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FORTHCOMING
Polyend Tracker Drum Machine Sampler & Sequencer
Polyend Tracker Drum Machine Sampler & Sequencer (drum machine sampler & sequencer)
Cat: 770612
 
drum machine sampler & sequencer
Notes: The Polyend Tracker is a unique take on a retro form factor, aimed at artists who break patterns on a daily basis. Don't let the classic look fool you, Tracker is equipped with powerful modern functionality, FX, and the forward thinking creative tricks that Polyend brings to all of their highly regarded instruments.

The Polyend Tracker is an innovative, inspiring and immediate tool for music-making. It functions as a sampler, a synthesizer, a powerful sequencer, and a MIDI controller.

A retro form factor updated with forward looking functionality and designed as an easy to use compact standalone workstation. Made for the creatives who break patterns on a daily basis. Designed to help artists forge unique avenues of sonic construction. Introducing the first hardware tracker in the music world.

Large screen, ergonomic keyboard, and a big knob for fast and easy navigation.
It's standalone and portable - everything you need to produce an album wherever you are.
Sampler, Wavetable or Granular Synthesizer and FM Radio for limitless inspiration.
Powerful Step Sequencer and Song Arranger for finishing your piece in a flash.
Performance mode lets you creatively break, mangle, and augment your patterns when playing live.
Bidirectional MIDI to play with other software and hardware.

The Polyend Tracker incorporates the quintessential characteristics of a classic tracker. The vertical timeline, the powerful sequencer and the mechanical keyboard combined with a newly designed input interface enables you to make and perform your music in a new and intuitive way. After a quick glance and a few minutes with the Polyend Tracker interface, you'll soon realize the array of tools that are at your fingertips.

Polyend Tracker is slick, light and portable. It's also easy on the energy consumption so you can use it with any USB power source. Its sturdy and compact form factor makes it a great companion for music creation wherever and whenever you feel like it. No matter if you're in your studio, on the run, or at the gig.

Polyend Tracker is equipped with a variety of powerful sound design tools. Use your existing sample library, record new ones with line or mic inputs, or use the built-in FM radio. Record samples, play them, slice them, mash them, or even make a synth out of them using Wavetable and Granular synthesis with its all necessary parts (filters, ADSRs, etc.)

Polyend Tracker works great with other instruments too. Thanks to the bilateral MIDI implementation, you can use it to sequence and control external gear or it can be used as a sound module controlled by any external MIDI software or hardware devices.

In the box
Polyend Tracker
USB-A power adapter
USB-C cable (2 m)
3.5 mm to 2x 6.3 mm adapter
Minijack to MIDI DIN adapter
16GB MicroSD Card
MicroSD to USB-A Adapter
Manual
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MRP:$574.35 SAVE 17%
coming soon $478.63
FORTHCOMING
Qu Bit Aurora Spectral Reverb Module
Cat: 766024
 
reverb module
Notes: Aurora is a spectral reverb with true stereo IO. It features a lush reverb algorithm, and a phase vocoder audio engine allowing for spectral transformations of the incoming sound. You can freeze the input signal in the time or frequency domain with the press of a button or gate input. In addition, the reverb time extends all the way to infinity at its highest setting. The Aurora feels right at home on an effects send or in the middle of a voice as a creative sound design tool.
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MRP:$377.43 SAVE 17%
coming soon $314.53
FORTHCOMING
Qu Bit Data Bender Circuit Bent Audio Buffer Module
Cat: 766026
 
audio buffer module
Notes: Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.
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MRP:$440.54 SAVE 17%
coming soon $367.11
FORTHCOMING
Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface (B-STOCK)
Cat: 777617
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.
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coming soon $497.50
FORTHCOMING
ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate)
Cat: 776351
 
triple bandpass filter module
Notes: The ADDAC603 VC Triple Bandpass Filter provides three channels of bandpass filters, fantastic for sculpting complex sounds. Each of the channels feature a gain/distortion control with switch to select between x3 or x100 gain, which can cause the input signals to distort, adding another layer of harmonic interest.

The inputs are cascaded together to allow for one source to be filtered three different ways - or each filter can be used independently. The three filters also feature controls for frequency, which sets the cutoff point; width, which sets the width of the band that is being filtered; feedback, which at high settings causes the filter to self-oscillate, and level control, which sets the amplitude of the output. Frequency, bandwidth, and output level each have CV inputs with attenuverters.

A switch sets whether the filter is 24 dB or 12dB per octave. There are individual outputs with phase switch, plus a mix output and dry/wet output with adjustable control for mix balance. This module provides a wide variety of filtering options to add complex tonal shaping to your rack.

Tech Specs:

22HP
3.5 cm deep
250mA +12V
250mA -12V

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MRP:$391.31
coming soon $377.63
FORTHCOMING
ADDAC System ADDAC506 VC Stochastic Function Generator Module (black faceplate)
Notes: Inspired and officially licensed from Teia's Stochastic Function Generator which was introduced in 2013 but is no longer available. This earlier version served as an inspiration, but with a completely rebuilt and reprogrammed mcu to a fully featured 4 voice 2 stage envelope and slew generator.

This new module + expansion is ADDAC System's take on a different envelope/slew generator. It's a fully featured Quad Analogue Core Envelope Generator and Slew Processor with digital control which also incorporates built in random generators to control the Rise and Fall times.

Covering the full range from short sharp notes to long slow sweeps of up to 6 minutes. Together with the random generators it excels when used for drone soundscapes.

Used as a Slew Processor the random generators act as dynamic modulation sources affecting the rise and fall slew speed.

Fully featured outputs act as encouragement to self-patching creating interdependent envelopes acting in sync.

width: 20HP
200mA +12V
150mA -12v

ADDAC506B:
width: 2HP
10mA +12V
10mA -12v

CV OUTPUT RANGE:
Each channel CV output range can be set with the [Amplitude] and [Offset] attenuverters.
Amplitude can be set to a maximum of 10v peak to peak(pp), ex 0 to +10v or -5v to +5v.
Offset can as a maximum range of 20v peak to peak and allows to offset the CV to i10v.
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MRP:$368.59
coming soon $356.59
FORTHCOMING
ADDAC System ADDAC207 Intuitive Quantizer Module (red faceplate)
Notes: 4 Voices of Quantization with a 10 octave range.

Menu Reaction Time can be adjusted and saved.

User definable Scales- any scale is possible.

Simple Intuitive menu with settings such as:
User definable NOTES Intervals for Chord generation
Quantization types: Above, Below, Ignore
Definable Gate Out Length
Octave Offsets
Keyboard Mode (using Buttons as triggers)
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MRP:$347.13
coming soon $334.50
FORTHCOMING
Tiptop Audio Trigger Riot Sequencer Module (black faceplate)
Cat: 783688 Rel: 06 Oct 20
 
Sequencer module
Notes: The Trigger Riot is a multipurpose trigger module that makes ultra complex patterns of gates triggers and clock pulses. The Riot covers a lot of ground in any Eurorack system from the master clocking for your entire system to algorithmic generation of pulses for envelopes, step sequencers, drums and accents that can venture into highly complex territory driven by simple yet powerful logic and algebra with a dash of pseudo randomness for some unpredictable results.

The user interface allows a great deal of control over pulses with each knob acting as a clock divider, clock multiplier, step injector, time shifter, clock shifter, pulse-width modulator, and an arithmetic probability processor. Now take that control and multiply it by 16 and feed it into 8 outputs for maximum Trigger Riot madness!

Furthermore the interface features a master clock knob, push switches to mute unmute and select rows, and multiple switches to configure, adjust, create loops and save your work for later recall from memory banks.

Trigger Riot integrates nicely in the studio with non-volatile memory, generous synchronization options with external gear including sample accurate sync with DAWs, smart synchronization to other Tiptop modules using SyncBus, and DIN Sync for vintage gear. A precise internal tempo clock generator with tap tempo and BeatSync to manage precise changes round out the features.
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MRP:$535.22 SAVE 18%
coming soon $436.54
FORTHCOMING
Behringer Pro-1 Analog Synthesiser
Cat: 781519 Rel: 27 Jul 20
 
analog synthesiser
Notes: The Behringer Pro-1 is a clone of the popular retro classic Sequential Circuits Pro-One which was once conceived to be a monophonic Prophet-5. Those who know and love recordings of Depeche Mode and Yazoo, will enjoy recognizing a lot of those sounds with the Pro-1.

The two assertive oscillators, each based on a CEM3340 chip, have sawtooth and square waveforms, an octave switch, fine tuning and pulse width control. Oscillator A can be synchronized to oscillator B, the second tone generator is additionally equipped with the triangle waveform and can be switched to low mode as well as decoupled from the pitch control. Both VCOs are brought together in the mixer, where the noise generator is also located, which can be replaced by an external signal. The beautiful basic sound is processed with a characterful 24dB lowpass filter, also known as Curtis VCF. It behaves similar to a Moog filter, but due to the IC CEM3320 it sounds different than the transistor cascade. The two crisp ADSR envelopes are assigned to the filter and VCA. An LFO with three waveforms is connected to the targets via the modulation bus. The special features of this instrument include the waveforms that can be activated simultaneously in both oscillators and in the LFO.

The modulations are assigned on the left side of the control panel. The filter envelope, oscillator B and the LFO, each with their own attenuator, are available in parallel as sources. These are assigned to the targets frequency oscillator A+B, pulse width oscillator A+B and cutoff directly or via the modulation wheel (or midi controller). Wild oscillator drifts, sync sounds, sirens, FM for filter and/or oscillator A as well as pulse width modulation are possible if used with care. If you turn everything up at once, it gets really wild! The modulation bus is the hottest feature of the Pro-1 next to the sound.

The ingeniously simple sequencer provides access to two patterns, each of which can be up to 40 steps long; pauses can also be programmed. The notes are played via a connected MIDI keyboard. After the input, the patterns can be transposed with the keyboard. The Arpeggiator primarily offers the playback modes Up and Up&Down, but can also be integrated into the pattern. Synchronization to other equipment is done via the analog clock input or MIDI/USB.
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coming soon $331.34
FORTHCOMING
ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate)
Notes: This module is a powerful rhythm generation machine- it features 4 voices of gate outputs (including inverted outputs for logic NOT sequences) where each voice can have independent lengths, all configurable with direct knobs anc cv inputs.

Perfect for precise polyrhythmic patterns and all sorts of non-linear sequencing.

The module works by 6 different rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Probabilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with up to 32 steps and 16 storable presets.

Add ADDAC402B Expansion for full I/O Midi control plus access to a powerful midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration.

MECHANICAL:
Format: Eurorack
Width: 20 HP
Depth: 5.5 cm

CONTROL VOLTAGE I/O:
CV inputs: 0 to +10v

ELECTRICAL:
Max current: 150mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$477.15
coming soon $461.79
FORTHCOMING
ADDAC System ADDAC702 Dual VC Filter Module (black faceplate)
Notes: Here's our first Voltage-Controlled Variable Filter, inspired by the original MS-20 filter.

This module features:

Two independent filters, a High-Pass and a Low-Pass with dedicated audio inputs and outputs.

Besides individual outputs the HP and LP are also sent to a voltage-controlled Mix between the HP and LP filters.

Both Cutoff and Resonance are voltage-controlled with dedicated cv attenuator pots.

Switch for selecting between normal cutoff behaviour and an adjustable Smooth circuit to simulate a vactrol behaviour for cutoff control.

Switch for setting filters Filters in Parallel (independent) or Series (HP > LP).

Inspired by the Oscar synthesizer we added a Coupling switch to tie the HP Cutoff control to the LP Cutoff control, in this case the LP cutoff controls act as an offset from HP setting.

Three position switch selects different resonance clipping paths: diodes / no clipping / leds.

Both filters features a post Distortion/Fuzz circuit that adds extra harmonics adds an even deeper growl or extra gritiness to it.

All audio outputs (HP, Mix, LP) feature a switch for choosing phase output, allowing additive or subtractive mixes.

Three Leds monitor the amplitude of the three outputs (HP, Mix, LP).
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MRP:$401.41
coming soon $388.14
FORTHCOMING
TC Helicon Go XLR Broadcast Mixer With Midas Mic Preamp & Vocal Effects
coming soon $330.31
FORTHCOMING
Happy Nerding PanMix Six Channel Mixer Module (black faceplate)
Cat: 777904 Rel: 31 Aug 20
 
mixer module
Notes: PanMix is a 6 channel mixer with manual/CV panning and volume controls.

6 channel mixer with manual panning and volume for each 6 channels with dual concentric knobs;
Each channel has bipolar CV knob with a switch to have this CV applied to either amplitude or panning.
Total volume knob (L+R);
Headphone output;
10 segments led indicators for L and R channels;
High quality parts for lowest noise and distortions.
Equal power pan law (3dB)
Exponential CV response for amplitude
Linear CV response for pan
Inputs 3 and 6 have mono/stereo switch on the modules backside. Thus each of these inputs can be optionally set to either stereo or mono operation. For stereo mode standard 3.5 mm TRS plug should be used. So the user can set the module to:

6 mono inputs
5 mono inputs plus 1 stereo
4 mono inputs plus 2 stereo
The latest revision of PanMix has a stereo send connector available on the back side, allowing PanMix total output to be internally sent to other Happy Nerding stereo modules. At the moment Isolator, PanMix Jr and 3xStereo Mixer can internally receive this stereo signal.

200 mA +12V
200 mA - 12V
35 mm Depth
16 HP wide
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MRP:$425.40 SAVE 19%
coming soon $345.02
FORTHCOMING
Meris Mercury7 Algorithmic DSP Reverb Pedal
Cat: 781879 Rel: 24 Sep 20
MRP:$377.43 SAVE 17%
coming soon $314.51
FORTHCOMING
ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate)
Notes: This module was developed upon the Tubaz Filter which was released in 2014 by Gotharman but is currently no longer in production. We loved the original module so much that we officially licensed it's circuit and expanded it to feature several new functionalities.

Here's a paragraph from Gotharman regarding the original design:
"I designed it with the purpose of adding crunch, edge and distortion to my eurorack system. It is not an ideal bandpass filter, that cuts off all frequencies above and below the center frequency.
Because of its high drive, there are, in most cases, some bleedthrough of the harmonics, that should have been cut off. You might consider calling it a "Band Add" filter. The main purpose of it, was to add edge, not to be a perfect bandpass filter."

While everything he mentions is still true we believe he was being modest, It's a dirty, gritty, growling and whining monster which promises you some of the most peculiar filter sounds you'll ever hear.
However do not classify it as a "weird" distortion unit just yet because besides this hairy character it can be easily tamed (using lower volume levels) and then, with some care and intention from the user, it will transforrm itself showing it's feline purrrrr and cuddle sweet and caring, or like any good mut, showing up at night all happy, wet and dirty from a full dog's day and will lay down at your feet while wiggling it's tail howling as yawning just happy to be back home.

As such, standard volume principles do not quite apply to these units, the Audio Levels will go up to x2 amplification, Drive will go up to x11 and master outs go up to x2. The combination of these will cover all diferent qualities it can present. Overall sound can be distorted pre-Tube (raising input levels), in Tube (raising drive) or post-Tube (raising Out levels).
Higher Inputs and Drive will always be gritty, lower Inputs and Drive volumes together with higher Output levels will make the overall behaviour more mellow and closer to what a typical filter would behave like.

No standard expectations should be considered when acquiring these units, all of the tubes were built in the 70's and were bought from various sources, we always kept the premise that no tube was a bad tube (unless not really workinng) so due to each specific characteristics no module will sound exactly the same, making each unit particularly unique. This uniqueness will be particularly evident on their resonance/self-oscilating timbre as well as in their own microphonic qualities.

Regarding power and current draw, the module is designed using a low power tube, so it won't starve your eurorack power supply.

Tech Specs:
12HP
3.5cm deep
90mA +12V
60mA -12V
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MRP:$347.13
coming soon $335.56
FORTHCOMING
ADDAC System ADDAC601 VC Fixed Filterbank Module (black faceplate)
Cat: 776346
 
analog filterbank module
Notes: The ADDAC601 Analog Filterbank will have you shaping the spectrum of your sound "tout de suite".

With its 8 fixed frequencies, this very special filterbank has two additional features that you won't find anywhere else. Each of the 8 band volumes can be controlled through a linear high performance VCA, which adds great dynamics and new abilities to the art of filtering. Additionally this module also doubles as an envelope follower, with a dedicated CV output per band.

It features numerous output options: you can select between individual bands, the full processed sound, a wet/dry signal and even choose between odd or even frequencies.

Plus you can add up to two different signals, which are mixed internally by the ADDAC601 inputs.

. Format: Eurorack
. Width: 20 HP
. Depth: 5.5 cm

Control Voltage I/O:
. CV inputs: i 5v
. CV outputs: 0 - 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +340mA/-350mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$391.31
coming soon $377.63
FORTHCOMING
Erica Synths VCA Waveshaper Ringmodulator Fusion Series Module
MRP:$390.05 SAVE 17%
coming soon $325.04
FORTHCOMING
Zoom H8 Digital Handy Recorder
Zoom H8 Digital Handy Recorder (digital recorder)
Cat: 783484 Rel: 31 Aug 20
 
Handy recorder
Notes: Zoom has unveiled the new H8, the most adaptable handy recorder ever made. For over two decades Zoom handy recorders have been the go-to portable audio recorders for professionals, amateurs and everyone in between. The new H8 takes portable audio capture to a whole new level for Musicians, Podcasters and Sound Designers.The H8's ingenious color touchscreen interface presents a radical, yet intuitive "3-way" app workflow navigation like on your smartphone. So, whether you're recording music, sound effects in the field, or professional podcasts, the H8 adapts instantly to the feature set required for the job.

Under its hood the H8 features all of Zoom's industry-leading audio fidelity, legendary transparent preamps, and overall dependable performance. With four XLR and two XLR/TRS combo jacks and 4 capsule inputs, the H8 can record up to 12 tracks simultaneously, and you can quickly and easily adjust input type, lo-cut, EQ, compression, limiter, noise gate, and more. In addition, the H8 can be remote controlled via an IOS device and you can load your own effects via the Guitar Labs software. For podcasters, the H8 features four Sound Pads to activate sound effects such as laughter and applause. You can choose from 13 prerecorded sounds or download your own sound effects from your SD-card. The H8's updated Capsule System 2.0* provides even more flexibility with brand new, high-end, mic and input attachments, as well as offering flawless backwards compatibility with the H6's capsules.

Handy Recorder

12 simultaneous recording tracks, interchangeable capsules, and an App-driven touchscreen interface, the H8 is designed to meet all your audio recording needs.

There's An App For Your Workflow
Whether you're capturing audio on location, recording music, or producing a podcast, the H8 color touchscreen adapts to your project's needs with three App-driven interface options. All with the touch of your finger.

The Podcast App
The PODCAST App makes high-production quality simple. With dedicated Sound Pads, use the touch screen to trigger sound effects, music beds and more. Choose from 13 high quality sounds or load your own via an SD card. (The Podcast App accommodates up to 4 mics and two Sound Pad channels.)

The Music App
The MUSIC App puts all the important controls at your fingertips: audio levels, faders, metering and more. With 10 inputs and 12 tracks, capturing a large group is easy. Mix, overdub, and enhance your recordings with EQ and compression. Connect to Zoom's Guitar Lab via USB to access an endless assortment of amps and effects.

The Field App
The FIELD App is ideal for location sound, sound design, conferences, and more. It gives you instant access to large meters for every track, so you can make sure your recordings never clip. Adjust input type, lo-cut, compress, limiter, noise gate, and other key settings.

The Mic Capsule
The H8 comes with the Zoom XYH-6 microphone. This capsule provides two matched high-quality unidirectional mics, for capturing signal directly in front of the recorder. With the Zoom mic capsule system you can easily swap capsules to ensure you're always using the right mic for the job.

Next Generation Capsule System
Zoom's Capsule System 2.0 allows up to 4 channels of audio to be added to the H8's capsule connection, creating new ways to expand your recording capabilities.

Combination XY / AB Mic
XAH-8
The XAH-8 capsule delivers pristine stereo recordings. Easily rotate the capsules from a tight XY pattern to a wide AB pattern to enhance the stereo image of your recordings.

Ambisonic Mic
VRH-8
The VRH-8 is an Ambisonic mic capsule that utilizes four condenser microphones to deliver immersive 360 audio recordings. A built-in accelerometer helps ensure the capsule is always perfectly aligned, while the on-board Ambisonic decoder automatically handles the necessary conversions, saving you time in post-production.

Expander Capsule
EXH-8
The EXH-8 capsule provides 4 additional XLR inputs, giving you a total of 10. Each additional input has a dedicated gain knob and pad switch. You can even use your favorite condenser microphones-just connect a power source to the EXH-8 capsule to supply phantom power.

Remote Control
You can monitor level meters and hit REC,PLAY, and STOP in each H8 application mode. Just insert the BTA-1 to your H8 and connect to your iOS device. (*BTA-1 sold separately.)

Inputs & Outputs
H8 offers 4 XLR inputs with dedicated pad switches and gain control. 2 additional XLR/TRS combo jacks with Hi-Z switches allow you to capture line level signals, microphones, or directly record electric guitars and basses.
Monitor tracks using the built-in 1/8" headphone output or connect directly to your camera using the dedicated stereo line output.
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MRP:$528.90 SAVE 17%
coming soon $440.76
FORTHCOMING
Sound Machines BI1 Brainterface (Desktop)
Sound Machines BI1 Brainterface (Desktop) (brainwave to synthesiser interface module)
Cat: 777372 Rel: 31 Jul 20
 
brainwave to synthesiser interface module
Notes: Soundmachines BI1brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 doesn't require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, the toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.
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MRP:$566.77 SAVE 19%
coming soon $461.79
FORTHCOMING
Sound Machines BI1 Brainterface (Eurorack)
Cat: 777373 Rel: 31 Jul 20
 
brainwave to synthesiser interface
Notes: The first commercially available brainwave to synthesizer (both CV and MIDI) interface on the worldwide market.

By using the Neurosky Mindwave headset you can coax your brain activity to change every parameter of sound, light and video devices in your performance or studio.

Headset NOT included.

Soundmachines BI1 brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 does nort require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, your toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.
Read more
MRP:$501.13 SAVE 19%
coming soon $408.14
FORTHCOMING
ADDAC System ADDAC210 Open Heart Surgery Module (red faceplate)
Cat: 776186
 
development platfom module
Notes: This is a development platform optimized for the Eurorack electronic enthusiast.

Power sources:
-12V, +12V
-3/10V, +3/10V

Ships with: 1M Ribbon Cable and 55cm standoff Spacers for desktop operation, screws and nylon washers

Mechanical Specs:
Width: 36 HP
Depth: 3.5cm (i1.375 inches) with or without Arduino installed, Depth increases if using arduino shields.
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MRP:$314.31
coming soon $302.94
FORTHCOMING
ADDAC System ADDAC501 Complex Random Module (red faceplate)
Cat: 776328
 
random CV generator module
Notes: The ADDAC501 does random CV generation and outputs it through four independent channels. You can control the desired range of voltages and time frequency at which new values are generated.

It can also be triggered by an external CV source and the output voltages can be either free or quantized (if you prefer to have a standard C Major scale).

Finally you can choose between pure randomness or a brownian distribution, for both the voltage and time intervals.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 5 cm

Control Voltage I/O:
. CV inputs: 0 - 10v
. CV output: 0 - 5v (0 - 10v through jumper)
. Gate in threshold: 2.5v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$326.94
coming soon $314.51
FORTHCOMING
Meris Ottobit Jr. Bitcrusher Pedal
Cat: 781884 Rel: 24 Sep 20
MRP:$377.43 SAVE 17%
coming soon $314.51
FORTHCOMING
ADDAC System ADDAC802R VCA Quintet Reversed Panel Module (red faceplate)
Notes: Our Reversed panel version of the ADDAC802 VCA Quintet.

Each of the 5 channels has:
. VCA with initial Knob
. Monitor LED
. Independent output
. Linear or logarithmic control
. Solo/Off/Mix switch that routes their audio to the Solo Channel or the Mix channel. In Off position the VCA does not go to the outputs.

All 5 VCA's can be used separately for different sources (audio or cv) or mix in 2 different chains.

Outputs:
. 1 Pre Master VCA output
. 1 Post Master VCA output
. 1 Solo output

The Solo line is also intended for Pre Listening purposes, using this output to connect your headphones through some headphone amplifier module.

Mechanical:
. Format: Eurorack
. Width: 12 HP
. Depth: 5 cm

Control Voltage I/O:
. CV inputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: +190mA/-150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$379.95
coming soon $368.16
FORTHCOMING
ADDAC System ADDAC800X High-End Outputs Module (red faceplate)
Notes: Inspired by the legacy designs of premium vintage gear, the ADDAC800X behaves like a high-quality DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 800X circuit is designed around a unity 1:1 type nickel core Hammond Audio Transformer from the 140UEX series (equivalent to Jensen audio transformers).

Operating in the 20 Hz to 20 KHz range and providing exceptional shielding from external sources, this impedance matching transformer provides the 800X with two fully balanced high-end outputs (via XLR connectors).

Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, the ADDAC 800X presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate the 800X from any other device, preventing hum problems coming from an outsider ground.

LEFT IN will output sound to both channels.
Through RIGHT IN, signal will only find its way on OUT 2 (if the LEFT/RIGHT toggle is lifted up, RIGHT IN will be ignored and LEFT IN will be present in both OUTs). With both INs connected you'll have two separate outputs (LEFT IN -> OUT 1 & RIGHT IN -> OUT2). However, lifting up the LEFT/RIGHT toggle you'll also find RIGHT IN ignored and LEFT IN will fed both OUTs.

Each TRANSFORMER ISOLATED OUTPUT section has its signal overload warning led and two dedicated toggle switches: one that works as a simple amplifier / attenuator pad to +6dB / -10dB respectively, and a LIFT/FLOAT/GND toggle. This last one is a 3-way selector that lets you choose between lift, ground or floating ground (toggle's middle position) to be taken as reference for the ground point. In the LIFT position the module circuit will be lifted to ground through a 100R resistor and a 10nF capacitor and pin 1 of the XLR connection will act as the ground point. Choosing GROUND will put ground to be shared between inputs and outputs. Floating ground will leave ins and outs grounds completely apart from each other. Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of this options will work the best in a given situation.

An HEADPHONES AMPLIFIER (with VOLUME knob) connection is available for quietly working with your modular or pre-listen your sounds before making them public matter in a live situation. This section features an OPA2134 High-Performance Audio Operational Amplifier. This device presents the ideal characteristics for use with an headphones set, like ultra-low distortion and low-noise fully specified for audio applications, in combination with high-output drive capability and excellent DC performance that altogether allow for high-dynamic headroom and really superior sound quality.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 6.7 cm

Electrical:
. Max current: 100mA? on each rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$434.23
coming soon $419.70
FORTHCOMING
Tiptop Audio Trigger Riot Sequencer Module (white faceplate)
Cat: 783681 Rel: 06 Oct 20
 
Sequencer module
Notes: The Trigger Riot is a multipurpose trigger module that makes ultra complex patterns of gates triggers and clock pulses. The Riot covers a lot of ground in any Eurorack system from the master clocking for your entire system to algorithmic generation of pulses for envelopes, step sequencers, drums and accents that can venture into highly complex territory driven by simple yet powerful logic and algebra with a dash of pseudo randomness for some unpredictable results.

The user interface allows a great deal of control over pulses with each knob acting as a clock divider, clock multiplier, step injector, time shifter, clock shifter, pulse-width modulator, and an arithmetic probability processor. Now take that control and multiply it by 16 and feed it into 8 outputs for maximum Trigger Riot madness!

Furthermore the interface features a master clock knob, push switches to mute unmute and select rows, and multiple switches to configure, adjust, create loops and save your work for later recall from memory banks.

Trigger Riot integrates nicely in the studio with non-volatile memory, generous synchronization options with external gear including sample accurate sync with DAWs, smart synchronization to other Tiptop modules using SyncBus, and DIN Sync for vintage gear. A precise internal tempo clock generator with tap tempo and BeatSync to manage precise changes round out the features.
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MRP:$536.48 SAVE 19%
coming soon $436.54
FORTHCOMING
Electrosmith Daisy Patch Metamorphic Sound Environment Module
Cat: 781589 Rel: 23 Sep 20
 
Sound environment pedal
Notes: Take your sound design to the next level by creating your own module! Download an example granular effects processor, physical modeling voice, or sampler and start editing. Comes with Daisy installed.

Resources: Documentation, and examples are hosted on our GitHub repository for easy download. All firmware that we develop is released for free under a permissive open source license (MIT).
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MRP:$395.10 SAVE 17%
coming soon $329.25
FORTHCOMING
Pearl Elite Folkloric Mahogany Bongos
Cat: 778226
 
bongos
Notes: Pearl's Folkloric bongos feature a traditional look with modern innovation that only Pearl can deliver. Thicker South American style natural skins make the drums warm sounding, but a fiberglass gel coat on the interior seals the shell and adds the projection and volume desired by today's players. The traditional hoops complete these stunning instruments in a matte Crimson Sunrise finish. The 7 and 8 1/2" Oak Bongos have the same hardware and shell features of the congas. The thicker bongo skins add to the projection and "dry" tone reminiscent of that classic Cuban sound.

Head: Premium Cow
Hardware: Polished Steel, Traditional Rims
Size: 7/8.5" Head Diameter
Shell: Thai Oak
Model: PBW300FC
Colour: Crimson Sunrise
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coming soon $314.53
FORTHCOMING
Mordax Data Multifunction Tool Signal Analyser & Generator Module (black)
MRP:$530.17 SAVE 21%
coming soon $419.71
FORTHCOMING
ADDAC System ADDAC102 VC FM Radio Module (red faceplate)
Cat: 773955
 
FM radio module
Notes: This is Version 2 of this module, updated in order to be skiff friendly.

With the ADDAC102 FM Radio you'll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator- the static picks up all kinds of great electromagnetic interference.

It provides controls like tune, volume and seek (all of them controllable through CV input) and there's two outputs for stereo sound.
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MRP:$326.94
coming soon $314.53
FORTHCOMING
Meris Polymoon Super Modulated Delay Pedal
Cat: 781888 Rel: 24 Sep 20
MRP:$377.43 SAVE 17%
coming soon $314.51
FORTHCOMING
ADDAC System ADDAC503 Marble Physics Module (red faceplate)
Cat: 776332
 
marble physics module
Notes: Newtonian physics on a modular synth! The ADDAC503 Marble Physics is a CV generator based on the mechanics behavior of a marble on a tray.

Through this realtime physics simulator you'll be able to control several parameters that will affect the behavior of a model of a spherical object against a plane. You can tilt the plane or bump the marble with a certain strength, which will cause it to roll and bounce on elastic walls.

The model will output the object's XY position or velocity and you can control other physical parameters, like the walls' elasticity or the strength of a bump. When the marble hits walls the bounce output triggers and you can additionally lock the X axis for a one dimension simulation. Finally you can also set the overall speed of the simulation.

By controlling all of these properties you be able simulate several scenarios where the marble falls, gets gently pulled by gravity, orbits indefinitely or bounces on walls like a pinball. Truly engaging physics simulations!

Mechanical:
. Format: Eurorack
. Width: 10 HP
. Depth: 5.2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 5v

Electrical:
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$358.49
coming soon $346.07
FORTHCOMING
ADDAC System ADDAC802 VCA Quintet Module (red faceplate)
Notes: This module comes to update the previous ADDAC802 Audio Mixer.

Each of the 5 channels has:
. VCA with initial Knob
. Monitor LED
. Independent output
. Linear or logarithmic control
. Solo/Off/Mix switch that routes their audio to the Solo Channel or the Mix channel. In Off position the VCA does not go to the outputs.

All 5 VCA's can be used separately for different sources (audio or cv) or mix in 2 different chains.

Outputs:
. 1 Pre Master VCA output
. 1 Post Master VCA output
. 1 Solo output

The Solo line is also intended for Pre Listening purposes, using this output to connect your headphones through a headphone amplifier module.

Mechanical:
. Format: Eurorack
. Width: 12 HP
. Depth: 55mm

Control Voltage I/O:
. CV inputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +190mA/-150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$326.94
coming soon $314.51
FORTHCOMING
Keeley Delay Workstation Delay And Reverb Combi Pedal
Cat: 782388 Rel: 25 Sep 20
 
Delay & reverb pedal
Notes: The Keeley Delay Workstation is a powerful, dual DSP processor delay and reverb machine. Combining Keeley's unique delay and reverb patches in an incredibly small package, the Delay Workstation is an extremely creative tool.

With the Delay Workstation you can combine vintage slapback and multi-head tape echoes with Spring or plate reverbs to create some instantly classic sound spaces. You can set the Delay Workstation for warm sounding analog delays and then use the chamber or hall reverbs to create a huge warm and endless space. Need rhythmic delays with some shimmer? It's here. Always wanted to have the perfect ducking delay? One that backs out of the way until your done with your notes, then the echoes fill in. "Ducking" is a very intelligent way for clearing the clutter in a sound that would normally be overrun with delays and echoes. Wanna get twisted? Try the Pitch delay into the Flanged Reverb.

The Reverb side of the Delay Workstation contains all of the most common reverbs and some delays. The Morph control allows users to put creative twists on the reverb patches like spring tension, shimmer, and random flanging. There are two delays included in the reverb bank. You can use these to setup very cool ping-pong delays and many other creative rhythmic patterns.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Delay Workstation has on-board tap tempo on the Delay side and external expression control on the Reverb side.

Effects Include:

Slapback w/reverb

Tape Delay w/tone control

Multi-Head Echo w/3 head control

Analog Delay w/dynamic modulation

Digital Delay w/inverse dynamic modulation

Subdivided Delay w/dotted eighth, eighth, triplet, sixteenth

Ducking w/compression ratio

Pitch Shifting delay with w/octave up/down control

Spring Reverb w/tension control

Chamber Reverb w/filter control

Hall Reverb w/tone control

Plate Reverb w/tone control

Shimmer w/octave up control

Flanged Reverb w/vibrato or random modulation
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MRP:$377.43 SAVE 17%
coming soon $314.53
FORTHCOMING
Behringer EP4000 Professional 4000 Watt Stereo Power Amplifier
Cat: 781355 Rel: 27 Jul 20
 
stereo power amplifier
Notes: The EP4000 builds on the incredible legacy of our EP2500, which is one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP4000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 4,000-Watts of output power (2 x 2,000 Watts @ 2 Ohms; 2 x 1,400 Watts @ 4 Ohms; 4,000 Watts @ 4 Ohms in Bridge mode), the EP4000 is the perfect amplifier for medium-sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of these amps give you all of your sound's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Both channels have independent gain dials as well as Clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also Signal LEDs that light up when a signal is present at the input.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, the EP4000 reacts instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP4000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP4000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP4000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.
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coming soon $333.45
FORTHCOMING
Mackie MP360 Professional In Ear Monitor Headphones
Cat: 762130
 
in-ear monitor headphones
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with our renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Like its sibling above, MP-360 features a 3-way crossover but instead of dynamic drivers, this model is all custom-designed balanced armature. With the precise nature of this driver type, you will experience breathtaking clarity and detail. This is great for vocalists that need to hear themselves and their mix as faithfully as possible and makes listening to your favorite music a brand new experience.

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coming soon $371.32
FORTHCOMING
Mackie MP460 Professional In Ear Monitor Headphones
Cat: 762131
 
in-ear monitor headphones
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with their renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Using the same custom balanced armature drivers, MP-460 features a quad driver design for even more clarity and accuracy. Balanced sound, enhanced detail resolution, and incredibly smooth midrange is the name of the game with MP-460. Whether you are a musician, a mixing engineer, or you want to experience your music in a whole new dimension, MP-460 delivers.
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coming soon $463.88
FORTHCOMING
Genelec 8020D Compact 2 Way Active Monitor (raw aluminium, single)
Cat: 781489 Rel: 22 Sep 20
MRP:$541.53 SAVE 17%
coming soon $451.27
FORTHCOMING
Earth Quaker Devices Disaster Transport SR Advanced Modulated Delay & Reverb Machine Pedal
Cat: 781635 Rel: 18 Sep 20
 
Reverb & modulation delay pedal
Notes: The Disaster Transport SR is a dual delay with reverb and modulation. It was designed from the ground up to create an intense wash of lo-fi swirling tape styled echo. While it may look intimidating at first glance, it's actually pretty easy to navigate. The top row of controls are for delay A and the bottom row of controls are for delay B. Delay A is a 600ms delay with modulation and delay B is a 300ms delay with reverb. Both delays can be run separately, in parallel, in series or in series/parallel. To take it one step further, there are also expression controls for the repeats on delay A as well as bleeding delay A into delay B. The switching was designed so each delay can be used individually or in tandem with both true bypass or trails.

In addition to being used as a straight delay, straight reverb, rhythmic delay, modulated delay and old school tape-style echo, the Disaster Transport SR can also be used to create a wide variety of wild sounds ranging from warped records, clanging flange, smooth chorus, echoed out squalls and various other-worldly effects that will blow your mind, man. If you are a fan of old school tape delay and crazy lo-fi sounds, you will get hours of enjoyment every time you plug into the Disaster Transport SR.

The controls for delay A and B are separated by row. The top row is for delay A and the bottom row is for delay B.

Time: Controls the delay time from about 30ms up to 600ms.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation. This can also be controlled via an expression pedal. The Moog EP-2 is recommended.

Mix: Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.

Depth: Controls the intensity of the modulation, from no modulation to all out seasick pitch bends.

Rate: Controls the rate of the modulation. The LED for delay A flashes in time with the modulation to visually show where the rate is set.

Bleed: This feeds delay A into delay B, post reverb (see block diagram for visual explanation). Use this control for series or series/parallel operation to create rhythmic repeats, extra long delay time or an all out echo wash. This can also be controlled via an expression pedal. The Moog EP-2 is recommended. When using the bleed, experiment with the repeat controls on each delay line. Try using them in different settings, both together and individually, for different timing and textures.

Delay B Controls
Reverb: Controls the amount of reverb added to the input of delay B.

Mix: Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation.

Time: Controls the delay time from about 30ms up to 300ms.

The switches for both delays switch the inputs only. The outputs are always connected. This allows you to have trails by always leaving the bypass switch engaged or to use the bypass switch as the master on/off for true bypass. Additionally, you can feed delay A in to delay B with the bleed control without having delay B switched on for a cleaner rhythmic delay.

Tech Specs:

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 107 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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MRP:$402.67 SAVE 17%
coming soon $335.56
FORTHCOMING
Keeley Verb O Trem Workstation Powerful Reverb & Modulation Machine Pedal
Cat: 782482 Rel: 25 Sep 20
 
Reverb/modulation pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT Workstation gives you the famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo.

So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT Workstation is a simple and beautiful sounding solution.

The Keeley VoT Workstation is a high-end Dual DSP effect workstation. Each effect, reverb and tremolo are given their own effects engine. This allows us to create rich and ornate filtering. These are studio quality sounds we that have been crafted over the years, refined by working musicians and studio engineers.

Reverbs
Keeley knows and develops reverb spaces. Fat, juicy, sonically rich spaces. Keeley 2 Spring Reverb is the real deal. It's so good sounding, they install it in The Amp now. In fact Keeley reverb has been developed in many other brand's pedals.

There are 8 petals to this flower: 2 Spring, 3 Spring, Plate, Hall, Chamber, Room, Fugue, and Slapback!

Each Keeley VoT Workstation reverb allows you to control:

Level - Output Volume Level for the reverb channel

Decay - this is the length of the reverb trails, the size of the ambient space. External Expression Control port on rear of unit.

Morph - Pre-Delay - The earliest reflections, sometimes heard as a slapback. This is great for setting up a reverb space that sounds huge, or you can dial it in so that it plays well with fast, percussive notes.

Effect Level - This is your Blend Control- how loud you want the reverb in your guitar mix.

Tremolos
A Lotus Flower of Tremolos- you have eight blooming tremolos in the Keeley VoT Workstation!

8 Vintage Tremolo modes: Sine Wave, Square Wave, Harmonic, Dynamic Harmonic, Pitch Vibrato, Ramp Trem, Les'Rotary Speaker, U-Vibe

Level - Output Volume Level for the tremolo-modulation channel

Rate - Speed of modulation, with on-board Tap Tempo, external tap input jack.

Depth - amount of volume change in effect. THROB.

Morph - Controls a variety of aspects including filter points, wave shape, duty cycle, tweeter/woofer control, etc. Instruction manual lists exact details.

VoT - Lotus
The VoT Workstation Tremolo allows you to have on-board Tap Tempo or you can use an external tap switch or generator. Expression pedal control gives you foot controlled access to the Reverb Decay control. This allows you blend the perfect amount of reverb into your guitar mix.
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MRP:$377.43 SAVE 17%
coming soon $314.53
FORTHCOMING
Earth Quaker Devices Pyramids Stereo Flanging Device Pedal
Cat: 781712 Rel: 18 Sep 20
 
flanger pedal
Notes: Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don't see on a flanger every day.

Built upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that's sure to tickle your third ear.

Controls:
1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.

2. Rate: Controls the speed of the LFO as well as the rise time in Trigger Up mode and fall time in Trigger Down mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate & Tap toggle switch.

3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.

4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.

5. Activate Footswitch: The activate switch features our Flexi-Switch technology! This relay-based true-bypass switch allows for momentary or latching operation.

6. Feedback: Regeneration control for the modulated signal.

7. Rate & Tap Toggle Switch: Normal (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to Slow (left position), the tempo you tap is divided for a slower sweep. When set to Fast (right position), the tempo you tap is multiplied and delivers a faster sweep.

8. Modify: The behavior of this control depends upon which mode you're using:

Classic: Tone control for the modulated signal. Clockwise cuts the low end and allows the high frequencies to pass through. Counterclockwise cuts the high end and allows bass frequencies to pass through.

Through-Zero: Delay time for the unmodulated dry signal. This controls where in the LFO cycle the through-zero point occurs, which is where you'll hear the most drastic cancellation.

Barber Pole Up: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Barber Pole Down: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Trigger Up: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Trigger Down: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Step: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

Random: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

9. Tap / Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.

10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you're allowed to re-write them if you want. We don't mind.

11. Mode Rotary Switch: Selects between Pyramids' eight flanger modes

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

To use with multiple output transformer-balanced isolated pedal-specific power supplies, Pyramids' may be powered from two outlets combined using a current-doubling cable. DO NOT USE A VOLTAGE-DOUBLING CABLE BECAUSE THAT WILL SEND 18V TO PYRAMIDS AND FRY IT LIKE AN OVEREASY EGG AT A GREAZY SPOON DINER.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 460 mA
Input Impedance: 1 MO
Output Impedance: 100 O
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MRP:$410.25 SAVE 17%
coming soon $341.87
FORTHCOMING
Mordax Data Multifunction Tool Signal Analyser & Generator Module (white)
MRP:$530.17 SAVE 21%
coming soon $419.71
FORTHCOMING
Maxon RTC600 Real Tube Series Compressor Pedal
Cat: 783428 Rel: 02 Oct 20
MRP:$440.54 SAVE 17%
coming soon $367.11
FORTHCOMING
Maxon RTO700 Real Tube Series Overdrive Pedal
Cat: 783431 Rel: 02 Oct 20
MRP:$440.54 SAVE 17%
coming soon $367.11
FORTHCOMING
Maxon RTD800 Real Tube Series Overdrive/Distortion Pedal
Cat: 783432 Rel: 02 Oct 20
MRP:$440.54 SAVE 17%
coming soon $367.11
FORTHCOMING
Maxon VJR-9 Vintage Jet Riser Flanger Nine Series Pedal
Cat: 783398 Rel: 02 Oct 20
MRP:$478.41 SAVE 17%
coming soon $398.67
FORTHCOMING
Keeley Dark Side Modern Fuzz Pedal With Rotary, Vibrato & Delay
Cat: 782380 Rel: 25 Sep 20
 
Fuzz ppedal
Notes: We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It's the things you can't create with your fingers or mind. It's metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal.

The individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation. The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style, which was also used for Keeley's Psi Fuzz. This one is completely and radically different. Many changes have been made to extract the nuances of earlier transistor based fuzzes. This pedal lets your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based.

The next core element in the Dark Side pedal is the Delay and Modulation side. You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds. The Dark Side delay has 12 different syncopated delays. They are rhythmic and have the tonal quality of the old spinning drum tape delays. The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats. You can use it for creating a feedback oscillation delay. Extremely subtle modulations in the delay make it very musical.

The next atom in this workstation is the modulation effect. There are four parts to this effect. Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser. You can blend between the "Electric Lady" Flanger and a Les-Rotary cabinet, creating new sounds. You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser.

There is also an Expression Pedal port on the pedal. It is highly recommended to have an expression pedal handy. You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you're creating music. It has to be a TRS style expression pedal- it is recommended to use something like the M-Audio or Moog expression pedals.
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FORTHCOMING
Keeley Monterey Fuzz Vibe Rotary Wah Pedal
Cat: 782431 Rel: 25 Sep 20
 
Fuzz/wah pedal
Notes: With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists.

The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.

There are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds.

The right stomp switch activates the fuzz channel. The fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added. It is very responsive and dynamic. It plays well in any position on a Strat or Les Paul style guitar. At the heart of the fuzz are vintage Fairchild Semiconductor transistors. These moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone.

The modulation channel is where the fun really starts. The Monterey Rotary Fuzz Vibe offers an Octave effect with both the Vibe and Wah sounds. With those two sounds you can either have Octave Up, Octave Down, or No Octave.

In the Center Position of the Octave Control you have NO octave up or down. If you turn the Octave Control up (or clockwise), you have an increasing octave up sound. As you turn the Octave Control down, you have an increasing amount of octave down sound added. Again, if you do not want an octave effect added, simply set the Octave Control to the center position.

The Monterey Rotary Fuzz Vibe features a very rich and deep vibe sound. The "Kool Vibe" setting is perfect for getting complex phaser-like sounds. It combines phasing and tremolo at key frequencies to give you incredible depth and rhythm. Not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect. You can add the Octave to the "Kool Vibe" for an amazing doubling effect or for an incredibly deep synth bass type sound.

The "Les Rotary" sound in the Monterey Fuzz Vibe is both very accurate and surprisingly new sounding. Like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape. Not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the Doppler Effect provides a soothing chorused sound that is clean and ethereal. The Octave Control in the Rotary cabinet simulation controls the volume of the horn or tweeter sounds. It does not produce an octave effect here. This allows you to get a very chorus-like effect with ample high-end detail when simulating a "Les Rotary" style cabinet. Set the Rate OFF for no rotation, turn the Fuzz on, and the Depth and Octave controls give you a wonderful speaker cabinet simulation. It's fuzz with tonal control like you've never had before! Perfect for matching any size of power amp with the pedal's fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz!

The "Harmonic Wah" section combines several more new sounds from Keeley in the Monterey Rotary Fuzz Vibe. It is a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal. With the Depth Control turned all of the way down/off you are in the Wah Mode. The Wah Mode gives you control over the frequency you boost by adjusting the Rate Control. If you have an expression pedal connected, it becomes a regular Wah Pedal. Turn the Depth control up a slight amount and the Monterey becomes an Auto Wah. In the Auto Wah mode, your pick attack and strength creates an envelope filter sound. After the noon/center position on the Depth Control, you have the new Harmonic Wah. It is like the harmonic tremolo on a brown face amp, but the frequencies are centered around a wah pedal instead. It's ideal for players who like the rhythmic back-and-forth rocking sound of a wah pedal.

Add any expression pedal controller to the EXP input on the back and you have control over the Rate of the "Les Rotary" and "Kool Vibe" settings. In the "Harmonic Wah" setting, it controls the frequencies.

Want more sounds? Well OK, turn the unit over and take the bottom off. There is a tiny DIP Switch that allows you to change the order of the Fuzz and Modulation effects! Yes, you can get some crazy noise by putting fuzz after modulation effects, but it works! And works well at giving you insane tones that are thick and full. Let your ears gaze at the strangeness. Alien amplitudes of gain and fuzz. Endlessly creative.
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FORTHCOMING
Keeley Super Mod Workstation Modulation Pedal
Cat: 782464 Rel: 25 Sep 20
 
Modulation pedal
Notes: Sonically drench yourself in swirling modulated tones. Not many effects can be as provocative as a chopping tremolo, a swirling rotary, a dreamy chorus, or a crazed filter sound. Nothing compares 2 a thick flanger or deep harmonic tremolo. Nothing goes better with modulation than delay and reverb. With the Super Mod Workstation you can combine 2 effects together to create a nearly endless soundscape of tones. Add tap tempo and an expression pedal and you have all the tools at your disposal to create a mesmerizing array of sounds.

The Super Mod Workstation contains many of Keeley's finest effects. The Harmonic Tremolo in this unit is inspired by vintage brown face amps. The Keeley DynaTrem contained our first Harmonic Tremolo. Many consider this deeper and thicker sounding than the U Vibe type effect. The ADT in the Super Mod Workstation is from the 30ms Automatic Double Tracker. Last year that effect set the effect world on fire with the best complete ADT unit in a stomp box.

The Super Mod Workstation allows you to combine effects like Tremolo, Filter, Phaser, Chorus, Rotary Speaker, or Delay with other similar modulation effects, including delay or reverb! For example you can combine our famous 30ms Double Tracker sound in the ADT, with a Flanger, or an Echo, or Plate Reverb. Another example would be to use Bank 1 - Phaser sound, combined with Bank 2 - Delay. You can use the expression pedal to run delays into self oscillation feedback! You can Tap Tempo input a rate for the Harmonic Tremolo sound on Bank 1 and then use an expression pedal input for speed of the Rotary Cab sound on Bank 2. Decide it's #modulationFreeMonday? Well, you can use the Analog Delay on Bank 1 and a super wet Hall Reverb on Bank 2.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Super Mod Workstation has Tap Tempo for Mod Bank One, and external expression control on Mod Bank Two.

Super Mod Workstation effects include:

Tremolo w/triangle to sine waveform control

Harmonic Tremolo w/presence tone control

Filter Trem w/oscillator and random control

Phaser w/feedback control

ADT w/blend control

Rotary Cabinet Sim w/treble horn control

Digital Delay

Analog Delay w/dynamic modulation

Chorus/Vibrato w/blend control

Flanger w/positive or negative feedback

Hall Reverb

Plate Reverb

Tap Tempo on Modulation Bank 1

Expression Control on Bank 2
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MRP:$377.43 SAVE 17%
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FORTHCOMING
Keeley Tone Workstation Drive, Boost & Compressor Pedal
Cat: 782481 Rel: 25 Sep 20
 
Drive/boost/compressor pedal
Notes: Introducing the Tone Workstation. The front end of your signal chain- this is where your tone develops. The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. Compression, Drive, Overdrive, Boost: you get it all here. The Tone Workstation is designed to be the first stage in your pedal board. It may even be the only pedal you bring to a gig. And we designed it that way.

Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. Adjust the Sustain control for increased compression or squeeze. As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. The Blend control is perfect for adding a little bit of bite back in with high output pickups or humbuckers. In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression. When the Blend is set completely CCW, you get only compressed signal out. Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.

Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. With the 62/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive. First, the 1962 is Keeley's British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone. In the Katana Mode, only the volume works; the Tone and Drive are disabled. It's a clean sound people say you just can't turn off.

Last in the chain is Keeley's renowned Red Dirt overdrive. You get 15 years of modding tube screamers distilled into one toneful circuit. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! The Red Dirt circuit captures every nuance of your guitar's tone and delivers a classic, smoking hot, silky smooth lead tone.

Dimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.
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MRP:$377.43 SAVE 17%
coming soon $314.53
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