Notes: The ULTRA-DI PRO DI4000 gives you 4 first-class DI channels in a single rack space. Each channel is equipped with two Inputs (XLR and 14" TRS), a balanced XLR Output - and a 14" Link output to connect to your amp or monitor console. Plus, the DI4000 is designed to accommodate virtually any input signal, up to 40 dB of switchable input attenuation and up to 20 dB of gain, while our highly acclaimed OT-1 output transformers ensure pristine and powerful output.
Direct Injection (DI) boxes make it possible to connect guitars, basses and keyboards (as well as other line-level devices) to audio mixers and recorders. The DI4000 takes the DI box to the next level with a special 8 kHz High-Cut filter per channel for guitar applications, along with a Phase Reverse switch for optimal signal alignment. Additionally, our DI4000 active DI features "buffered" inputs that respect your source signal much better than passive DI boxes can - outputting optimally-balanced, extremely low-impedance (600 O) signals that are far less susceptible to noise and RF Interference (RFI).
The DI4000 does much more than just "bass guitar in, mic-level signal out". It really is a highly versatile input-signal toolkit. Here are just two advantages the DI4000 has over standard DI boxes: Maybe you'd like to connect your guitar amp's speaker output to your mixer? Not a problem, the DI4000 features two -20 dB attenuation switches per channel, allowing you to connect to speaker outputs rated up to 3,000 Watts - and convert them to balanced XLR outs! Weak incoming signal? The DI4000 has a +20 dB switch, which really comes in handy for boosting low-level input signals to balanced signals with real power and rock-solid impact. Worried about fluctuating voltages in the venue? The DI 4000 is equipped with an internal switch-mode power supply that ranges from 100 to 240 V and automatically adapts to mains voltages wherever you go. Of course, the DI4000 provides a Link output for easy connection to other equipment, such as your onstage amplifiers and monitor consoles. Servo-balanced performance guarantees ultra-flat frequency response - and the gold-plated XLR output connectors provide reliable, low-noise operation. Per channel ground-lift switches eliminate ground-loop hum issues. The DI4000 does everything a standalone DI can do, and much more - times four!
Notes: The EURORACK RACK is ideal for any Behringer Eurorack-style synthesizer or equipment. This desktop/rack-mount kit converts a 19" rack into an 84 HP Eurorack chassis. A compact 4 HP power supply with two flying bus boards are included together with a 3A universal power adapter. 52 sliding nuts allow you to easily position your modules so you can freely position your synth wherever you need it.
Notes: Module A-174-4 modules outputs three control voltages generated by a spring-loaded X/Y cross potentiometer (so-called joy stick) and a Gate signal. The control voltages for X and Y are controlled by the X and Y position of the joystick in the usual way. The third control voltage Z is controlled by the rotation of the spring-loaded joystick knob. The Gate signal is generated by a button at the center/top of the joystick knob.
For each control voltage the non-inverted signal (X, Y, Z) as well as the inverted signal with adjustable offset (-X+XO, -Y+YO, -Z+ZO) are available. The generic joystick control voltages are bipolar, i.e. they range from typ. -5V (lowest position) via 0V (center position) to typ. +5V (highest position). The "Overlap" switches can be used to add a fixed offset voltage of typ. +5V to the non-inverting output in question so that the output voltage range changes to typ. 0...+10V (rather than -5...+5V). That's necessary if e.g. a VCA has to be controlled, which requires a pure positive control voltage range. The switches are named "overlap" because they allow the overlapping of the non-inverting CV output (X, Y, Z) with the inverting output (-X+XO, -Y+YO, -Z+ZO) for crossfading applications. With the overlap switch "on" and appropriate setting of the offset control it's possible to obtain a control voltage range of 0...+10V for the non-inverting output and +10V...0V (i.e. same range but opposite direction) for the inverting output.
The offset voltages which are added to the inverting outputs can be adjusted by means of three small potentiometers. That way different kinds of control voltage ranges are possible, e.g.
-5V ... +5V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = off, Offset = 0)
0 ... +10V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = on, Offset = max)
-5V ... +5V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = off, Offset = max)
0 ... +10V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = on, Offset = 0)
On top of this the four quadrant voltages Q1, Q2, Q3 and Q4 are available. A quadrant voltage becomes positive when the joystick is positioned in the quadrant in question.
Each CV output is equipped with an LED that displays the present voltage.
Because of the construction height of the joystick (about 7 cm) the module cannot be installed into the cases A-100P6, A-100P9, A-100PMS6, A-100PMS9 and A-100PMS12 during transportation as the depth of the case cover is not sufficient. Into the base cases A-100PB and A-100PMB as well as in all other cases without cover the module can be installed without problems.
Notes: Compression is a tool used on pretty much every recording you will ever hear, yet this extremely useful and versatile tool is often overlooked by guitar players as part of their rig.
Other compressor pedals are often limited by oversimplified controls and heavily colored sounds. A truly transparent compressor has been created, complete with all the controls found in the studio. The result is a tool that allows for a wide range of sounds from subtly adding sustain to getting the "quack" that country players love.
A mix knob is also included, to blend in the dry signal for an even more transparent sound and a gain reduction meter so you know what the compressor is doing at all times.