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FORTHCOMING
Soma Laboratory Pulsar-23 Organismic Drum Machine (black)
Cat: 781129
 
analog synthesiser/drum machine
Notes: Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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MRP:$2,189.12 SAVE 17%
coming soon $1,824.26
FORTHCOMING
ARP 2600M Limited Edition Version Synthesiser Module
Cat: 810345 Rel: 30 Apr 21
 
Downsized remake of Arp 2600 FS semi-modular synthesiser
Notes: The ARP 2600 is arguably the most iconic and recognizable synthesizer of all time. Having been used in countless records, film scores, TV shows and game soundtracks since its appearance from the 70's through to today, the ARP 2600's sound remains an essential part of the music world.

The new ARP 2600 M delivers the sound admired around the world, in a more compact and portable format and including added features that make it the ideal incarnation of this historic synth.

When the ARP 2600 FS was announced in January 2020, it quickly became a phenomenal success with musicians all over the world recognizing the faithfulness to the original ARP 2600.

The ARP 2600 M is around 60% the original size, making it lighter, more portable and easier to place and use in a studio. It integrates the same analog circuitry and components as the ARP 2600 FS, thus faithfully reproducing the characteristic ARP sound.

The ARP 2600 M is built in Japan with the same care and extraordinary quality standard as the ARP 2600 FS, and uses the same analog components to accurately reproduce the sound and feel of the original.

The Spring Reverb has been re-engineered and adapted to the new size body to the same lush effect.

The ARP 2600 M comes with a dedicated Carry Case that not only protects your instrument, but also makes it easier to transport, thanks to its custom casters with special anti-shock damping technology.

There is also enough space to carry other gear together, like your favourite volca, SQ-64 or MIDI controller!

It is not by chance that the ARP 2600 has been so extremely popular to this day.

More than a synthesizer, the ARP 2600 M is a complete sound design studio. Even today, the ARP 2600 stands as a bridge between the individual elements of modular synthesis and the immediacy of a production / performance instrument. Included are an ample supply of oscillators, envelopes, a filter and amplifier - all of the building blocks of analog synthesis. But the ARP 2600 M goes even further, with a spring reverb tank and even a pair of built-in monitor speakers. Also present is much of the versatility of a vintage modular system, including a ring modulation, lag and voltage processors, an envelope follower, audio preamp, a clock-able switch, noise source, a sample-and-hold module, signal inverters, an auxiliary mixer, and even a set of parallel-wired/multi jacks.

The new ARP 2600 M is not only faithful to the original, it also includes an array of added features that will make it even easier to use:

Plug and play: Connect any class compliant MIDI controller such as a KORG microKeys, nanokeys or SQ-64 to one of the ARP 2600 M's USB ports (USB-A and USB-B) and automatically get full control of your instrument!

Resized: The new size makes it easier to visualize your patch and also allows you to use shorter patch cables

Filter Choice: Two types of filters from two versions of the original ARP 2600(4012 type, 4072 type)

More MIDI: 5-Pin DIN plug MIDI IN added

Modern Control: Pitch-bend, Modulation, Portamento ON/OFF and Portamento ON/OFF can be controlled through MIDI CC messages (USB/DIN MIDI)

Normalized voltage: The threshold of the trigger signal required to activate the ADSR through the S/H GATE JACK has been reduced from 10V to 5V, making it much easier to use in combination with other gear such as volcas or Eurorack modules

Tweaked Parameters: Improved Attack and Release time ratios

Easy Connections: L/R Stereo Output Jack (instead of XLR)

Speakers turn automatically off when using headphones- improved, smoother sliders

Celebrating the rebirth of this iconic synth, the first 1000 units will come with a special colour road case, as well as a KORG microKEY2-37 so you can start playing right away!

The ARP 2600 FS comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.
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MRP:$2,216.48 SAVE 17%
coming soon $1,847.07
FORTHCOMING
Korg miniKORG 700FS Limited Edition Synthesiser
Cat: 810543 Rel: 30 Apr 21
 
Reissue/update of miniKORG 700
Notes: Back To The Future: a limited edition authentic revival of the miniKORG 700.

The miniKORG 700 was KORG's first mass-produced monophonic synthesizer released in 1973 at a time when the form of synthesizers as musical instruments had not been fully established. After a lot of experimentation, the miniKORG 700 arrived bringing the world of synthesizers to a wide group of users by offering simple operations that could producing extreme changes in sound, and was championed by a strong base of admiring musicians.

The miniKORG 700FS is an authentic revival of the miniKORG 700S, (an improved version of the miniKORG 700) that was released the following year. The revised miniKORG 700FS offers added functionality such as an arpeggiator, spring reverb and aftertouch. The miniKORG 700FS is a fully-realized analog synthesizer that was developed in conjunction with the original designer, Fumio Mieda.

(Note: To avoid confusion in the following text, both the original miniKORG 700 and the miniKORG 700S are listed as "miniKORG 700" for the most part.)

Why revive the miniKORG 700 now?

The real beauty and awesomeness of the sounds produced by the miniKORG 700 could not be realized through analog modeling technology that uses computational integrated circuitry such as DSPs and other devices to model analog circuitry. And although KORG continues to produce analog synthesizers such as the prologue, the minilogue and many others, we recognize that these instruments owe their existence to the miniKORG 700.

While theoretical know how is important when designing analog circuitry, deep experience is also required to understand what the results will actually be once the circuitry is completed. Ten years have passed since the monotron, a next-generation analog product from 2010 was developed by young KORG engineers and analog enthusiasts. It took some time for the full vision of these engineers to be explored and delivered but at last we've finally arrived - at the start.

KORG's wish is for customers to experience the beauty and awesomeness of the authentic analog sound through the miniKORG 700FS designed by the KORG analog engineers under the supervision of Fumio Mieda, who designed the original circuitry, ensuring that the elements that go beyond the circuit schematics would be faithfully represented.

While the miniKORG 700 was KORG's first synthesizer, it also produced some of the fattest and most dense sounds of all of our synthesizers. The miniKORG 700FS, features oscillators with a penetrating sound and an authentic recreation of the Traveler controller, one of the key features of the miniKORG 700.

The volca keys and volca bass use the filter circuit from the miniKORG 700, because the clear and penetrating characteristics of this filter were a perfect match for products that specialize in lead and bass synth sounds with a strong presence. The miniKORG 700 sound sits easily in today's music, particularly with its lead and bass synth sounds.

The miniKORG 700 came about as a sub keyboard that players would set atop their organs (frequently used in the 1970s) to augment the organ's sound palette. Nowadays, the beautiful lead synth sound of the miniKORG 700FS works well with stage keyboards such as or electric pianos, organs and so on.

The controls on the miniKORG 700 were laid out below its keys in a row, so that players who set the instrument on top of their organ would find them easy to access. Even today, this layout is intuitive and easy to understand, with a unique look that no other instrument offers.

When the miniKORG 700 was originally released, electronic components were larger in size, limiting its functionality due to the small space inside. Thanks to changes in technology, there's now have more space to add a spring reverb effect as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as important features an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack.

Dimensions (W x D x H): 744 x 280 x 122 mm/29.29" x 11.02" x 4.80"
Weight: 8.5 kg/18.74 lbs.
Power supply: AC adapter (DC 12V)
Power consumption: 9W
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MRP:$2,434.03 SAVE 17%
coming soon $2,028.36
FORTHCOMING
Gamechanger Audio Plasma High Voltage Distortion Rack Unit
Cat: 807417 Rel: 15 Feb 21
 
Distortion rack unit
Notes: The PLASMA RACK is a 1U sized high-end audio effects unit designed for professional and studio use.

At its heart is the unique High Voltage Distortion concept - a brand new way of analog signal processing developed in 2018 by Gamechanger Audio.

By using a High voltage step-up flyback transformer, PLASMA RACK turns your instrument's signal into a rapid series of electric discharges in a Xenon-filled tube. These powerful discharges (up to 5500 Volts) then get picked up by a specially designed electromangatec receiver and turned back into audio-level signal. This process results in a large amount of punishingly heavy distortion, and also saturates the sound with a wide range of harmonics and overtones.

The harmonic artefacts, created as a byproduct of the high-voltage discharge are uncommon in traditional signal amplification, and therefore PLASMA distortion is unlike anything you have heard before.

The way PLASMA Rack reacts with different instruments and sound sources simply cannot be recreated with any other analog machine, plugin or by digital sound modeling.

3 BAND EQ

Gives you more and control over key PLASMA frequencies.
(10Hz, -20 to 20 dB LP Shelving Filter; 600Hz, -6 to 6 dB; 20kHz, -10 to 10 dB HP Shelving filter)

INPUT GAIN CONTROL

Can be used to fine-tune the PLASMA RACK for any type of input signal (adjusting to different pickups etc.)
(Preamp gain range -26dB to +12dB )

SUSTAIN MODE

Built-in adaptive compressor that lets you prolong the PLASMA Tube's output at Low-Voltage settings.

The resulting effect is like a long electrical sputter and is quite unpredictable and extraordinary.

OVERSATURATE MODE

Analog Octave up / Overtone effect achieved byoverpowering the PLASMA Tube.

This gives note attacks some serious Octavia-style upper harmonics, and also makes the whole sound extremely intense.

CLEAN GATE MODE

Use the PLASMA Tube's gating effect on any CLEAN Signal without the added Distortion.

Works great on all percussive instruments, as well as breaking up heavy reverbs and creating "bit-crush" type effects, but using an analog spark gap as a medium.

PLASMA TREMOLO/RINGMOD

A very unusual Tremolo circuit that takes full advantage of the PLASMA Tube's sputtery and abrupt bursts.

The Tremolo range goes from slow to full-on screaming Ring mod.

Also, features a Dynamic Tremolo mode (Trigger the Ring mod (or tremolo) effect on transients, or only as the sound starts decaying.

BUILT-IN DISTORTION CHANNEL

PLASMA sound blends very well together with a classic op-amp distortion, therefore the PLASMA RACK gives you access to a built-in distortion circuit to create a huge sound instantly.

The CLEAN GATE button applies the Tube's gating effect to the distorted channel.

3 FX LOOPS WITH SWITCHABLE LEVEL CONTROL

Modify the signal path by inserting external effects or plugins into various parts of the PLASMA Rack's signal chain.

FX LOOP 1 - affects the DRY signal only;
FX LOOP 2 - affects the WET signal only, before it goes into the PLASMA tube;
FX LOOP 3 - affects the WET signal only, after the PLASMA Tube.


CONNECTIVITY

INPUTS: 1 Unbalanced 1/4' TS Jack input (Instrument), 1 Balanced combo XLR/Jack input (with PAD)

OUTPUTS: 1 Balanced XLR & 1 Unbalanced 1/4' TS Jack

MIDI: In, Through, and Out.

FULL MIDI CONTROL + 8 PRESET SLOTS

Control all parameters and values via CC Messages and Program Change Messages.

PLASMA Rack also features 8 Preset slots for saving sounds - incl. button states and knob values.

Also, multiple PLASMA Racks can be synchronised via MIDI CC messages.

ASSIGNABLE EXPRESSION INPUT

Any potentiometer on the PLASMA Rack can be assigned to an Expression pedal.

SAVABLE UTILITY SETTINGS

Make your PLASMA Rack gig-ready by setting up the default boot-up states of all buttons and functions.
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MRP:$1,914.11
coming soon $1,772.33
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