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FORTHCOMING
Korg Pitchclip 2+ Clip On Tuner (black)
Cat: 741028
 
Clip-on chromatic guitar/bass tuner with colour LED display
Notes: Even a great performance won't be worth much if the tuning is wrong. Pitchclip 2+ uses approximately 2.5 times as many meter LEDs, compared with Korg's previous model, allowing even more precise pitch adjustment. Basic functionality such as the calibration function and +/- 0.1 cent high-precision tuning (when using Strobe or Half Strobe modes) have also been dramatically improved. Additionally, the display now rotates vertically, allowing for easier viewing.

Covering any instrument from electric to acoustic, from guitar to bass, the Pitchclip 2+ is a clip-on tuner for everyday use that delivers both accuracy and ease.

LED meter boasts detailed display resolution:

The LED meter section now has a significantly increased the number of LEDs, from seven on our previous model (Pitchclip 2) to 17, allowing pitch inaccuracies to be shown in even greater detail. Furthermore, when two adjacent LEDs are lit, their brightness varies to indicate higher or lower pitch.

All note names shown in uppercase characters:

A specially designed 12+1 (=#) segment LED is newly used in order to clearly show a guitar's 4th string (D) and 2nd string (B) in uppercase characters. Even when attached to the back of a guitar's headstock, the unit can be inverted vertically to display uppercase characters.

Position at the best angle for players:

A bent clip can look unsightly when the tuner is attached to the headstock, but the Pitchclip 2+ lets you leave the clip in the same position while you freely adjust only the screen to the best angle for comfortable viewing.

+/- 0.1 cent high-precision tuning:

This tuner supports ultra-high-precision tuning as accurate as i0.1 cents (* when using Strobe mode or Half Strobe mode). By precisely adjusting your pitch, you can feel confident in your tuning and play great-sounding harmonies.

Calibration function:

The calibration function lets you adjust the reference pitch in order to support tuning with a variety of instruments. This gives you the precision and flexibility that you need when performing in an ensemble with other instruments such as an orchestra or a piano.

Reverse display that's convenient for left-handed players as well:

The reverse function lets you vertically invert the meter display so that the characters are shown correctly even when the tuner is attached to the back of the headstock. This is a convenient feature that will be appreciated by left-handed players or by those who attach the tuner to the back of the headstock so it will be less visible from the front.

Strobe and Half Strobe modes:

This tuner is equipped with "Strobe" and "Half Strobe" modes that provide a beautifully flowing LED display. These modes let you resolve pitch discrepancies down to an ultra-precise accuracy of i0.1 cents, so you can tune enjoyably and accurately.

Preview indication when switching meter display modes:

When switching between 1. Regular, 2. Strobe, and 3. Half Strobe modes, a preview indication shows you the specified mode's LED motion for several seconds, letting you use the unit without having to memorize the number corresponding with each mode.

A clip that holds securely:

The clip section is designed to hold the headstock securely. The entire clip is coated with rubber for enhanced adhesion and also to protect your instrument. It will securely fit headstocks of various designs and thicknesses.

Lightweight and long-lasting:

One small and lightweight lithium coin cell battery (CR2032) provides up to approximately 18 hours of continuous operation, and since the tuner weighs less than 20 grams including the battery, you won't notice the weight even if you leave it attached to the headstock while you perform. The auto power-off function automatically turns off the power when no sound has been detected for approximately three minutes, preventing the battery from being used unnecessarily.
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coming soon $25.31
FORTHCOMING
Korg Volca Nubass Vacuum Tube Bass Synthesiser
Cat: 732455
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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coming soon $181.25
FORTHCOMING
Korg Minilogue XD 4 Voice Polyphonic Analogue Desktop Synthesiser Module
Cat: 732457
 
Desktop module version of the now classic synth
Notes: Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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coming soon $597.42
FORTHCOMING
Tiptop Audio Tape Echo ZDSP Cartridge
Cat: 733659
 
Z-DSP tape echo effects card
Notes: TAPE ECHO by Tiptop Audio brings classic tape-based delays to the Z-DSP effects library. Eight expressive algorithms which emulate analogue tape machines and the producers that inspire Tiptop Audio.

With Tape Echo you can do it all - recreate space echo dub sound of Lee "Scratch" Perry and King Tubby or dig deep into the gritty and endless saturated repeats favoured by dub experimenters like Basic Channel and Boards of Canada.

So wide in its functionality, playability and natural in its sound, Tape Echo sits comfortably amongst the greats of the Roland RE-201 Space Echo, Copycat and Maestro Echoplex all while having a unique character of its own.

From wobbly tape to stereo pong, Tape Echo comes with a multitude of expressive settings and presets that allow you to recreate virtually any style of analogue echo or magnetic tape delay or invent your own sound when you adjust the fidelity of the Z-DSP clock!

Tape Echo for the Tiptop Audio Z-DSP is a joy to use. Precision control of the Frequency, Filter and Feedback are clear to read with the Z-DSP display, plus corresponding controls make setting delay times by ear easy and fun to do like its predecessors.
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coming soon $75.93
FORTHCOMING
Make Noise Mimeophon Stereo Multi Zone Colour Audio Repeater Module
Cat: 732819
 
Audio repeater synth module - 16HP
Notes: The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.

The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.
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coming soon TBA
FORTHCOMING
Teenage Engineering PO137 Rick & Morty Pocket Operator Vocal Synthesiser & Sequencer With Built In Microphone
Cat: 737279 Rel: 01 Nov 19
 
Rick & Morty limited edition synth & sequencer pocket operator
Notes: The Emmy award-winning producer Justin Roiland has stepped into the role of inventive mad scientist collaborating with Teenage Engineering. Together, they have created a limited-edition Pocket Operator (PO-137), a vocal synthesiser and sequencer with built-in microphone offering 8 different voice character sampling options, all voiced by Roiland himself plus all new custom Rick and Morty visuals.

Other features of the PO-137 include an animated LCD display, folding stand, 120-seconds sample memory, alarm clock and much more.
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coming soon $86.07
FORTHCOMING
Arturia AudioFuse 8Pre Audio Interface & ADAT Expander
Cat: 718641
 
High-spec 8 channel dual mode interface/ADAT expander in studio-friendly rack format
Notes: The Arturia AudioFuse 8Pre is a dual-mode interface and ADAT expander which boasts 8 channels of premium analogue audio, rock-solid sync, USB-C, and optical connectivity. With our award-winning lineage of pristine analogue quality, AudioFuse 8Pre is destined to become the expander of choice in studios and creative spaces around the world.

When you're putting your heart and soul into your music and productions, you need to know your audio is in safe hands.

AudioFuse 8Pre offers unrivalled quality at its price point. The 8 Discrete Pro- preamps and analogue signal path will let you truly "hear" your audio for the first time. The super-low Equivalent Input Noise (EIN) lets you capture every subtle detail, while the huge input gain will drive even the most demanding low-output mics. All this with a totally flat frequency response for total transparency. The superb quality doesn't stop there, AudioFuse 8Pre also features the best A/D converters available.

If you're a recording professional you know that no two days are the same. You need gear that gives you the versatility you need to be prepared for the unexpected.

AudioFuse 8Pre can fulfil any studio role. You already have a powerful interface, but need more inputs? AudioFuse 8Pre is the perfect ADAT preamp expander. Want to record multiple channels, but don't own an ADAT-expandable interface? AudioFuse 8Pre can connect directly with your computer so you can record multi-tracked instruments all at once. It's a high-performance audio interface with USB connectivity, speaker outputs and independent headphone output.

Use on its own; expand your existing interface; cascade 2 AudioFuse 8Pre together via ADAT for 16 superb preamps. AudioFuse 8Pre does it all.

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 8Pre.

AudioFuse 8Pre is easy to use, with one-button, one-function design, and features backward-compatible USB-C connectivity for super compatibility. It's housed in a robust metal chassis, and the included rack ears can be mounted to either face forward or down, letting it stand freely or be integrated into your 19" racks depending on your setup. It also features ADAT in, so you could send your musicians cue mixes using its headphone output.

We've spent years working together with studios, producers, and musicians at all levels to minimize the "pain points" other interfaces give you on a daily basis. AudioFuse 8Pre is the result.

AudioFuse Creative Suite:

AudioFuse 8Pre comes complete with the AudioFuse Creative Suite, an ever-evolving collection of software effects and instruments that will let you add your own unique signature to your music. Combining favourites from our award-winning "You'll Actually Use" series with Analog Lab Lite, AudioFuse 8Pre lets you also enjoy legendary signal processing effects and iconic synth sounds. Colour the pristine inputs of AudioFuse 8Pre with stunning vintage effects!

Box contents:

- AudioFuse 8Pre unit
- Power supply
- USB cable
- DiscretePro Certificate
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coming soon $636.92
FORTHCOMING
Arturia AudioFuse Studio Desktop Audio & MIDI Interface
Cat: 718642
 
Next generation audio interface featuring 2 DiscretePRO microphone preamps
Notes: You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analogue studio consoles with the flexibility of a solid mobile interface - with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was our mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert - whatever, wherever - into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePRO microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, Linux, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment - at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminium chassis you can trust, complete with a hard cover to protect it from damage in your bag - or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.
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coming soon $809.05
FORTHCOMING
Tascam Series 8p Dyna 8 Channel Microphone Preamp With Analogue Compressor
Cat: 740060 Rel: 30 Aug 19
 
Versatile, great-sounding front end for recording & live sound
Notes: With superb audio specifications and connectivity and featuring an outstanding microphone preamp, the TASCAM SERIES 8p Dyna is a great choice for both studio and stage. Housed in a rugged 1U rack-mount casing, its dual S/MUX optical ports make it a perfect expansion unit for a TASCAM SERIES 102i or SERIES 208i or other S/MUX-equipped audio interfaces including ADAT, or use it as a stand-alone front end.

Each SERIES 8p Dyna channel also features individually switched +48V phantom power for use with condenser mics, and an easy-to-use, single-control analog compressor with true bypass.

A Superior Front End for Studio and Stage:

TASCAM has long been known for transparent, natural, ultra-low-noise preamps, and the eight TASCAM no-compromise HDIA (High Definition Instrumentation Architecture) preamps in the SERIES 8p Dyna are its best preamps yet; the noise level (EIN) is at -127dBu, the THD is 0.0007%, the dynamic range is 116dB, and the crosstalk is 119dB. Each SERIES 8p Dyna channel also features an easy-to-use, single-control analog compressor with true bypass for handling hot input signals and creating smooth audio input.

Versatile Inputs:

With two instrument/microphone combo inputs on the front panel, you can quickly plug in mics, guitars, bass and more. Six balanced mic/line inputs grace the rear. Every microphone input has individually switched +48V phantom power for using different types of microphones such as Dynamic, Condenser, Ribbon and vintage for proper operation and safety. It adds up to a multi-purpose front end for recording and live sound.

Expand Your Interface or Other Device:

Dual S/MUX optical outputs on the rear of the SERIES 8p Dyna enable you to use the unit as a front end expander for S/MUX-equipped audio interfaces, such as TASCAM's SERIES 102i and SERIES 208i, and Celesonic US-20x20. ADAT compatibility is also available. With two S/MUX outputs, you can send all eight SERIES 8p Dyna channels at up to 96 kHz (four channels at 176.4 or 192 kHz), dramatically expanding your system's capabilities.

Send to Anything:

The SERIES 8p Dyna's eight line-level analog channel outputs are provided on both 1/4-inch balanced TRS connectors and balanced 25-pin D-Sub connectors. Route signals to interfaces, recording mixers, front-of-house consoles, and pretty much anything else. Connect its D-Sub outputs to a TASCAM ML-16D or ML-32D Analog Dante converter, and it becomes a pristine front end for an audio-over-IP network.

The Features Professionals Need:

From its high-end preamps to its versatile outputs, the SERIES 8p Dyna is a thoroughly professional product, right down to its rugged metal 1U rack-mount enclosure. Word clock in and out BNC connectors with an In/Out/Thru switch enable proper synchronization of digital signals. Front-panel analog overload indicators, compression indicators, and digital peak and level meter bars let you monitor the unit's performance. Yet the SERIES 8p Dyna is simple to operate so you can stay focused on the task at hand.
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coming soon $541.73
FORTHCOMING
Sound LAB Height Adjustable Keyboard Stool With Fold Away Legs (black)
Cat: 743745 Rel: 27 Aug 19
 
Metal, height adjustable keyboard or drum kit stool with fold away legs - finished in black
Notes: A metal, height adjustable keyboard stool ideal for use with keyboards and drum kits. Easy to use and store, the keyboard stool features fold away legs and is finished in black.
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coming soon $25.57
FORTHCOMING
Moog Matriarch Semi Modular Paraphonic Analogue Synthesiser
Cat: 730396 Rel: 30 Sep 19
 
Patchable 4-note paraphonic analogue synthesiser with built-in sequencer, arpeggiator, stereo ladder filters & stereo analogue delay
Notes: Matriarch is an analogue synthesiser with an emphasis on imagination. The pinnacle of Moog's semi-modular family of synthesisers, Matriarch's patchable architecture and classic Moog circuits reward open exploration with endless sonic possibilities and unparalleled analogue sound.

Easily create rich harmonic shapes with up to 4 notes of paraphony that can be sequenced, shifted, and stored with Matriarch's intuitive 256 step sequencer, or stack the analogue VCOs to play on a massive 4 oscillator mono synth.

With a deep assortment of synthesis modules based on Bob Moog's original circuit designs, Matriarch's 100% analogue signal path spans a dynamic sonic vocabulary - from overdriven monophonic bass to gently evolving paraphonic plucks that cycle through waveshapes into a wash of infinite delay trails. Coupling the power of vintage-designed stereo ladder filters, dual Envelope Generators, stereo Analog Delays, and stereo VCAs, Matriarch delivers a multi-dimensional sound that empowers the sonic exploration of space and time.

Though Matriarch's semi-modular design requires absolutely no patching, 90 modular patch points are easily accessible throughout the panel via the included 3.5mm patch cables. This powerful electronic instrument is a highly-versatile addition to any stage or studio that can effortlessly transform from a performance keyboard into a fully modular analogue synthesiser at a moment's notice.

In addition to its standalone function, Matriarch is also an ideal processor of external sound sources and a powerful keyboard front-end for expanding a DFAM, Mother-32, Grandmother, or Eurorack modular system.
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coming soon $2,003.90
FORTHCOMING
Doepfer A-111-6 Miniature Synthesiser Voice Module
Cat: 731937
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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coming soon TBA
FORTHCOMING
Befaco Bananuts Anodised Aluminium Custom Minijack Nuts (blue, pack of 25)
Cat: 739906
 
Pack of 25 Bananuts in blue colour
Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!
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coming soon $9.87
FORTHCOMING
Befaco Bananuts Anodised Aluminium Custom Minijack Nuts (purple, pack of 25)
Cat: 739907
 
Pack of 25 Bananuts in purple colour
Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!
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coming soon $9.87
FORTHCOMING
Befaco Bananuts Anodised Aluminium Custom Minijack Nuts (red, pack of 25)
Cat: 739908
 
Pack of 25 Bananuts in red colour
Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!
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coming soon $9.87
FORTHCOMING
Befaco Bananuts Anodised Aluminium Custom Minijack Nuts (orange, pack of 25)
Cat: 739909
 
Pack of 25 Bananuts in orange colour
Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!
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coming soon $9.87
FORTHCOMING
Befaco Bananuts Custom Wrench Tool
Cat: 739914
 
Wrench tool for Bananuts
Notes: Custom wrench for 3.5mm jacks, designed for Bananuts or other slotted round 3.5mm nuts.
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coming soon $5.82
FORTHCOMING
Befaco Bananuts Anodised Aluminium Custom Minijack Nuts (yellow, pack of 25)
Cat: 739910
 
Pack of 25 Bananuts in yellow colour
Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!
Read more
coming soon $9.87
FORTHCOMING
Befaco Bananuts Anodised Aluminium Custom Minijack Nuts (white, pack of 25)
Cat: 739911
 
Pack of 25 Bananuts in white colour
Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!
Read more
coming soon $9.87
FORTHCOMING
Befaco Bananuts Anodised Aluminium Custom Minijack Nuts (green, pack of 25)
Cat: 739912
 
Pack of 25 Bananuts in green colour
Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!
Read more
coming soon $9.87
FORTHCOMING
Befaco Bananuts Anodised Aluminium Custom Minijack Nuts (black, pack of 25)
Cat: 739913
 
Pack of 25 Bananuts in black colour
Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!
Read more
coming soon $9.87
FORTHCOMING
Citronic CSM8 Mixer With USB & Bluetooth Player
Cat: 735372
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 6 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
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coming soon TBA
FORTHCOMING
Erica Synths Black Sequencer Module
Cat: 732854
 
Intuitive 4-channel sequencer module
Notes: Erica Synths Black Sequencer takes the classical modular sequencing to the next level by adding tons of features required for contemporary modular synthesizers. Black Sequencer features 4 channels with CV, gate and modulation outputs, up to 64 step sequences that can be chained in longer ones, independent track time divisions, multiplications and lengths. CV and Gate recording, built-in quantizer, MIDI in/out and many other features essential for composing and performing electronic and experimental music. Even though it provides many programmable parameters per step, it's intuitive, easy and straight-forward to use, and, we believe, it will become a master controller of many modular setups.
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coming soon TBA
FORTHCOMING
Erica Synths Pico Ring Modulator Module
Cat: 732852
 
Ring modulator with internal oscillator
Notes: Erica Pico Ring is a balanced modulator (quadrant multiplier) circuit to create bell-like, metallic or robotic sounds. It has built-in sine-wave modulation oscillator for more versatility.
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coming soon TBA
FORTHCOMING
Erica Synths Pico VCO 2 Module
Cat: 732841
 
Analogue VCO module - 3HP
Notes: Erica Synths Pico VCO2 - powerful, full analogue VCO with great tracking over 8 octaves just in 3HP! Combine two of those, add some PWM and have a sound of real analogue beast!
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coming soon TBA
FORTHCOMING
Erica Synths Pico LPG Low Pass Gate Module
Cat: 732843
 
Vactrol based low pass gate - 3HP
Notes: Erica Pico LPG is our take on classical Don Buchla LPG designs. We use vactrols in the circuit for that signature sound, and we added some more features, like configurable resonance and built-in decay envelope.
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coming soon TBA
FORTHCOMING
Erica Synths Black Input Module
Cat: 732837
 
Compact interface module for incorporating audio signals - 14HP
Notes: Erica Synths Black Input module interfaces your modular system with other instruments. It features a preamp, versatile envelope follower and most importantly - an accurate, low latency pitch tracker that converts incoming audio into CV, so you can play your modular synth in unison with any external monophonic instrument, even a voice.
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coming soon TBA
FORTHCOMING
Erica Synths Black Multi Active Buffered Multiple Module
Cat: 742136
 
Buffered precision multiple - 4HP
Notes: Erica Synths Black Multi is highly accurate active buffered 2x1to3 or 1to6 multiple that will work for signal splitting in any circuit, including driving several VCOs in tune from one CV source. "Octave" or +/- 1V offset switches on both channels allow to add or subtract one volt form each channel thus transposing VCOs one octave up or down. Hidden feature - custom offset - allows to set user defined offset on the first channel.
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coming soon $86.06
FORTHCOMING
Noise Engineering Vox Digitalis 1-16 Step Pitch Sequencer Module
Cat: 739891
 
Intuitive pitch CV sequencer in 4HP
Notes: Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.
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coming soon $163.02
FORTHCOMING
Erica Synths Black Spring Reverb Module
Cat: 732832
 
Vintage-style spring reverb for Eurorack
Notes: Erica Synths Black Spring Reverb is a different take on spring reverberation units. Firstly, it has a built-in compact spring reverberation tank and vactrol-based audio compressor, secondly, it can operate an external tank and combination of both internal and external ones for effects unheard before. Thirdly, apart from feedback send-return loop, it has built-in feedback effects - delay, various filters, etc; feedback amount and effect parameters can be controlled manually and via CV, making the module an experimental instrument on its own.
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coming soon TBA
FORTHCOMING
WMD TRSHMSTR Bandpass Filter & Distortion Module (black faceplate)
Cat: 742231
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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coming soon $226.82
FORTHCOMING
WMD Voltera Voltage Expander For Metron Module
Cat: 742232
 
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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coming soon $167.08
FORTHCOMING
WMD AXYS Stereo Crossfader Module
Cat: 737960 Rel: 02 Sep 19
 
All-analogue dual stereo crossfader - 6HP
Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.
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coming soon $226.82
FORTHCOMING
Presonus Eris E8 XT Studio Monitor (single)
Cat: 736453
 
Single 2-Way active studio monitor with wave guide
Notes: With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris-series studio monitors have been a runaway hit since their introduction. The Eris E8 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

Studio speaker with a wide sweet spot:

We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modelled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It's ideal for group listening and collaboration - while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.

Lows that go lower:

The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E8 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 35 Hz. That's 10 Hz below previous models - with no subwoofer required!

Set up your studio monitors for your room:

We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E8 XT perfectly for your room - you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Studio monitor connections:

It's easy to feed audio to your Eris E8 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 XT monitors provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. You'll have no problem hooking your Eris speakers up to virtually anything.

Accuracy defined:

Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It's Eris, remastered.
Read more
coming soon $223.78
FORTHCOMING
Presonus Eris E5 XT Studio Monitor (single)
Cat: 736452
 
Single 2-way active studio monitor with wave guide
Notes: With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris-series studio monitors have been a runaway hit since their introduction. The Eris E5 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

Studio speakers with a wide sweet spot:

We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modelled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It's ideal for group listening and collaboration - while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.

Lows that go lower:

The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E5 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 48 Hz. That's 10 Hz below previous models - with no subwoofer required!

Set up your studio monitors for your room:

We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E5 XT perfectly for your room - you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Studio monitor connections:

It's easy to feed audio to your Eris E5 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 XT monitors provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. You'll have no problem hooking your Eris speakers up to virtually anything.

Accuracy defined:

Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It's Eris, remastered.
Read more
coming soon $120.50
FORTHCOMING
Pittsburgh Modular Lifeforms Voltage Lab Synthesiser Voice Module
Cat: 732132 Rel: 02 Sep 19
 
Synthesiser voice module with unique sound palette - 48HP
Notes: The Lifeforms Voltage Lab module is a completely different type of analogue synthesizer, where every function of the instrument has been influenced by the behaviours and systems of the natural world. Wildly experimental and extremely deep, the Lifeforms Voltage Lab module is a sonic playground created to explore the natural systems and lesser known fringes of analogue synthesis. The Voltage Lab module is more than a simple collection of tools and functions, it is a unique modular synthesizer designed to reward deep experimentation and encourage the creation of unique sonic systems.

Generation:
The unique sound palette of the Lifeforms Voltage Lab originates with a complex oscillator pair that utilizes a wide range of shaping and manipulation options to move away from basic geometric shapes to more harmonically rich tones. A custom wave folder with enhanced waveform warping, linear FM, amplitude modulation, ring modulation, waveform cycling, hard sync, and more are available for extreme sonic research.

Manipulation:
A set of multi-function generators work as interactive voltage processing systems to create and modify complex control voltages. The function generators act as voltage controllable envelopes, LFOs, slew generators, and more to produce evolving control signals.

Interaction:
Twin dynamics controllers pull everything together. A unique circuit expanding on the classic low pass gate, the dynamics controller with variable response adds an organic depth to the sound of the Lifeforms Voltage Lab by simulating the natural behaviour of sound. The multi-mode signal processor features a 12db resonant filter, VCA, and percussive low pass gate modes.

Dimensional:
Sound interacts with the world around it. The Voltage Lab uses analogue delay to simulate this interaction and create an artificial sense of time and space. Manipulation of delay time and feedback add depth and warmth through reverb, chorus, flanging, Doppler, slap back, and echo type effects.

Unstable Systems:
Chaos is everywhere. Random gates and control voltages spark uncontrolled reactions, disrupt systems, and generate ideas. The Voltage Lab utilizes noise, stepped random CV, a pseudo-random sequence generator, pitched random CV, pitched random sequences, and random gates to add multiple levels of unpredictability to any patch.
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coming soon $1,093.58
FORTHCOMING
Pittsburgh Modular Lifeforms Voltage Research Laboratory Analogue Modular Synthesiser
Cat: 732129 Rel: 02 Sep 19
 
3 separate Eurorack modules housed together in a purpose-built, handmade enclosure
Notes: The Voltage Research Laboratory is a completely different analogue synthesiser where every function of the instrument has been influenced by the behaviours and systems of the natural world. Wildly experimental and extremely deep, the Voltage Research Laboratory is a sonic playground created to explore the natural systems and lesser known fringes of analogue synthesis.

The Voltage Research Laboratory is 100% eurorack modular format compatible and is comprised of 3 separate eurorack modules housed together in a purpose-built, handmade eurorack enclosure. More than a collection of tools and functions, it is a unique modular synthesiser designed to reward deep experimentation and encourage the creation of unique sonic systems.

The unique sound palette of the Lifeforms Voltage Lab originates with a complex oscillator pair that utilizes a wide range of shaping and manipulation options to move away from basic geometric shapes to more harmonically rich tones. A custom wave folder with enhanced waveform warping, linear FM, amplitude modulation, ring modulation, waveform cycling, hard sync, and more are available for extreme sonic research.

A set of multi-function generators work as interactive voltage processing systems to create and modify complex control voltages. The function generators act as voltage controllable envelopes, LFOs, slew generators, and more to produce evolving control signals. Voltage controllable parameters and multiple unison modes create complex and intertwined modulation systems through time.

Twin dynamics controllers pull everything together. A unique circuit expanding on the classic low pass gate, the dynamics controller with variable response adds an organic depth to the sound of the Lifeforms Voltage Lab by simulating the natural behaviour of sound. The multi-mode signal processor features a 12db resonant filter, VCA, and percussive low pass gate modes.

Sound interacts with the world around it. The Voltage Lab uses analogue delay to simulate this interaction and create an artificial sense of time and space. Manipulation of delay time and feedback add depth and warmth through reverb, chorus, flanging, Doppler, slap back, and echo type effects.

Chaos is everywhere. Random gates and control voltages spark uncontrolled reactions, disrupt systems, and generate ideas. The Voltage Lab utilizes noise, stepped random CV, a pseudo-random sequence generator, pitched random CV, pitched random sequences, and random gates to add multiple levels of unpredictability to any patch.

Intuitive and inspiring, the Lifeforms Touch Controller replaces the creative restrictions of a traditional chromatic keyboard with a set of fully configurable multi-dimensional touch pads. A duophonic touch controller that utilizes two sets of five touch pads to offer a flexible and interactive performance surface. Performances can be interpreted with a unique combination of monophonic and duophonic responses. The channel animator is available to quickly generate complex sequences or glitchy chaos. Intuitive and inspiring, the Lifeforms Touch Controller is the perfect launchpad for an experimental journey.

A Voltage Research Laboratory exclusive, the Utility module adds a few welcome features to round out the functionality of the instrument. A unity gain signal mixer/splitter along with stereo headphone and line outputs.

A beautiful 96hp eurorack enclosure designed with the warmth of walnut and the strength of steel. The Research Console eurorack format modular case pairs classic desktop synthesiser ergonomics with a modern eurorack form factor and clean, reliable power supply.
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coming soon $1,944.15
FORTHCOMING
Qu-Bit Bloom Fractal Sequencer Module
Cat: 740273 Rel: 01 Oct 19
 
32 step sequencer with fractal-like pattern generation
Notes: 32 step sequencer with 2 channels, pattern saving and an infinite number of variations from Qu-Bit's fractal algorithm.
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coming soon $321.99
FORTHCOMING
Zoom F6 Multitrack Field Recorder
Cat: 734836
 
Professional field recorder with 32-bit float recording & dual AD converters
Notes: The Zoom F6 is the first professional field recorder to feature both 32-bit float recording and dual AD converters, providing an unprecedented amount of dynamic range. With 6 inputs, Zoom's solid time code, multiple power options and wireless control, the F6 is poised to be your new secret weapon.

32-Bit Float Recording:
In the field, fluctuating dynamics can prove challenging. Loud sounds can cause clipping and quiet sounds can get lost in the noise. The F6 uses 32-bit float recording with dual A/D converters to capture both explosive and subtle sounds at full audio quality - without ever adjusting gain!

For Those Hard to Reach Places:
Rugged enough to withstand the most demanding scenarios and small enough to fit into the tightest spaces, the F6 will become your go-to recorder.

Mic Preamps:
The F6 is equipped with six professional-grade preamps. Featuring a super-low noise floor (-127 dBu EIN), high gain (up to 75 dB), and selectable mic/line levels for each input, the F6 is built for location sound.

Precision Time Code:
Keep your tracks perfectly synced even when you power down for lunch. On or off, the F6's Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy.

Advanced Look-Ahead Hybrid Limiters:
When recording in 24-bit, the F6 uses advanced look-ahead hybrid limiters to provide overload protection. By adding a 1-millisecond delay, the limiters "look ahead" anticipating clipping before it's recorded.

Zoom AutoMix:
Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound.

What's included with the F6:

- F6 Field Recorder
- Camera mount adapter
- AA batteries (x4)
- Cubase LE and WaveLab LE download codes
- Quick Start Guide
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coming soon $632.86
FORTHCOMING
Endorphin.es Power Module
Cat: 734891
 
Portable 2HP power module for compact skiff cases with dual passive mults
Notes: The power module from Endorphin.es is a module for the power supply of smaller modular systems such as skiff cases up to 104 TE width. The module consumes DC power between 12 and 20 volts from an external power supply unit. Voltages of up to +1000 mA and -700 mA are output, also depending on how strong the connected power supply is. In addition, there are two passive multiples.
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coming soon $112.39
FORTHCOMING
Endorphin.es Ground Control Performance CV & Gate Sequencer Module
Cat: 734893
 
42HP performance CV & gate sequencer
Notes: - 42hp Eurorack modular performance sequencer workstation
- 2 octaves of keyboard, play sequences and grooves on the fly or use external USB/MIDI gear or DAW integration or control external MIDI gear
- Arbitrary, up to 64 steps per pattern, 24 patterns per track/project, 24 projects
- Dedicated mute bus quantized to pattern length
- 4 tracks: one drum track with 8 triggers and 3 melodic CV/Gate tracks
- Velocity and CC transmission/recording by MIDI
- Works as a power supply for your modular system (same as Shuttle Control) or can be powered by bus power
- Two record modes: step input with step editing and live recording
- Arpeggiator, roller, pattern queue, live note removal, quick transpose
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coming soon $506.28
FORTHCOMING
Endorphin.es Godspeed VCO Module
Cat: 734884
 
6HP VCO with auto-tuning & octave shift
Notes: The Endorphin.es Godspeed is sort of the single oscillator version of the famous Furthrrr Generator. From its big brother it takes over the digital Thru-Zero core and the legendary wavefolder. But it also has new features like a sub-oscillator output and an immensely practical autotune function.

Especially for people starting with a modular system this oscillator is highly recommended. On 6HP it delivers all the features (and more) needed for diving into the depths of West-Coast-Synthesis!
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coming soon $243.01
FORTHCOMING
Endorphin.es Squawk Dirty To Me VCF Module
Cat: 734886
 
Stereo filter with voltage controlled resonance - 6HP
Notes: The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end
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coming soon $177.19
FORTHCOMING
Endorphin.es Airstreamer Envelope Generator Module
Cat: 734888
 
6HP function generator
Notes: Airstreamer is a function generator with AD, ASR and loop mode. The curves can be altered in shape. A 1V/octave input makes it possible to play the module like an oscillator.

- Fast and effective envelope generator with variable slope curves and three modes: looping, attack-sustain-release (ASR) and attack-decay (AD)
- 320 khz samplerate, zero aliasing CV generation
- 1v/oct input, bipolar and unipolar outputs, selectable end of cycle outputs
- Thru-zero VCA input that inverts the envelope when CV goes to negative voltages
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coming soon $148.84
FORTHCOMING
Endorphin.es Milky Way Stereo FX Module
Cat: 734890
 
Multi effects module - 6HP
Notes: Milky Way is a multi effects module with stereo signal flow. Its algorithms are already known from the Blck_Noir and the Grand Terminal.

- Simple and effective 6hp stereo* FX module
- Comes with "T.F.D" firmware installed: 16 types of effects are available, sorted in two banks
- Meta CV effects scanning
- Volume control with VCA

*depending on the effect type
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coming soon $177.19
FORTHCOMING
Polyend Poly 2 Polyphonic MIDI To CV Converter Module
Cat: 732315
 
MIDI-CV converter module for Eurorack - 14HP
Notes: The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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coming soon $313.90
FORTHCOMING
Polyend Preset Module
Polyend Preset Module (synth module)
Cat: 732317
 
Macro controller & sequencer - 22HP
Notes: Add an entirely new layer of replicability in your modular system with The Polyend Preset! The Preset offers users 32 banks of 32 presets in which parameter values can be stored. Coupled with recordable CV automation, instant recall, and the ability to sequence through those presets. The Polyend Preset proves itself as an indefatigable resource in your modular kit, the implications of which are almost too vast to comprehend.
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coming soon $353.39
FORTHCOMING
Rossum Electro-Music Linnaeus Thru Zero State Variable Filter Module
Cat: 732306
 
Stereo thru-zero state-variable VCF - 16HP
Notes: Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
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coming soon $394.90
FORTHCOMING
Steady State Fate Autodyne Auto Compressor & Distortion Module
Cat: 743613 Rel: 26 Aug 19
 
Clean/character auto compressor & distortion - 4HP
Notes: Autodyne is a 4hp auto-compressor/distortion featuring a multi-mode side chain filter and NY style parallel compression blend control.

Ratio, Threshold and Gain are all built into a single, simple to use COMP control. Compression gets more extreme as this control is swept past centre position. Setting below centre offers more subtle/typical compression.

Autodyne Automatically Responds to Transients, will glue a mix with ease and dial in the perfect feeling of the program material you feed into it.

GAIN CONTROL to trim the final output gain or offer up some extremely brutal distortion, whichever you prefer.

Switchable Side Chain Filter is provided along with a triple slope high pass filter, in order to retain lower frequency content and unwanted over-compression by removing them from the Side Chain. Input signal is normalized into the Side Chain or an external signal may be utilized via the Side Chain Input.

Parallel Compression BLEND Control mixes the unaffected input signal with the compressed output for even further control of your sound. Compression may be bypassed simply by sweeping this control to minimum position.

Controls are simple enough to match in tandem for dual unit, stereo operation, if desired.

Audiophile grade discrete components and Burr-Brown op amps used throughout.
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FORTHCOMING
Meng Qi Wing Pinger Analogue Desktop Musical Instrument
Cat: 731953
 
Analogue musical instrument featuring a pair of 4-pole resonate low pass filters
Notes: Your link to organic analogue texture, rhythm, noise and melodies. Travels between chaotic and tonal passages as fast as your emotions shift. It encourages fine playing gestures and rewards practicing.

Wing Pinger is an analogue musical instrument, centred around a pair of 4-pole resonate low pass filters. Surrounded by a network of comparators, pulse converters, binary counters and shift registers. Despite the absence of oscillators, it's fully capable, and actually designed to generate sound on its own.

Filter Pinging:

Wing Pinger exploits the idea of filter pinging (the operation of using narrow pulses as filter input). With Q near self-oscillation it makes naturally decaying tones of various lengths, assembling sounds from percussions to plucking. A special Q compensation is implemented, to balance pinging behaviours at different pitches.

Intuitive Playability:

Essential controls unveil the complex synthesizer patch hidden within, respond musically to your playing. Control layout is in symmetric, follows natural hand position with comfortable spacing. All control components are of light action and silky smooth. As the signals from filters generate pulses and modulations, the Q controls become playful and interactive.

Chaos:

With multiple feedback and cross modulation paths, Wing Pinger operates according to the principles of chaos theory. All parameters except volume are interactive, future outputs are related to the current state as well as parameter settings.

Tonal Patterning:

Be chaotic at will, you don't miss the expressions from melodies. Wing Pinger is capable of generating pentatonic patterns from its carefully weighted STEP modulation. With practice, you can play noise or melody at will.

External Sound Processing:

Process stereo or dual mono signals through the filters, add spice to the tone, generate movements with special Wing Pinger modulations.

CV / Gate:

Wing Pinger talks to modular synthesizers via Banana jacks. Use TRIGGER outputs to sync external synthesizers to filter pings. STEP outputs are weighted mixes from shift registers.
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