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FORTHCOMING
Polyend Tracker Drum Machine Sampler & Sequencer
Polyend Tracker Drum Machine Sampler & Sequencer (drum machine sampler & sequencer)
Cat: 770612
 
drum machine sampler & sequencer
Notes: The Polyend Tracker is a unique take on a retro form factor, aimed at artists who break patterns on a daily basis. Don't let the classic look fool you, Tracker is equipped with powerful modern functionality, FX, and the forward thinking creative tricks that Polyend brings to all of their highly regarded instruments.

The Polyend Tracker is an innovative, inspiring and immediate tool for music-making. It functions as a sampler, a synthesizer, a powerful sequencer, and a MIDI controller.

A retro form factor updated with forward looking functionality and designed as an easy to use compact standalone workstation. Made for the creatives who break patterns on a daily basis. Designed to help artists forge unique avenues of sonic construction. Introducing the first hardware tracker in the music world.

Large screen, ergonomic keyboard, and a big knob for fast and easy navigation.
It's standalone and portable - everything you need to produce an album wherever you are.
Sampler, Wavetable or Granular Synthesizer and FM Radio for limitless inspiration.
Powerful Step Sequencer and Song Arranger for finishing your piece in a flash.
Performance mode lets you creatively break, mangle, and augment your patterns when playing live.
Bidirectional MIDI to play with other software and hardware.

The Polyend Tracker incorporates the quintessential characteristics of a classic tracker. The vertical timeline, the powerful sequencer and the mechanical keyboard combined with a newly designed input interface enables you to make and perform your music in a new and intuitive way. After a quick glance and a few minutes with the Polyend Tracker interface, you'll soon realize the array of tools that are at your fingertips.

Polyend Tracker is slick, light and portable. It's also easy on the energy consumption so you can use it with any USB power source. Its sturdy and compact form factor makes it a great companion for music creation wherever and whenever you feel like it. No matter if you're in your studio, on the run, or at the gig.

Polyend Tracker is equipped with a variety of powerful sound design tools. Use your existing sample library, record new ones with line or mic inputs, or use the built-in FM radio. Record samples, play them, slice them, mash them, or even make a synth out of them using Wavetable and Granular synthesis with its all necessary parts (filters, ADSRs, etc.)

Polyend Tracker works great with other instruments too. Thanks to the bilateral MIDI implementation, you can use it to sequence and control external gear or it can be used as a sound module controlled by any external MIDI software or hardware devices.

In the box
Polyend Tracker
USB-A power adapter
USB-C cable (2 m)
3.5 mm to 2x 6.3 mm adapter
Minijack to MIDI DIN adapter
16GB MicroSD Card
MicroSD to USB-A Adapter
Manual
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MRP:$593.82 SAVE 17%
coming soon $494.85
FORTHCOMING
Noise Engineering Desmodus Versio Stereo I/O Tail-generator Reverb & User-flashable DSP Platform Module
Notes: Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.
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MRP:$411.11 SAVE 17%
coming soon $342.58
FORTHCOMING
Qu Bit Data Bender Circuit Bent Audio Buffer Module
Cat: 766026
 
audio buffer module
Notes: Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.
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MRP:$455.48 SAVE 17%
coming soon $379.56
FORTHCOMING
Mordax Data Multifunction Tool Signal Analyser & Generator Module (black)
Notes: The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.
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MRP:$548.14 SAVE 21%
coming soon $433.95
FORTHCOMING
Mordax Data Multifunction Tool Signal Analyser & Generator Module (white)
Cat: 783343 Rel: 02 Oct 20
 
Signal analyser & generator module
Notes: The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.
Read more
MRP:$548.14 SAVE 21%
coming soon $433.95
FORTHCOMING
Behringer Pro-1 Analog Synthesiser
Cat: 781519
 
analog synthesiser
Notes: The Behringer Pro-1 is a clone of the popular retro classic Sequential Circuits Pro-One which was once conceived to be a monophonic Prophet-5. Those who know and love recordings of Depeche Mode and Yazoo, will enjoy recognizing a lot of those sounds with the Pro-1.

The two assertive oscillators, each based on a CEM3340 chip, have sawtooth and square waveforms, an octave switch, fine tuning and pulse width control. Oscillator A can be synchronized to oscillator B, the second tone generator is additionally equipped with the triangle waveform and can be switched to low mode as well as decoupled from the pitch control. Both VCOs are brought together in the mixer, where the noise generator is also located, which can be replaced by an external signal. The beautiful basic sound is processed with a characterful 24dB lowpass filter, also known as Curtis VCF. It behaves similar to a Moog filter, but due to the IC CEM3320 it sounds different than the transistor cascade. The two crisp ADSR envelopes are assigned to the filter and VCA. An LFO with three waveforms is connected to the targets via the modulation bus. The special features of this instrument include the waveforms that can be activated simultaneously in both oscillators and in the LFO.

The modulations are assigned on the left side of the control panel. The filter envelope, oscillator B and the LFO, each with their own attenuator, are available in parallel as sources. These are assigned to the targets frequency oscillator A+B, pulse width oscillator A+B and cutoff directly or via the modulation wheel (or midi controller). Wild oscillator drifts, sync sounds, sirens, FM for filter and/or oscillator A as well as pulse width modulation are possible if used with care. If you turn everything up at once, it gets really wild! The modulation bus is the hottest feature of the Pro-1 next to the sound.

The ingeniously simple sequencer provides access to two patterns, each of which can be up to 40 steps long; pauses can also be programmed. The notes are played via a connected MIDI keyboard. After the input, the patterns can be transposed with the keyboard. The Arpeggiator primarily offers the playback modes Up and Up&Down, but can also be integrated into the pattern. Synchronization to other equipment is done via the analog clock input or MIDI/USB.
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coming soon $342.58
FORTHCOMING
ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate)
Cat: 776351
 
triple bandpass filter module
Notes: The ADDAC603 VC Triple Bandpass Filter provides three channels of bandpass filters, fantastic for sculpting complex sounds. Each of the channels feature a gain/distortion control with switch to select between x3 or x100 gain, which can cause the input signals to distort, adding another layer of harmonic interest.

The inputs are cascaded together to allow for one source to be filtered three different ways - or each filter can be used independently. The three filters also feature controls for frequency, which sets the cutoff point; width, which sets the width of the band that is being filtered; feedback, which at high settings causes the filter to self-oscillate, and level control, which sets the amplitude of the output. Frequency, bandwidth, and output level each have CV inputs with attenuverters.

A switch sets whether the filter is 24 dB or 12dB per octave. There are individual outputs with phase switch, plus a mix output and dry/wet output with adjustable control for mix balance. This module provides a wide variety of filtering options to add complex tonal shaping to your rack.

Tech Specs:

22HP
3.5 cm deep
250mA +12V
250mA -12V

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MRP:$404.58
coming soon $390.43
FORTHCOMING
ADDAC System ADDAC207 Intuitive Quantizer Module (red faceplate)
Notes: 4 Voices of Quantization with a 10 octave range.

Menu Reaction Time can be adjusted and saved.

User definable Scales- any scale is possible.

Simple Intuitive menu with settings such as:
User definable NOTES Intervals for Chord generation
Quantization types: Above, Below, Ignore
Definable Gate Out Length
Octave Offsets
Keyboard Mode (using Buttons as triggers)
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MRP:$358.90
coming soon $345.84
FORTHCOMING
ADDAC System ADDAC506 VC Stochastic Function Generator Module (black faceplate)
Notes: Inspired and officially licensed from Teia's Stochastic Function Generator which was introduced in 2013 but is no longer available. This earlier version served as an inspiration, but with a completely rebuilt and reprogrammed mcu to a fully featured 4 voice 2 stage envelope and slew generator.

This new module + expansion is ADDAC System's take on a different envelope/slew generator. It's a fully featured Quad Analogue Core Envelope Generator and Slew Processor with digital control which also incorporates built in random generators to control the Rise and Fall times.

Covering the full range from short sharp notes to long slow sweeps of up to 6 minutes. Together with the random generators it excels when used for drone soundscapes.

Used as a Slew Processor the random generators act as dynamic modulation sources affecting the rise and fall slew speed.

Fully featured outputs act as encouragement to self-patching creating interdependent envelopes acting in sync.

width: 20HP
200mA +12V
150mA -12v

ADDAC506B:
width: 2HP
10mA +12V
10mA -12v

CV OUTPUT RANGE:
Each channel CV output range can be set with the [Amplitude] and [Offset] attenuverters.
Amplitude can be set to a maximum of 10v peak to peak(pp), ex 0 to +10v or -5v to +5v.
Offset can as a maximum range of 20v peak to peak and allows to offset the CV to i10v.
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MRP:$381.09
coming soon $368.68
FORTHCOMING
TC Helicon Go XLR Broadcast Mixer With Midas Mic Preamp & Vocal Effects
Notes: Revolutionary Online Broadcaster Platform with 4-Channel Mixer, Motorized Faders, Sound Board and Vocal Effects


Read more
coming soon $341.51
FORTHCOMING
ADDAC System ADDAC601 VC Fixed Filterbank Module (black faceplate)
Cat: 776346
 
analog filterbank module
Notes: The ADDAC601 Analog Filterbank will have you shaping the spectrum of your sound "tout de suite".

With its 8 fixed frequencies, this very special filterbank has two additional features that you won't find anywhere else. Each of the 8 band volumes can be controlled through a linear high performance VCA, which adds great dynamics and new abilities to the art of filtering. Additionally this module also doubles as an envelope follower, with a dedicated CV output per band.

It features numerous output options: you can select between individual bands, the full processed sound, a wet/dry signal and even choose between odd or even frequencies.

Plus you can add up to two different signals, which are mixed internally by the ADDAC601 inputs.

. Format: Eurorack
. Width: 20 HP
. Depth: 5.5 cm

Control Voltage I/O:
. CV inputs: i 5v
. CV outputs: 0 - 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +340mA/-350mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$404.58
coming soon $390.43
FORTHCOMING
Yamaha HS5 Matched Pair Powered Studio Monitors (black, pair)
Cat: 785332 Rel: 21 Oct 20
 
Studio monitors
Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.
The new special edition HS5 MP Set includes two HS5 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.
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MRP:$540.31 SAVE 31%
coming soon $374.13
FORTHCOMING
Zoom H8 Digital Handy Recorder
Zoom H8 Digital Handy Recorder (digital recorder)
Cat: 783484 Rel: 31 Aug 20
 
Handy recorder
Notes: Zoom has unveiled the new H8, the most adaptable handy recorder ever made. For over two decades Zoom handy recorders have been the go-to portable audio recorders for professionals, amateurs and everyone in between. The new H8 takes portable audio capture to a whole new level for Musicians, Podcasters and Sound Designers.The H8's ingenious color touchscreen interface presents a radical, yet intuitive "3-way" app workflow navigation like on your smartphone. So, whether you're recording music, sound effects in the field, or professional podcasts, the H8 adapts instantly to the feature set required for the job.

Under its hood the H8 features all of Zoom's industry-leading audio fidelity, legendary transparent preamps, and overall dependable performance. With four XLR and two XLR/TRS combo jacks and 4 capsule inputs, the H8 can record up to 12 tracks simultaneously, and you can quickly and easily adjust input type, lo-cut, EQ, compression, limiter, noise gate, and more. In addition, the H8 can be remote controlled via an IOS device and you can load your own effects via the Guitar Labs software. For podcasters, the H8 features four Sound Pads to activate sound effects such as laughter and applause. You can choose from 13 prerecorded sounds or download your own sound effects from your SD-card. The H8's updated Capsule System 2.0* provides even more flexibility with brand new, high-end, mic and input attachments, as well as offering flawless backwards compatibility with the H6's capsules.

Handy Recorder

12 simultaneous recording tracks, interchangeable capsules, and an App-driven touchscreen interface, the H8 is designed to meet all your audio recording needs.

There's An App For Your Workflow
Whether you're capturing audio on location, recording music, or producing a podcast, the H8 color touchscreen adapts to your project's needs with three App-driven interface options. All with the touch of your finger.

The Podcast App
The PODCAST App makes high-production quality simple. With dedicated Sound Pads, use the touch screen to trigger sound effects, music beds and more. Choose from 13 high quality sounds or load your own via an SD card. (The Podcast App accommodates up to 4 mics and two Sound Pad channels.)

The Music App
The MUSIC App puts all the important controls at your fingertips: audio levels, faders, metering and more. With 10 inputs and 12 tracks, capturing a large group is easy. Mix, overdub, and enhance your recordings with EQ and compression. Connect to Zoom's Guitar Lab via USB to access an endless assortment of amps and effects.

The Field App
The FIELD App is ideal for location sound, sound design, conferences, and more. It gives you instant access to large meters for every track, so you can make sure your recordings never clip. Adjust input type, lo-cut, compress, limiter, noise gate, and other key settings.

The Mic Capsule
The H8 comes with the Zoom XYH-6 microphone. This capsule provides two matched high-quality unidirectional mics, for capturing signal directly in front of the recorder. With the Zoom mic capsule system you can easily swap capsules to ensure you're always using the right mic for the job.

Next Generation Capsule System
Zoom's Capsule System 2.0 allows up to 4 channels of audio to be added to the H8's capsule connection, creating new ways to expand your recording capabilities.

Combination XY / AB Mic
XAH-8
The XAH-8 capsule delivers pristine stereo recordings. Easily rotate the capsules from a tight XY pattern to a wide AB pattern to enhance the stereo image of your recordings.

Ambisonic Mic
VRH-8
The VRH-8 is an Ambisonic mic capsule that utilizes four condenser microphones to deliver immersive 360 audio recordings. A built-in accelerometer helps ensure the capsule is always perfectly aligned, while the on-board Ambisonic decoder automatically handles the necessary conversions, saving you time in post-production.

Expander Capsule
EXH-8
The EXH-8 capsule provides 4 additional XLR inputs, giving you a total of 10. Each additional input has a dedicated gain knob and pad switch. You can even use your favorite condenser microphones-just connect a power source to the EXH-8 capsule to supply phantom power.

Remote Control
You can monitor level meters and hit REC,PLAY, and STOP in each H8 application mode. Just insert the BTA-1 to your H8 and connect to your iOS device. (*BTA-1 sold separately.)

Inputs & Outputs
H8 offers 4 XLR inputs with dedicated pad switches and gain control. 2 additional XLR/TRS combo jacks with Hi-Z switches allow you to capture line level signals, microphones, or directly record electric guitars and basses.
Monitor tracks using the built-in 1/8" headphone output or connect directly to your camera using the dedicated stereo line output.
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MRP:$546.84 SAVE 17%
coming soon $455.70
FORTHCOMING
ADDAC System ADDAC210 Open Heart Surgery Module (red faceplate)
Cat: 776186
 
development platfom module
Notes: This is a development platform optimized for the Eurorack electronic enthusiast.

Power sources:
-12V, +12V
-3/10V, +3/10V

Ships with: 1M Ribbon Cable and 55cm standoff Spacers for desktop operation, screws and nylon washers

Mechanical Specs:
Width: 36 HP
Depth: 3.5cm (i1.375 inches) with or without Arduino installed, Depth increases if using arduino shields.
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MRP:$324.97
coming soon $313.21
FORTHCOMING
ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate)
Notes: This module is a powerful rhythm generation machine- it features 4 voices of gate outputs (including inverted outputs for logic NOT sequences) where each voice can have independent lengths, all configurable with direct knobs anc cv inputs.

Perfect for precise polyrhythmic patterns and all sorts of non-linear sequencing.

The module works by 6 different rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Probabilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with up to 32 steps and 16 storable presets.

Add ADDAC402B Expansion for full I/O Midi control plus access to a powerful midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration.

MECHANICAL:
Format: Eurorack
Width: 20 HP
Depth: 5.5 cm

CONTROL VOLTAGE I/O:
CV inputs: 0 to +10v

ELECTRICAL:
Max current: 150mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$493.33
coming soon $477.44
FORTHCOMING
ADDAC System ADDAC501 Complex Random Module (red faceplate)
Cat: 776328
 
random CV generator module
Notes: The ADDAC501 does random CV generation and outputs it through four independent channels. You can control the desired range of voltages and time frequency at which new values are generated.

It can also be triggered by an external CV source and the output voltages can be either free or quantized (if you prefer to have a standard C Major scale).

Finally you can choose between pure randomness or a brownian distribution, for both the voltage and time intervals.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 5 cm

Control Voltage I/O:
. CV inputs: 0 - 10v
. CV output: 0 - 5v (0 - 10v through jumper)
. Gate in threshold: 2.5v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
Read more
MRP:$338.02
coming soon $325.18
FORTHCOMING
ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate)
Notes: This module was developed upon the Tubaz Filter which was released in 2014 by Gotharman but is currently no longer in production. We loved the original module so much that we officially licensed it's circuit and expanded it to feature several new functionalities.

Here's a paragraph from Gotharman regarding the original design:
"I designed it with the purpose of adding crunch, edge and distortion to my eurorack system. It is not an ideal bandpass filter, that cuts off all frequencies above and below the center frequency.
Because of its high drive, there are, in most cases, some bleedthrough of the harmonics, that should have been cut off. You might consider calling it a "Band Add" filter. The main purpose of it, was to add edge, not to be a perfect bandpass filter."

While everything he mentions is still true we believe he was being modest, It's a dirty, gritty, growling and whining monster which promises you some of the most peculiar filter sounds you'll ever hear.
However do not classify it as a "weird" distortion unit just yet because besides this hairy character it can be easily tamed (using lower volume levels) and then, with some care and intention from the user, it will transforrm itself showing it's feline purrrrr and cuddle sweet and caring, or like any good mut, showing up at night all happy, wet and dirty from a full dog's day and will lay down at your feet while wiggling it's tail howling as yawning just happy to be back home.

As such, standard volume principles do not quite apply to these units, the Audio Levels will go up to x2 amplification, Drive will go up to x11 and master outs go up to x2. The combination of these will cover all diferent qualities it can present. Overall sound can be distorted pre-Tube (raising input levels), in Tube (raising drive) or post-Tube (raising Out levels).
Higher Inputs and Drive will always be gritty, lower Inputs and Drive volumes together with higher Output levels will make the overall behaviour more mellow and closer to what a typical filter would behave like.

No standard expectations should be considered when acquiring these units, all of the tubes were built in the 70's and were bought from various sources, we always kept the premise that no tube was a bad tube (unless not really workinng) so due to each specific characteristics no module will sound exactly the same, making each unit particularly unique. This uniqueness will be particularly evident on their resonance/self-oscilating timbre as well as in their own microphonic qualities.

Regarding power and current draw, the module is designed using a low power tube, so it won't starve your eurorack power supply.

Tech Specs:
12HP
3.5cm deep
90mA +12V
60mA -12V
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MRP:$358.90
coming soon $346.93
FORTHCOMING
ADDAC System ADDAC702 Dual VC Filter Module (black faceplate)
Notes: Here's our first Voltage-Controlled Variable Filter, inspired by the original MS-20 filter.

This module features:

Two independent filters, a High-Pass and a Low-Pass with dedicated audio inputs and outputs.

Besides individual outputs the HP and LP are also sent to a voltage-controlled Mix between the HP and LP filters.

Both Cutoff and Resonance are voltage-controlled with dedicated cv attenuator pots.

Switch for selecting between normal cutoff behaviour and an adjustable Smooth circuit to simulate a vactrol behaviour for cutoff control.

Switch for setting filters Filters in Parallel (independent) or Series (HP > LP).

Inspired by the Oscar synthesizer we added a Coupling switch to tie the HP Cutoff control to the LP Cutoff control, in this case the LP cutoff controls act as an offset from HP setting.

Three position switch selects different resonance clipping paths: diodes / no clipping / leds.

Both filters features a post Distortion/Fuzz circuit that adds extra harmonics adds an even deeper growl or extra gritiness to it.

All audio outputs (HP, Mix, LP) feature a switch for choosing phase output, allowing additive or subtractive mixes.

Three Leds monitor the amplitude of the three outputs (HP, Mix, LP).
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MRP:$415.02
coming soon $401.31
FORTHCOMING
Schottkey Modular Ratchet Module
Cat: 778087
 
ratchet module
Notes: The RATCHET is a 12-channel, up to 64 steps per channel, drum, event and/or rhythm sequencer that features up to 16 'ratcheted' divisions per step. It's quite powerful with per-step variable gate lengths or ties, swing and random with forward, backward and pong-pong play modes. Save patterns on a provided Micro SD card.

Other features include: Per Drum pattern lengths, Per Drum Random Amounts, Drum muting, Random Muting, copy/paste, and so much more!

Ships with Micro SD Card.

20HP wide - 25mm deep
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MRP:$375.87 SAVE 19%
coming soon $304.52
FORTHCOMING
ADDAC System ADDAC802R VCA Quintet Reversed Panel Module (red faceplate)
Notes: Our Reversed panel version of the ADDAC802 VCA Quintet.

Each of the 5 channels has:
. VCA with initial Knob
. Monitor LED
. Independent output
. Linear or logarithmic control
. Solo/Off/Mix switch that routes their audio to the Solo Channel or the Mix channel. In Off position the VCA does not go to the outputs.

All 5 VCA's can be used separately for different sources (audio or cv) or mix in 2 different chains.

Outputs:
. 1 Pre Master VCA output
. 1 Post Master VCA output
. 1 Solo output

The Solo line is also intended for Pre Listening purposes, using this output to connect your headphones through some headphone amplifier module.

Mechanical:
. Format: Eurorack
. Width: 12 HP
. Depth: 5 cm

Control Voltage I/O:
. CV inputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: +190mA/-150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
Read more
MRP:$392.84
coming soon $380.65
FORTHCOMING
Doepfer A-111-5 Mini Synthesiser Voice Module
Cat: 785445 Rel: 22 Oct 20
 
Synthesiser voice module
Notes: Module A-111-5 is a complete monophonic synthesizer module that includes these components (modular version of Dark Energy):

VCO
Manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
Range switch -1 / 0 / +1 octave
Frequency range about 10Hz ... 12kHz - FM (frequency modulation) control with modulation source switch (LFO1 / off / ADSR)
Manual pulsewidth control for rectangle waveform
PWM control with modulation source switch (LFO2 / off / ADSR)
Waveform switch (sawtooth / off / triangle)
The sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW)
External CV input for VCO frequency (1V/octave)
External CV input for external PWM of the rectangle - internal CV input for frequency (1V/octave) connected to the A-100 bus via jumper, the jumper can be used to interrupt this internal connection if not wanted

VCF
24 dB low pass
~ 12 octaves frequency range
Manual frequency control
Tracking switch half - off - full (internally connected to the external frequency CV input of the VCO, i.e. the VCF tracks to the VCO if the switch is set to "half" or "full" position)
XM: exponential FM (frequency modulation) control with modulation source switch (LFO2 / off / ADSR)
LM: linear FM (frequency modulation) control to modulate the VCF by the triangle of the VCO in a linear (!) manner
Manual resonance control (up to self oscillation)
External audio input (this signal is added to the VCO signal)
External CV input for filter frequency - 1V/octave tracking for usage of the VCF as a sine wave oscillator (not as precise as the VCO but much better than most of the other filters)
VCA
Manual amplitude control
AM (amplitude modulation) control with modulation source switch (LFO1 / off / ADSR)
External CV input for VCA amplitude - special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB (Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCA)
LFO1 and LFO2
Manual frequency control
Waveform switch (triangle / off / rectangle)
Range switch (low, audio, medium) - LED display (dual green/red color for positive/negative share of the signal)
The inverted LFO1 signal is available as an additional socket (to use the LFO1 signal for external modules)
An internal jumper can be used to select between the LFO1 signal or the inverted LFO1 signal

ADSR
Manual controls for Attack, Decay, Sustain, Release
Range switch (long, short, medium) - blue LED display
ADSR signal is available as an additional socket (to use the ADSR signal for external modules)
Gate input connected to the A-100 bus via jumper, the jumper can be used to interrupt this internal connection if not wanted

Remarks:
As the LFO frequencies can go up to moderate audio range (~ 5kHz) even audio FM effects of VCO (pitch and pulsewidth), VCF and ADSR are possible.

If the VCO is turned off (waveform switch = center position, pulsewidth control = fully CCW) and the VCF resonance is set to maximum the module can be used as a sine oscillator. The sine can be modulated in a linear manner from the triangle wave of the VCO and by LFO2 in an exponential manner at the same time !

From the factory the socket labelled "LFO1" outputs the inverted LFO1 signal. But as the module has several internal pin headers available even another signal may appear at this socket by changing the internal module patch. These six pin headers are available: LFO1 output, LFO2 output, ADSR output, inverter input, inverter output, output socket. The internal default patch is LFO1 -> inverter input, inverter output -> output socket (i.e. socket = inverted LFO1). But even another signal can be patched to this socket (e.g. inverted ADSR, non-inverted LFO1, inverted or non-inverted LFO2). It is also possible to add a blind panel next to the A-111-5 with a couple of sockets that are connected to the corresponding pins of the A-111-5 pc board. The in- and outputs of the VCO, VCF and VCA are not available as pin headers because the VCO, VCF and VCA are internally connected in the circuit which is used in this module.
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MRP:$422.85 SAVE 17%
coming soon $352.36
FORTHCOMING
ADDAC System ADDAC800X High-End Outputs Module (red faceplate)
Notes: Inspired by the legacy designs of premium vintage gear, the ADDAC800X behaves like a high-quality DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 800X circuit is designed around a unity 1:1 type nickel core Hammond Audio Transformer from the 140UEX series (equivalent to Jensen audio transformers).

Operating in the 20 Hz to 20 KHz range and providing exceptional shielding from external sources, this impedance matching transformer provides the 800X with two fully balanced high-end outputs (via XLR connectors).

Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, the ADDAC 800X presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate the 800X from any other device, preventing hum problems coming from an outsider ground.

LEFT IN will output sound to both channels.
Through RIGHT IN, signal will only find its way on OUT 2 (if the LEFT/RIGHT toggle is lifted up, RIGHT IN will be ignored and LEFT IN will be present in both OUTs). With both INs connected you'll have two separate outputs (LEFT IN -> OUT 1 & RIGHT IN -> OUT2). However, lifting up the LEFT/RIGHT toggle you'll also find RIGHT IN ignored and LEFT IN will fed both OUTs.

Each TRANSFORMER ISOLATED OUTPUT section has its signal overload warning led and two dedicated toggle switches: one that works as a simple amplifier / attenuator pad to +6dB / -10dB respectively, and a LIFT/FLOAT/GND toggle. This last one is a 3-way selector that lets you choose between lift, ground or floating ground (toggle's middle position) to be taken as reference for the ground point. In the LIFT position the module circuit will be lifted to ground through a 100R resistor and a 10nF capacitor and pin 1 of the XLR connection will act as the ground point. Choosing GROUND will put ground to be shared between inputs and outputs. Floating ground will leave ins and outs grounds completely apart from each other. Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of this options will work the best in a given situation.

An HEADPHONES AMPLIFIER (with VOLUME knob) connection is available for quietly working with your modular or pre-listen your sounds before making them public matter in a live situation. This section features an OPA2134 High-Performance Audio Operational Amplifier. This device presents the ideal characteristics for use with an headphones set, like ultra-low distortion and low-noise fully specified for audio applications, in combination with high-output drive capability and excellent DC performance that altogether allow for high-dynamic headroom and really superior sound quality.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 6.7 cm

Electrical:
. Max current: 100mA? on each rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$448.95
coming soon $433.93
FORTHCOMING
Behringer EP4000 Professional 4000 Watt Stereo Power Amplifier
Cat: 781355
 
stereo power amplifier
Notes: The EP4000 builds on the incredible legacy of our EP2500, which is one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP4000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 4,000-Watts of output power (2 x 2,000 Watts @ 2 Ohms; 2 x 1,400 Watts @ 4 Ohms; 4,000 Watts @ 4 Ohms in Bridge mode), the EP4000 is the perfect amplifier for medium-sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of these amps give you all of your sound's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Both channels have independent gain dials as well as Clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also Signal LEDs that light up when a signal is present at the input.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, the EP4000 reacts instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP4000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP4000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP4000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.
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coming soon $344.76
FORTHCOMING
Yamaha HS7 Matched Pair Powered Studio Monitors (black, pair)
Cat: 785335 Rel: 21 Oct 20
 
Studio monitors
Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.

The new special edition HS7 MP Set includes two HS7 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.
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MRP:$729.55 SAVE 33%
coming soon $488.33
FORTHCOMING
ADDAC System ADDAC102 VC FM Radio Module (red faceplate)
Cat: 773955
 
FM radio module
Notes: This is Version 2 of this module, updated in order to be skiff friendly.

With the ADDAC102 FM Radio you'll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator- the static picks up all kinds of great electromagnetic interference.

It provides controls like tune, volume and seek (all of them controllable through CV input) and there's two outputs for stereo sound.
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MRP:$338.02
coming soon $325.19
FORTHCOMING
Pearl Elite Folkloric Mahogany Bongos
Cat: 778226
 
bongos
Notes: Pearl's Folkloric bongos feature a traditional look with modern innovation that only Pearl can deliver. Thicker South American style natural skins make the drums warm sounding, but a fiberglass gel coat on the interior seals the shell and adds the projection and volume desired by today's players. The traditional hoops complete these stunning instruments in a matte Crimson Sunrise finish. The 7 and 8 1/2" Oak Bongos have the same hardware and shell features of the congas. The thicker bongo skins add to the projection and "dry" tone reminiscent of that classic Cuban sound.

Head: Premium Cow
Hardware: Polished Steel, Traditional Rims
Size: 7/8.5" Head Diameter
Shell: Thai Oak
Model: PBW300FC
Colour: Crimson Sunrise
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coming soon $325.19
FORTHCOMING
ADDAC System ADDAC503 Marble Physics Module (red faceplate)
Cat: 776332
 
marble physics module
Notes: Newtonian physics on a modular synth! The ADDAC503 Marble Physics is a CV generator based on the mechanics behavior of a marble on a tray.

Through this realtime physics simulator you'll be able to control several parameters that will affect the behavior of a model of a spherical object against a plane. You can tilt the plane or bump the marble with a certain strength, which will cause it to roll and bounce on elastic walls.

The model will output the object's XY position or velocity and you can control other physical parameters, like the walls' elasticity or the strength of a bump. When the marble hits walls the bounce output triggers and you can additionally lock the X axis for a one dimension simulation. Finally you can also set the overall speed of the simulation.

By controlling all of these properties you be able simulate several scenarios where the marble falls, gets gently pulled by gravity, orbits indefinitely or bounces on walls like a pinball. Truly engaging physics simulations!

Mechanical:
. Format: Eurorack
. Width: 10 HP
. Depth: 5.2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 5v

Electrical:
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$370.65
coming soon $357.81
FORTHCOMING
ADDAC System ADDAC802 VCA Quintet Module (red faceplate)
Notes: This module comes to update the previous ADDAC802 Audio Mixer.

Each of the 5 channels has:
. VCA with initial Knob
. Monitor LED
. Independent output
. Linear or logarithmic control
. Solo/Off/Mix switch that routes their audio to the Solo Channel or the Mix channel. In Off position the VCA does not go to the outputs.

All 5 VCA's can be used separately for different sources (audio or cv) or mix in 2 different chains.

Outputs:
. 1 Pre Master VCA output
. 1 Post Master VCA output
. 1 Solo output

The Solo line is also intended for Pre Listening purposes, using this output to connect your headphones through a headphone amplifier module.

Mechanical:
. Format: Eurorack
. Width: 12 HP
. Depth: 55mm

Control Voltage I/O:
. CV inputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +190mA/-150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$338.02
coming soon $325.18
FORTHCOMING
Mackie MP360 Professional In Ear Monitor Headphones
Cat: 762130
 
in-ear monitor headphones
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with our renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Like its sibling above, MP-360 features a 3-way crossover but instead of dynamic drivers, this model is all custom-designed balanced armature. With the precise nature of this driver type, you will experience breathtaking clarity and detail. This is great for vocalists that need to hear themselves and their mix as faithfully as possible and makes listening to your favorite music a brand new experience.

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coming soon $383.91
FORTHCOMING
Mackie MP460 Professional In Ear Monitor Headphones
Cat: 762131
 
in-ear monitor headphones
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with their renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Using the same custom balanced armature drivers, MP-460 features a quad driver design for even more clarity and accuracy. Balanced sound, enhanced detail resolution, and incredibly smooth midrange is the name of the game with MP-460. Whether you are a musician, a mixing engineer, or you want to experience your music in a whole new dimension, MP-460 delivers.
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coming soon $479.61
FORTHCOMING
Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal
Cat: 783089 Rel: 30 Sep 20
 
Chorus/vibrato/flanger pedal
Notes: The Nebulus brings guitarists high quality chorus, flanger and vibrato effects in a really compact 4.5 by 3.5 inch pedal. To increase the tone range even further 3 variations on each effect are available for a total of 9 tweak-able modes. All this flexibility is easy to access via a preset system capable of storing up to 8 different presets.

The chorus mode offers a lush and warm sounding chorus, a fluid and dreamy multi-chorus, and a unique tremolo'ed chorus. The flanger setting has a classic tape flange, a 70's negative feedback type flanger, and the elusive thru-zero flange. Lastly, but certainly not least, are the vibrato sub-modes which include a standard vibrato, a classic vibe sound, and a rotating speaker effect.

Each mode includes a special switch which allows the guitarist to really tweak crucial settings and it also offers some bonus features like the ability to add compression to vibrato mode, for example. For further fine tuning, a tone switch is available offering warm, clean, and bright voicings to the effect.

This true bypass pedal offers the uncompromising sound quality that guitarists have learned to expect from Empress pedals in an incredibly small box. With chorus, flanger and vibrato all only one touch away, this pedal is an incredible value.

Specifications:
Input Impedance: 1Meg
Output Impedance: 1K
Frequency Response (-3dB) - 8Hz - 18.5kHz
Input Headroom: +10.8dBu
Output Headroom: +10.2dBu
Distortion: 0.40%
Signal to Noise: 102.7dB
Power Input Voltage: 9 - 12 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption : ~300mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1 lb
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MRP:$411.11 SAVE 17%
coming soon $342.58
FORTHCOMING
Keeley Super Mod Workstation Modulation Pedal
Cat: 782464 Rel: 25 Sep 20
 
Modulation pedal
Notes: Sonically drench yourself in swirling modulated tones. Not many effects can be as provocative as a chopping tremolo, a swirling rotary, a dreamy chorus, or a crazed filter sound. Nothing compares 2 a thick flanger or deep harmonic tremolo. Nothing goes better with modulation than delay and reverb. With the Super Mod Workstation you can combine 2 effects together to create a nearly endless soundscape of tones. Add tap tempo and an expression pedal and you have all the tools at your disposal to create a mesmerizing array of sounds.

The Super Mod Workstation contains many of Keeley's finest effects. The Harmonic Tremolo in this unit is inspired by vintage brown face amps. The Keeley DynaTrem contained our first Harmonic Tremolo. Many consider this deeper and thicker sounding than the U Vibe type effect. The ADT in the Super Mod Workstation is from the 30ms Automatic Double Tracker. Last year that effect set the effect world on fire with the best complete ADT unit in a stomp box.

The Super Mod Workstation allows you to combine effects like Tremolo, Filter, Phaser, Chorus, Rotary Speaker, or Delay with other similar modulation effects, including delay or reverb! For example you can combine our famous 30ms Double Tracker sound in the ADT, with a Flanger, or an Echo, or Plate Reverb. Another example would be to use Bank 1 - Phaser sound, combined with Bank 2 - Delay. You can use the expression pedal to run delays into self oscillation feedback! You can Tap Tempo input a rate for the Harmonic Tremolo sound on Bank 1 and then use an expression pedal input for speed of the Rotary Cab sound on Bank 2. Decide it's #modulationFreeMonday? Well, you can use the Analog Delay on Bank 1 and a super wet Hall Reverb on Bank 2.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Super Mod Workstation has Tap Tempo for Mod Bank One, and external expression control on Mod Bank Two.

Super Mod Workstation effects include:

Tremolo w/triangle to sine waveform control

Harmonic Tremolo w/presence tone control

Filter Trem w/oscillator and random control

Phaser w/feedback control

ADT w/blend control

Rotary Cabinet Sim w/treble horn control

Digital Delay

Analog Delay w/dynamic modulation

Chorus/Vibrato w/blend control

Flanger w/positive or negative feedback

Hall Reverb

Plate Reverb

Tap Tempo on Modulation Bank 1

Expression Control on Bank 2
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MRP:$390.22 SAVE 17%
coming soon $325.19
FORTHCOMING
Keeley Tone Workstation Drive, Boost & Compressor Pedal
Cat: 782481 Rel: 25 Sep 20
 
Drive/boost/compressor pedal
Notes: Introducing the Tone Workstation. The front end of your signal chain- this is where your tone develops. The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. Compression, Drive, Overdrive, Boost: you get it all here. The Tone Workstation is designed to be the first stage in your pedal board. It may even be the only pedal you bring to a gig. And we designed it that way.

Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. Adjust the Sustain control for increased compression or squeeze. As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. The Blend control is perfect for adding a little bit of bite back in with high output pickups or humbuckers. In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression. When the Blend is set completely CCW, you get only compressed signal out. Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.

Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. With the 62/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive. First, the 1962 is Keeley's British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone. In the Katana Mode, only the volume works; the Tone and Drive are disabled. It's a clean sound people say you just can't turn off.

Last in the chain is Keeley's renowned Red Dirt overdrive. You get 15 years of modding tube screamers distilled into one toneful circuit. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! The Red Dirt circuit captures every nuance of your guitar's tone and delivers a classic, smoking hot, silky smooth lead tone.

Dimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.
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MRP:$390.22 SAVE 17%
coming soon $325.19
FORTHCOMING
Empress Effects Phaser Pedal
Cat: 783098 Rel: 30 Sep 20
 
Phaser pedal
Notes: Redefining the phaser effect from the ground up, Empress Effects has created a phaser pedal unlike anything else on the market. Employing a unique VCA based design, the Empress Phaser Pedal offers unparalleled signal-to-noise ratio. Choose between 2 stage, 4 stage or an Empress exclusive 3 stage mode; all controllable via tap tempo sweeping through an impressive set of 8 waveforms.

The Empress Phaser Pedal is the next generation in the evolution of digitally-controlled analog technology. It features an all-analog signal path but is controlled by a microprocessor, allowing it to maintain all its character and analog flavor while adding a ton of possibilities for control and adaptability. Sure, it does the classic jet sounds, super funky auto-wah and ring modulators, as well as having vibrato and Univibe sounds on tap. But what really sets the Empress Phaser Pedal apart are the auto modes: envelope following, audio-triggered sweeps, rhythms and direct control are just a few of the settings found on the Empress Phaser Pedal.

It also offers unsurpassed connectivity by featuring expression pedal control as well as accepting control voltage, external tap, external audio control and MIDI. All of this comes in a rock solid die cast aluminum enclosure with true bypass keeping things clean.

Specifications:

Power Input Voltage: 9 - 18 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption : ~120mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1 lb
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MRP:$482.89 SAVE 17%
coming soon $402.40
FORTHCOMING
Maxon VJR-9 Vintage Jet Riser Flanger Nine Series Pedal
Cat: 783398 Rel: 02 Oct 20
 
Flanger/noise pedal
Notes: Designed in homage to classic 70's distortion modulators such as the Flying Pan and Jetlyzer (both of which Maxon designed and built for Ibanez), the VJR-9 Vintage Jet Riser creates a Doppler jet effect so realistic you can almost feel the wind in your hair.

Rather than sticking with the old-school Jet design of phase shifter into distortion, the VJR-9 features an analog Bucket-Brigade Flanger as the modulation source to add a more realistic depth of field to the effect. Speed and Width controls allow adjustment of the flanging from slow takeoff to sonic boom.

In similar fashion, Maxon has forgone the use of a distortion circuit in favor of a voltage-controlled white noise generator to more accurately simulate the sound of a jet in flight. Featuring a combination of VCA and VCF circuits, the VJR-9's Jet effect reacts to playing dynamics within a range preset by the Sensitivity, Range and Jet controls.

These two circuits can be used separately or in combination to create a wide variety of effects from subtle to extreme - classic chorus and flanging; tremolo-like auto-wah; massive sky-is-falling Jet sweeps; bizarre and other-worldly metallic tones bordering on ring-modulation - all these and more are possible with the VJR-9.

The VJR-9 also features a jack to connect an external switch (bypass or momentary) for the Jet function, allowing the user to add the effect in against the Flange when desired to accentuate certain note, phrases, or song sections.

The VJR-9's internal voltage-doubling circuitry provides maximum headroom to eliminate input distortion. The higher operating voltage also allows it to be used in an FX loop in order to place the effect post-gain.

The Maxon VJR-9 Vintage Jet Riser - get ready for takeoff.

The VJR-9 is an updated version of vintage FL-70 Jetlyzer with added features and superior performance.

TECH TALK:
The VJR-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE VJR-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the VJR-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Output Range: +12 dBu (400 Hz)

Controls: RANGE, JET, SENSITIVITY, SPEED, WIDTH

Switch: BYPASS/EFFECT (mechanical TBS)

External Foot Switch Jack: Jet Sound on/off

Delay Time: 1.0 mSec - 30.0 mSe

Speed Frequency: 0.04 Hz - 12 Hz

Residual Noise: -90 dBu or less (IHF-A)

Indicator: Bypass / Effect LED

Internal Circuit Voltage: 13 VDC (DC to DC Converter)

Power Supply: 9 volt battery of Maxon AC adaptor

Power Consumption: appox. 60 mA / 9 VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Standard Accessory: AC adaptor AC2009, user's guide

Weight: approx. 630 g (including battery, excluding adaptor)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life:
Manganese - 50 minutes @ 25 degress C
Alkaline - 3 hours @ 25 degrees C

Option: Maxon AC adaptor
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MRP:$494.63 SAVE 17%
coming soon $412.19
FORTHCOMING
Keeley Verb O Trem Workstation Powerful Reverb & Modulation Machine Pedal
Cat: 782482 Rel: 25 Sep 20
 
Reverb/modulation pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT Workstation gives you the famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo.

So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT Workstation is a simple and beautiful sounding solution.

The Keeley VoT Workstation is a high-end Dual DSP effect workstation. Each effect, reverb and tremolo are given their own effects engine. This allows us to create rich and ornate filtering. These are studio quality sounds we that have been crafted over the years, refined by working musicians and studio engineers.

Reverbs
Keeley knows and develops reverb spaces. Fat, juicy, sonically rich spaces. Keeley 2 Spring Reverb is the real deal. It's so good sounding, they install it in The Amp now. In fact Keeley reverb has been developed in many other brand's pedals.

There are 8 petals to this flower: 2 Spring, 3 Spring, Plate, Hall, Chamber, Room, Fugue, and Slapback!

Each Keeley VoT Workstation reverb allows you to control:

Level - Output Volume Level for the reverb channel

Decay - this is the length of the reverb trails, the size of the ambient space. External Expression Control port on rear of unit.

Morph - Pre-Delay - The earliest reflections, sometimes heard as a slapback. This is great for setting up a reverb space that sounds huge, or you can dial it in so that it plays well with fast, percussive notes.

Effect Level - This is your Blend Control- how loud you want the reverb in your guitar mix.

Tremolos
A Lotus Flower of Tremolos- you have eight blooming tremolos in the Keeley VoT Workstation!

8 Vintage Tremolo modes: Sine Wave, Square Wave, Harmonic, Dynamic Harmonic, Pitch Vibrato, Ramp Trem, Les'Rotary Speaker, U-Vibe

Level - Output Volume Level for the tremolo-modulation channel

Rate - Speed of modulation, with on-board Tap Tempo, external tap input jack.

Depth - amount of volume change in effect. THROB.

Morph - Controls a variety of aspects including filter points, wave shape, duty cycle, tweeter/woofer control, etc. Instruction manual lists exact details.

VoT - Lotus
The VoT Workstation Tremolo allows you to have on-board Tap Tempo or you can use an external tap switch or generator. Expression pedal control gives you foot controlled access to the Reverb Decay control. This allows you blend the perfect amount of reverb into your guitar mix.
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MRP:$390.22 SAVE 17%
coming soon $325.19
FORTHCOMING
ADDAC System ADDAC222 4x6 Voices 1V/Octave to MIDI Notes Module (red faceplate)
Notes: Most recent from the ADDAC MIDI Series, the 222 converts 4 CV inputs to four distinct polyphonic MIDI NOTES streams, with up to 6 note voices per input. This allows the user to send midi notes to external midi devices straight from your modular: just plug it into your classic synth or your favourite virtual instruments. Combined with the ADDAC221 you can fully control any external midi device.

Ships with 2 stereo jack to din5 midi cables.
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MRP:$404.58
coming soon $390.43
FORTHCOMING
ADDAC System ADDAC803 Quadraphonic Spatializer Module (red faceplate)
Cat: 776406
 
quadophonic spatializer module
Notes: This is ADDAC System's Quadraphonic output module.

Using the VBAP (Vector-Base Amplitude Panning) principle, it allows to position a mono signal over a quadraphonic speaker array for sound spatialization. The VBAP algorithm can be controlled by Cartesian or Polar methods

Sound path is fully analogue featuring 4 high quality VCA's.

Featuring both 1/4 inch and 3.5mm jacks for adapter free connections.

Four 16 bit CV outputs mirror the signal sent to the VCA's control, when connected to 4 external VCA's these can be used for Polar Mixing of 4 diferent sound sources.

The 2 Filter CV outputs react according to the distance from the center point. The + output increases as the sound gets further away from the center of the room allowing to sync a Low Pass Filter to the input sound so that as it moves away from the center the High Frequencies get attenuated further increasing the spatialization experience. Another good practice would be to sync a reverb dry/wet signal as well so that the sounds gets more difused as it moves away from the center into the horizon.

Both the filter and the reverb should be plugged between the sound source and the 803, in order for the incoming sound to be processed before being routed to the 4 outputs.

The X and Y CV outputs mirror the cartesian sound position between 0 and +5v.

Mechanical:
. Format: Eurorack
. Width: 14 HP
. Depth: 6 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: + 5v

Electrical:
. Compatible with +-12v and +-15v power supplies?.
. Max current: 150mA on positive rail, 100mA on negative rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$448.95
coming soon $433.93
FORTHCOMING
Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal
Cat: 783082 Rel: 30 Sep 20
 
Fuzz/overdrive/distortion pedal
Notes: The idea of blending amps together has been a studio trick used on countless recordings over the years. Being able to blend the strengths of certain amplifiers and have other amps fill in the weaknesses produces a richer, better balanced sound. Up until now, the only way to repoduce this live was to haul a few amps around with you on the road. After a few gigs of doing that, a lot of players end up compromising tone for the ease of carrying 1 amp around with them. This is where the multidrive shines.

The multidrive allows you to blend Overdrive, Distortion and Fuzz together, creating a full and rich array of tones that would not be available otherwise. Let the sustain of fuzz, the bite of distortion and the clarity and note definition of overdrive all work together! It's like having an overdrive pedal, a fuzz pedal, and a distortion pedal, all in one box.

Specifications:
Power Input Voltage: 9 - 18 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 180mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
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MRP:$411.11 SAVE 17%
coming soon $342.58
FORTHCOMING
Empress Effects Heavy High Gain Distortion Pedal
Cat: 783043 Rel: 30 Sep 20
 
High gain distortion pedal
Notes: In this aptly named box you'll find a huge range of killer high gain tones. From crisp, mid-driven 80's metal, to scooped, modern down-tuned brutality, this little box of sonic mayhem does it all. The two independent channels can be voiced similarly so that one channel can be used as a solo boost, or they can be voiced entirely differently by using the mid range control in conjunction with the 3 position mid frequency select switch. Add in separate weight controls to shape the low end response of each channel, and a global hi/low eq section that allows you to fine tune your particular amp and cab combination, and you've got a serious tool to create a supremely heavy sounding rig.

On top of all this, there's an extremely responsive and hassle free noise gate that will ensure dead silent operation with even the most obscene amounts of gain added.

Input Impedance: 1M
Output Impedance: 510 Ohm
Frequency Response (-3dB): 35Hz - 17kHz
Power Input Voltage: 9 - 12 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 200mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1lbs
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MRP:$411.11 SAVE 17%
coming soon $342.58
FORTHCOMING
ADDAC System ADDAC22110x9 Channel CV to CC MIDI System Module (red faceplate)
Notes: The ADDAC221 is a standard midi controller that allows CV inputs, converting CV variations to MIDI Control Change Messages. This allows interaction with your favourite standalone synthesisers and softwares through simple plug-and-play midi control.

A dedicated software permits the user to store up to 9 different presets, where the CC values of each channel can be configured as wished.

This way the user can preset his favourite synths to control filters, envelopes and whatnot from CC messages coming from the module CV inputs.

Ships with 2 stereo jack to din5 midi cables.
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MRP:$358.90
coming soon $346.93
FORTHCOMING
ADDAC System ADDAC504 Probabilistic Generator Module (black faceplate)
Notes: This is a complex Gate / CV generator based on probabilities.

Functions:

Knob 1:
%1 = Gate 1 Probability
5TG = Fifth Output Type: Trigger/Gate
N1 = Note 1 Tuning

Knob 2:
%2 = Gate 2 Probability
T.SIZE = Trigger Size
N2 = Note 2 Tuning

Knob 3:
%3 = Gate 3 Probability
DIR = LOCK Mode Direction: Backwards/pendulum/forward
N3 = Note 3 Tuning

Knob 4:
%4 = Gate 4 Probability
S.SIZE = LOCK Mode Sequence Size: up to 16 steps
N4 = Note 4 Tuning

Knob 5:
SWING X = Clock Swing X: 1 to 16
Y = Clock Swing Y: 1 to 16
N5 = Note 5 Tuning

Gate Outputs Behaviour:

At every clock input, based on the four knobs probability settings, the module will select one active gate out, only one of the five gates will be active at all times. All Gate outputs can also behave as a Trigger instead, Trigger size can also be adjusted.

The knobs set the probabilities of each gate to be chosen, here's an example of how this operates

With all first four knobs at 12 o'clock the first Gate has 50% of being the chosen one, the remaining 50% of the times will be passed through the next knobs. So Gate 2 at 12 o'clock has 50% of the remaining 50% left by setting one, which leaves it with 25% chance of being the chosen one, the remaining 25% will be passed through Knob 3 which will have 12.5% chance of being the chosen one, the remaining 12.5% will be sent to Setting 4 which will have a probability of 6.25%. The remaining percentage left by the 4 Settings will always be the probability of Gate 5, in this case the remaining 6.25%.

Here's a couple more examples.

All knobs at 12 0'clock
Setting 1 = 50% chance, 50% left for remaining settings.
Setting 2 = 25% chance, 25% left for remaining settings.
Setting 3 = 12.5% chance, 12.5% left for remaining setting.
Setting 4 = 6.25% chance, 6.25% left for Gate 5.

All knobs at 9 0'clock (aproximate values)
Setting 1 = 20% chance, 80% left for remaining settings.
Setting 2 = 16% chance, 64% left for remaining settings.
Setting 3 = 12.8% chance, 51.2% left for remaining setting.
Setting 4 = 10.24% chance, 40.96% left for Gate 5.

Tuning and CV outputs:

While in the Tuning page you can use all knobs to set the 5 pitches
When in tuning page knobs should be rotated one at a time!
While rotating the knobs the CV out 4 will be used as a monitor, the other 3 CV outs will be behaving normally.
The module detects which pot is being rotated and outputs the relative pitch CV on CV out 4 for all knobs.
While on this page the tuning will be quantized or not relative to the panel Quantize on/off switch. Even if this process is done in quantized mode the module always store the free value in order to allow quantisation to be turned off later.
Once you're happy with the tuning you can exit the page, new values are stores to memory while exiting the page.
When tuning the module detects both the note selected and the relative octave.

CV Outs behaviour
This will be easier to explain with examples

Let's say we tuned these notes:

C0 or 0v
D1 or 1.166v
F2 or 2.466v
G3 or 3.583v
A4 or 4.75v

1. Next Logic out calculated is gate 3.
CV outs 1-2-3 will output a note in octave 2, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 3 (F2)

2. Next Logic out calculated is gate 5.
CV outs 1-2-3 will output a note in octave 4, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 5 (A4)

Out 1-2-3 is octave related
Out 4 always output the original tuned note

Knobs Pages access:

MENU/TRIGGER button is used to access pages
After power up it gets to first page by default.

Page 1:
MENU/TRIGGER button is off and blinks with clock inputs

Page 2:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up meaning you're in Page 2, changing knobs will affect the secondary function.
Releasing the button jumps to Page 1

Page 3:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up, keeping it pressed without moving any knob for 3 more seconds makes the Button led go off. At this time you can release the button. After that the button will light up meaning you're in page 3, or the tuning page.
Pressing the button one time jumps to Page 1

Soft-Recall and Memory:

Knob positions are stored in memory while in operation to be able to have a soft recall of the settings, so when jumping from page to page you'll need to rotate the knob until you find the last setting and only then they start to operate. Whenever the pot crosses the last setting point the MENU/TRIGGER button will blink indicating that the knob is now active.

Page 2 & 3 have permanent memory so it will always load the last settings after power up.
Page one is volatile and powers up with the initial knobs settings.
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MRP:$415.02
coming soon $401.31
FORTHCOMING
Keeley Loomer Wall Of Fuzz Pedal
Cat: 782429 Rel: 25 Sep 20
 
Fuzz/reverb pedal
Notes: The Loomer is a Wall-Of-Fuzz drenched in a Wash-Of-Reverb.

Heavy Gain, Soft Focus, Reverse, Cascading Octave Feedback, Tremolo Bar Strummed Reverb.

A stoned, morning floaty, messed up, thrill machine is what it is. Washes of reverb in new ways you've not heard in a stomp box before and a fuzz that's like a cigarette burn on your forearm. It rages.

Jesus, Mary, and Reverbs
Can't live without these three and the new reverbs are born of a Shoegaze dream.

Hall
Super long ambient wash with the ability to add octave regeneration in the feedback loop. More than shimmer it's more like ascension shimmer.

Reverse
Set different delay times with the Decay control which gives you rhythmic reverse. This is based on the Yamaha SPX90 and the Alesis Midiverb II. This is not a true reversed reverb as it reads through a delay line at various points in the delay while increasing in volume. The Decay control is more of a switch in that it is chooshing between 8 different set "decay" times: 150ms, 200ms, 250ms, 300ms, 350ms, 400ms, 450ms, and 500ms allowing you to set all kinds of delay times in which the notes come back at you.

This is where it gets really cool. The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift.Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz Strum hard at it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar! Combine the two for an unreal dual-guitar player effect!

Soft Focus
Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.)
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MRP:$390.22 SAVE 17%
coming soon $325.19
FORTHCOMING
Keeley Delay Workstation Delay And Reverb Combi Pedal
Cat: 782388 Rel: 25 Sep 20
 
Delay & reverb pedal
Notes: The Keeley Delay Workstation is a powerful, dual DSP processor delay and reverb machine. Combining Keeley's unique delay and reverb patches in an incredibly small package, the Delay Workstation is an extremely creative tool.

With the Delay Workstation you can combine vintage slapback and multi-head tape echoes with Spring or plate reverbs to create some instantly classic sound spaces. You can set the Delay Workstation for warm sounding analog delays and then use the chamber or hall reverbs to create a huge warm and endless space. Need rhythmic delays with some shimmer? It's here. Always wanted to have the perfect ducking delay? One that backs out of the way until your done with your notes, then the echoes fill in. "Ducking" is a very intelligent way for clearing the clutter in a sound that would normally be overrun with delays and echoes. Wanna get twisted? Try the Pitch delay into the Flanged Reverb.

The Reverb side of the Delay Workstation contains all of the most common reverbs and some delays. The Morph control allows users to put creative twists on the reverb patches like spring tension, shimmer, and random flanging. There are two delays included in the reverb bank. You can use these to setup very cool ping-pong delays and many other creative rhythmic patterns.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Delay Workstation has on-board tap tempo on the Delay side and external expression control on the Reverb side.

Effects Include:

Slapback w/reverb

Tape Delay w/tone control

Multi-Head Echo w/3 head control

Analog Delay w/dynamic modulation

Digital Delay w/inverse dynamic modulation

Subdivided Delay w/dotted eighth, eighth, triplet, sixteenth

Ducking w/compression ratio

Pitch Shifting delay with w/octave up/down control

Spring Reverb w/tension control

Chamber Reverb w/filter control

Hall Reverb w/tone control

Plate Reverb w/tone control

Shimmer w/octave up control

Flanged Reverb w/vibrato or random modulation
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MRP:$390.22 SAVE 17%
coming soon $325.19
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