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FORTHCOMING
Behringer TD3 AM Analogue Bass Line Synthesiser (yellow)
Cat: 772986
 
bass line synthesiser
Notes: Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-AM lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-AM is sure to become one of your favorite synthesizers.

Great care has been taken in engineering the TD-3-AM, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-AM its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - all the way out to the otherworldly sounds of your imagination.

Your TD-3-AM comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right.

The very heart of TD-3-AM's sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.

TD-3-AM's authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.

The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.

When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the envelope to the max.

While it is a monophonic instrument (one note at a time), TD-3-AM's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

TD-3-AM has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-AM's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices.
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coming soon $115.07
FORTHCOMING
Polyend Tracker Drum Machine Sampler & Sequencer
Polyend Tracker Drum Machine Sampler & Sequencer (drum machine sampler & sequencer)
Cat: 770612
 
drum machine sampler & sequencer
Notes: The Polyend Tracker is a unique take on a retro form factor, aimed at artists who break patterns on a daily basis. Don't let the classic look fool you, Tracker is equipped with powerful modern functionality, FX, and the forward thinking creative tricks that Polyend brings to all of their highly regarded instruments.

The Polyend Tracker is an innovative, inspiring and immediate tool for music-making. It functions as a sampler, a synthesizer, a powerful sequencer, and a MIDI controller.

A retro form factor updated with forward looking functionality and designed as an easy to use compact standalone workstation. Made for the creatives who break patterns on a daily basis. Designed to help artists forge unique avenues of sonic construction. Introducing the first hardware tracker in the music world.

Large screen, ergonomic keyboard, and a big knob for fast and easy navigation.
It's standalone and portable - everything you need to produce an album wherever you are.
Sampler, Wavetable or Granular Synthesizer and FM Radio for limitless inspiration.
Powerful Step Sequencer and Song Arranger for finishing your piece in a flash.
Performance mode lets you creatively break, mangle, and augment your patterns when playing live.
Bidirectional MIDI to play with other software and hardware.

The Polyend Tracker incorporates the quintessential characteristics of a classic tracker. The vertical timeline, the powerful sequencer and the mechanical keyboard combined with a newly designed input interface enables you to make and perform your music in a new and intuitive way. After a quick glance and a few minutes with the Polyend Tracker interface, you'll soon realize the array of tools that are at your fingertips.

Polyend Tracker is slick, light and portable. It's also easy on the energy consumption so you can use it with any USB power source. Its sturdy and compact form factor makes it a great companion for music creation wherever and whenever you feel like it. No matter if you're in your studio, on the run, or at the gig.

Polyend Tracker is equipped with a variety of powerful sound design tools. Use your existing sample library, record new ones with line or mic inputs, or use the built-in FM radio. Record samples, play them, slice them, mash them, or even make a synth out of them using Wavetable and Granular synthesis with its all necessary parts (filters, ADSRs, etc.)

Polyend Tracker works great with other instruments too. Thanks to the bilateral MIDI implementation, you can use it to sequence and control external gear or it can be used as a sound module controlled by any external MIDI software or hardware devices.

In the box
Polyend Tracker
USB-A power adapter
USB-C cable (2 m)
3.5 mm to 2x 6.3 mm adapter
Minijack to MIDI DIN adapter
16GB MicroSD Card
MicroSD to USB-A Adapter
Manual
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MRP:$598.42 SAVE 17%
coming soon $498.68
FORTHCOMING
Behringer TD 3 BK Analogue Bass Line Synthesiser (black)
Cat: 773200
 
line synthesiser
Notes: Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-BK lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-BK is sure to become one of your favorite synthesizers.

Great care has been taken in engineering the TD-3-BK, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-BK its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - all the way out to the otherworldly sounds of your imagination.

Your TD-3-BK comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right.

The very heart of TD-3-BK's sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.

TD-3-BK's authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.

The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.

When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the envelope to the max.

While it is a monophonic instrument (one note at a time), TD-3-BK's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

TD-3-BK has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-BK's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices.
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coming soon $109.60
FORTHCOMING
Soma Laboratory Pulsar-23 Organismic Drum Machine (black)
Cat: 781129 Rel: 31 Dec 20
 
analog synthesiser/drum machine
Notes: Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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MRP:$2,104.32 SAVE 17%
coming soon $1,753.60
FORTHCOMING
LEP Leploop Sequencer & Drum Machine Analogue Synthesiser
LEP Leploop Sequencer & Drum Machine Analogue Synthesiser (sequencer & drum machine synthesiser)
Cat: 770286
 
analogue synthesiser
Notes: Laboratorio Elettronico Popolare (L. E. P. ) is proud to present to you a one-of-a kind analog synthesizer, sequencer and drum-machine: LEPLOOP.

Small in nature but aggressive in sound, the user will be able to create a variety of analog timbres and beats.

LEPLOOP was designed to be a minimalist electronic music live-performance groove-box, which can be used to create a variety of electronic musical styles.

The LEPLOOP can be synched via MIDI to another LEPLOOP for tempo-synched operation or to another MIDI device or sequencer to receive sequence stop & start instructions.

1 oscillator (VCO1) triangular/square wave
1 oscillator (VCO2) sawtooth wave with ring modulator and FM modulation
White noise generator
24 dB/OCT Low pass filter
Kick drum with distorsion and trigger mixer
2 VCA's
2 AR Envelope generators
1 LFO
16 Capacitors analo sequencer PWM programmable
4 Track digital rhythm sequencer 64 step each track
4 Channel audio mixer
Midi input(clock and notes)
5 CV out: S\H, SEQ, LFO, ENV1, ENV2
3 gate out: S\H, SEQ, CASSA
3 CV in: VCO1, VCO2, VCF cutoff
1 audio in (VCF)
4 audio out: MIXER, CASSA, VCO2, VCO mix
1 clock output: clock 24, MIDI start/stop
EEPROM memory 16 banks 10 pattern each
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coming soon TBA
FORTHCOMING
Sonicware Liven 8bit Warps Synthesiser & Sequencer
Cat: 762318
 
waveform memory synthesiser & sequencer
Notes: The LIVEN 8bit warps combines an 8-bit waveform memory synthesizer with a step sequencer.

Carefully selected preset waveforms and editable user waveforms along with high-quality filters and effects can be used freely to create a wide spectrum of sounds. The LIVEN 8bit warps can generate classic retro game sounds of course, but its unique 8-bit sound can also be used in a range of music genres, including EDM, hip-hop, techno and rock.

Powerful functions for live electronic music performance include 16 physical control knobs, parameter locking for each sequencer step, a looper, and SYNC IN/OUT and MIDI IN/OUT connectors to make synchronized performance with other equipment easy.

All these powerful functions are in a device that weighs only 790 g. Play it anywhere at any time.
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coming soon TBA
FORTHCOMING
Behringer Eurorack Go Case
Cat: 772854
 
eurorack case
Notes: The EURORACK GO was engineered specifically to protect your favorite synthesizer modules and similar 3U electronics. With 2 rows of 140 HP useable mounting space (for a total of 280 HP), the rugged aluminum chassis features 96 sliding nuts for ultra-easy positioning of your precious gear. In the studio or on the road, the EURORACK GO is the ideal way to protect your rig - wherever the gig takes you.

One of the features that separates EURORACK GO from competing products is the massive, ultra-low noise power supply. The auto-ranging universal switch-mode supply works anywhere in the world and uses 32 keyed power connectors to protect your valuable modules from accidental reverse power hookup.

Designed for rugged reliability, the all-aluminum chassis houses an adjustable support plus oversized rubber feet to provide 0-50- setup capability and ensures rock-solid stability for use on a wide range of surfaces.

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coming soon $278.38
FORTHCOMING
Behringer 140 Dual Envelope/LFO Module
Cat: 772884
 
dual envelope & LFO module
Notes: This is the Behringer SYSTEM 100 140 DUAL ENVELOPE/LFO. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 140 DUAL ENVELOPE/LFO in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The 140 DUAL ENVELOPE/LFO features 2 independent ADSR envelope generators that can be controlled via an external gate or manual triggering. Each envelope generator comes with a Manual Gate that you can press and hold to start the envelope cycle; independent Attack, Decay, Sustain and Release controls to adjust the rate of these parameters and 3.5 mm envelope outputs that allows you to send up to two positive wave forms out to two modules and one negative wave form.

The LFO on the 140 comes with 5 waveforms: sine, triangle, square, ramp and saw tooth. The Frequency Range switch which sets the oscillating frequency of the LFO along with the Frequency and Delay sliders gives the 140 unparalleled flexibility when it comes to shaping LFO's. You can also connect an external trigger switch which can work with the Delay control to phase lock the LFO to your keyboard playing.

Installing the 140 DUAL ENVELOPE/LFO is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 140 to be mixed with other synth modules for a truly unique set up.
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coming soon $109.60
FORTHCOMING
Behringer 150 Ring Mod/Noise/S&H/LFO Module
Cat: 772880
 
150 ring/mod/S&H/LFO module
Notes: This is the Behringer SYSTEM 100 150 RING MOD/NOISE/S&H/LFO. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case- at a very affordable price. Mix the 150 RING MOD/NOISE/S&H/LFO in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The 150 RING MOD/NOISE/S&H/LFO comes with a ring modulator to create some metallic and bell-like sounds that can be applied to any signal such as a sine wave or a signal from an LFO via the EXT SIG X/NOISE and EXT SIG Y/LFO jacks and out the RING MOD output. The LFO features 5 waveforms including sine, triangle square, ramp and sawtooth. Parameters can be further adjusted by the FREQ and DELAY sliders.

If you want to start layering your song on a droning note or maybe just create some ambience in your music, then you can connect any external signal source into the S&H circuit. A 3-way selector switch allows you to select which type of signal being introduced into the SIG IN jack whether its External Input, LFO or Noise.

Installing the 150 RING MOD/NOISE/S&H/LFO is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 140 to be mixed with other synth modules for a truly unique set up.
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coming soon $88.76
FORTHCOMING
Malekko Varigate 4+ Module (black faceplate)
Cat: 766093
 
sequencer module
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes most features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with it's own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control.
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MRP:$335.38 SAVE 17%
coming soon $279.48
FORTHCOMING
Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser
Cat: 767533 Rel: 31 Aug 20
 
desktop synthesier
Notes: Deckard's Dream MkII is an eight-voice polyphonic analog synthesizer in desktop format. It is inspired by a certain cinematic sound from the late 1970s and early 1980s.

The synth features a fully analog signal path with two independent layers per voice. Discrete waveshapers help to reproduce the oddities of the original waveforms, especially the sawtooth glitch, which is a big part of the CS-80 sound. An autotune function assures that all 16 VCOs are tracking perfectly. It even offers detune and microtuning settings for a more vintage feel. With the addition of MIDI implementation, 256 presets (which can be managed on the integrated OLED display) and an upcoming software editor provided by Spektro Audio, this vintage inspired poly synth is at home in any modern studio.

For each layer, the synth offers a VCO with square, saw and sine waveforms, discrete 12 dB HP and LP filters with separate resonance controls, an ADSR for the filter with adjustable initial and attack levels, and an ADSR dedicated to the VCA. The synth also provides velocity and aftertouch controls for filter brilliance and volume levels.

Furthermore, polyphonic aftertouch gives Deckard's Dream expression that has only been possible on a very small number of synthesizers. MPE technology (using controllers by ROLI, LinnStrument, Haken) takes this even further with the addition of polyphonic pitch bend.
The Deckard's Dream MkII delivers everything the previous version did, in a new thin and light tabletop format with woodsides or rack-ears (both included). It also brings additional controls over Sustain modes and timing.

The synth is build in Japan, Tokyo, using only high quality electronic components.
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MRP:$5,982.84 SAVE 17%
coming soon $4,985.70
FORTHCOMING
Behringer 121 Dual VCF Module
Cat: 772865
 
dual VCF module
Notes: This is the Behringer SYSTEM 100 121 DUAL VCF Module. An authentic reproduction of the original System 100M circuitry from the 80s that can fit in a standard Eurorack case, at a very affordable price. Mix the 121 DUAL VCF in with your existing rig or start your modular synth journey from here.

The 121 DUAL VCF features 3 CV inputs and 3-channel mixers per VCF; allowing you to independently mix all input signals. All of these inputs have their own attenuators to provide you more control over each signal that goes into the module.

Each VCF has its own output accompanied by a resonance slider that boosts resonance frequencies and a cutoff control to adjust the cutoff frequency of the lowpass filter. The 121 DUAL VCF also features a 3-mode Fixed HPF switch where you can select between Off, 1 (1 kHz), 2 (2 kHz) or 3 (5 kHz). Combine this with the resonance and cutoff sliders to create intricate and interesting patches.

Installing the 121 DUAL VCF is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 121 DUAL VCF to be mixed with other synth modules for a truly unique set up.
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coming soon $109.60
FORTHCOMING
Intellijel LPG 1U Passive Low Pass Gate Module
Cat: 782952 Rel: 30 Sep 20
 
Low pass gate module
Notes: Drop this module (or a few of them) into your 1U row, patch in some sound sources, and then ping them with gates and CV to get some instantly pleasing results. So simple and fun!

Natural dynamics with the magic of vactrols.

In general, low pass gates (LPGs) control the amplitude and timbre of a signal by opening and closing a low pass filter. When the gate is closed, no frequencies are allowed to pass through (and no output is heard). As the gate begins to open, the lowest frequencies pass through to the output. As the gate opens further, the output grows louder and its high frequency content increases.

Traditional Low Pass Gates use vactrols to control the opening and closing of the filter. Encased within a vactrol is both a light source and a light detector. Applying a control voltage to the vactrol lights its internal LED i the brightness of which is measured by its detector. What makes vactrols particularly unique (and well-suited to musical applications) is their non-linear response to voltage - in particular, the way in which the internal LED slowly dims (rather than shutting off instantly) when the control voltage is removed. This sonic coupling of timbre and volume, along with the circuit's natural decay, makes the low pass gate particularly adept at producing tones associated with struck objects, like hand drums or marimbas. Indeed, low pass gates are the main ingredient of the so-called Buchla Bongo sound.

The Intellijel Passive Low Pass Gate 1U is a simple, vactrol based, 1-pole, passive low pass gate, which is controlled by an external CV input. Without positive control voltage, the gate is completely closed and none of the LPG's input signal is passed through to the output. Increasing amounts of positive CV open the gate i making the output signal both louder and brighter. At +5V, the gate is fully open and the input signal is passed through to the output.
This makes LPGs sound very different (and more acoustic) than the traditional complement of envelopes, VCFs and VCAs that are employed in most subtractive synthesizers. Exciting the vactrol (via the CV input) with a trigger, noise blast, or short envelope will result in a very natural sounding filtered envelope that's reminiscent of the sonic characterics of struck objects, which are allowed to decay naturally.

In addition, because this is a passive circuit (no power is applied to it), its sonic characteristics are somewhat dependent upon the audio signal you feed into it, making it a very natural and organic way to shape a signal's volume and tone.

Pairs very well with the intellijel Shifty module to derive polyphony out of a only a few HP of modules.

Width: 6HP
Depth: 19mm
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MRP:$49.98 SAVE 17%
coming soon $41.64
FORTHCOMING
Behringer 112 Dual VCO Module
Cat: 780465
 
analog dual VCO module
Notes: Eurorack module; two identical analog VCOs in one module.

Selectable waveforms: triangle, sawtooth and squarewave/pulse; adjustable pulsewidth and PWM CV input with attenuator; octave-switch and fine-tune control knob; hard and soft sync; 3 pitch CV inputs with attenuators;

Power consumption: 130mA (+12V) / 70mA (-12V); width: 16 HP; depth: 46mm
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coming soon $109.60
FORTHCOMING
Noise Engineering Desmodus Versio Stereo I/O Tail-generator Reverb & User-flashable DSP Platform Module
Notes: Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.
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MRP:$414.29 SAVE 17%
coming soon $345.23
FORTHCOMING
WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module
Cat: 776823 Rel: 31 Aug 20
 
filter module
Notes: SCLPL (pronounced SCALPEL) is a Stereo 5-Band Digital EQ / Morphing Filter module for eurorack modular synthesizers. Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.

Dual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup. Add 4 SCLPL for 8 channels of EQ in 16HP. Put a 5th on the Master Bus and you have the ultimate eurorack mixing setup!

A simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be "morphed" between seamlessly with CV or the Level knob in Morph Mode.

Each frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.

Frequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.
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coming soon $248.78
FORTHCOMING
Behringer 960 Sequential Controller
Cat: 781518
 
controller module
Notes: An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard EURORACK case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

100 mA +12V
50 mA -12V
0 mA 5V
47 mm deep
O 5.00


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coming soon $143.57
FORTHCOMING
Modal Electronics ARGON8X 8 Voice 61 Key Polyphonic Wavetable Keyboard Synthesiser
Cat: 763203
 
wavetable keyboard synthesier
Notes: The Argon8X features an identical sound engine and feature set, but rather than a 37-note keybed, you get 61 keys for an even more immersive playing experience. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$853.56 SAVE 17%
coming soon $711.30
FORTHCOMING
Qu Bit Data Bender Circuit Bent Audio Buffer Module
Cat: 766026
 
audio buffer module
Notes: Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.
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MRP:$459.00 SAVE 17%
coming soon $382.50
FORTHCOMING
Behringer 921B VCO Module
Behringer 921B VCO Module (oscillator module)
Cat: 780467
 
VCO module
Notes: Enter the Behringer 921B OSCILLATOR. An authentic reproduction of the circuitry from the "Modular 55 and 35" series oscillators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921B OSCILLATOR module is controlled by the Behringer 921A OSCILLATOR DRIVER or can be used as a free-running LFO. Separate Frequency and Range knobs allow you to adjust the frequency range in semitones and in octaves. The 921B along with the 921A modules form the foundation of a proper modular synthesizer and the basis for some really great music.

The 921B OSCILLATOR features independent audio outs for each of the 4 waveforms which include sine, triangular, sawtooth and rectangular which can be patched out to different modules to unlock even more creative possibilities. A dedicated oscillator sync input and switch can be used to sync the 921B to a signal introduced into the Sync In jack. Parallel link jacks allow the 921B to link to other 921B in the chain.

Installing the 921B OSICLLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921B OSICLLATOR to be mixed with other synth modules for a truly unique set up.
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coming soon $109.60
FORTHCOMING
Behringer 3 Tier Eurorack Module Stand Case
Cat: 780468
 
module stand case
Notes: Behringer Eurorack Stand 3-Tier; desktop stand for mounting up to 3 Eurorack 104 cases (item 463669), or 3 Behringer synthesizers (e.g. Pro-1, Wasp Deluxe, K-2, Neutron, Model D, Cat).

Variable width (70 HP, 80 HHP or 104 HP); rugged aluminum/steel construction.
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coming soon $69.03
FORTHCOMING
Doepfer A-174-4 3D Joystick Module
Cat: 765892
 
control voltage module
Notes: Module A-174-4 modules outputs three control voltages generated by a spring-loaded X/Y cross potentiometer (so-called joy stick) and a Gate signal. The control voltages for X and Y are controlled by the X and Y position of the joystick in the usual way. The third control voltage Z is controlled by the rotation of the spring-loaded joystick knob. The Gate signal is generated by a button at the center/top of the joystick knob.

For each control voltage the non-inverted signal (X, Y, Z) as well as the inverted signal with adjustable offset (-X+XO, -Y+YO, -Z+ZO) are available. The generic joystick control voltages are bipolar, i.e. they range from typ. -5V (lowest position) via 0V (center position) to typ. +5V (highest position). The "Overlap" switches can be used to add a fixed offset voltage of typ. +5V to the non-inverting output in question so that the output voltage range changes to typ. 0...+10V (rather than -5...+5V). That's necessary if e.g. a VCA has to be controlled, which requires a pure positive control voltage range. The switches are named "overlap" because they allow the overlapping of the non-inverting CV output (X, Y, Z) with the inverting output (-X+XO, -Y+YO, -Z+ZO) for crossfading applications. With the overlap switch "on" and appropriate setting of the offset control it's possible to obtain a control voltage range of 0...+10V for the non-inverting output and +10V...0V (i.e. same range but opposite direction) for the inverting output.

The offset voltages which are added to the inverting outputs can be adjusted by means of three small potentiometers. That way different kinds of control voltage ranges are possible, e.g.
-5V ... +5V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = off, Offset = 0)
0 ... +10V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = on, Offset = max)
-5V ... +5V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = off, Offset = max)
0 ... +10V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = on, Offset = 0)
On top of this the four quadrant voltages Q1, Q2, Q3 and Q4 are available. A quadrant voltage becomes positive when the joystick is positioned in the quadrant in question.
Each CV output is equipped with an LED that displays the present voltage.

Because of the construction height of the joystick (about 7 cm) the module cannot be installed into the cases A-100P6, A-100P9, A-100PMS6, A-100PMS9 and A-100PMS12 during transportation as the depth of the case cover is not sufficient. Into the base cases A-100PB and A-100PMB as well as in all other cases without cover the module can be installed without problems.

HP : 12
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coming soon TBA
FORTHCOMING
Qu Bit Cascade Ratcheting Envelope Generator Module
Cat: 766031
 
envelope generator module
Notes: Cascade is a ratcheting envelope generator featuring burst generation, a flexible curve parameter, and two discrete level controls. Freeze allows you to lock the output voltage exactly where it is with the press of a button or a gate input. The Cascade can be transformed into several other modes, including ASR, ADSR, dual AD, and a gravity-based bouncy-ball mode.
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MRP:$261.72 SAVE 17%
coming soon $218.10
FORTHCOMING
Behringer Eurorack Rack
Behringer Eurorack Rack (19" Eurorack rack mount)
Cat: 780464
 
rack-mount kit with power supply
Notes: The EURORACK RACK is ideal for any Behringer Eurorack-style synthesizer or equipment. This desktop/rack-mount kit converts a 19" rack into an 84 HP Eurorack chassis. A compact 4 HP power supply with two flying bus boards are included together with a 3A universal power adapter. 52 sliding nuts allow you to easily position your modules so you can freely position your synth wherever you need it.
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coming soon TBA
FORTHCOMING
Tangerine Dream: Itinerary: The Concert Memorabilia 1970-2014
Cat: 779750
 
10x12" memorabilia collection in coffee-table book format
Notes: This complex work is a painstakingly detailed and incredibly massive exhibit of Tangerine Dream's paper past. Presented in a 10x12" (ca. 25x30 cm) coffee-table book format - specifically designed to sit beside Edgar's Force Majeure autobiography perfectly, "Itinerary" has a scope of about 452 pages, and contains over 1,100 images of TD's posters, flyers, tickets, passes, programs, invitations, contracts, stage plots, spreadsheets, memos, itineraries, telexes, receipts, press releases, etc. - all of which has been described by one of the world's leading collectors of music memorabilia to be "the most astonishing collection of memorabilia by one band" he's ever seen.
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coming soon TBA
FORTHCOMING
Presonus Atom SQ Hybrid MIDI Keyboard/Pad Performance & Production Controller
Cat: 783852 Rel: 07 Oct 20
 
MIDI keyboard/pad performance & production controller
Notes: Modern musicians, performers, and producers need to move quickly from programming drums and samples to playing synth lines and back again. ATOM SQ was designed as a versatile and expressive MIDI pad controller for contemporary music production. Its unique design is optimized for both classic TR-style 16-step beat sequencing and drum pattern editing in Studio One or playing instruments and launching clips in Ableton Liveiyet its staggered and RGB-lit pad configuration is instantly familiar to anyone who's played a controller keyboard. Advanced features let you change the keyboard scale, and a built-in arpeggiator makes the ATOM SQ the most expressive controller you'll ever use. In fact, it's the best PreSonus Studio One MIDI controller available.

A complete production toolkit.
Included with ATOM SQ, Studio One Artist music production software enables you to compose, record, and produce without getting distracted by the tools or hemmed in with track limitations. Easy to learn and intuitive to use, Studio One's unique drag and drop workflow and powerful tools will let you produce faster than ever before. Also included are two carefully-curated loop libraries with custom Impact XT kits. New to version 5: Studio One Artist now lets you use your favorite third-party VST and AU plug-in effects and virtual instruments. You also now have complete support for Studio One Remote to use as a second screen or as remote Studio One control on your iPadr or Android™ tablet. And with ATOM SQ, you have the most flexible PreSonus Studio One MIDI controller available. PreSonus Sphere users now have access to a new exclusive portal loaded with custom-designed tools and curated content by featured PreSonus artists.

Ableton Live integration and more.
ATOM SQ is also unique Ableton Live controller, designed for production and live performance. You can launch clips and scenes during a performance, select devices and edit parameters, navigate tracks and scenes, control each track's volume, panning, and send levelsiplus do all your drum programming in Ableton from the ATOM SQ! Ableton Live Lite is included, so you can get to creating right away. It comes with all of Live's essential workflows, instruments and effectsieverything you need to record songs, create hands-on with your controller, take music made in your apps further and so much more.

Navigation and transport control
ATOM SQ is more than an expressive pad controlleriit also lets you navigate many aspects of Studio One without a mouse and keyboard. You've got transport controls for stop, play, record, and a dedicated Click Track toggle. You can even zoom in and out of your timeline and navigate among your tracks, all without skipping a beat.

Deep control at your fingertips
Deep integration with Studio One's Pattern Editor allows for evolving step sequences that will bring your productions to life. Insert a pattern, change its length, add new variations, and change scalesiright from the ATOM SQ. Need to make changes on the fly? ATOM SQ lets you open the Studio One Pattern Editor, select and edit steps individually, and even copy, paste, duplicate, and delete events, all using tactile controls. You'll build compositions faster than ever before using the built-in step sequencer in Studio One and ATOM SQ. It's fast and easy for anyone who knows how to program a drum machine. And you'll find experimenting to yield particularly rewarding results, because ATOM SQ can constrain your performance to the scale of your choice. No more wrong notes!

However, wherever.
ATOM SQ is highly configurable. You can freely remap instrument parameters to different hardware controls, so your rotary encoders can control everything from filter cutoff to drum tuning, for the ultimate drum programming experience. You can colorize the RGB LEDs as you please to color-code your loops and samples. ATOM SQ's LCD screen is used to display context-sensitive information, and uses a dynamic button system that changes functions depending on the task at hand. Need to add more swing to your arpeggiator or change the CC assignment of a controller? The LCD screen details functions you need, right when you need them for the job at hand.
ATOMSQ

Wherever sound takes you...
With its unique staggered-pad layout, contextual screen design, and customization tools, ATOM SQ lets you stay in the moment of creation. Its small-footprint, USB bus-powered design means you can slip it right into your bag and produce anywhere you and your laptop might happen to go, and the complete suite of integrated software lets you start creating right out of the box. Whether you're in the studio, on stage, or on the road, ATOM SQ gives you the freedom to create, wherever sound takes you.

Input:
Connection Type -USB-C- compatible USB 2.0 connection (bus-powered)

Pads, Buttons, and Knobs:

32 velocity- and pressure-sensitive, RGB LED pads

16 assignable buttons

8 endless rotary knobs

1 Assignable mult
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MRP:$291.97 SAVE 17%
coming soon $243.30
FORTHCOMING
Squarp Instruments Rample Wave System 4 Voice Sample Player & Audio Processor Module
Cat: 783294 Rel: 18 Sep 20
 
Sample player & audio processor module
Notes: Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples
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MRP:$351.16 SAVE 17%
coming soon $292.62
FORTHCOMING
Mordax Data Multifunction Tool Signal Analyser & Generator Module (black)
Notes: The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.
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MRP:$552.38 SAVE 21%
coming soon $437.30
FORTHCOMING
ADDAC System ADDAC215 Dual S&H+ Module (black faceplate)
Cat: 776254
 
dual sample & holds module
Notes: This new module should not be judged by it's size, at 6hp it's packed with features.

At its core it features a noise source and two precision Sample & Holds with 0.01% of maximum deviation from the Input which allows for quantized signals to be sent through without any noticeable detuning or the typical voltage drops over time.

The Sample & Hold sections can also be used as a Track & Hold meaning it holds the incoming input while the Trigger input is ON and lets the input flow to the output when the Trigger input is OFF.
Each section also features it's own slew processor with a single control over attack and decay and an ON/OFF switch.

The noise signal is normalled to both sections inputs, meaning that without a jack plugged into the Input the sample and hold function will act upon the incoming noise signal generating random CV values.

The [Trigger A Alternate] switch allows to Link both sections so that any trigger input in Trigger A will alternate between triggering the A and B section.

Besides each section outputs there's also 4 extra outputs: Noise, Difference, Average and Sum. The Noise output is coming from the noise source, the Difference output is the subtraction of section A minus section B, the Average output is the sum of both A plus B and then divided by 2 and finally the Sum output is the sum of both A plus B sections.

MECHANICAL:
Format: Eurorack
Width: 6 HP
Depth: 4 cm

ELECTRICAL:
Max current: +50mA/-50mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$142.04
coming soon $136.99
FORTHCOMING
Malekko Quad LFO Module (black faceplate)
Cat: 766096
 
LFO module
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw, triangle and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer for each channel, as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

Multiple Quad LFOs can be controlled by one Varigate 8+ or Varigate 4+ on the same bus to instantly save/recall presets.

To create a sequence of automation for an LFO, select a channel and then hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.


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MRP:$361.68 SAVE 17%
coming soon $301.40
FORTHCOMING
Klarkteknik 3rd Dimension BBD-320 Analog Multi-Dimensional Signal Processor
Cat: 782075 Rel: 24 Aug 20
 
Multi dimensional signal processor
Notes: Analog Multi-Dimensional Signal Processor with BBD Technology

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coming soon $151.25
FORTHCOMING
Empress Effects Zoia Modular FX Synthesiser Pedal
Cat: 783109 Rel: 30 Sep 20
 
Synthesiser pedal
Notes: The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, these modules have been created for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).

Input Impedance: >= 1M ohms
Output Impedance: 100 ohms
Frequency Response (-3dB): 10Hz - 23.4kHz
Total Harmonic Distortion: 0.22%
Dynamic Range: 105.5 dBA
Input Headroom (no pad): +0.5 dBu
Input Headroom (6dB pad): +5.7 dBu
Input Headroom (12dB pad): +10.8 dBu
Output Headroom: +16.2dBu
Power Input Connector: 2.1mm Barrel Connector
Power Input Voltage: 9V DC (center negative)
Required Current: 300mA
Height (enclosure only): 1.75"
Height (including controls): 2.625"
Length: 5.7"
Width: 3.75"
Weight: 1.5lbs
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MRP:$631.30 SAVE 17%
coming soon $526.07
FORTHCOMING
Behringer 903A Random Signal Generator
Cat: 772802
 
signal generator
Notes: Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the "Modular 55" series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.

Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.

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coming soon $56.99
FORTHCOMING
Behringer 173 Quad Gate/Multiples Module
Cat: 772876
 
quad gate & multiples module
Notes: This is the Behringer SYSTEM 100 173 QUAD GATE/MULTIPLES. An authentic reproduction of the original System 100M circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 173 QUAD GATE/MULTIPLES in with your existing rig to expand its capabilities and you're sure to have a lot of fun.

The SYSTEM 100 173 QUAD GATE/MULTIPLES Module features 4 signal gates (switches) with buffered audio inputs and outputs for immediate signal switching. This provides users the option to choose between a control gate operation, non-inverting (active high) input or an inverting (active low) input.

6-channel multiples, each with 4 floating parallel connectors, are available for optimal signal integrity. You can now send out your signal to other modules to help you create more intricate patches and deliver more compelling sounds from one source.

Installing the SYSTEM 100 173 QUAD GATE/MULTIPLES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the SYSTEM 100 173 QUAD GATE/MULTIPLES to be mixed with other synth modules for a truly unique set up.
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coming soon $92.06
FORTHCOMING
Mordax Data Multifunction Tool Signal Analyser & Generator Module (white)
Cat: 783343 Rel: 02 Oct 20
 
Signal analyser & generator module
Notes: The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.
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MRP:$552.38 SAVE 21%
coming soon $437.30
FORTHCOMING
ADDAC System ADDAC200PI Pedal Integrator Module (red faceplate)
Cat: 776156
 
pedal integrator module
Notes: This small utility is the pedal's lover best friend, it allows 2 diferent chains of pedals to be independently connected to your synth.

The Send channels attenuate the synth level to instrument level.

The Return channels amplify the signal from instrument to synth level.

Specs:
. Width: 4 HP
. Depth: 3 cm
. Max current: 10mA
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MRP:$101.27
coming soon $98.63
FORTHCOMING
Behringer 923 Filters Module
Behringer 923 Filters Module (eurorack module)
Cat: 772935
 
filters module
Notes: Enter the Behringer 923 FILTERS. An authentic reproduction of the circuitry from the Modular 35 and 15 series filters used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 923 features separate Low and High Pass filters each with their own dedicated frequency cutoff controls. The Low Pass filter control will roll off all frequencies above the set threshold frequency from 10Hz to 10KHz while the High Pass filter control will roll off frequencies below the set frequency. Each filter comes with their own 3.5 mm ins and outs giving you the ability to route incoming signals through the IN jack, through the filter and back out the OUT jack.

For you to shape an endless number of tones, the 923 comes with a white and pink noise generator. Use the parallel jacks for each of the noise sources to send out a white or pink noise signal and start sweeping frequencies to build tension and excitement in your songs, or use them to create some percussive sounds for a real groovy drum beat.

Installing the 923 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 923 to be mixed with other synth modules for a truly unique set up.
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coming soon $87.68
FORTHCOMING
EMW 200 Desktop Synthesiser
Cat: 775814
 
desktop synthesiser
Notes: The EML-200 recreation is an old idea that has been in the works for 12 years, and several approaches and circuits have been tested during this time. The first attempt was to create a similar synth that resembles the 200 but with several different modules and circuits.

In 2011, with the growth of the EMW initiative and a few years without focusing on the project, it was embraced again, but now with no more surprises.

The raw and powerful vibration that represents the heart and the root of the analog sound, particualrly from the EML-200 and EML-300, was a key inspiration when creating the EMW-200 and EMW-300.
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MRP:$2,356.84 SAVE 19%
coming soon $1,916.90
FORTHCOMING
Behringer Pro-1 Analog Synthesiser
Cat: 781519
 
analog synthesiser
Notes: The Behringer Pro-1 is a clone of the popular retro classic Sequential Circuits Pro-One which was once conceived to be a monophonic Prophet-5. Those who know and love recordings of Depeche Mode and Yazoo, will enjoy recognizing a lot of those sounds with the Pro-1.

The two assertive oscillators, each based on a CEM3340 chip, have sawtooth and square waveforms, an octave switch, fine tuning and pulse width control. Oscillator A can be synchronized to oscillator B, the second tone generator is additionally equipped with the triangle waveform and can be switched to low mode as well as decoupled from the pitch control. Both VCOs are brought together in the mixer, where the noise generator is also located, which can be replaced by an external signal. The beautiful basic sound is processed with a characterful 24dB lowpass filter, also known as Curtis VCF. It behaves similar to a Moog filter, but due to the IC CEM3320 it sounds different than the transistor cascade. The two crisp ADSR envelopes are assigned to the filter and VCA. An LFO with three waveforms is connected to the targets via the modulation bus. The special features of this instrument include the waveforms that can be activated simultaneously in both oscillators and in the LFO.

The modulations are assigned on the left side of the control panel. The filter envelope, oscillator B and the LFO, each with their own attenuator, are available in parallel as sources. These are assigned to the targets frequency oscillator A+B, pulse width oscillator A+B and cutoff directly or via the modulation wheel (or midi controller). Wild oscillator drifts, sync sounds, sirens, FM for filter and/or oscillator A as well as pulse width modulation are possible if used with care. If you turn everything up at once, it gets really wild! The modulation bus is the hottest feature of the Pro-1 next to the sound.

The ingeniously simple sequencer provides access to two patterns, each of which can be up to 40 steps long; pauses can also be programmed. The notes are played via a connected MIDI keyboard. After the input, the patterns can be transposed with the keyboard. The Arpeggiator primarily offers the playback modes Up and Up&Down, but can also be integrated into the pattern. Synchronization to other equipment is done via the analog clock input or MIDI/USB.
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coming soon $345.23
FORTHCOMING
Behringer 961 Interface Module
Cat: 772932
 
interface module
Notes: Enter the Behringer 961 INTERFACE Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 961 features an audio to V-Trig Converter, allowing you to plug in any audio source and transform it into a voltage trigger to drive other modules in your rig. Dual S-Trig to V-Trig and a multichannel V-Trig to S-Trig converters on the 961 can be utilized to switch or control a particular function on other modules.

Controls on the 961 include a Sensitivity knob that adjusts the gain of the audio signal coming into the module via the Audio In jack. Column B in each V-Trig In bank has a Switch-On Time knob you can use to manually control how short or long the "ON" duration is for S-Trig signals. This feature is normally used to drive the 911 envelope generator. Add a 960 sequential controller to release the full creative potential of this interface module.

Installing the 961 INTERFACE is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 961 INTERFACE to be mixed with other synth modules for a truly unique set up.
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coming soon $87.68
FORTHCOMING
Behringer 994 Multiples Module
Cat: 772832
 
multiples module
Notes: Enter the Behringer 994 MULTIPLES Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The dual 4-socket multiples of the 994 MUTLIPLES allows you to split CV or audio signals to multiple destinations. Now, one signal can control several modules.

Installing the 994 MULTIPLES is simple as it was designed to fit into a standard Eurorack case. This allows for the 994 MULTIPLES to be mixed with other synth modules for a truly unique set up.
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coming soon $35.06
FORTHCOMING
ADDAC System ADDAC104 VC T-Networks Module (black faceplate)
Notes: Following the ADDAC103 T-Networks, this new module is also inspired by Twin T-Networks circuits used in many lengendary drum machines. A simple 4 voice module with frequency controls for each of the voices. This new module also features CV inputs with attenuverters for each voice Frequency. Due to the specificities of the circuit, and to keep the module at a low price, these inputs are not callibrated to 1v/octave.

At each voice input there's a gate to trigger converter so any input source is possible.
Audio inputs can also be used as an input, in this case and due to the nature of the gate to trigger converter, each voice can be used as very destructive filters.

The top 2 channels feature a higher frequency range, the bottom 2 channels feature a lower frequency range.
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MRP:$181.50
coming soon $174.25
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ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate)
Cat: 776351
 
triple bandpass filter module
Notes: The ADDAC603 VC Triple Bandpass Filter provides three channels of bandpass filters, fantastic for sculpting complex sounds. Each of the channels feature a gain/distortion control with switch to select between x3 or x100 gain, which can cause the input signals to distort, adding another layer of harmonic interest.

The inputs are cascaded together to allow for one source to be filtered three different ways - or each filter can be used independently. The three filters also feature controls for frequency, which sets the cutoff point; width, which sets the width of the band that is being filtered; feedback, which at high settings causes the filter to self-oscillate, and level control, which sets the amplitude of the output. Frequency, bandwidth, and output level each have CV inputs with attenuverters.

A switch sets whether the filter is 24 dB or 12dB per octave. There are individual outputs with phase switch, plus a mix output and dry/wet output with adjustable control for mix balance. This module provides a wide variety of filtering options to add complex tonal shaping to your rack.

Tech Specs:

22HP
3.5 cm deep
250mA +12V
250mA -12V

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MRP:$407.71
coming soon $393.46
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Division 6 Business Card Sequencer V2
Cat: 777968
 
business card sequencer
Notes: The Division 6 packs a lot of sequencer into a tiny package! This 16-step circuit can work as a sequencer or as a handheld keyboard.

Specifications:
Power In: 7-15VDC, tip positive through a 3.5mm jack. Find a voltage source on your synth to power it if you can! A 9V battery or AC adapter will work too.

Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)
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MRP:$109.16 SAVE 19%
coming soon $88.76
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EMW Spectral Viewer Module (black faceplate)
Cat: 775790
 
spectral viewer module
Notes: The EMW SPECTRAL VIEWER module splits the audio frequency band and translates the individual bands into intensity color levels in a way that red represents low frequencies, green represents the mid frequencies and blue the high frequencies. A full audio material fed into the module will be translated into a dynamically multi-color visualization of the audio spectrum.

The EMW SPECTRAL VIEWER will add an extra dimension, with sound-activated dynamic colors to your modular.

Eurorack (3U) form factor - 12HP width

Connectors: 3.5mm

Depth: 50mm
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MRP:$177.55 SAVE 19%
coming soon $143.58
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ADDAC System ADDAC604 Dual Filter Module (black faceplate)
Cat: 776353
 
dual filter module
Notes: While developing the ADDAC105 4 Voice Cluster module, a new multimode filter to place after the summing mix stage- and the results were so postitive that it was released as a dedicated filter.

To make it more interesting, the circuitry was duplicated, to be able to use it in a stereo signal path.

To make it more versatile, a switch was added to set the working mode from Stereo to Dual Mono where both filters can be used independently.

In Stereo Mode the Left Cutoff is used to control the Right Cutoff.
In this case the Right Cutoff Knob and CV Input are simply bypassed and will have no impact on the Right Channel operation.
This allows immediate sync of both filter frequencies when the Stereo position is engaged.
Optionally there's a jumper in it's back that, when placed, connects the Right Controls back to the Right CV control allowing the possibility to control the offset of the Right Channel Cutoff.

Resonance is independent on both Modes and still has to be set manually to match both channels.

Both the Audio and CV inputs are normalled from the Left into the Right channels.
As standard plugging any input to the Right channels removes this connection.

Tech Specs:
6HP
4 cm deep
70mA +12V
70mA -12V
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MRP:$203.86
coming soon $197.27
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Behringer SL 75C Cardioid Microphone
Cat: 772872
 
cardoid microphone
Notes: This professional-quality microphone is designed to capture the sounds with outstanding sensitivity and accuracy. With a Cardioid pickup pattern for excellent sound source separation and feedback rejection, this ultra-wide frequency response mics is an excellent choice for any performing or recording scenario - and it's rugged enough to go the distance. SL 75C is coming with integrated shock mount system, a mic stand adapter and an impact-resistant carrying case, the SL 75C is the only microphone you will ever need.

Dynamic mics have several advantages that make them ideal for live vocal applications and for recording amplified instruments. They're robust, resistant to moisture and can achieve high gain before feedback. The SL Series' Cardioid pickup pattern captures the source signal, such as a guitar amplifier or vocalist, while shunning off-axis sound. And best of all, dynamic microphones don't require any phantom power, so all you need is your mic and cable.

The SL 75C provides an amazingly flat frequency response while incorporating a smooth mid-frequency presence rise for excellent voice projection while minimizing noises. It features an extremely high output to get your voice out there! With their tough metal construction, you can count on the SL mics to come through after countless gigs and studio applications. We've even included a rugged hard case with a mic clip and stand adapter.

The SL 75C is built to be your go-to dynamic mics for years to come. It's high-quality components and extremely rugged construction can withstand the rigors of the bar circuit with ease. And with the included mic stand adapter and carrying case, the SL 75C travels along with all you need in style.
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coming soon $18.62
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2hp Pitch Module (silver faceplate)
2hp
Cat: 766651
 
pitch module
Notes: Time domain pitch shifter with flutter control.
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MRP:$144.67 SAVE 17%
coming soon $120.56
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ADDAC System ADDAC106 T-Noiseworks Module (black faceplate)
Notes: This is the last module in Addac System's T-Networks series, a straight forward 4 voice module with frequency and decay controls for each of the voices. As the name already unveils , a noise source has been added, and 2 different circuits have been created, that explore the timbre of a t-network when used to filter noise.

There are 2 different circuits in this module, voices 1 to 3 have a pre-vca t-network filter while in voice 4 the t-networks filter applied post-vca.

At each voice input there's a switch which sets which type of input to use, this signal will be used to control an internal VCA hence why the type of setting defined here is important:
1. Trigger - Any incoming CV will be converted into a 1ms trigger as soon as it crosses it's fixed threshold.
2. Mute - This disconnects then incoming signal effectivelly muting the voice.

3. Envelopes - This can be used with CV sources as well as Gate sources and simply follows the input signal.

This incoming signal will then be processed by a slew circuit which adds a decay factor allowing the user to set the "Tail" of each voice.

Trigger mode is mostly dedicated for percussive sounds while the Envelope mode is open to any external enve- lope control and able to control noise swooshes, swirls, crackles and pops simply out of t-networks filtered noise.

Audio inputs are also welcomed to be used as a Trigger/Envelope input.

Diferences between voices:
The first 3 voices also feature a Timbre selector switch: Hat/Snare
In Snare mode all frequencies coming from the t-networks filter pass thru to the output .
In Hat mode it adds a High Pass circuit which removes the mid/bottom frequencies (characteristic of the snare strike) creating a higher spectrum output which is closer to a Hat timbre.
All of these 3 voices are also differently tuned from each other to offer more timbrical options.

Voice 4 is closer to a typical t-networks circuit but this time peculiar one where the noise is gated by the vca and then sent through the t-networks filter.

Hat and Snare are terms used very looselly here, they are timbrical references and do not in any shape or form try to effectivelly replicate the complex timbres of a real world Hat or Snare.
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MRP:$181.50
coming soon $174.25
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EMW WCS-1 Wave Composition Analog Synthesizer
Cat: 775808
 
analog synthesiser
Notes: The WCS-1 is a MIDI synthesizer module that utilizes a digital oscillator followed by all discrete analog circuits in order to produce unusual and 'fat' sounds.The exclusive wave addition resource together witha dual input.

A powerful VCF and a lightning fast VCA makes for powerful sound generation capabilities- an ideal instrument for electronic music perfection.

To make use of the WCS-1, you need a MIDI controller keyboard or anthing else with a MIDI OUT port e.g. MIDI pad controllers, bass pedals, or a computer with a MIDI connection.

The WCS-1 has a 1/4" (P-10) mono jack on the back panel in order to be connected to a sound mixer, computer audio interface, or directly to an amplifier.
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MRP:$372.20 SAVE 20%
coming soon $297.01
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