effect between two amps or tracks, or run mono from output B for a more dramatic chorus effect.

TECH TALK:
The ASC10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Controls: RATE, DEPTH

Switch: Bypass/Effect

Indicator: Bypass/Effect LED, RATE LED

Maximum Input Level: 4dB (400Hz)

Equivalent Input Noise: -100dBu or less (Input shorted, IHF-A weighted)

Delay Time: 4.6mSec to 7.6mSec

Rate Frequency: 0.33Hz to 8Hz

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Consumption: 20mA max. / 9VDC

Battery Life:
9VDC manganese battery 15 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 30 hours 25 deg C (TOSHIBA 6LF22)

Dimensions (whole): 70(W) x 113(D) x 56(H)mm (with protrusion)

Weight: Approx. 290g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms
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MRP:$213.11 SAVE 17%
coming soon $177.60
FORTHCOMING
Maxon FF-10 Fuzz Elements Fire Ten Series Fuzz Pedal
Cat: 783302 Rel: 02 Oct 20
 
Fuzz pedal
Notes: The AF100 Bee Baa was Roland's answer to the gnarly, nasty guitar boxes coming out of the USA & the UK in the late 60's and early 70's.

A combination of transistor Fuzz, Octavia, and Treble Booster, the Bee Baa's massive metal housing & triple stomp switches provided ample evidence that this pedal was not to be trifled with.

Even Maxon was hard-pressed to reproduce the AF100's might in their compact chassis format. Opting to stick with the Fuzz aspects of the Bee Baa, they decided to leave out the Treble Boost section of the circuit when developing this next Fuzz Elements model.

The FF10 Fire produces two distinctly different yet equally aggressive fuzz tones based on the AF100's signature sounds.

In normal mode, the FF10's three controls can dial in thick & muscular transistor tones akin to a great-sounding Big Muff, but with improved midrange response and superior note clarity & clean-up.

Activating the Notch switch scoops mids & accentuates the upper octave harmonics dramatically, creating sizzling, searing sustained tones that are perfect for lead work.

As on the original AF100, Maxon kept the Notch setting foot switchable, allowing the user to toggle between these two titanic tones in mid-song.

Smaller & less expensive, but just as effective as the original it was inspired by: Fuzz Elements Fire brings the heat.

TECH TALK:
The FF10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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MRP:$187.28 SAVE 17%
coming soon $156.06
FORTHCOMING
Maxon CP-101 Compressor Reissue Series Pedal
Cat: 783403 Rel: 02 Oct 20
 
Compressor pedal
Notes: The CP101 is the perfect solution for players who need a compressor that doesn't get in the way of their tone. Its optical circuit has a slow, smooth reaction time that allows your initial note attack to pass through without being compressed, creating a more natural picking feel.

The CP101's 4:1 compression ratio is so subtle that it's easy to forget that it's on - until you turn it off, that is. While it is on, you'll notice note levels that are smoother and more consistent, chords and arpeggios that are tighter and more focused, and sustain that will last for days.

One thing you won't notice is the hiss and noise associated with VCA compressors - the CP101 has one of the lowest noise floors available in a stompbox Compressor, even with its Level and Compression controls set to max.

With its natural picking response, transparent effect and low-noise operation, the Maxon CP101 is the perfect compressor for players who hate using compressors.

TECH TALK:
At the heart of the CP101's circuit sits a single CdS (Cadmium Sulfur) Photocoupler. This light-sensitive component varies resistance based on the input signal to control the amp gain, increasing level as the input signal weakens.

Many other compressors accomplish this task using a VCA (voltage controlled amplifier), but the multiple transistors packed into a VCA inevitably lead to high noise levels, which means lots of "hiss" from your rig. The CP101's optical circuit keeps the noise floor low - so low that you can even run it after a distortion and still retain near-silent operation.

The CP101 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Sustain, Level

Switch: Normal/Effect

Max Input Level: 2 dBu

Max Output Level: 0 dBu

Noise (IHF-A): -110 dBu

Max Compression: 42 dB

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$148.53 SAVE 17%
coming soon $123.77
FORTHCOMING
Maxon FV-10 Fuzz Elements Void Ten Series Fuzz Pedal
Cat: 783304 Rel: 02 Oct 20
 
Fuzz pedal
Notes: Strangled squeals, cacophonous chords, raucous ring modulations and other amazingly unpredictable mayhem - that's just a sample of what you can expect from the Fuzz Elements FV10 Void.

Designed to emulate the otherworldly sounds of the vintage Ampeg Scrambler, the FV10 circuit is loaded with tons of even-order harmonics to create unique octave/fuzz sounds that are dynamic- and frequency-dependent. This means that the FV10's effect is generated not only by which notes you play, but how you play them!

The FV10's effect is not for the faint of heart - Spongy, strangely synthetic guitar tones that swell up out of the depths of some black Void and then sizzle off into infinity. Octave-up OR octave-down effects can be produced, depending on the position of the controls and the playing position on the neck. Likewise, single notes or chords can both be played, each generating their own unique sounds.

By chaining the FV10 with other distortion devices and adjusting the Blend knob, an entire new range of unique fuzz/distortion effects can be achieved as the FV10's circuit interacts with the complex harmonic content of the other device.

Unlike the original Scrambler, the FV10 features a Level control with a significant volume boost. This allows the user to match the pedal's output level to unity gain or to other effect pedals in their signal chain.

Mechanical True Bypass switching makes certain that all this chaos is kept locked up until you decide to unleash it.

TECH TALK:
The FV10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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MRP:$187.28 SAVE 17%
coming soon $156.06
FORTHCOMING
Maxon DS-830 Distortion Master Vintage Series Pedal
Cat: 783425 Rel: 02 Oct 20
 
Distortion pedal
Notes: Despite its modest array of controls, the DS830 is one of the most flexible distortion boxes you will ever encounter.

The DS830 can generate insane amounts of gain while still retaining remarkable evenness and transparency. Yet far from being a one-trick pony, the DS830 is also capable of lightly overdriven blues tones and even semi-clean solo boosts at lower Gain settings.

Clarity and punch may seem like self-canceling traits, yet the DS830 provides both. The high-gain settings don't force a particular color on your tone - a great trait if you're pleased with your particular guitar/amp combination.

The DS830's dual tone controls are surgically effective and highly interactive. The Bass knob contributes low-end muscle that makes a combo sound like a stack and turns a full stack into a wrecking ball. The Treble control dials in just the right amount of bite without excessive top-end sizzle. Between the two, you can get everything from penetrating bite to an obese square-wave bordering on fuzz.

This additional tone-shaping makes the DS830 ideal for use with Bass Guitar, generating an edgy, aggressive tone that retains the note clarity and character of your instrument.

For full-bodied distortion with an amp-like feel and a huge variety of useable tones, the DS830 Distortion Master is unrivaled in its sonic range.

*Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is recommended.

TECH TALK:
The DS830's gain section features a dual-stage clipping design that combines the classic "808" clipping (diodes in feedback loop) with a pair of diodes to ground ala' the SD-9 and RAT. This design effectively clips the signal twice, and the round smooth clipping of the feedback loop followed by the edgier diodes to ground adds a degree of "chewiness" to the pedal's voice.

The DS830 features a complex tone control which acts like an active two-band filter by changing the gain of the treble and bass frequencies going into the Op Amp. The Bass and Treble controls are highly interactive and complementary. For example; turning up the Bass doesn't just add low-end, but will also help to smooth out any harshness in the Treble frequencies.

The DS830 features buffered, Mechanical bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -114 dB (VR Max)

Residual Noise: -110 dB (Level, VR Min)

Maximum Gain: +59 dB (VR Max) (At 1 KHz)

Controls: Gain, Bass, Treble, Level

Switch: Normal/Effect

Current Consumption: 8 mA (9 V)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$251.86 SAVE 17%
coming soon $209.89
FORTHCOMING
Maxon BD-10 Hybrid Bass Driver Ten Series Pedal
Cat: 783267 Rel: 02 Oct 20
 
Overdrive pedal
Notes: The BD10 Hybrid Bass Driver brings Maxon's 40+ years of experience in Overdrive design to the world of the Bass Guitar. But guitarists, don't despair; the BD10 works equally well with six strings as it does with four!

The BD10 was designed in cooperation with Masaki - a prominent Japanese Bassist who has played with world-class musicians such as Carmine Appice, Gus G, and John Petrucci, and is also a founding member of the Japanese heavy metal band Animetal.

Masaki's aggressive approach to the Bass includes fluid soloing, manic slapping & popping, energetic fills, and crashing chords for punctuation. He required an overdrive that could keep up with this energetic playing style while still retaining low-end punch and authority.

The BD10's symmetrical clipping path provides sustained, harmonically-rich saturation that retains note clarity and expressiveness even at maximum settings. Aggressive yet dynamic, the BD10 can articulate fast playing techniques such as the multi-finger picking and two-handed tapping that Masaki is famous for.

The BD10 can cover a wide variety of distorted tones, from semi-dirty boosts to punchy, tube-like grind all the way to super-saturated shred. Distorted sounds can then be blended with Dry signal using the independent Clean and Drive Level controls.

Fine tuning the balance between Clean and Distorted signals, the user can obtain the ideal mix for their particular playing style and equipment. Use a pick? Turn up the Drive for chunky chugs. Play with your fingers? Boost the Clean for more clarity and articulation of your notes.

Clean signal can be boosted up to +6 dB above unity gain, allowing the DB10 to be used as a clean or semi-clean booster or as a linedriver for your signal chain.

Since the BD10's circuit is based on Maxon's legendary 808 design, it can also be used with Guitar. The dual tone controls allow the user to dial in the lows that are typically lost with 808-style pedals, while the ability to blend clean and dirty signals can simulate the sound of a dual-amp rig as well as pedals like the Klon Centaur and Voodoo Labs Sparkle Drive.

Compact, versatile, and musically expressive, the BD10 Hybrid Bass Driver is a worthy and welcome addition to the Maxon family of world-class Overdrives.

TECH TALK:
The BD10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.
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MRP:$187.28 SAVE 17%
coming soon $156.06
FORTHCOMING
Maxon CS-9 Stereo Chorus Pro Nine Series Pedal
Cat: 783314 Rel: 02 Oct 20
 
Chorus pedal
Notes: With a circuit based around the Panasonic MN3207 Bucket Brigade IC, the CS-9 Pro's chorus effect is bold and resonant without sounding harsh. Unlike the somewhat sterile sounds of its 80's predecessor, the CS-9 Pro has an edgy, almost grainy quality that keeps your tone articulate and prevents wash-out.

The CS-9 Pro's custom-tuned oscillator circuit provides enough speed for authentic rotary speaker simulation, and just the right amount of modulation for a lush vibrato that won't leave you feeling queasy.

With its Delay Time control the CS-9 Pro can venture into Flanger territory, adding a resonant, hollow quality to the effect that's great for solos.

A top-mounted Blend control allows you to adjust the level of the Chorus effect to set it back in the mix against your dry signal.

A unique feature of the CS-9 Pro is its ability to create spatial effects that add dimension to your guitar tone without the traditional Chorus wobble. With Speed and Depth set low and the Delay Time at max, the Pro thickens your sound much in the manner of a double-tracked guitar, adding girth and life without excessive modulation.

The CS-9 Pro features stereo outputs for mono, stereo, or inverted mono signal routing.

The CS-9 Pro is essentially the same as Maxon's CS550, but in a smaller chassis and with battery or AC power options.

TECH TALK:
The CS-9 Pro circuit is similar to the Arion SCH-1 Stereo Chorus, or an updated Boss Chorus Ensemble. A high-impedance input buffer passes next into a Compander stage that acts as a compressor/expander, bringing the input level of the signal up to an ideal output level and keeping it there as the signal decays - this provides a good signal-to-noise ratio and gives the chorusing section a nice, steady signal to modulate.

The Chorus effect is produced by a Panasonic MN3102 low-voltage clock driver IC and a Panasonic MN3207 BBD IC which is controlled by the MN3102. Though the 3207/3201 combo has less delay range than other BBD's of this type, the difference is negligible and the inherent decay of signal quality adds "vintage lo-fi warmth" to the signal.

After the Chorus section, the signal hits another Compander to level everything out and is then fed to an output buffer.

At the end of the circuit the signal is phase-split and sent to the two low-impedance stereo outputs - Output A is in-phase and Output B is phase inverted (90 degrees out of phase).

The CS-9 Pro features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 2 (Out, Inv. Out)

Residual Noise: -92 dB or less (input shorted IHF-A weighted)

Delay Time: 0.9 mSec to 6.4 mSec

Speed Frequency: 0.4 Hz to 8 Hz

Controls: Speed, Width, Delay Time, Blend

Switch: Normal/Effect (true bypass configuration w/4PDT switch)

Power Supply: 6F22 9V Manganese dry cell battery x1 or Maxon AC adaptor

Power Consumption: 26 mA (9 V) or 26 mA (10 V)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g (including battery)

Options: Maxon AC Adaptor (AC210N) Tip Negative/Barrel Positive configuration

Accessories: 9V Manganese dry cell battery x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$257.03 SAVE 17%
coming soon $214.19
FORTHCOMING
Maxon TBO-9 True Tube Booster/Overdrive Nine Series Pedal
Cat: 783397 Rel: 02 Oct 20
 
Booster/overdrive pedal
Notes: The TBO-9 combines Clean Boost and Overdrive capabilities with a tube gain stage to create a versatile tone-shaping tool.

The ideal complement to non-master volume tube amps, the TBO allows you to drive a clean or semi-clean amp to the breaking point, giving it that "on 10" tonality at a much lower volume level and without altering the amp's signature tone.

The TBO-9's tube stage is controlled by the Boost knob which adds a fat, warm bottom end with a slight mid bump as it increases the output level.

The Drive knob blends clean and distorted signals, allowing the user to dial in a small amount of grit with minimal coloration.

The TBO-9 features internal voltage doublers that bump the incoming 9 VDC up to 30 VDC for massive headroom and maximum transparency.

When you need to drive your amp without driving the audience towards the door, the TBO-9 does the job without commanding the center stage.

The TBO-9 is the perfect complement to non-master volume tube amps, boosting level and drive while retaining maximum transparency.

TECH TALK:
The basic TBO-9 circuit architecture is very similar to the Maxon OD820, including the dual-function Drive pot that blends clean and dirty signals while increasing saturation.

The circuit starts with a tube gain stage featuring a mil-spec 5703WB JAN Raytheon sub-miniature vacuum tube positioned at the front of the audio path. This tube stage does not provide any distortion, with the exception of overdriving the input of the clipping op amp.

After the tube gain stage, the TBO's secondary gain section features a dual-stage clipping design that combines the classic "808" clipping (diodes in feedback loop) with a pair of diodes to ground ala' the SD-9 and RAT. This design effectively clips the signal twice, and the round smooth clipping of the feedback loop followed by the edgier diodes to ground adds a slight "chewiness" to the pedal's overdrive voice.

The TBO-9 features internal voltage doublers that bump the incoming 9 VDC up to 30 VDC for stable tone with massive headroom and zero harmonic distortion.

The TBO also features Maxon's In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch) - This system dramatically extends the tube life.

The TBO-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE TBO-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 52 dB (1.6 KHz)

Equivalent Input Noise: -110 dB or less (IHF-A)

Control: BOOST, DRIVE, TONE, LEVELSwitch: BYPASS/EFFECT (mechanical TBS)

In/Out: INPUT, OUTPUT, INVERSE OUTPUT

Indicator: BYPASS/EFFECT LEDInternal Circuit Voltage: 30 VDC (DC-DC Converter)

Current Consumption: 270 mA / 9 VDC

Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H) / 2.9" (W) x 4.9" (D) x 2.13" (H)

Weight: 560 g (excluding AC adaptor) / 19.75 Oz.

Power Supply: Maxon AC2009 (no battery operation)

Accessory: Maxon AC2009

Option: Adaptor type (for foreign countries)
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MRP:$282.86 SAVE 17%
coming soon $235.72
FORTHCOMING
Maxon FA-10 Fuzz Elements Air Ten Series Fuzz Pedal
Cat: 783271 Rel: 02 Oct 20
 
Fuzz pedal
Notes: The FA10 Fuzz Elements Air accurately recreates the distinctive square wave clipping and octave harmonics of one of history's most desirable dirt boxes, the Super Fuzz.

The original Super Fuzz was created by Shin-Ei, but saw later incarnations under brands such as Apollo, Shaftesbury, JAX, Tiesco, Memphis, and most famously, Univox.

It was used on countless recordings in the late 60's & 70's, most notably the Who classic Live at Leeds. Long out of production, the Super Fuzz saw resurgence in the 90's during the Grunge & Alternative Rock era, appearing on the Beastie Boys' Gratitude, Mudhoney's Big Muff Super Fuzz album and Monster Magnet's stoner-rock classic, Superjudge.

The Super Fuzz used dual germanium diodes and a unique full-wave rectification circuit to produce sizzling upper octave harmonics as well as subtle lower harmonics that filled out the guitar sound.

The FA10's analog circuitry nails the Super Fuzz's crushing, compressed tone with surgical precision, and includes the two position Tone switch to toggle between flat and scooped EQ curves. These settings produce wildly different sounds, offering stark contrast to one another and effectively making the FA10 two pedals in one.

A unique aspect of the FA10 is its ability to reproduce rhythm or lead lines with equal clarity, yet without changing settings on the pedal.

Featuring authentic Vintage tones and modern features, the Fuzz Elements Air is the perfect vehicle to make your playing soar.

TECH TALK:
The FA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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MRP:$187.28 SAVE 17%
coming soon $156.06
FORTHCOMING
Fulltone Full-Drive 3	 Overdrive With Boost Pedal
Cat: 782842 Rel: 26 Sep 20
 
Overdrive pedal
Notes: Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET's give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar's volume control.

3-way CLIPPING toggle switch:
Set to 90's and you'll get symmetrical clipping with ample midrange.
Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones.
set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp.

Discrete Channels:
Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel before or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit.

Buffered Bypass:
Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and feel of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin.

DYNAMICS knob:
A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp's input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies.

The Icing on the cake? The housing is about 20% smaller than the traditional FD2.

SPECIFICATIONS:
Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms.
Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz.
Power Consumption: maximum 13 ma with both channels on
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MRP:$226.03 SAVE 17%
coming soon $188.35
FORTHCOMING
Fulltone Plimsoul Hi-Gain Distortion/Overdrive Pedal
Cat: 782862 Rel: 26 Sep 20
 
Distortion/overdrive pedal
Notes: For many, many years you've basically had 2 choices for your Overdrive/Distortion pedals: You could either get "Soft-clipped" Bluesy, slightly compressed, (Toob Screemer, FD2, etc.) type Overdrive pedals... or you could get "Hard-Clipped" (OCD, Distortion+, Boss DS-1, etc.) type Distortion pedals.

What if there was a pedal that offered both? There is now... the Fulltone PlimSoul with it's Patented and completely unique dual stage clipping circuit which VERY accurately replicates not only the sound, but *the feel *of a tube amp with all of its subtleties and complexities.

PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube style Distortion! What's more is you not only hear and feel it... you can SEE the pedal reacting to your every mood via a firey LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.

Touch sensitive? Doesn't get any better.

Clean up with the guitar's volume control? More than any, yes, even more than the OCD.

Speaking of OCD, people ask "What's the comparison?" Easy answer: OCD has an honest flat EQ, won't change your amp's tone. PlimSoul has a gorgeous enhanced Midrange and Lower midrange... excellent to transform a combo into a Marshall-like lead machine, not so necessary if you already have a Marshall-like amp.

Good with Humbuckers as well as Single coils?
Yes.

Does it play nice with other pedals?
Yes, it has an Ideal 500K Input Impedance, ideal super low 10K output impedance.

Can I blend the 2 types of Distortion?
Yes, and you can have ONLY Soft clipped or ONLY Hard Clipped.
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MRP:$205.36 SAVE 17%
coming soon $171.14
FORTHCOMING
J Rockett Archer Clean Boost Effects Pedal (white)
Cat: 783174 Rel: 01 Oct 20
 
Boost pedal
Notes: An exact recreation of the clean boost side of a Klon. Add the sought after Klon midrange to your tonal range!

The Archer Clean is based on the famous Klon circuit minimally using the iconic diodes giving it almost no gain, but an exact recreation of the clean boost side with the ability to add the sought after Klon midrange.

Dimensions: 4.00" x 2.30 x 1.25"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Current Draw: 28mV

True Bypass Switching
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MRP:$257.03 SAVE 30%
coming soon $180.82
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