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Sonicware LIVEN Ambient Ø 10-Voice Polyphonic Soundscape Synthesiser (digital keyboard synthesiser)
Cat: 1032898 Rel: 31 Oct 24
10-voice polyphonic soundscape synthesiser
Notes: Your Personal Soundscape:
Conversations between Oscillating Tones and Your Mind
Immersive Ambient Generator
4 layers of tone and texture-Drone, Pad, Atmos, and Noise-merge to generate deep resonance and continuous transformation.
Ambient O (zero) is incredibly easy to use. Start by playing a tone from one layer using the note hold function. While listening closely, simply tweak the knobs to modify the tone and add other layers to shape a pleasing sound.
Blendwave Modulation Synthesis
Sonicware conducted extensive research into creating undulating and fluctuating tones for Ambient O, resulting in the development of a new wavetable-based synthesis.
Blendwave Modulation Synthesis combines 6 unique structures with 32 WAVEs featuring complex harmonic transitions, making it easy to create powerful low drones, lush pads, and transparent pizzicatos, perfect for Ambient Music.
4 knobs/8 parameters offer a wide range of tone creation.
A WAVE contains 128 harmonic tables, allowing for diverse tonal changes such as moving from basic waveforms to complex harmonics. The WAVE is represented by a yin-yang icon, with the yin representing moves in the reverse direction through the tables during modulation.
6 Structures - Each structure has a different number of oscillators and modulation circuits. ATMOS 1 applies ring modulation, while ATMOS 2 applies FM modulation.
Noise and Space
The Noise layer includes 8 specially selected nature sounds, offering noise blending, pitch adjustment and modulation to infuse unique spatial characteristics.
Additionally, it allows for up to 8 seconds of stereo sampling from the line input, letting you create personalized textures.
Extensive Effects Section
Ambient O is equipped with 9 types of lush reverb, each offering unique spatial dimensions and brightness settings. You can individually adjust the reverb send and shimmer send (for layering octaves) for each layer.
In addition to the reverb, the Ambient O offers an effect unit with Tape Delay, Reverse Delay, and 4 master effects; Overdrive, Bit/Rate Crush, Tilt EQ, and Stereo Chorus.
Sequencer on Each Layer
You can not only layer the four tones, but each layer also includes a sequencer that allows you to record keyboard performances.
Furthermore, you can record changes in numerous parameters, including level, pan, and filter movement over time.
Sequence up to 64 steps per pattern.
Random playback of sequence phrases.
Probability of notes sounding can be set from 25 - 100%.
Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.
Overwrite notes in real-time with one touch while playing back sequence phrases.
The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.
16 Ambient Sound Pattern Palettes, crafted by expert sound designers
No need to start from scratch. Choose a palette that fits your mood, start playing tones, tweak the knobs, and layer them following your heart. Thus, your inner thoughts and emotions will be crafted into sound.
Play On The Go: Portable, Built-in speaker, and Battery-powered
Leave your usual workspace and try using Ambient O in your living room or outdoors. As its evolving sounds mixes with the surrounding environmental noises, you are likely to experience genuine Ambient Music.
Specifications
[Synthesiser]
- Note Hold function
- 128 Sound Pattern Palettes (incl. 16 types of preset palettes)
- Mixing including level/pan for each layer
- Layer (Sound) copy and paste function
- Tune All function changes the pitch of all layers (i1 octave in 20-cent steps, adjustable in 1-cent step)
- Standard polyphony: 10 voices (depending the structure's oscillators x simultaneous voices)
4 Layer Construction
Drone, Pad, Atmos Layers
- New Blendwave Modulation Synthesis for creating undulating and fluctuating tones
- 6 Structures, 32 Waves
Drone 1: 2 oscillators, modulates Detune
Drone 2: 2 oscillators, modulates Harmonics
Pad 1: 3 oscillators, modulates Harmonics
Pad 2: 3 oscillators, modulates Harmonics
Atmos 1: 1 oscillator, ring modulation on output
Atmos 2: 2 oscillators (frequency modulation), modulates Pitch
- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Unison mode (adjustable detune)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Noise Layer
- 1 Structure, 8 Waves
Noise: 1 oscillator, modulates Pitch
- Loop or One-shot playback, White noise mixing
- 16bit - 32kHz Linear PCM sampling (stereo)
- Up to 8 seconds of sampling per sample (crossfade settings from 1 to 4 seconds)
- Auto start sampling function with the input level (input level can be set)
- Import and export of a slot of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.
- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Each layer has its own envelope, filter and 2LFOs.
- Attack
- Release
- Low Pass Filter
- High Pass Filter
- Band Pass Filter
- 2 LFOs assignable to various parameters (individually adjustable)
- Adjustable LFO Shapes and trigger count
[Effects]
9 types of high-quality reverb (Send amount to reverb and shimmer adjustable per layer)
- Small.L
- Small.M
- Small.H
- Large.L
- Large.M
- Large.H
- Infinity.L
- Infinity.M
- Infinity.H
6 types of diverse master effects
- Tape Delay
- Reverse Delay
- Overdrive
- Bit/Rate Crush
- Tilt EQ
- Stereo Chorus
The above reverb and master effects can also be applied to external sources from the LINE IN.
[Sequencer]
- 4 tracks (1 track on each layer)
- Up to 64 steps per pattern
- Step length can be set from 1/1 to 1/32 or 2/1(Breve) to 8/1(Maxima)
- Real-time recording
- Overwrite REC function for real-time sequence replacement
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order
[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex
[Unit]
27 keys (with a hold function)
- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
… Read moreConversations between Oscillating Tones and Your Mind
Immersive Ambient Generator
4 layers of tone and texture-Drone, Pad, Atmos, and Noise-merge to generate deep resonance and continuous transformation.
Ambient O (zero) is incredibly easy to use. Start by playing a tone from one layer using the note hold function. While listening closely, simply tweak the knobs to modify the tone and add other layers to shape a pleasing sound.
Blendwave Modulation Synthesis
Sonicware conducted extensive research into creating undulating and fluctuating tones for Ambient O, resulting in the development of a new wavetable-based synthesis.
Blendwave Modulation Synthesis combines 6 unique structures with 32 WAVEs featuring complex harmonic transitions, making it easy to create powerful low drones, lush pads, and transparent pizzicatos, perfect for Ambient Music.
4 knobs/8 parameters offer a wide range of tone creation.
A WAVE contains 128 harmonic tables, allowing for diverse tonal changes such as moving from basic waveforms to complex harmonics. The WAVE is represented by a yin-yang icon, with the yin representing moves in the reverse direction through the tables during modulation.
6 Structures - Each structure has a different number of oscillators and modulation circuits. ATMOS 1 applies ring modulation, while ATMOS 2 applies FM modulation.
Noise and Space
The Noise layer includes 8 specially selected nature sounds, offering noise blending, pitch adjustment and modulation to infuse unique spatial characteristics.
Additionally, it allows for up to 8 seconds of stereo sampling from the line input, letting you create personalized textures.
Extensive Effects Section
Ambient O is equipped with 9 types of lush reverb, each offering unique spatial dimensions and brightness settings. You can individually adjust the reverb send and shimmer send (for layering octaves) for each layer.
In addition to the reverb, the Ambient O offers an effect unit with Tape Delay, Reverse Delay, and 4 master effects; Overdrive, Bit/Rate Crush, Tilt EQ, and Stereo Chorus.
Sequencer on Each Layer
You can not only layer the four tones, but each layer also includes a sequencer that allows you to record keyboard performances.
Furthermore, you can record changes in numerous parameters, including level, pan, and filter movement over time.
Sequence up to 64 steps per pattern.
Random playback of sequence phrases.
Probability of notes sounding can be set from 25 - 100%.
Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.
Overwrite notes in real-time with one touch while playing back sequence phrases.
The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.
16 Ambient Sound Pattern Palettes, crafted by expert sound designers
No need to start from scratch. Choose a palette that fits your mood, start playing tones, tweak the knobs, and layer them following your heart. Thus, your inner thoughts and emotions will be crafted into sound.
Play On The Go: Portable, Built-in speaker, and Battery-powered
Leave your usual workspace and try using Ambient O in your living room or outdoors. As its evolving sounds mixes with the surrounding environmental noises, you are likely to experience genuine Ambient Music.
Specifications
[Synthesiser]
- Note Hold function
- 128 Sound Pattern Palettes (incl. 16 types of preset palettes)
- Mixing including level/pan for each layer
- Layer (Sound) copy and paste function
- Tune All function changes the pitch of all layers (i1 octave in 20-cent steps, adjustable in 1-cent step)
- Standard polyphony: 10 voices (depending the structure's oscillators x simultaneous voices)
4 Layer Construction
Drone, Pad, Atmos Layers
- New Blendwave Modulation Synthesis for creating undulating and fluctuating tones
- 6 Structures, 32 Waves
Drone 1: 2 oscillators, modulates Detune
Drone 2: 2 oscillators, modulates Harmonics
Pad 1: 3 oscillators, modulates Harmonics
Pad 2: 3 oscillators, modulates Harmonics
Atmos 1: 1 oscillator, ring modulation on output
Atmos 2: 2 oscillators (frequency modulation), modulates Pitch
- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Unison mode (adjustable detune)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Noise Layer
- 1 Structure, 8 Waves
Noise: 1 oscillator, modulates Pitch
- Loop or One-shot playback, White noise mixing
- 16bit - 32kHz Linear PCM sampling (stereo)
- Up to 8 seconds of sampling per sample (crossfade settings from 1 to 4 seconds)
- Auto start sampling function with the input level (input level can be set)
- Import and export of a slot of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.
- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Each layer has its own envelope, filter and 2LFOs.
- Attack
- Release
- Low Pass Filter
- High Pass Filter
- Band Pass Filter
- 2 LFOs assignable to various parameters (individually adjustable)
- Adjustable LFO Shapes and trigger count
[Effects]
9 types of high-quality reverb (Send amount to reverb and shimmer adjustable per layer)
- Small.L
- Small.M
- Small.H
- Large.L
- Large.M
- Large.H
- Infinity.L
- Infinity.M
- Infinity.H
6 types of diverse master effects
- Tape Delay
- Reverse Delay
- Overdrive
- Bit/Rate Crush
- Tilt EQ
- Stereo Chorus
The above reverb and master effects can also be applied to external sources from the LINE IN.
[Sequencer]
- 4 tracks (1 track on each layer)
- Up to 64 steps per pattern
- Step length can be set from 1/1 to 1/32 or 2/1(Breve) to 8/1(Maxima)
- Real-time recording
- Overwrite REC function for real-time sequence replacement
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order
[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex
[Unit]
27 keys (with a hold function)
- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $262.37
(No payment required now - pay when released)
FORTHCOMING
Related products...
Isla Instruments Caladan Expandable 8-Part Analogue/Digital Multi-Timbral Synthesiser (including 4 voice cards) (hybrid desktop synthesiser)
Cat: 995360
Expandable 8-part hybrid multi-timbral desktop synthesiser including 4 voice cards
Notes: The ISLA Instruments Caladan Is an expandable 8-part analogue/digital multi-timbral desktop synthesizer module boasting multiple synthesizer engines by way of voice cards. Sharing much of its DNA with Isla's S2400 desktop sampler and the Futuresonus Parva MPE Synthesizer, released in 2015.
Without any voice cards installed, the Caladan has its own internal digital synthesizer engine with playback capabilities of Soundfont (.sf2) and SFZ multisample formats, with the added benefit of being able to run a (possibly multiple) plugin based synthesizer (VST, LV2, CLAP formats). Isla's target for this is 32-Voices (subject to change).
Voice Cards
Caladan has internal slots for up-to 8 voice cards, accessible via an easy access 'trap door' underneath the unit. Said cards are able to be essentially any type of synthesizer, be that pure analogue, digital or a hybrid of both. The voice card API will be open sourced with development kits made available, allowing other designers and developers to create synthesizer cards for use in the Caladan.
At launch, an improved version of the original Parva voice card will be available, the specifications of which are as follows:
Oscillators
3 Digitally-controlled analogue oscillators per voice
Sawtooth, triangle, and PWM waveforms
Variable-width saw waves
Tunable +/- 5 octaves
Hard Syncable
Independent level controls
Envelopes
4 4-stage (ADSR) envelopes per voice
Exponential curves for punchy attack and natural decay
Linear mode also available
Loopable envelopes
Routable to >40 destinations
Modulation
4 LFOs per voice
Sine, sawtooth, triangle, and square waveforms
Random sample-and-hold
Stepped LFOs
Free-running or key-synced
Routable to >40 destinations
Polyphonic Aftertouch
Filters
2 configurable voltage-controlled filters per voice
24db or 12db low-pass or high-pass modes
12db bandpass mode
Self-oscillating
Filter FM
Further Cards
Additionally, Isla also have the intention of creating the following voice cards.
Dual OPL3 4op FM card with analogue filters/VCAs (already in development)
SEM / OB-X card (already in development)
Analogue Percussion card
Mini Moog card
SH-101 card
String machine card
TB-303 Card
More Specifications
MPE Support
RGB led rings (yes, you can change colours) enabling simultaneous viewing of parameters across different voices/cards per knob.
USB Host and Device ports, both class compliant for MIDI controllers.
Standard MIDI DIN In/Out/Thru
4 x independent CV & Gate inputs
8 x Stereo output busses
Main & Sub Mix outputs
High quality steel/aluminium enclosure, comparable in build/looks to the S2400 (and compatible with the same side panels for wood lovers)
Universal mains powered (100-250v AC)
… Read moreWithout any voice cards installed, the Caladan has its own internal digital synthesizer engine with playback capabilities of Soundfont (.sf2) and SFZ multisample formats, with the added benefit of being able to run a (possibly multiple) plugin based synthesizer (VST, LV2, CLAP formats). Isla's target for this is 32-Voices (subject to change).
Voice Cards
Caladan has internal slots for up-to 8 voice cards, accessible via an easy access 'trap door' underneath the unit. Said cards are able to be essentially any type of synthesizer, be that pure analogue, digital or a hybrid of both. The voice card API will be open sourced with development kits made available, allowing other designers and developers to create synthesizer cards for use in the Caladan.
At launch, an improved version of the original Parva voice card will be available, the specifications of which are as follows:
Oscillators
3 Digitally-controlled analogue oscillators per voice
Sawtooth, triangle, and PWM waveforms
Variable-width saw waves
Tunable +/- 5 octaves
Hard Syncable
Independent level controls
Envelopes
4 4-stage (ADSR) envelopes per voice
Exponential curves for punchy attack and natural decay
Linear mode also available
Loopable envelopes
Routable to >40 destinations
Modulation
4 LFOs per voice
Sine, sawtooth, triangle, and square waveforms
Random sample-and-hold
Stepped LFOs
Free-running or key-synced
Routable to >40 destinations
Polyphonic Aftertouch
Filters
2 configurable voltage-controlled filters per voice
24db or 12db low-pass or high-pass modes
12db bandpass mode
Self-oscillating
Filter FM
Further Cards
Additionally, Isla also have the intention of creating the following voice cards.
Dual OPL3 4op FM card with analogue filters/VCAs (already in development)
SEM / OB-X card (already in development)
Analogue Percussion card
Mini Moog card
SH-101 card
String machine card
TB-303 Card
More Specifications
MPE Support
RGB led rings (yes, you can change colours) enabling simultaneous viewing of parameters across different voices/cards per knob.
USB Host and Device ports, both class compliant for MIDI controllers.
Standard MIDI DIN In/Out/Thru
4 x independent CV & Gate inputs
8 x Stereo output busses
Main & Sub Mix outputs
High quality steel/aluminium enclosure, comparable in build/looks to the S2400 (and compatible with the same side panels for wood lovers)
Universal mains powered (100-250v AC)
coming soon TBA
FORTHCOMING
Related products...
Supercritical Redshift 6 6-Voice Analogue Variable Character Synthesiser (analogue desktop synthesiser)
Cat: 992873
Six-voice analogue variable character desktop synthesiser
Notes: Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer
Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.
Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.
Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.
The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.
Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.
The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.
One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.
Supercritical Redshift 6 Desktop synthesizer module
Technical specifications
Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm
… Read moreSupermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.
Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.
Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.
The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.
Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.
The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.
One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.
Supercritical Redshift 6 Desktop synthesizer module
Technical specifications
Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,194.55
(No payment required now - pay when released)
FORTHCOMING
Related products...
Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (black) (hybrid keyboard synthesiser)
Cat: 994434
37-key 8-voice virtual analogue keyboard synthesiser
Notes: A legendary past, a powerful future.
microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.
Seamlessly sculpt your sound with refined controls
Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.
The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.
Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.
Crafting vocal perfection: the new vocal processor
The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.
Master live performances with loop recording and arpeggiator
Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.
The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.
The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.
Explore sounds across the ages
Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?
Specifications
Keyboard: 37 keys (velocity sensitive mini keys)
Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices
Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices
Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C
Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)
… Read moremicroKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.
Seamlessly sculpt your sound with refined controls
Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.
The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.
Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.
Crafting vocal perfection: the new vocal processor
The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.
Master live performances with loop recording and arpeggiator
Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.
The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.
The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.
Explore sounds across the ages
Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?
Specifications
Keyboard: 37 keys (velocity sensitive mini keys)
Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices
Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices
Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C
Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)
coming soon TBA
FORTHCOMING
Related products...
Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser (digital keyboard synthesiser)
Cat: 1000935 Rel: 30 Sep 24
10-voice polyphonic sampler keyboard synthesiser & sequencer
Notes: WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.
Features
Player
The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.
Enveloppe
Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.
Manager
With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.
Filter
The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.
Texturer
The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.
LFO
The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.
Sequencer
The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.
Recorder
The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.
Master
The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.
Technical details
Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices
Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant
Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets
100 MB allows storing 18 minutes of audio
Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing
DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer
File servicing
- Direct file system management through USB
- Embedded sample editor
Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.
Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones
Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow
- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm
… Read moreFeatures
Player
The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.
Enveloppe
Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.
Manager
With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.
Filter
The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.
Texturer
The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.
LFO
The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.
Sequencer
The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.
Recorder
The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.
Master
The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.
Technical details
Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices
Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant
Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets
100 MB allows storing 18 minutes of audio
Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing
DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer
File servicing
- Direct file system management through USB
- Embedded sample editor
Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.
Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones
Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow
- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Sep 24 $752.82
(No payment required now - pay when released)
FORTHCOMING
Related products...
Jomox Alpha Base MKII Analogue Drum Synthesiser (drum machine)
Cat: 1027523 Rel: 31 Oct 24
Analogue drum synthesiser
Notes: The ALPHA BASE Mk II is the successor of the already legendary ALPHA BASE.
What's new?
-Graphic OLED display
-Real RGB LEDs in the sequencer
-More buttons: Last Step, Roll/Flam, Store Kit/Patt, Rec Para and Rec Sample
-Analogue panning circuitry for the hybrid sample channels
-Improved analogue engine
-Noise volume is controllable in the hybrid sample channels
-More samples
-Headphone volume is independent from mix volume
It's true analogue. Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.
Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years. Some things have been simplified, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built.
Kick Drum
The centre instrument still is the analogue kick drum which has gotten a facelifting again. The legendary punch and assertiveness of all Jomox kicks is convincingly continued. LFO, pitch envelope, metallic noise and gate time are famous features that may not and do not miss out.
MBrane
As a second analogue instrument, Jomox have put in a complete MBrane voice. It covers a gigantic spectrum of analogue snare drums, percussions, cow bells, claves, glasses, toms, bass drums etc. etc. It uses the technology of the Mod.Brane11. Of course, this instrument has 2 own LFOS, pitch envelopes and metallic noise as well.
Samples+Filter
The succeeding six instruments are built hybridly and consist of samples that are run through real analogue filters and VCAs. Each analogue sample channel has an own metallic noise that alternatively can be used as a signal source or being mixed to the sample.
With metallic noise only, it becomes a pure analogue instrument again. Four channels make use of a multimode filter that is capable of resonance - again they can be used as true analogue instruments with the self-oscillating filter as the only sound source if you wish.
Hi Hat
Two of these six channels are reserved for hi hats and make use of a proven and improved HH filter that was used in the XBASE 999 already. It is specialized for analogue hi hats and may conjure wonderful noisy hi hats from a sample mixed with metallic noise.
Clap, Rim, Crash, Ride
The succeeding four channels have each a resonateable 2-pole multimode filter that can be switched between LP, HP and BP. The filter cutoff can be modulated by an ADSR envelope and an LFO per instrument. If the filter is self-oscillating, one can create wonderful analogue toms, claves, sticks etc. by means of the VCA envelope behind. Or even extremely bend samples sonically. By principle, each of the four MM filter sample channels is a little synth voice of its own. A sampled synth bass run through the analogue filter is nearly indistinguishable from a real analogue synth.
X Sample 1+2
Moreover, there are two sample instruments that work purely digital. It's even possible that the Alpha Base can sample external audio on these channels for about max. 5 seconds. Which is more than enough for drum samples. The recorded sample can be stored on SD card or being copied to the internal flash memory and then being played back by the other sample channels. Samples can also be copied from SD card into flash memory. The format is RAW/WAV mono 16 Bit / 48kHz. The internal organization divides samples into fixed memory slots that can be addressed by the parameter sample select in the instruments. All samples can be pitched and modulated in a wide range. The sample start and stop can be edited and they are loopable as well. Modulation targets are: pitch, filter cutoff and volume. Each channel has an own LFO for that.
FM Synth
As a little digital gadget, a mini FM synth has been added. With 4 operators and maximum 6 voices it can create weird and crazy percussion sounds up to simple chords. Played over an external midi keyboard, it can be used as a polyphonic synth.
Effects
Two digital effects are on board: delay and reverb that act as send/return effects. Each of the analogue instrument outputs has an own A/D converter. The delay effect can also be inserted into the six hybrid sample channels and becomes then part of the sound production chain. The reverb can easily be killed by an encoder click but is indeed a great advantage for life performances with minimal equipment. Reverb times may reach to almost infinity, and the damping filters act quite extremely so that the reverb meets the requirement of modern electronic music and can be an essential part of sound.
Editing
For the editing of parameters there are 16 encoders arranged in a 4x4 matrix. Each instrument only addresses two pages by 16 values to make the editing as easy as possible, without deep menu cursors.
11 Instruments: Kick Drum, MBrane, Cl HiHat, Op HiHat, Clap, Rim Shot, Crash, Ride, X Sample 1, X Sample 2, FM Synth.
Real analogue Jomox kick drum.
Real analogue Jomox MBrane voice with 2 coupleable F-OSC for complex analogue snare, percussion, bass and tom sounds ranging from 16Hz to 20kHz.
2 sample based instruments with analogue VCA ADSR envelope and/or HH filter, optionally with metallic noise mixed as extra sound source. The HH filter is 2-pole, HP/LP/Res each separated parameters, peakable but not oscillating.
4 sample based instruments with analogue VCA ADSR envelope and/or resonating multimode filter (LP, HP, BP) with ADSR envelope, optionally with metallic noise mixed as extra sound source. The multimode filter can be used as a signal generator in order to generate analogue toms or sticks etc.
2 sample based instruments with external sampling input and pure digital playback.
1 FM synth with 4 operators and max. 6 voices for percussive sounds.
Effects delay, reverb with send per instrument, also insertable into analogue signal path on CH, OH, Clp, Rim, Ride.
LFOs: per instrument one LFO (MBrane 2 LFOs) with 64 wave forms, each assignable on pitch, VCA, filter cutoff.
500 samples 16 Bit/48kHz in internal flash memory.
SD card slot for loading of samples.
USB (Midi Device).
Midi In, Midi Out, Midi Thru.
Inputs: stereo in for sampling, FX or sidechain. Both inputs are Hi-Z and suitable for guitar/bass or work up to line level +20dBu.
Outputs: 8 individual balanced outputs, stereo mix balanced, headphones.
Output Level: max. ca.+14dBu unbalanced, +20dBu balanced on all outputs.
18 encoders
Input Volume, Phones Volume and Mix Volume are analogue potentiometers.
OLED Display 256x64px.
12V 2A DC external power supply.
Stable metal case.
Wooden side cheeks, rubber feet.
Size: 41cm (16.1") x 24cm (9.5") x 8cm (3.2") (back side).
Weight: ca. 3.3kg (7.26 lbs).
… Read moreWhat's new?
-Graphic OLED display
-Real RGB LEDs in the sequencer
-More buttons: Last Step, Roll/Flam, Store Kit/Patt, Rec Para and Rec Sample
-Analogue panning circuitry for the hybrid sample channels
-Improved analogue engine
-Noise volume is controllable in the hybrid sample channels
-More samples
-Headphone volume is independent from mix volume
It's true analogue. Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.
Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years. Some things have been simplified, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built.
Kick Drum
The centre instrument still is the analogue kick drum which has gotten a facelifting again. The legendary punch and assertiveness of all Jomox kicks is convincingly continued. LFO, pitch envelope, metallic noise and gate time are famous features that may not and do not miss out.
MBrane
As a second analogue instrument, Jomox have put in a complete MBrane voice. It covers a gigantic spectrum of analogue snare drums, percussions, cow bells, claves, glasses, toms, bass drums etc. etc. It uses the technology of the Mod.Brane11. Of course, this instrument has 2 own LFOS, pitch envelopes and metallic noise as well.
Samples+Filter
The succeeding six instruments are built hybridly and consist of samples that are run through real analogue filters and VCAs. Each analogue sample channel has an own metallic noise that alternatively can be used as a signal source or being mixed to the sample.
With metallic noise only, it becomes a pure analogue instrument again. Four channels make use of a multimode filter that is capable of resonance - again they can be used as true analogue instruments with the self-oscillating filter as the only sound source if you wish.
Hi Hat
Two of these six channels are reserved for hi hats and make use of a proven and improved HH filter that was used in the XBASE 999 already. It is specialized for analogue hi hats and may conjure wonderful noisy hi hats from a sample mixed with metallic noise.
Clap, Rim, Crash, Ride
The succeeding four channels have each a resonateable 2-pole multimode filter that can be switched between LP, HP and BP. The filter cutoff can be modulated by an ADSR envelope and an LFO per instrument. If the filter is self-oscillating, one can create wonderful analogue toms, claves, sticks etc. by means of the VCA envelope behind. Or even extremely bend samples sonically. By principle, each of the four MM filter sample channels is a little synth voice of its own. A sampled synth bass run through the analogue filter is nearly indistinguishable from a real analogue synth.
X Sample 1+2
Moreover, there are two sample instruments that work purely digital. It's even possible that the Alpha Base can sample external audio on these channels for about max. 5 seconds. Which is more than enough for drum samples. The recorded sample can be stored on SD card or being copied to the internal flash memory and then being played back by the other sample channels. Samples can also be copied from SD card into flash memory. The format is RAW/WAV mono 16 Bit / 48kHz. The internal organization divides samples into fixed memory slots that can be addressed by the parameter sample select in the instruments. All samples can be pitched and modulated in a wide range. The sample start and stop can be edited and they are loopable as well. Modulation targets are: pitch, filter cutoff and volume. Each channel has an own LFO for that.
FM Synth
As a little digital gadget, a mini FM synth has been added. With 4 operators and maximum 6 voices it can create weird and crazy percussion sounds up to simple chords. Played over an external midi keyboard, it can be used as a polyphonic synth.
Effects
Two digital effects are on board: delay and reverb that act as send/return effects. Each of the analogue instrument outputs has an own A/D converter. The delay effect can also be inserted into the six hybrid sample channels and becomes then part of the sound production chain. The reverb can easily be killed by an encoder click but is indeed a great advantage for life performances with minimal equipment. Reverb times may reach to almost infinity, and the damping filters act quite extremely so that the reverb meets the requirement of modern electronic music and can be an essential part of sound.
Editing
For the editing of parameters there are 16 encoders arranged in a 4x4 matrix. Each instrument only addresses two pages by 16 values to make the editing as easy as possible, without deep menu cursors.
11 Instruments: Kick Drum, MBrane, Cl HiHat, Op HiHat, Clap, Rim Shot, Crash, Ride, X Sample 1, X Sample 2, FM Synth.
Real analogue Jomox kick drum.
Real analogue Jomox MBrane voice with 2 coupleable F-OSC for complex analogue snare, percussion, bass and tom sounds ranging from 16Hz to 20kHz.
2 sample based instruments with analogue VCA ADSR envelope and/or HH filter, optionally with metallic noise mixed as extra sound source. The HH filter is 2-pole, HP/LP/Res each separated parameters, peakable but not oscillating.
4 sample based instruments with analogue VCA ADSR envelope and/or resonating multimode filter (LP, HP, BP) with ADSR envelope, optionally with metallic noise mixed as extra sound source. The multimode filter can be used as a signal generator in order to generate analogue toms or sticks etc.
2 sample based instruments with external sampling input and pure digital playback.
1 FM synth with 4 operators and max. 6 voices for percussive sounds.
Effects delay, reverb with send per instrument, also insertable into analogue signal path on CH, OH, Clp, Rim, Ride.
LFOs: per instrument one LFO (MBrane 2 LFOs) with 64 wave forms, each assignable on pitch, VCA, filter cutoff.
500 samples 16 Bit/48kHz in internal flash memory.
SD card slot for loading of samples.
USB (Midi Device).
Midi In, Midi Out, Midi Thru.
Inputs: stereo in for sampling, FX or sidechain. Both inputs are Hi-Z and suitable for guitar/bass or work up to line level +20dBu.
Outputs: 8 individual balanced outputs, stereo mix balanced, headphones.
Output Level: max. ca.+14dBu unbalanced, +20dBu balanced on all outputs.
18 encoders
Input Volume, Phones Volume and Mix Volume are analogue potentiometers.
OLED Display 256x64px.
12V 2A DC external power supply.
Stable metal case.
Wooden side cheeks, rubber feet.
Size: 41cm (16.1") x 24cm (9.5") x 8cm (3.2") (back side).
Weight: ca. 3.3kg (7.26 lbs).
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $1,810.08
(No payment required now - pay when released)
FORTHCOMING
Related products...
Joranalogue Cycle 5 Vari-Wave Oscillator Module (modular synthesiser)
Cat: 1020768 Rel: 30 Nov 24
Vari-wave oscillator module - 6HP
Notes: A small Eurorack oscillator that packs a punch: that's the best way to summarise Cycle 5.
At its heart lies a refined high-stability triangle core voltage controlled oscillator (VCO), with performance matching or exceeding that of much bigger and costly oscillator modules.
Instead of a coarse frequency knob, a 7-position octave switch is provided. This in combination with a perfect fifth transposition switch and factory pitch tuning, makes Cycle 5 an exceptionally straightforward and musical VCO to use: simply centre the fine tune knob, and the module will be instantly tuned to reference C.
Meanwhile, its dual precision volt per octave inputs add a great deal of versatility. For example, one could be used for pitch sequencing and the other as a generic exponential FM input, or both sequenced together for transposition effectsithe dual inputs serving as a built-in precision adder.
Sporting all the classic waveforms, ranging from sine wave, triangle, saw and square/saw, as well as a hard sync input and low frequency oscillator (LFO) mode, Cycle 5 makes for a real workhorse VCO. The novel trigonometric waveshaper results in a very clean sine wave, ideal for sub bass duty.
Cycle 5's highlight however, is its vari-wave feature. By adjusting the vari-wave knob, the waveform on the matching output will smoothly morph from sine, to triangle, saw, square and finally a very narrow pulse. The vari-wave parameter can be CV controlled, up to audio frequencies for some intense timbres.
Equally at home as a modest modulation companion to big VCOs, as being in the spotlight in miniature or polyphonic systems, Cycle 5 might just be the most multi-talented tiny analogue oscillator yet.
6 HP | +12: 75 mA, -12: 70 mA
… Read moreAt its heart lies a refined high-stability triangle core voltage controlled oscillator (VCO), with performance matching or exceeding that of much bigger and costly oscillator modules.
Instead of a coarse frequency knob, a 7-position octave switch is provided. This in combination with a perfect fifth transposition switch and factory pitch tuning, makes Cycle 5 an exceptionally straightforward and musical VCO to use: simply centre the fine tune knob, and the module will be instantly tuned to reference C.
Meanwhile, its dual precision volt per octave inputs add a great deal of versatility. For example, one could be used for pitch sequencing and the other as a generic exponential FM input, or both sequenced together for transposition effectsithe dual inputs serving as a built-in precision adder.
Sporting all the classic waveforms, ranging from sine wave, triangle, saw and square/saw, as well as a hard sync input and low frequency oscillator (LFO) mode, Cycle 5 makes for a real workhorse VCO. The novel trigonometric waveshaper results in a very clean sine wave, ideal for sub bass duty.
Cycle 5's highlight however, is its vari-wave feature. By adjusting the vari-wave knob, the waveform on the matching output will smoothly morph from sine, to triangle, saw, square and finally a very narrow pulse. The vari-wave parameter can be CV controlled, up to audio frequencies for some intense timbres.
Equally at home as a modest modulation companion to big VCOs, as being in the spotlight in miniature or polyphonic systems, Cycle 5 might just be the most multi-talented tiny analogue oscillator yet.
6 HP | +12: 75 mA, -12: 70 mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Nov 24 $200.38
(No payment required now - pay when released)
FORTHCOMING
Related products...
Dnipro & Sinevibes Radiant Stereo Effect Processor Module (dual/stereo/effect/delay/filter/pitch shifter/reverb module)
Cat: 1000152 Rel: 31 Dec 24
Stereo effect processor module - 14HP
coming soon TBA
FORTHCOMING
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Make Noise Bruxa Limited Edition Echoverb Signal Processor Module (modular synthesiser)
Cat: 1028028 Rel: 31 Oct 24
Echoverb signal processor module - 18HP
Notes: Check Make Noise's website for content and pictures!
The Bruxa music synthesiser module is an audio alchemical experiment. Spill your sound into time, and let it decay through the filters to hear the results.
Bruxa is a collaboration between Make Noise and Alessandro Cortini. Inspired by Cortini's music and sonic experimentations, Bruxa embodies the seen and unseen, the sign and magic, the alchemy of sound. It is a new evolution of Tony and Alessandro's original prototype circuits which eventually became the Strega's Time/Filter Experiment. It is a multi-tap delay line with over a dozen unique feedback paths and multiple filters within those feedback paths aligned to allow for accumulation of noise, saturation and signal degradation.
While Strega is a complete synthesiser in a tabletop form factor, Bruxa is a Eurorack module designed to be used as one part of a Eurorack modular synthesiser. You will discover a number of differences in layout, signals, and sound. Living inside the Eurorack modular system, Bruxa encourages you to patch your own sound and modulation sources, yielding results surprisingly distinct from Strega.
Echoverb signal processor which shares origins with Strega
Well tuned to work nicely in a Eurorack modular system
All analogue dry signal path blended with digital/ analogue hybrid signal processor
Analog CV inputs with wide range capable of audio rate modulation
Time control with massive, smoothly variable range
Linear FM input with attenuator allows for fluttering of Time
Absorb and Filter controls dramatically shape the echo tone and reflections
New unique CV outputs for use in self-patching or mutual patching with other modules
Pairs well with DPO, STO, MATHS, Prss Pnt, modDemix and more!
Specs:
Width: 18hp
Max Depth (incl. power cable): 48mm
Power:
140mA @ +12V
90mA @ -12V
… Read moreThe Bruxa music synthesiser module is an audio alchemical experiment. Spill your sound into time, and let it decay through the filters to hear the results.
Bruxa is a collaboration between Make Noise and Alessandro Cortini. Inspired by Cortini's music and sonic experimentations, Bruxa embodies the seen and unseen, the sign and magic, the alchemy of sound. It is a new evolution of Tony and Alessandro's original prototype circuits which eventually became the Strega's Time/Filter Experiment. It is a multi-tap delay line with over a dozen unique feedback paths and multiple filters within those feedback paths aligned to allow for accumulation of noise, saturation and signal degradation.
While Strega is a complete synthesiser in a tabletop form factor, Bruxa is a Eurorack module designed to be used as one part of a Eurorack modular synthesiser. You will discover a number of differences in layout, signals, and sound. Living inside the Eurorack modular system, Bruxa encourages you to patch your own sound and modulation sources, yielding results surprisingly distinct from Strega.
Echoverb signal processor which shares origins with Strega
Well tuned to work nicely in a Eurorack modular system
All analogue dry signal path blended with digital/ analogue hybrid signal processor
Analog CV inputs with wide range capable of audio rate modulation
Time control with massive, smoothly variable range
Linear FM input with attenuator allows for fluttering of Time
Absorb and Filter controls dramatically shape the echo tone and reflections
New unique CV outputs for use in self-patching or mutual patching with other modules
Pairs well with DPO, STO, MATHS, Prss Pnt, modDemix and more!
Specs:
Width: 18hp
Max Depth (incl. power cable): 48mm
Power:
140mA @ +12V
90mA @ -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $419.58
(No payment required now - pay when released)
FORTHCOMING
Related products...
Isla Instruments Caladan Expandable 8-Part Analogue/Digital Multi-Timbral Synthesiser (including 2 voice cards) (hybrid desktop synthesiser)
Cat: 995357
Expandable 8-part hybrid multi-timbral desktop synthesiser including 2 voice cards
Notes: The ISLA Instruments Caladan Is an expandable 8-part analogue/digital multi-timbral desktop synthesizer module boasting multiple synthesizer engines by way of voice cards. Sharing much of its DNA with Isla's S2400 desktop sampler and the Futuresonus Parva MPE Synthesizer, released in 2015.
Without any voice cards installed, the Caladan has its own internal digital synthesizer engine with playback capabilities of Soundfont (.sf2) and SFZ multisample formats, with the added benefit of being able to run a (possibly multiple) plugin based synthesizer (VST, LV2, CLAP formats). Isla's target for this is 32-Voices (subject to change).
Voice Cards
Caladan has internal slots for up-to 8 voice cards, accessible via an easy access 'trap door' underneath the unit. Said cards are able to be essentially any type of synthesizer, be that pure analogue, digital or a hybrid of both. The voice card API will be open sourced with development kits made available, allowing other designers and developers to create synthesizer cards for use in the Caladan.
At launch, an improved version of the original Parva voice card will be available, the specifications of which are as follows:
Oscillators
3 Digitally-controlled analogue oscillators per voice
Sawtooth, triangle, and PWM waveforms
Variable-width saw waves
Tunable +/- 5 octaves
Hard Syncable
Independent level controls
Envelopes
4 4-stage (ADSR) envelopes per voice
Exponential curves for punchy attack and natural decay
Linear mode also available
Loopable envelopes
Routable to >40 destinations
Modulation
4 LFOs per voice
Sine, sawtooth, triangle, and square waveforms
Random sample-and-hold
Stepped LFOs
Free-running or key-synced
Routable to >40 destinations
Polyphonic Aftertouch
Filters
2 configurable voltage-controlled filters per voice
24db or 12db low-pass or high-pass modes
12db bandpass mode
Self-oscillating
Filter FM
Further Cards
Additionally, Isla also have the intention of creating the following voice cards.
Dual OPL3 4op FM card with analogue filters/VCAs (already in development)
SEM / OB-X card (already in development)
Analogue Percussion card
Mini Moog card
SH-101 card
String machine card
TB-303 Card
More Specifications.
MPE Support
RGB led rings (yes, you can change colours) enabling simultaneous viewing of parameters across different voices/cards per knob.
USB Host and Device ports, both class compliant for MIDI controllers.
Standard MIDI DIN In/Out/Thru
4 x independent CV & Gate inputs
8 x Stereo output busses
Main & Sub Mix outputs
High quality steel/aluminium enclosure, comparable in build/looks to the S2400 (and compatible with the same side panels for wood lovers)
Universal mains powered (100-250v AC)
… Read moreWithout any voice cards installed, the Caladan has its own internal digital synthesizer engine with playback capabilities of Soundfont (.sf2) and SFZ multisample formats, with the added benefit of being able to run a (possibly multiple) plugin based synthesizer (VST, LV2, CLAP formats). Isla's target for this is 32-Voices (subject to change).
Voice Cards
Caladan has internal slots for up-to 8 voice cards, accessible via an easy access 'trap door' underneath the unit. Said cards are able to be essentially any type of synthesizer, be that pure analogue, digital or a hybrid of both. The voice card API will be open sourced with development kits made available, allowing other designers and developers to create synthesizer cards for use in the Caladan.
At launch, an improved version of the original Parva voice card will be available, the specifications of which are as follows:
Oscillators
3 Digitally-controlled analogue oscillators per voice
Sawtooth, triangle, and PWM waveforms
Variable-width saw waves
Tunable +/- 5 octaves
Hard Syncable
Independent level controls
Envelopes
4 4-stage (ADSR) envelopes per voice
Exponential curves for punchy attack and natural decay
Linear mode also available
Loopable envelopes
Routable to >40 destinations
Modulation
4 LFOs per voice
Sine, sawtooth, triangle, and square waveforms
Random sample-and-hold
Stepped LFOs
Free-running or key-synced
Routable to >40 destinations
Polyphonic Aftertouch
Filters
2 configurable voltage-controlled filters per voice
24db or 12db low-pass or high-pass modes
12db bandpass mode
Self-oscillating
Filter FM
Further Cards
Additionally, Isla also have the intention of creating the following voice cards.
Dual OPL3 4op FM card with analogue filters/VCAs (already in development)
SEM / OB-X card (already in development)
Analogue Percussion card
Mini Moog card
SH-101 card
String machine card
TB-303 Card
More Specifications.
MPE Support
RGB led rings (yes, you can change colours) enabling simultaneous viewing of parameters across different voices/cards per knob.
USB Host and Device ports, both class compliant for MIDI controllers.
Standard MIDI DIN In/Out/Thru
4 x independent CV & Gate inputs
8 x Stereo output busses
Main & Sub Mix outputs
High quality steel/aluminium enclosure, comparable in build/looks to the S2400 (and compatible with the same side panels for wood lovers)
Universal mains powered (100-250v AC)
coming soon TBA
FORTHCOMING
Related products...
Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (white) (hybrid keyboard synthesiser)
Cat: 994440
37-key 8-voice virtual analogue keyboard synthesiser
Notes: A legendary past, a powerful future.
microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.
Seamlessly sculpt your sound with refined controls
Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.
The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.
Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.
Crafting vocal perfection: the new vocal processor
The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.
Master live performances with loop recording and arpeggiator
Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.
The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.
The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.
Explore sounds across the ages
Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?
Specifications
Keyboard: 37 keys (velocity sensitive mini keys)
Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices
Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices
Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C
Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)
… Read moremicroKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.
Seamlessly sculpt your sound with refined controls
Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.
The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.
Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.
Crafting vocal perfection: the new vocal processor
The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.
Master live performances with loop recording and arpeggiator
Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.
The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.
The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.
Explore sounds across the ages
Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?
Specifications
Keyboard: 37 keys (velocity sensitive mini keys)
Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices
Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices
Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C
Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)
coming soon TBA
FORTHCOMING
Related products...
Korg ST1K Analogue & Modular Synthesiser Tuner (synthesiser tuner)
Cat: 1021475
Analogue & modular synthesiser tuner
Notes: A synth-focused tuner merging Korg's pioneering experience in tuner technology with a deep understanding of the characteristics of analogue and modular synthesis. Designed with the unique needs of synth players in mind, the ST1K is compact, precise, and offers high visibility, ensuring your synthesizer is accurately tuned the way you want every time.
Analogue synthesisers can be tricky to tune! Not only can their pitch often fluctuate as the circuit adjusts to temperature changes, but you may also want to micro-tune different oscillators within the one synth.
This makes reliable tuning essential, whether you're recording in the studio or performing live. The ST1K delivers this with its capability for ultra-precise tuning to +/-0.1 cents. It features a large CMD LCD display that gives a clear, visually appealing readout of your tuning status, aligning with the aesthetics of modular and analogue synths. It also includes a built-in high-sensitivity microphone, expanding its use to a broader range of instruments!
At only 83 grams, this incredibly compact and light tuner is perfect for musicians and performers on the move.
Optimized circuitry for stable tuning of analogue synths
The ST1K's input circuit has been finely tuned to provide stable tuning for modular synths, accommodating high voltage levels without interference from LED noise, and with a clear focus on maintaining sound quality.
3D visual meter with large-screen visibility
The large, easy-to-read note name display and glowing LEDs allow the user to clearly perceive pitch deviations and changes at a glance. The 3D visual meter makes it possible to tune to within i0.1 cents, which is difficult with needle meters.
Ultra-precise tuning down to +/-0.1 cents
Professional recording and stage performances always require perfect tuning. The ST1K is capable of ultra-high-precision tuning down to +/-0.1 cents in strobe mode. With the high measurement accuracy of the flagship model, this compact device is a truly professional tuner that allows you to track down even the smallest errors in pitch.
Three meter display modes in addition to note name display
Three types of meter display mode can be selected to suit the player's style. In addition to the standard "Regular Mode", the "Strobe Mode" and "Half Strobe Mode" indicate pitch changes by the direction and speed of meter flow, making it easy to see even the smallest errors.
Compact, flat design allows you to carry a large screen with you
The meter display is large and easy to read, yet the body is smaller and more compact. The flat design provides excellent visibility and portability.
Specifications
Scale: 12 averages
Detection range: A0 (27.50Hz) to C8 (4186Hz)
Calibration range: A4=436 to 445 Hz (1 Hz steps)
Detection accuracy: within +/-0.1 cents
Connectors: INPUT (monaural standard), OUTPUT (monaural standard)
Switch: POWER / DISPLAY / CALIB
Power supply: 2 x AAA batteries
Battery life: Approx. 50 hours continuous
Dimensions: 99 (W) x 65 (D) x 16 (H) mm
Weight: 83 g (including batteries)
Accessories: 3.5-6.3mmmini to standard conversion plug (included)
… Read moreAnalogue synthesisers can be tricky to tune! Not only can their pitch often fluctuate as the circuit adjusts to temperature changes, but you may also want to micro-tune different oscillators within the one synth.
This makes reliable tuning essential, whether you're recording in the studio or performing live. The ST1K delivers this with its capability for ultra-precise tuning to +/-0.1 cents. It features a large CMD LCD display that gives a clear, visually appealing readout of your tuning status, aligning with the aesthetics of modular and analogue synths. It also includes a built-in high-sensitivity microphone, expanding its use to a broader range of instruments!
At only 83 grams, this incredibly compact and light tuner is perfect for musicians and performers on the move.
Optimized circuitry for stable tuning of analogue synths
The ST1K's input circuit has been finely tuned to provide stable tuning for modular synths, accommodating high voltage levels without interference from LED noise, and with a clear focus on maintaining sound quality.
3D visual meter with large-screen visibility
The large, easy-to-read note name display and glowing LEDs allow the user to clearly perceive pitch deviations and changes at a glance. The 3D visual meter makes it possible to tune to within i0.1 cents, which is difficult with needle meters.
Ultra-precise tuning down to +/-0.1 cents
Professional recording and stage performances always require perfect tuning. The ST1K is capable of ultra-high-precision tuning down to +/-0.1 cents in strobe mode. With the high measurement accuracy of the flagship model, this compact device is a truly professional tuner that allows you to track down even the smallest errors in pitch.
Three meter display modes in addition to note name display
Three types of meter display mode can be selected to suit the player's style. In addition to the standard "Regular Mode", the "Strobe Mode" and "Half Strobe Mode" indicate pitch changes by the direction and speed of meter flow, making it easy to see even the smallest errors.
Compact, flat design allows you to carry a large screen with you
The meter display is large and easy to read, yet the body is smaller and more compact. The flat design provides excellent visibility and portability.
Specifications
Scale: 12 averages
Detection range: A0 (27.50Hz) to C8 (4186Hz)
Calibration range: A4=436 to 445 Hz (1 Hz steps)
Detection accuracy: within +/-0.1 cents
Connectors: INPUT (monaural standard), OUTPUT (monaural standard)
Switch: POWER / DISPLAY / CALIB
Power supply: 2 x AAA batteries
Battery life: Approx. 50 hours continuous
Dimensions: 99 (W) x 65 (D) x 16 (H) mm
Weight: 83 g (including batteries)
Accessories: 3.5-6.3mmmini to standard conversion plug (included)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $54.52
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rides In The Storm QSQ 8-Channel Sequencer & MIDI/CV Interface Module (sequencer/clock generator/CV modulation/digital/function generator/MIDI/slew limiter/tuner module)
Cat: 1000356
8-channel sequencer & MIDI & CV interface module - 26HP
Notes: QSQ - Eight Channel Eurorack Sequencer and MIDI/CV Interface
SEQ with 16 endless Pots, Graphic Display and many functions, Step-, Realtime-, Song, Tune, MIDI/CV Modes.
Track parameter
Various configurations (8 CV & 8 Gate outs), MIDI to CV Interface
Track length 1-64 (Polymeter)
Clock Divider von 1/4-8 (Polyrhythm)
Swing mode (Groove quantisation) for each track
Play mode (FFW, REV ALT, RND)
CV quantisation (Scales)
CV scaling
Euclidean Rhythm
Step parameter
CV Value (0-10V) and Gate length
Glide and Retrigger
Random and Probability
Static CV or Envelope/LFO
Easy access to all tracks/parameter and good overview
Colour mode Display
Updatable via USB
Rackspace: 26HP
Depth: 25mm
… Read moreSEQ with 16 endless Pots, Graphic Display and many functions, Step-, Realtime-, Song, Tune, MIDI/CV Modes.
Track parameter
Various configurations (8 CV & 8 Gate outs), MIDI to CV Interface
Track length 1-64 (Polymeter)
Clock Divider von 1/4-8 (Polyrhythm)
Swing mode (Groove quantisation) for each track
Play mode (FFW, REV ALT, RND)
CV quantisation (Scales)
CV scaling
Euclidean Rhythm
Step parameter
CV Value (0-10V) and Gate length
Glide and Retrigger
Random and Probability
Static CV or Envelope/LFO
Easy access to all tracks/parameter and good overview
Colour mode Display
Updatable via USB
Rackspace: 26HP
Depth: 25mm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $308.88
(No payment required now - pay when released)
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Related products...
Torso Electronics S-4 Dust Cover (audio sampler dust cover)
Cat: 1012096
Dust cover designed to fit the Torso Electronics S-4
Notes: Protective cover for the S-4
Designed in the UK by Decksaver
… Read moreDesigned in the UK by Decksaver
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $44.28
(No payment required now - pay when released)
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Zoom MS-70CDR+ Multi-Effects Pedal (modulation/time/dynamics/filter effects pedal)
Cat: 1010032
Chorus, delay, reverb, dyanmics & filter effects pedal
Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs
The Zoom MS-70CDR+: Your New Modulation Station
The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.
A Deep Dive into Chorus, Delays, Reverbs & More
Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.
Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.
Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.
Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.
Expanded Controls
The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.
Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.
Next Generation Circuitry
Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.
Everything's Better in Stereo.
The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.
Soundscapes Are Key
For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.
Change Patches With MIDI
With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.
Enhanced Navigation
Cross Key Switches
The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.
Control Knobs
Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.
Colour Coded LCD Screen
The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.
Sturdy Build
The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.
Power Options
The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.
Tune-Up
The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.
Handy Guitar Lab
With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.
Technical Specifications
Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD
Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB
Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu
Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)
USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.
Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V
… Read moreThe Zoom MS-70CDR+: Your New Modulation Station
The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.
A Deep Dive into Chorus, Delays, Reverbs & More
Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.
Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.
Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.
Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.
Expanded Controls
The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.
Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.
Next Generation Circuitry
Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.
Everything's Better in Stereo.
The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.
Soundscapes Are Key
For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.
Change Patches With MIDI
With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.
Enhanced Navigation
Cross Key Switches
The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.
Control Knobs
Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.
Colour Coded LCD Screen
The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.
Sturdy Build
The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.
Power Options
The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.
Tune-Up
The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.
Handy Guitar Lab
With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.
Technical Specifications
Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD
Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB
Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu
Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)
USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.
Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $193.74
(No payment required now - pay when released)
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Dnipro qTone Dual Channel Voltage Quantizer Module (dual/stereo/quantizer module)
Cat: 1006240
2-channel voltage quantizer module - 6HP
Notes: qTone is a module that precisely transforms any kind of voltages into musical notes. Take the LFO, a Random source, or the Sequencer outputs, send them through the quantizer to your oscillator or synth voice, and enjoy perfectly tuned melodies.
It has a bank of 16 user-defined scales that can be easily edited, and automatically saved into memory. qTone saves every change into EEPROM so you can be sure to get back to the last state after power on.
Both channels can work independently with their own scale each, or with a common scale as well. Aside from the Scale, it is possible to set Glide, Offset, and Transpose parameters. The Glide parameter performs a smooth portamento between quantized notes. Offset shifts an input CV up or down, which works as an offset before quantizing, while the Transpose parameter shifts a scale after quantizing by semitones.
The 2 CV inputs are freely routable to any parameter in the CV menu. qTone works with unipolar or bipolar signals, in the range from -5 to +5 volts.
Technical details
6 hp
45 mA +12V
22mA -12V
0 mA 5V
42 mm deep
CV input voltage ranges: +5-5v, 0v+5v
CV output voltage ranges: +5-5v, 0v+5v
… Read moreIt has a bank of 16 user-defined scales that can be easily edited, and automatically saved into memory. qTone saves every change into EEPROM so you can be sure to get back to the last state after power on.
Both channels can work independently with their own scale each, or with a common scale as well. Aside from the Scale, it is possible to set Glide, Offset, and Transpose parameters. The Glide parameter performs a smooth portamento between quantized notes. Offset shifts an input CV up or down, which works as an offset before quantizing, while the Transpose parameter shifts a scale after quantizing by semitones.
The 2 CV inputs are freely routable to any parameter in the CV menu. qTone works with unipolar or bipolar signals, in the range from -5 to +5 volts.
Technical details
6 hp
45 mA +12V
22mA -12V
0 mA 5V
42 mm deep
CV input voltage ranges: +5-5v, 0v+5v
CV output voltage ranges: +5-5v, 0v+5v
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $230.27
(No payment required now - pay when released)
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TouellSkouarn Kemmerskan Germanium Stereo Mixer Module (modular synthesiser)
Cat: 1021179
Germanium stereo mixer module - 60HP
Notes: More than just a mixer, the Kemmeskan can be used as a soundscaping module. It has an equaliser that sounds really musical and gives the user the ability to change the sound drastically. It can be used in an Eurorack context or with external devices.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $928.85
(No payment required now - pay when released)
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Tesseract Modular Vinia 8-Channel Audio Generator & Effects Processor Module (modular synthesiser)
Cat: 1040525 Rel: 30 Nov 24
8-channel audio generator & effects processor module - 16HP
Notes: Vinia is a new powerful 8-channel audio generator and processor for Eurorack. Each channel is independent and has its own signal chain. This can be a multi-engine instrument, an FX processor, a combination of both, or a chain of several FX.
The sound generator section offers 2 sample players (one plays from the 16 MB internal flash memory and the other directly from the microSD card), various VCOs (VCO, multi-VCO, harmonic VCO), Karplus, a Chord generator, noise, a drum synth and modulation generators (LFO, envelope follower, envelope).
Each of these generators has a rich set of parameters for setting up your sounds. Then, there is a powerful multi-FX processor.
Tesseract Modular has added 20 different algorithms in Vinia: FM operator, filters (multimode, ladder, rubber, bandpass), a wave folder, tube saturation, delays (filter delay, delay, long delay), reverb, metallizer, grain pitch shift, and more.
These can be flexibly set in a chain per channel and offer many customization possibilities. The module also hosts a mixer. You can also save your channels in presets and work with macro parameters.
Each of the 8 channels can be independently configured as a multi effect processor, VCO, sample player...
Audio outputs are DC coupled so it can be used to generate complex CV modulation sources too.
There are 2 types of modulation in Vinia, the first is stepped (occurs every 1,4 milliseconds approx.) and very flexible, any modulation source can modify any parameter of any track. The second is the 'audio rate' one (44,1 KHz), only a few parameters admit this type and both sources and destinations will be within the same track.
Audio sources: Audio Input, Flash Sample Player, MicroSD Sample Player, VCO, Multi VCO, Harmonic Oscillator, Karplus, Chords, LFO, Envelope Follower, Envelope, Noise, Drum Synth
Audio processors: FM Operator, Multimode Filter, Ladder Filter, Rubber Filter, Bandpass Filter, VCA / Polarizer, Folder, Tube Saturation, Exponential Envelope, Delay, Filter Delay, Long Delay, Long Filter Delay, Reverb, Metalizer, Chorus, Modulator, Vocoder 16, Vocoder 32, Bit Crusher, Rectifier, Grain Pitch Shift, Ring Modulator
… Read moreThe sound generator section offers 2 sample players (one plays from the 16 MB internal flash memory and the other directly from the microSD card), various VCOs (VCO, multi-VCO, harmonic VCO), Karplus, a Chord generator, noise, a drum synth and modulation generators (LFO, envelope follower, envelope).
Each of these generators has a rich set of parameters for setting up your sounds. Then, there is a powerful multi-FX processor.
Tesseract Modular has added 20 different algorithms in Vinia: FM operator, filters (multimode, ladder, rubber, bandpass), a wave folder, tube saturation, delays (filter delay, delay, long delay), reverb, metallizer, grain pitch shift, and more.
These can be flexibly set in a chain per channel and offer many customization possibilities. The module also hosts a mixer. You can also save your channels in presets and work with macro parameters.
Each of the 8 channels can be independently configured as a multi effect processor, VCO, sample player...
Audio outputs are DC coupled so it can be used to generate complex CV modulation sources too.
There are 2 types of modulation in Vinia, the first is stepped (occurs every 1,4 milliseconds approx.) and very flexible, any modulation source can modify any parameter of any track. The second is the 'audio rate' one (44,1 KHz), only a few parameters admit this type and both sources and destinations will be within the same track.
Audio sources: Audio Input, Flash Sample Player, MicroSD Sample Player, VCO, Multi VCO, Harmonic Oscillator, Karplus, Chords, LFO, Envelope Follower, Envelope, Noise, Drum Synth
Audio processors: FM Operator, Multimode Filter, Ladder Filter, Rubber Filter, Bandpass Filter, VCA / Polarizer, Folder, Tube Saturation, Exponential Envelope, Delay, Filter Delay, Long Delay, Long Filter Delay, Reverb, Metalizer, Chorus, Modulator, Vocoder 16, Vocoder 32, Bit Crusher, Rectifier, Grain Pitch Shift, Ring Modulator
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Nov 24 $442.83
(No payment required now - pay when released)
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WMD Performance Mixer MKII 8-Channel Mixer Module (modular synthesiser)
Cat: 1021187
8-channel mixer module - 50HP
Notes: Enter the WMD Performance Mixer MKII - Eight years after the MKI was released, the MKII builds on all the valuable feedback we've received. This is a serious upgrade, with feature enhancements and engineering improvements affecting every bit of the design.
Decisions, decisions, decisions!
If you recall, we showed a previous version of the PM MKII a year ago. That version was very similar to the original, with a few enhancements. Primarily focused on manufacturability and overall noise floor with some great recording features. We moved to an 8-layer board, replaceable channel strips, developed the MIDI and bootloader, pre/post fader headers, and made it work on both AUXs simultaneously.
Noise Performance - The MKI was alright with noise, there was a little bleed too. Going to 8-layer boards meant I could put ground planes between trace layers, and spread the traces out triple the spacing of what they were on the MKI, this reduces bleed/crosstalk by a factor of about six.
Noise Performance 2 - On the Original, the Level VCA was before the Panning VCAs, which saved on parts/power, but it meant that the Panning VCAs were always connected to the mix bus, adding noise floor that couldn't be attenuated. Making all the channels stereo and putting the Pan circuit first eliminated this problem, now the noise add is controlled by the fader. This did force me to make every channel stereo, so the design got simpler through figuring this out.
Panning / Crossfader - The above panning/level improvement made it possible to convert the Pan control into a crossfader, buy simply routing the post pan signals through a switch to the opposing channel, summed at the Level control. This huge improvement allowed the A/&/B input switching scheme to still work on the PM MKII, a bit differently, but it's there in spirit.
Modular Design - The channel strips are all now stereo, and identical, which makes assembly much easier, and lowers the cost. It also makes replacing them easier should a mechanical part fail or get spilled into. Further, the Patchbay, Power board, and Master section are all separate parts, so if there's a failure, they can be quickly swapped without having to RMA the whole unit.
Patchbay - The MKI and rev E MKII still had jacks misaligned with channels. This was a source of frustration for myself and many users of the PM MKI. And I decided to just be done with it. It didn't make sense to try to put jacks over the channel, it wasted too much space on the panel... So all the jacks go left, keeping the mixer clear of cables, this let me space the knobs out a bit to take up all 3U. It's cleaner, simpler to make, and intuitive to use.
Expandability - It's super modular now, the DB25 can connect to any two headers that spits out audio, they're all the same format across PM MKII and Channels MKII. Pre, post, mixes, connect it however you want. And the connectors can't be hooked to power, meaning no more blown opamps and RMAs to the factory. They're all shrouded too so they won't get bent in shipping!
Features Overview:
Everything is stereo. Inputs, Busses, Auxes, and Cue Mix.
INPUTS: IN LEFT is normaled to IN RIGHT.
GAIN: Each channel has a Gain trim range of -12dB to +20dB, this will let you use line level devices easily.
GAIN CLIP LED: lights red 1dB before clipping the input stage.
LVL FADER: smooth intuitive curve for easily adjusting the mix level on the fly. A yellow indicator shows the level.
MUTE: Press the channel button and the channel will soft mute with a red LED indicator.
… Read moreDecisions, decisions, decisions!
If you recall, we showed a previous version of the PM MKII a year ago. That version was very similar to the original, with a few enhancements. Primarily focused on manufacturability and overall noise floor with some great recording features. We moved to an 8-layer board, replaceable channel strips, developed the MIDI and bootloader, pre/post fader headers, and made it work on both AUXs simultaneously.
Noise Performance - The MKI was alright with noise, there was a little bleed too. Going to 8-layer boards meant I could put ground planes between trace layers, and spread the traces out triple the spacing of what they were on the MKI, this reduces bleed/crosstalk by a factor of about six.
Noise Performance 2 - On the Original, the Level VCA was before the Panning VCAs, which saved on parts/power, but it meant that the Panning VCAs were always connected to the mix bus, adding noise floor that couldn't be attenuated. Making all the channels stereo and putting the Pan circuit first eliminated this problem, now the noise add is controlled by the fader. This did force me to make every channel stereo, so the design got simpler through figuring this out.
Panning / Crossfader - The above panning/level improvement made it possible to convert the Pan control into a crossfader, buy simply routing the post pan signals through a switch to the opposing channel, summed at the Level control. This huge improvement allowed the A/&/B input switching scheme to still work on the PM MKII, a bit differently, but it's there in spirit.
Modular Design - The channel strips are all now stereo, and identical, which makes assembly much easier, and lowers the cost. It also makes replacing them easier should a mechanical part fail or get spilled into. Further, the Patchbay, Power board, and Master section are all separate parts, so if there's a failure, they can be quickly swapped without having to RMA the whole unit.
Patchbay - The MKI and rev E MKII still had jacks misaligned with channels. This was a source of frustration for myself and many users of the PM MKI. And I decided to just be done with it. It didn't make sense to try to put jacks over the channel, it wasted too much space on the panel... So all the jacks go left, keeping the mixer clear of cables, this let me space the knobs out a bit to take up all 3U. It's cleaner, simpler to make, and intuitive to use.
Expandability - It's super modular now, the DB25 can connect to any two headers that spits out audio, they're all the same format across PM MKII and Channels MKII. Pre, post, mixes, connect it however you want. And the connectors can't be hooked to power, meaning no more blown opamps and RMAs to the factory. They're all shrouded too so they won't get bent in shipping!
Features Overview:
Everything is stereo. Inputs, Busses, Auxes, and Cue Mix.
INPUTS: IN LEFT is normaled to IN RIGHT.
GAIN: Each channel has a Gain trim range of -12dB to +20dB, this will let you use line level devices easily.
GAIN CLIP LED: lights red 1dB before clipping the input stage.
LVL FADER: smooth intuitive curve for easily adjusting the mix level on the fly. A yellow indicator shows the level.
MUTE: Press the channel button and the channel will soft mute with a red LED indicator.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,471.31
(No payment required now - pay when released)
FORTHCOMING
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Notes: Bring your Eurorack performances to life with the 2HP wide 4Ch mixer, perfect for mixing signals in your modular system. This compact yet powerful module is a must-have for anyone who wants to design their soundscapes with precision and flexibility. Whether you want to mix audio, CVs, or both, our 4Ch mixer gives you the freedom to fully unleash your creativity.
Space-saving design
With its slim design of only 2HP, this blender fits seamlessly into any Eurorack setup without taking up much space.
Four Channels
Equipped with four independent inputs, this mixer allows you to mix a variety of signals at the same time. Perfect for complex sound structures and experimenting with multi-layered soundscapes.
Intuitive operation
Each of the four channels has its own volume control, allowing you to quickly and easily adjust the mixing ratio. This way, you always have full control over your audio.
Flexibility of use
Although compact, this blender is incredibly versatile. It can be used for both audio and CV signals, making it a versatile tool for all kinds of musical experiments.
High sound quality
Despite its small size, the mixer offers excellent sound quality with no audible loss or distortion, so you can be sure that your music will sound exactly as you intended.
… Read moreSpace-saving design
With its slim design of only 2HP, this blender fits seamlessly into any Eurorack setup without taking up much space.
Four Channels
Equipped with four independent inputs, this mixer allows you to mix a variety of signals at the same time. Perfect for complex sound structures and experimenting with multi-layered soundscapes.
Intuitive operation
Each of the four channels has its own volume control, allowing you to quickly and easily adjust the mixing ratio. This way, you always have full control over your audio.
Flexibility of use
Although compact, this blender is incredibly versatile. It can be used for both audio and CV signals, making it a versatile tool for all kinds of musical experiments.
High sound quality
Despite its small size, the mixer offers excellent sound quality with no audible loss or distortion, so you can be sure that your music will sound exactly as you intended.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $40.96
(No payment required now - pay when released)
FORTHCOMING
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Aodyo Loom 3 Octaves Multi-Dimensional MPE MIDI Controller (MIDI controller)
Cat: 1017191
Multi-dimensional MPE MIDI controller
Notes: Loom is a multidimensional MPE MIDI Controller designed for immediate playability and expressiveness.
MPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.
Aodyo Instruments have drawn on previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.
Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.
Features
Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.
Playing modes
Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.
Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.
But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.
If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.
For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.
The keyboard, ribbon, strum, and drumkit modes were only the first four, and Aodyo have recently added four more in the collection.
Fader mode is perfect for graphical EQs, organ drawbars, resonator filter banks, vocoders or mixers. After selecting your layout and mappings, you can move faders with several fingers at a time, and even draw a shape by dragging a finger horizontally if your thumb touches the front bar.
Some people prefer guitars to keyboards, and the keygrid mode is made for them. It provides a configurable 2D grid of notes, and otherwise works like the keyboard mode, allowing glissandi, timbre and dynamics variations in the same way.
Many backers mentioned the early electronic musical instrument Ondes Martenot, which had a pressure-sensitive touche d'expression to control volume, a keyboard to select notes that could be moved sideways for vibrato, and a ribbon to play continuous pitch. That's suspiciously close to the sensors Loom offers, a Martenot mode was added. The Loom version works mostly the same way as the original, but adds polyphony and MPE if you need it!
And finally, if you just need to get XYZ coordinates from the touch surface, you can use the controlpad mode. But you can also divide the surface in several pads, allowing you to explore a large number of dimensions at once, making this mode especially suited to sound design tasks.
These were the first eight playing modes Loom offers, but Aodyo are planning to develop and offer more later via free software updates.
Multidimensional and multitouch tactile surface
Loom features a multidimensional tactile surface, enabling each finger to control pitch (X axis), timbre (Y), and dynamics (Z) independently. In addition, a patent-pending dynamic sensing system analyses when your fingers land to determine impact force.
Sliders and bass (front/back)
Loom's uniqueness stems from its additional controls on the front and back sides, making your thumbs play a pivotal role. The slider on the left can be used as a modulation wheel, and the bar on the right can be your sustain pedal or a way to mute cymbals. You can make the back slider and bar do the same thing, or something entirely different. With these, thumb twiddling is not an option.
Action zone
To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.
Editor
The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.
Built for MPE and legacy MIDI
MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.
Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.
This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.
Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!
Developer-friendly
You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.
Connectivity
Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.
Specifications
3 octaves
USB-C MIDI device
TS mini-jack MIDI output
128x64 OLED display
40 RGB LEDs
615 x 80 x 15mm
888g
… Read moreMPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.
Aodyo Instruments have drawn on previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.
Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.
Features
Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.
Playing modes
Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.
Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.
But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.
If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.
For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.
The keyboard, ribbon, strum, and drumkit modes were only the first four, and Aodyo have recently added four more in the collection.
Fader mode is perfect for graphical EQs, organ drawbars, resonator filter banks, vocoders or mixers. After selecting your layout and mappings, you can move faders with several fingers at a time, and even draw a shape by dragging a finger horizontally if your thumb touches the front bar.
Some people prefer guitars to keyboards, and the keygrid mode is made for them. It provides a configurable 2D grid of notes, and otherwise works like the keyboard mode, allowing glissandi, timbre and dynamics variations in the same way.
Many backers mentioned the early electronic musical instrument Ondes Martenot, which had a pressure-sensitive touche d'expression to control volume, a keyboard to select notes that could be moved sideways for vibrato, and a ribbon to play continuous pitch. That's suspiciously close to the sensors Loom offers, a Martenot mode was added. The Loom version works mostly the same way as the original, but adds polyphony and MPE if you need it!
And finally, if you just need to get XYZ coordinates from the touch surface, you can use the controlpad mode. But you can also divide the surface in several pads, allowing you to explore a large number of dimensions at once, making this mode especially suited to sound design tasks.
These were the first eight playing modes Loom offers, but Aodyo are planning to develop and offer more later via free software updates.
Multidimensional and multitouch tactile surface
Loom features a multidimensional tactile surface, enabling each finger to control pitch (X axis), timbre (Y), and dynamics (Z) independently. In addition, a patent-pending dynamic sensing system analyses when your fingers land to determine impact force.
Sliders and bass (front/back)
Loom's uniqueness stems from its additional controls on the front and back sides, making your thumbs play a pivotal role. The slider on the left can be used as a modulation wheel, and the bar on the right can be your sustain pedal or a way to mute cymbals. You can make the back slider and bar do the same thing, or something entirely different. With these, thumb twiddling is not an option.
Action zone
To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.
Editor
The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.
Built for MPE and legacy MIDI
MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.
Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.
This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.
Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!
Developer-friendly
You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.
Connectivity
Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.
Specifications
3 octaves
USB-C MIDI device
TS mini-jack MIDI output
128x64 OLED display
40 RGB LEDs
615 x 80 x 15mm
888g
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $536.94
(No payment required now - pay when released)
FORTHCOMING
Related products...
CatSynth Slimline Dual Buffered Multiple Module (multiple module)
Cat: 1009290
Buffered multiple (2x 1->3 or 1x 1->6) module - 2HP
Notes: Expand your modular synth world with our 2HP Eurorack compatible Dual Buffered Multiple. This versatile and space-saving module is a must-have for those who want to distribute their signals with precision and flexibility. Whether you want to synchronize multiple oscillators, control filters in parallel signal paths, or create complex modulation setups, our Dual Buffered Multiple gives you the reliability and versatility you need.
Compact design
With its slim 2HP width, this module fits seamlessly into any Eurorack system without taking up valuable space.
Normalized Second Input
The input of the second channel is normalized, which means that a signal is automatically distributed to both channels if only the first input is used. This simplifies simultaneous signal distribution and increases creative freedom without the need to use multiple patch cords.
Dual operation
Equipped with two channels, our Buffered Multiple offers the freedom to distribute signals as either 2x 1->3 or 1x 1->6 for maximum flexibility. This allows for a wide range of patching options and maximizes the efficiency of your system.
Buffered Outputs
Each output is buffered, which means your signal will be amplified without any loss of quality or voltage drop. This is especially important if you want to send precise control signals (like pitch CV) to multiple targets.
Versatile applications
Whether you want to build complex modulation routings, control multiple synth voices at the same time, or simply distribute a signal across multiple effects modules, this module gives you the flexibility you need.
Dimensions
2 HP
40 mm deep
Current Draw
15 mA +12V
15 mA -12V
0 mA 5V
… Read moreCompact design
With its slim 2HP width, this module fits seamlessly into any Eurorack system without taking up valuable space.
Normalized Second Input
The input of the second channel is normalized, which means that a signal is automatically distributed to both channels if only the first input is used. This simplifies simultaneous signal distribution and increases creative freedom without the need to use multiple patch cords.
Dual operation
Equipped with two channels, our Buffered Multiple offers the freedom to distribute signals as either 2x 1->3 or 1x 1->6 for maximum flexibility. This allows for a wide range of patching options and maximizes the efficiency of your system.
Buffered Outputs
Each output is buffered, which means your signal will be amplified without any loss of quality or voltage drop. This is especially important if you want to send precise control signals (like pitch CV) to multiple targets.
Versatile applications
Whether you want to build complex modulation routings, control multiple synth voices at the same time, or simply distribute a signal across multiple effects modules, this module gives you the flexibility you need.
Dimensions
2 HP
40 mm deep
Current Draw
15 mA +12V
15 mA -12V
0 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $35.98
(No payment required now - pay when released)
FORTHCOMING
Related products...
Moog Sound Studio Accessory Kit (semi-modular synthesiser kit)
Cat: 1041714 Rel: 30 Sep 24
Kit includes personal stereo summing mixer & instrument cables, three-tier rack kit, protective dust cover, cable organizer & custom patch cable set
Notes: The Moog Sound Studio Accessory Kit is the 3-tier rack solution your Mother Ecosystem synths have been waiting for.
Mount any combination of Mother-32, DFAM, Subharmonicon, Spectravox, and Labyrinth semi-modular synths together vertically for maximum modularity and synthesis possibilities.
Each Moog Sound Studio Accessory Kit includes a compact summing mixer with three-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included is a patch cable organizer, dust cover, and of course, all the cables needed to connect your instruments together.
Personal Stereo Summing Mixer and Instrument Cables:
This four-input analogue summing mixer features selectable mono or stereo configurations for versatile routing options, and the built-in three-way power distribution hub supplies power for up to three 60HP instruments conveniently from a single source. The included instrument cables come in lengths and colours to complement the system and reduce clutter. The 1/8" output with a built-in level control allows you to connect headphones, an audio interface, or monitor speakers.
Three-Tier Rack Kit:
Conveniently stack all three synthesizers* and summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity. Designed for both stability and style, the rack not only optimizes your space but also creates an ergonomic setup that makes for easy access to all controls and patch points.
Protective Dust Cover:
Protect your instruments when not in use. This water repellent cover is made from rugged Ballistic Cordura to safeguard your gear from dust, spills, and other studio (and stage) mishaps, while the ultra-soft interior remains gentle against your synth. Custom-fit with room to accommodate patch cabling and rear I/O panel access. Adjustable Velcro straps ensure your cover fits snug and stays in place.
Cable Organizer and Custom Patch Cable Set:
The included patch cable organizer connects to the three-tier rack, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables have been selected in lengths and quantities to maximize system patchability.
… Read moreMount any combination of Mother-32, DFAM, Subharmonicon, Spectravox, and Labyrinth semi-modular synths together vertically for maximum modularity and synthesis possibilities.
Each Moog Sound Studio Accessory Kit includes a compact summing mixer with three-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included is a patch cable organizer, dust cover, and of course, all the cables needed to connect your instruments together.
Personal Stereo Summing Mixer and Instrument Cables:
This four-input analogue summing mixer features selectable mono or stereo configurations for versatile routing options, and the built-in three-way power distribution hub supplies power for up to three 60HP instruments conveniently from a single source. The included instrument cables come in lengths and colours to complement the system and reduce clutter. The 1/8" output with a built-in level control allows you to connect headphones, an audio interface, or monitor speakers.
Three-Tier Rack Kit:
Conveniently stack all three synthesizers* and summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity. Designed for both stability and style, the rack not only optimizes your space but also creates an ergonomic setup that makes for easy access to all controls and patch points.
Protective Dust Cover:
Protect your instruments when not in use. This water repellent cover is made from rugged Ballistic Cordura to safeguard your gear from dust, spills, and other studio (and stage) mishaps, while the ultra-soft interior remains gentle against your synth. Custom-fit with room to accommodate patch cabling and rear I/O panel access. Adjustable Velcro straps ensure your cover fits snug and stays in place.
Cable Organizer and Custom Patch Cable Set:
The included patch cable organizer connects to the three-tier rack, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables have been selected in lengths and quantities to maximize system patchability.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Sep 24 $210.34
(No payment required now - pay when released)
FORTHCOMING
Related products...
Buchla & TipTop Audio Programmable Complex Waveform Generator Model 259t Module (modular synthesiser)
Cat: 1043871 Rel: 30 Sep 24
Programmable complex waveform generator module - 34HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Sep 24 $552.43
(No payment required now - pay when released)
FORTHCOMING
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WMD PM DB25 MKII Balanced Output Module For Performance Mixer & Channels MKII (modular synthesiser)
Cat: 1021200
Balanced output pre/post fader expander module - 4HP
Notes: PM DB25 MKII is an expander output for the MKII versions of the Performance Mixer and Channels.
Pre-fade and Post-fade connections are available for all channels. The DB25 has 16 outputs. All mixer channels are stereo, so one DB25 handles the main PM MKII (either pre or post), and the DB25 can handle 2x Channels (either pre or post).
Simply connect the cable to the Pre or Post headers on the back of the PM MKII or Channels MKII modules to choose pre/post.
The PM MKII has an additional header with both Aux Sends, Master Bus, and Submix Bus.
Connect a DB25 cable of your choice to the front connector and then straight to your DAW or recording interface.
For use with original WMD Performance Mixer, an adapter board can be added on. Please note that width behind panel is increased by 8mm when adapter board is added on. This may require some clever position in your case. The original Performance Mixer still only offers Pre Fader Outputs.
… Read morePre-fade and Post-fade connections are available for all channels. The DB25 has 16 outputs. All mixer channels are stereo, so one DB25 handles the main PM MKII (either pre or post), and the DB25 can handle 2x Channels (either pre or post).
Simply connect the cable to the Pre or Post headers on the back of the PM MKII or Channels MKII modules to choose pre/post.
The PM MKII has an additional header with both Aux Sends, Master Bus, and Submix Bus.
Connect a DB25 cable of your choice to the front connector and then straight to your DAW or recording interface.
For use with original WMD Performance Mixer, an adapter board can be added on. Please note that width behind panel is increased by 8mm when adapter board is added on. This may require some clever position in your case. The original Performance Mixer still only offers Pre Fader Outputs.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $253.52
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tangible Waves AE Modular VSYSTEM-3 Drum Synthesiser With Sample Player (modular synthesiser complete system)
Cat: 1010406
Drum synthesiser complete system with sample player
Notes: The VSYSTEM-3 is a complete synth in a case of exactly the size of the Korg Volca synths. t contains the following AE modules:
DRUMKIT (lofi digital drum module):
DRUMKIT 010 consists of 11 8-bit drum sound samples; 6 of them can be triggered in parallel in any combination by the trigger inputs. With a BANK selector knob, different combinations of the 11 samples can be selected. The PITCH knob affects the pitch of all instruments together, and with the REVERSE button the sounds are played backwards - quite a nice effect to be added here and there.
Don't expect high quality from this module - it's by design a nasty, lo-fi drum sound source, but definitely with its own character. Works great together with the analog KICK module.
KICK (analog kick drum):
It has three knobs: PITCH for the overall pitch of the sound; with DECAY the length of the sound can be set and with DRIVE a nice distortion can be added to the sound.
With the pitch decay switch the pitch follows the amplitude, giving a bit different character.
And a trigger button is available to check the sound without an external trigger signal.
SAMPLYR (sample player with micro-SD card, various loop modes, almost unlimited sample length):
The samples are simple 8-bit mono WAV files. Features of the module are:
CV control for pitch with 1V/octave
Gate input
NO (practical) LENGTH LIMIT for the sample playback, because the module plays the samples directly from the memory card
Sample is displayed on the included OLED display
For each sample, following playback parameters can be edited: Sample start/end, loop start/end, loop crossfade, transpose/tune, all this settings are visible in the display and are saved per sample
Different loop modes can be selected: Oneshot, Reverse, Loop forward/reverse/alternating, loop hold (loop remains playing when gate goes to off)
Editing of the different parameters is accomplished with an endless encoder and a small menu
CV control for playback start, loop start, loop length, reverting playback, sample selection
Six buttons can be used for quick switching between six samples of the current folder
Additionally to the audio output, the SAMPLYR provides trigger outputs for loop start point, loop end point, playback end; by this, certain other operations can be triggered at these specific points, e.g. synchronizing to the loop points.
...and all this in a 1-unit AE module!
The sample files are organized as simple folders on the micro SD card named "A"..."Z" and per folder files named "0....wav, 1....wav, ..."
Included with the module is a micro-SD card with some demo samples; and each buyer will receive an update for the factory samples, made by the sound designer "empty vessel" exclusively for the SAMPLYR module (provided as download later this year).
The SAMPLYR module is of course not a hi-fi, high quality sampler module due to its 8-bit design. It has the flavour of the early samplers like EMU II, Fairlight CMI IIx, Ensoniq Mirage... The typical, recommended sample rate is 16000 Hz. these samples can be pitched up by approx. 1 1/2 octaves max.
Beyond the 8-bit resolution, the samples can be also encoded as uLaw and aLaw; in this case, the resolution is true 10 bits. For converting your existing samples, the open-source audio editor "Audacity" is great for the conversion and editing process.
Note: The SAMPLYR module is a sample player only; it doesn't offer recording of audio.
MIXER 4-4 (4-channel mixer):
This module consists of:
An audio mixer with 4 inputs and their level knobs
Additional 4 separate inputs that are mixed at full level (especially for mixing CV signals) and a separate output
HEARTBEAT (precise clock source, with BPM setting, and tempo-tapping):
HEARTBEAT is a master clock source for AE modular, with some additional features. The module offers:
Precise BPM setting with an encoder in the range of 30-300 BPM in steps of 0.1 BPM
A graphical display for the tempo and additional info and menu
A big tap button for setting the tempo by tapping it
An illuminated start/stop button
Six independent clock outputs; each of them can be configured by a menu to a time signature between 1/1 to 1/32th plus dotted and triplets.
Inputs for clock, reset and two CV and trigger inputs that can be assigned to different functions
The clock source can be either internal or an external clock (at 1/96th rate which corresponds to MIDI real time
TRIQ164 (4-channel, 16-step trigger sequencer, with repeat/ratched per step):
Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.
Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack
It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!
This is a REAL modular synth system; all modules can be rearranged and swapped as you like.
… Read moreDRUMKIT (lofi digital drum module):
DRUMKIT 010 consists of 11 8-bit drum sound samples; 6 of them can be triggered in parallel in any combination by the trigger inputs. With a BANK selector knob, different combinations of the 11 samples can be selected. The PITCH knob affects the pitch of all instruments together, and with the REVERSE button the sounds are played backwards - quite a nice effect to be added here and there.
Don't expect high quality from this module - it's by design a nasty, lo-fi drum sound source, but definitely with its own character. Works great together with the analog KICK module.
KICK (analog kick drum):
It has three knobs: PITCH for the overall pitch of the sound; with DECAY the length of the sound can be set and with DRIVE a nice distortion can be added to the sound.
With the pitch decay switch the pitch follows the amplitude, giving a bit different character.
And a trigger button is available to check the sound without an external trigger signal.
SAMPLYR (sample player with micro-SD card, various loop modes, almost unlimited sample length):
The samples are simple 8-bit mono WAV files. Features of the module are:
CV control for pitch with 1V/octave
Gate input
NO (practical) LENGTH LIMIT for the sample playback, because the module plays the samples directly from the memory card
Sample is displayed on the included OLED display
For each sample, following playback parameters can be edited: Sample start/end, loop start/end, loop crossfade, transpose/tune, all this settings are visible in the display and are saved per sample
Different loop modes can be selected: Oneshot, Reverse, Loop forward/reverse/alternating, loop hold (loop remains playing when gate goes to off)
Editing of the different parameters is accomplished with an endless encoder and a small menu
CV control for playback start, loop start, loop length, reverting playback, sample selection
Six buttons can be used for quick switching between six samples of the current folder
Additionally to the audio output, the SAMPLYR provides trigger outputs for loop start point, loop end point, playback end; by this, certain other operations can be triggered at these specific points, e.g. synchronizing to the loop points.
...and all this in a 1-unit AE module!
The sample files are organized as simple folders on the micro SD card named "A"..."Z" and per folder files named "0....wav, 1....wav, ..."
Included with the module is a micro-SD card with some demo samples; and each buyer will receive an update for the factory samples, made by the sound designer "empty vessel" exclusively for the SAMPLYR module (provided as download later this year).
The SAMPLYR module is of course not a hi-fi, high quality sampler module due to its 8-bit design. It has the flavour of the early samplers like EMU II, Fairlight CMI IIx, Ensoniq Mirage... The typical, recommended sample rate is 16000 Hz. these samples can be pitched up by approx. 1 1/2 octaves max.
Beyond the 8-bit resolution, the samples can be also encoded as uLaw and aLaw; in this case, the resolution is true 10 bits. For converting your existing samples, the open-source audio editor "Audacity" is great for the conversion and editing process.
Note: The SAMPLYR module is a sample player only; it doesn't offer recording of audio.
MIXER 4-4 (4-channel mixer):
This module consists of:
An audio mixer with 4 inputs and their level knobs
Additional 4 separate inputs that are mixed at full level (especially for mixing CV signals) and a separate output
HEARTBEAT (precise clock source, with BPM setting, and tempo-tapping):
HEARTBEAT is a master clock source for AE modular, with some additional features. The module offers:
Precise BPM setting with an encoder in the range of 30-300 BPM in steps of 0.1 BPM
A graphical display for the tempo and additional info and menu
A big tap button for setting the tempo by tapping it
An illuminated start/stop button
Six independent clock outputs; each of them can be configured by a menu to a time signature between 1/1 to 1/32th plus dotted and triplets.
Inputs for clock, reset and two CV and trigger inputs that can be assigned to different functions
The clock source can be either internal or an external clock (at 1/96th rate which corresponds to MIDI real time
TRIQ164 (4-channel, 16-step trigger sequencer, with repeat/ratched per step):
Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.
Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack
It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!
This is a REAL modular synth system; all modules can be rearranged and swapped as you like.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $393.01
(No payment required now - pay when released)
FORTHCOMING
Related products...
Torso Electronics S-4 Carry Case (audio sampler case)
Cat: 1038583 Rel: 30 Nov 24
Case designed to protect Torso Electronics S-4 sculpting sampler
Notes: The S-4 carry case is designed to protect your S-4 while you are on-the-go.
The custom shockproof hard shell is covered with a matte black PU and features moulded inserts to secure an ideal fit.
… Read moreThe custom shockproof hard shell is covered with a matte black PU and features moulded inserts to secure an ideal fit.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Nov 24 $38.74
(No payment required now - pay when released)
FORTHCOMING
Related products...
OXI Instruments Meta Stereo Effect Processor Module (modular synthesiser)
Cat: 1039902 Rel: 30 Nov 24
Compact stereo performance effect processor module - 6HP
Notes: The Best Eurorack Performance FX Module
Meta is the all-in-one solution for creating smooth transitions, exciting drops, and other creative live performance effects.
Meta controls are easy to understand and use. Its feature-rich compact size saves you space and time setting up various modules or expensive effects hardware.
This is the perfect performance effect module for you.
Designed for Performance by Performers
OXI Meta is designed to be easily operated with one hand, and the effects algorithm is built to work specifically for transitions between tracks, building up a drop, intros, or outros with effects like a DJ filter, risers, loopers, and more.
The Solution for Transitions in Eurorack
OXI Meta is an end-of-chain effects processor with a highly performative interface in only 6 HP. Blend your songs and build tension like a professional without all the expensive, bulky gear.
Effect Scenes Breakdown
Meta FX Scenes were crafted and tested to deliver premium level FX- with simplicity, but also allowing to tweak enough to fit your taste and technical needs.
Space
Send your mix into the outer realms with this reverb effect.
Choose from two types of reverbs, a classic long tail reverb with tone and filter control or an experimental reverb from shimmery to deep/black-hole textures.
Riser
One of the most effective ways to create tension for drops and transitions. The OXI Meta riser features two modes both with a high-pass filter & reverb. Mode 1 adds noise and mode 2 adds a Shepard tone-style effect.
DJ filter
A DJ style filter is must have for any live performer. OXI Meta provides you with a high-pass and low-pass filter for the ultimate in transitions.
Loop
Loop small sections of audio in forward or reverse order to create head-nodding breaks and rhythms.
Delay
A high-pass or low-pass clockable delay algorithm with a splash of reverb wash to help glue this classic effect into the mix.
Gater-roller
A unique dual gater effect for exciting audio. Turn the knob right for a gater with division control and built-in high-pass filter, or go left with a snare roll build up with reverb and built-in high-pass filter.
Technical specifications
Width: 6 Hp
Depth: 22 mm
Audio: 24bit, 48KHz
Power consumption:
+12 V: 110 mA
-12 V: 20 mA
+5 V: 0 mA
… Read moreMeta is the all-in-one solution for creating smooth transitions, exciting drops, and other creative live performance effects.
Meta controls are easy to understand and use. Its feature-rich compact size saves you space and time setting up various modules or expensive effects hardware.
This is the perfect performance effect module for you.
Designed for Performance by Performers
OXI Meta is designed to be easily operated with one hand, and the effects algorithm is built to work specifically for transitions between tracks, building up a drop, intros, or outros with effects like a DJ filter, risers, loopers, and more.
The Solution for Transitions in Eurorack
OXI Meta is an end-of-chain effects processor with a highly performative interface in only 6 HP. Blend your songs and build tension like a professional without all the expensive, bulky gear.
Effect Scenes Breakdown
Meta FX Scenes were crafted and tested to deliver premium level FX- with simplicity, but also allowing to tweak enough to fit your taste and technical needs.
Space
Send your mix into the outer realms with this reverb effect.
Choose from two types of reverbs, a classic long tail reverb with tone and filter control or an experimental reverb from shimmery to deep/black-hole textures.
Riser
One of the most effective ways to create tension for drops and transitions. The OXI Meta riser features two modes both with a high-pass filter & reverb. Mode 1 adds noise and mode 2 adds a Shepard tone-style effect.
DJ filter
A DJ style filter is must have for any live performer. OXI Meta provides you with a high-pass and low-pass filter for the ultimate in transitions.
Loop
Loop small sections of audio in forward or reverse order to create head-nodding breaks and rhythms.
Delay
A high-pass or low-pass clockable delay algorithm with a splash of reverb wash to help glue this classic effect into the mix.
Gater-roller
A unique dual gater effect for exciting audio. Turn the knob right for a gater with division control and built-in high-pass filter, or go left with a snare roll build up with reverb and built-in high-pass filter.
Technical specifications
Width: 6 Hp
Depth: 22 mm
Audio: 24bit, 48KHz
Power consumption:
+12 V: 110 mA
-12 V: 20 mA
+5 V: 0 mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Nov 24 $375.30
(No payment required now - pay when released)
FORTHCOMING
Related products...
Notes: Unlock Limitless Creativity.
Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
… Read moreExperience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $902.28
(No payment required now - pay when released)
FORTHCOMING
Related products...
Notes: The Tobinski (formerly known as Dannysound) Sequencer is experimental, playable, addictive and fun!
Each of the 4 sequencers feature:
Loop Start / Loop End controls.
Forward / Reverse Direction switch plus CV input.
Per step ON/OFF/SLIDE switches.
Voltage Out and Gate Out.
External Clock/Reference Input.
End of Sequence Pulse Out.
Expandable with the Sequencer Expander for additional control over loop end, step order and more.
Depth (internal from panel) = 27.5mm
-12V @ 267mA
+12V @ 300mA
+5V @ 46mA
Weight = 0.510kg not including packaging or cables
36 HP
… Read moreEach of the 4 sequencers feature:
Loop Start / Loop End controls.
Forward / Reverse Direction switch plus CV input.
Per step ON/OFF/SLIDE switches.
Voltage Out and Gate Out.
External Clock/Reference Input.
End of Sequence Pulse Out.
Expandable with the Sequencer Expander for additional control over loop end, step order and more.
Depth (internal from panel) = 27.5mm
-12V @ 267mA
+12V @ 300mA
+5V @ 46mA
Weight = 0.510kg not including packaging or cables
36 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Nov 24 $758.35
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cosmotronic Delta-V Analogue Dual-Channel Function Generator Module (silver) (modular synthesiser)
Cat: 1034154 Rel: 31 Oct 24
Analogue dual-channel function generator module - 10HP
Notes: Delta-V is a fully analogue dual-channel function generator, featuring a dedicated VCA and LFO cycle switch for each channel. It packs a great deal of functionality in only 10HP, and will surely find use in almost every patch.
Generate envelopes, slew gates and signals, or run LFOs with precise control over attack and decay times. Using the SHAPE knob, Delta-v can create a wide range of envelopes, from very snappy exponential curves for percussion to logarithmic thumps for bass lines.
If VCA's input is unpatched, the module outputs a regular voltage envelope. When an audio signal is patched into the VCA input, the output signal becomes the audio signal amplified by the envelope.
Sending other envelopes or an LFO to VCA input lets you modulate those modulators, quickly creating complex control voltages that go beyond the usual attack-decay envelope.
Combine this with the SUM output, which sums the two channels, and the attenuverters, which can quickly attenuate or invert the signal, and you have a whole array of signal processing capabilities.
The TRIGGER input fires a Attack-Decay envelope, while the SLEW input will affect the rate of change of the signal.
The trigger for channel 1 and 2 can be linked together, so you can fire two envelopes with one patch cable.
Each channel has an End of Cycle output, (EOC) this outputs a short trigger at the end of each envelope cycle.
The output voltage ranges from -10 to +10 volts, set with handy output attenuverters.
The CYCLE switch starts looping the envelope, creating LFO's that go up to audio rate, and that can also be used as an interesting sound source.
There are many ways to utilise Delta-V.
Challenge yourself to explore new, unconventional territories!
Width: 10HP
Depth: 27MM
Power +12V, 70 MA
Power -12V, 70 MA
Power 5V, 0 MA
… Read moreGenerate envelopes, slew gates and signals, or run LFOs with precise control over attack and decay times. Using the SHAPE knob, Delta-v can create a wide range of envelopes, from very snappy exponential curves for percussion to logarithmic thumps for bass lines.
If VCA's input is unpatched, the module outputs a regular voltage envelope. When an audio signal is patched into the VCA input, the output signal becomes the audio signal amplified by the envelope.
Sending other envelopes or an LFO to VCA input lets you modulate those modulators, quickly creating complex control voltages that go beyond the usual attack-decay envelope.
Combine this with the SUM output, which sums the two channels, and the attenuverters, which can quickly attenuate or invert the signal, and you have a whole array of signal processing capabilities.
The TRIGGER input fires a Attack-Decay envelope, while the SLEW input will affect the rate of change of the signal.
The trigger for channel 1 and 2 can be linked together, so you can fire two envelopes with one patch cable.
Each channel has an End of Cycle output, (EOC) this outputs a short trigger at the end of each envelope cycle.
The output voltage ranges from -10 to +10 volts, set with handy output attenuverters.
The CYCLE switch starts looping the envelope, creating LFO's that go up to audio rate, and that can also be used as an interesting sound source.
There are many ways to utilise Delta-V.
Challenge yourself to explore new, unconventional territories!
Width: 10HP
Depth: 27MM
Power +12V, 70 MA
Power -12V, 70 MA
Power 5V, 0 MA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $201.48
(No payment required now - pay when released)
FORTHCOMING
Related products...
Notes: The ultimate way to experience audio
Full bass immersion
SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.
The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.
One Subpac. One system.
SUBPAC X1 is Designed for Dual Use
For your chair
Anywhere you sit and engage with audio
For you to wear
Big Bass, Anywhere
Connect to the deepest feeling
Unparalleled Bass Response.
Customise & control
Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.
Power & precision
Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.
Comfort & flexibility
Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.
Modular
Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.
Bluetooth wireless freedom
Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.
Pro grade
Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.
A unified experience
The SUBPAC X1 System Combines Hardware & Software
Inputs:
3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP
Outputs:
3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O
Power:
Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:
Adjustable between 1-250hz
Mobile Control App:
iOS and Android compatible
… Read moreFull bass immersion
SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.
The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.
One Subpac. One system.
SUBPAC X1 is Designed for Dual Use
For your chair
Anywhere you sit and engage with audio
For you to wear
Big Bass, Anywhere
Connect to the deepest feeling
Unparalleled Bass Response.
Customise & control
Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.
Power & precision
Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.
Comfort & flexibility
Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.
Modular
Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.
Bluetooth wireless freedom
Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.
Pro grade
Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.
A unified experience
The SUBPAC X1 System Combines Hardware & Software
Inputs:
3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP
Outputs:
3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O
Power:
Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:
Adjustable between 1-250hz
Mobile Control App:
iOS and Android compatible
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $663.15
(No payment required now - pay when released)
FORTHCOMING
Related products...
WMD PM Channels MKII 4-Channel Mixer Module (modular synthesiser)
Cat: 1021196
4-channel mixer module - 24HP
Notes: Need More Inputs?
Add four channels at a time to your Performance Mixer MKII setup, or you can use the Channels MKII as a standalone four channel mixer.
The expansion is simple -- identical channels, just more of them. Four at a time, up to four Channels units, for 24 total stereo channels.
A simple 16 pin 2mm pitch expansion cable is provided and is the only connection necessary. Units can be daisy-chained easily resulting in a clean setup.
Additionally, the outputs on Channels MKII still work when connected to the PM MKII. So you get a submix of AUX1, AUX2, and MIX available for whatever you may want to do, drum submixing, FX routing, etc.
Not Just an Expansion -- Standalone Operation
As a standalone unit, you get three stereo outputs, MIX, AUX1, AUX2. The buttons are soft mutes. It's a robust four channel setup.
FYI -- You can not connect CHANNELS MKIIs together without a PM MKII. The summing, buttons, and control brain is in the master section of the PM MKII.
Recording Outputs:
Pre and Post fade headers are available on the rear for connection to the DB25 MKII. Each Chanels MKII will fill 1/2 of a DB25 with the Pre or Post connections.
Specifications:
24HP
36mm Depth behind Panel Including Cables
Board Height Between Rails 111.5mm
Channel Input Gain: -12dB to +20dB
Fader Gain: -100dB to +5dB (Applies to Aux1, Aux2 also)
Pan Curve: -100dB at Hard L/R, -3dB at Center
All Inputs and Outputs (Including Sends, Inserts, Headers, etc) are IN PHASE
HPF: -1.3dB at 20Hz
… Read moreAdd four channels at a time to your Performance Mixer MKII setup, or you can use the Channels MKII as a standalone four channel mixer.
The expansion is simple -- identical channels, just more of them. Four at a time, up to four Channels units, for 24 total stereo channels.
A simple 16 pin 2mm pitch expansion cable is provided and is the only connection necessary. Units can be daisy-chained easily resulting in a clean setup.
Additionally, the outputs on Channels MKII still work when connected to the PM MKII. So you get a submix of AUX1, AUX2, and MIX available for whatever you may want to do, drum submixing, FX routing, etc.
Not Just an Expansion -- Standalone Operation
As a standalone unit, you get three stereo outputs, MIX, AUX1, AUX2. The buttons are soft mutes. It's a robust four channel setup.
FYI -- You can not connect CHANNELS MKIIs together without a PM MKII. The summing, buttons, and control brain is in the master section of the PM MKII.
Recording Outputs:
Pre and Post fade headers are available on the rear for connection to the DB25 MKII. Each Chanels MKII will fill 1/2 of a DB25 with the Pre or Post connections.
Specifications:
24HP
36mm Depth behind Panel Including Cables
Board Height Between Rails 111.5mm
Channel Input Gain: -12dB to +20dB
Fader Gain: -100dB to +5dB (Applies to Aux1, Aux2 also)
Pan Curve: -100dB at Hard L/R, -3dB at Center
All Inputs and Outputs (Including Sends, Inserts, Headers, etc) are IN PHASE
HPF: -1.3dB at 20Hz
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $541.36
(No payment required now - pay when released)
FORTHCOMING
Related products...
Morphor Sequencer Quad Gate/CV Sequencer Module (modular synthesiser)
Cat: 1034661 Rel: 31 Oct 24
Quad gate/CV sequencer module - 4HP
Notes: The Morphor Sequencer - Quad Gate/CV is a versatile, compact sequencer designed for both live performances and songwriting. It features 4 individual output jacks that can be configured either as gate/trigger or as CV output. Depending on the selected output configuration, the module can be set up as a 2-, 3-, or 4-track sequencer.
Specifications
Panel width: 4 HP
Panel height: 3 U
Module depth: TBA mm
Current draw: 12 V : TBA mA | -12 V : TBA mA | +5 V : TBA mA
Dimensions: 128.5 x 20 x TBA mm
Weight: TBA g
Power Socket: 16-pin
… Read moreSpecifications
Panel width: 4 HP
Panel height: 3 U
Module depth: TBA mm
Current draw: 12 V : TBA mA | -12 V : TBA mA | +5 V : TBA mA
Dimensions: 128.5 x 20 x TBA mm
Weight: TBA g
Power Socket: 16-pin
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $226.95
(No payment required now - pay when released)
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CubuSynth Dual CS-20 VCF Dual Multimode VCF Module With Self Oscillating Resonance (dual/stereo/filter/oscillator module)
Cat: 1006099
Dual multimode VCF module with self oscillating resonance - 10HP
Notes: Dual / Stereo Multimode VCF with Self-oscillating Resonance and intuitive Routing and CV modulation Matrix
The CubuSynth Dual CS-20 VCF is a dual / stereo multimode VCF / Phaser / VCO, inspired by the legendary Korg MS-20, with CV control over frequency and resonance. The resonance can self-oscillate and features a 1V/Oct input, stable over at least 2~3 octaves.
Each of the two filter cores has 2 stages of Low Pass and High Pass filtering, which can be blended.
The Frequency CV can be "attenuverted" (with inverting attenuator on CV input). The resonance CV comes with an attenuator.
Key features
2 individual Filter cores with common Frequency and Resonance controls
CV control over Frequency and Resonance for each Filter core
self-oscillating Resonance with LED feedback circuit (visible on the Front)
1 V/oct input, tracking over 2~3 octaves
Frequency Range: 22 Hz - 20 kHz
Blend between LP / HP Filter modes
Ability to use as 2 pole (12db) stereo HP/LP Filter, 4 pole (24db) mono LP/HP or a Band Pass (12db) Filter
Cross FM Modulation possible
Specifications
Size: 10HP x 3U / 50mm x 129mm
Depth: DIY version: 36 mm
Built version: 24 mm
Max. Current Draw:
+12V: +19mA
-12V: -19mA
… Read moreThe CubuSynth Dual CS-20 VCF is a dual / stereo multimode VCF / Phaser / VCO, inspired by the legendary Korg MS-20, with CV control over frequency and resonance. The resonance can self-oscillate and features a 1V/Oct input, stable over at least 2~3 octaves.
Each of the two filter cores has 2 stages of Low Pass and High Pass filtering, which can be blended.
The Frequency CV can be "attenuverted" (with inverting attenuator on CV input). The resonance CV comes with an attenuator.
Key features
2 individual Filter cores with common Frequency and Resonance controls
CV control over Frequency and Resonance for each Filter core
self-oscillating Resonance with LED feedback circuit (visible on the Front)
1 V/oct input, tracking over 2~3 octaves
Frequency Range: 22 Hz - 20 kHz
Blend between LP / HP Filter modes
Ability to use as 2 pole (12db) stereo HP/LP Filter, 4 pole (24db) mono LP/HP or a Band Pass (12db) Filter
Cross FM Modulation possible
Specifications
Size: 10HP x 3U / 50mm x 129mm
Depth: DIY version: 36 mm
Built version: 24 mm
Max. Current Draw:
+12V: +19mA
-12V: -19mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $182.67
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tangible Waves AE Modular VSYSTEM-2 Wavetable Synthesiser With Effects Processor (modular synthesiser complete system)
Cat: 1010403
Wavetable synthesiser complete system with effects processor
Notes: The VSYSTEM-2 is a complete synth in a case of exactly the size of the Korg Volca synths. It contains the following AE modules:
WAVETABLES (digital wavetable oscillator):
The WAVETABLES module is a digital oscillator that is based of wavetables, a technique that become popular first with the famous PPG synthesizer. Here, a huge number of digital waveforms can be "scanned", resulting in a morphing between a variety of interesting spectral structures.
The module offers seven different table sets, in each of them an interesting spectral move happens via the WAVE knob. Of course, this can be modulated by an external CV too.
To "fatten" the sound, the DETUNE/SPREAD knob adds a second oscillator with a variable detune up to one octave.
Pitch and wave modulation have an attenuator knob to set the amount of modulation, plus a switch to choose between unipolar (modulation CV is added to the current value) or bipolar (modulation swings above and below the current value).
The table position of the currently played waveform has a visual representation by an LED that changes its colour in the rainbow spectrum.
WAVETABLES is based on a quite powerful processor, the output is 16-bit audio, resulting in a high-quality sound.
This module was developed by Paula Maddox from DOVE audio; known by the excellent synthesizers MODAL 002, MODAL 008 and we are proud and happy that Paula offered to contribute this excellent work for the AE modular product line.
GRUNGE FILTER (Polivoks style filter):
The GRUNGE FILTER is the AE version of the filter that gave the famous Polivoks synth his unique, rough sound. The Polivoks was a Russian synth that was produced between 1982 and 1990.
Beyond the basic design, this filter offers some additional features:
two different resonance characteristics, hard and soft
an FM function, that adds the input signal to the modulation of the filter
an optional overdrive for the output, making the sound even more rough and untamed.
MODULATORS (containing LFO, envelope, random voltage, VCA):
MODULATORS is a multifunctional module offering different kinds of modulation sources in a 1U module. It is designed especially with very small AE systems in mind.
You get:
An AD envelope generator
an LFO with adjustable rate, square wave and triangle/sawtooth output, pulse width knob and CV control
a random CV source working in different modes (stepped, smoothed, quantized)
and a VCA
2ENV (dual CV controlled envelope generator):
ENV is a dual attack - decay envelope; it can be switched between full sustain (the output remains at full level as long as the GATE input is on) and zero sustain (for percussive envelopes). Another switch (SLOW/FAST) allows selecting the time range.?
For manual triggering there is a button for each envelope.
CV control: Both attack and decay time can be CV controlled; the CV "multiplies" the time by 1...approx. 8 times.
MULTIFX (digital stereo FX processor with reverbs, delays and other FX):
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.
Each program has 3 parameters that can be adjusted and additionally be CV-controlled.
With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.
It is based on the FV-1 DSP chip that is well-known from other FX-modules in the eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by tangiblewaves.
Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack
It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!
This is a REAL modular synth system; all modules can be rearranged and swapped as you like.
… Read moreWAVETABLES (digital wavetable oscillator):
The WAVETABLES module is a digital oscillator that is based of wavetables, a technique that become popular first with the famous PPG synthesizer. Here, a huge number of digital waveforms can be "scanned", resulting in a morphing between a variety of interesting spectral structures.
The module offers seven different table sets, in each of them an interesting spectral move happens via the WAVE knob. Of course, this can be modulated by an external CV too.
To "fatten" the sound, the DETUNE/SPREAD knob adds a second oscillator with a variable detune up to one octave.
Pitch and wave modulation have an attenuator knob to set the amount of modulation, plus a switch to choose between unipolar (modulation CV is added to the current value) or bipolar (modulation swings above and below the current value).
The table position of the currently played waveform has a visual representation by an LED that changes its colour in the rainbow spectrum.
WAVETABLES is based on a quite powerful processor, the output is 16-bit audio, resulting in a high-quality sound.
This module was developed by Paula Maddox from DOVE audio; known by the excellent synthesizers MODAL 002, MODAL 008 and we are proud and happy that Paula offered to contribute this excellent work for the AE modular product line.
GRUNGE FILTER (Polivoks style filter):
The GRUNGE FILTER is the AE version of the filter that gave the famous Polivoks synth his unique, rough sound. The Polivoks was a Russian synth that was produced between 1982 and 1990.
Beyond the basic design, this filter offers some additional features:
two different resonance characteristics, hard and soft
an FM function, that adds the input signal to the modulation of the filter
an optional overdrive for the output, making the sound even more rough and untamed.
MODULATORS (containing LFO, envelope, random voltage, VCA):
MODULATORS is a multifunctional module offering different kinds of modulation sources in a 1U module. It is designed especially with very small AE systems in mind.
You get:
An AD envelope generator
an LFO with adjustable rate, square wave and triangle/sawtooth output, pulse width knob and CV control
a random CV source working in different modes (stepped, smoothed, quantized)
and a VCA
2ENV (dual CV controlled envelope generator):
ENV is a dual attack - decay envelope; it can be switched between full sustain (the output remains at full level as long as the GATE input is on) and zero sustain (for percussive envelopes). Another switch (SLOW/FAST) allows selecting the time range.?
For manual triggering there is a button for each envelope.
CV control: Both attack and decay time can be CV controlled; the CV "multiplies" the time by 1...approx. 8 times.
MULTIFX (digital stereo FX processor with reverbs, delays and other FX):
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.
Each program has 3 parameters that can be adjusted and additionally be CV-controlled.
With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.
It is based on the FV-1 DSP chip that is well-known from other FX-modules in the eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by tangiblewaves.
Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack
It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!
This is a REAL modular synth system; all modules can be rearranged and swapped as you like.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $408.51
(No payment required now - pay when released)
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Related products...
CatSynth Slimline Single Buffered Multiple Module (multiple module)
Cat: 1009307
Single buffered multiple module - 2HP
Notes: Expand the capabilities of your Eurorack system with the 2HP Eurorack compatible Single Buffered Multiple. This compact but powerful module is the perfect solution to multiply and distribute your signals without losing quality. It is specially designed for synth lovers who want to optimize their signal chain and shape their soundscapes with precision.
Ultra-compact design
With a width of only 2HP, this module fits seamlessly into any Eurorack setup, maximizing the space available for further creative expansion.
Seven outputs
Equipped with seven outputs, our Single Buffered Multiple allows simultaneous signal distribution to multiple modules. Perfect for complex patches where you want to send a signal to different destinations.
Buffered Outputs
The buffered outputs ensure that signal integrity is maintained even when distributed across multiple modules. Enjoy precise control and stability in your signal chain without sacrificing signal quality.
LED indicator for positive input signals
A special feature is the integrated LED, which lights up as soon as a positive input signal is detected. This visual feedback is not only convenient, but also makes it easier to troubleshoot complex patches and improve the user experience.
Optimal flexibility
Whether you want to route audio signals, control voltages or triggers, our Single Buffered Multiple offers the flexibility you need to meet your creative needs.
… Read moreUltra-compact design
With a width of only 2HP, this module fits seamlessly into any Eurorack setup, maximizing the space available for further creative expansion.
Seven outputs
Equipped with seven outputs, our Single Buffered Multiple allows simultaneous signal distribution to multiple modules. Perfect for complex patches where you want to send a signal to different destinations.
Buffered Outputs
The buffered outputs ensure that signal integrity is maintained even when distributed across multiple modules. Enjoy precise control and stability in your signal chain without sacrificing signal quality.
LED indicator for positive input signals
A special feature is the integrated LED, which lights up as soon as a positive input signal is detected. This visual feedback is not only convenient, but also makes it easier to troubleshoot complex patches and improve the user experience.
Optimal flexibility
Whether you want to route audio signals, control voltages or triggers, our Single Buffered Multiple offers the flexibility you need to meet your creative needs.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $39.58
(No payment required now - pay when released)
FORTHCOMING
Related products...
Alter Audio Timetosser MKII Live Sampler & Audio Re-Sequencer (audio sampler/sequencer)
Cat: 1040409 Rel: 30 Nov 24
Live sampler & audio re-sequencer
Notes: Timetosser is the first of its kind. An innovative hybrid between an audio effect and electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.
Real-time sound mangling is the name of the game. Timetosser automatically detects the tempo of the incoming audio, samples it and chops it to length ready for re-triggering. Create new rhythms on the fly by actively playing the instrument, or let Timetosser serve you loops and slices of your live audio. By combining Timetosser with a classic DJ set-up, much value can be added to any stage act. Furthermore, Timetosser can be hooked up to any device, giving you much artistic freedom. From drum machines to modular synthesizers, from a single layer on your mixer (e.g. basslines, vocals, drums..) to the master output. By adding Timetosser, you instantly gain a unique live effect by adding variety to your tracks and loops.
How does it work?
Standalone - Use the tap-tempo key to tap in sync with the music. From this, Timetosser learns the length of 1/4, 1/8 and 1/16 notes, as well as their triplets.
MIDI IN - Another option is to sync to midi-clock. By connecting the supplied mini-jack to DIN-5 adapter cable to the sync input, Timetosser is able to synchronise to an incoming midi-clock signal.
Analog Gate - The sync input also supports analogue gate voltages. To use analogue gate sync, just connect a standard mono mini-jack cable to the sync input directly.
MIDI OUT - Having both a MIDI-input and output means these will be usable from within your DAW software when Timetosser is connected to your computer. But the true advantage comes when Timetosser is used in standalone-mode. Since Timetosser detects the tempo of the incoming audio, the MIDI-output can be used to send out that tempo. This means you can synchronise your MIDI-gear and have them play in time with anything you feed into Timetosser. Alter Audio are very excited about the possibilities this brings: blur the lines between deejaying and live performing by having synths and drum machines play alongside your tracks.
By pressing any of the keys of the upper row, you basically select a delay that is a multiple of the selected note length. By playing patterns using the upper keys, you can keep changing the delay time (in real-time!) in a way that you can repeat a note, or change the order of the music entirely.
Audio Plugin / USB connectivity
Besides being a standalone device, Timetosser can also be connected to your computer. This way, it becomes a USB MIDI interface and controller for the Timetosser audio plugin (VST & AU).
Timetosser's firmware can be upgraded through USB with the application that is downloadable from the support page.
The audio plugin is a virtual Timetosser that can be dropped as an effect on an audio track in your DAW. One of up to eight plugin instances can be selected and controlled from the hardware unit.
Unit size & weight
With included travel case and cable set: 220 x 140 x 50 mm / 630 grams
High quality sound
Digital audio: 24-bit / 96 KHz, low noise, high quality codec, 2-in / 2-out 1/4" jack connectors
CPU: 180 MHz 32-bit ARM
Microcontroller for real-time audio analysis and smooth visual feedback
VST plug-in: Use Timetosser as midi interface and plugin controller when connected to a computer
MIDI / Gate IN, MIDI OUT: Sync to MIDI-clock and analogue gate voltage. Send detected or external sync as MIDI-clock
… Read moreReal-time sound mangling is the name of the game. Timetosser automatically detects the tempo of the incoming audio, samples it and chops it to length ready for re-triggering. Create new rhythms on the fly by actively playing the instrument, or let Timetosser serve you loops and slices of your live audio. By combining Timetosser with a classic DJ set-up, much value can be added to any stage act. Furthermore, Timetosser can be hooked up to any device, giving you much artistic freedom. From drum machines to modular synthesizers, from a single layer on your mixer (e.g. basslines, vocals, drums..) to the master output. By adding Timetosser, you instantly gain a unique live effect by adding variety to your tracks and loops.
How does it work?
Standalone - Use the tap-tempo key to tap in sync with the music. From this, Timetosser learns the length of 1/4, 1/8 and 1/16 notes, as well as their triplets.
MIDI IN - Another option is to sync to midi-clock. By connecting the supplied mini-jack to DIN-5 adapter cable to the sync input, Timetosser is able to synchronise to an incoming midi-clock signal.
Analog Gate - The sync input also supports analogue gate voltages. To use analogue gate sync, just connect a standard mono mini-jack cable to the sync input directly.
MIDI OUT - Having both a MIDI-input and output means these will be usable from within your DAW software when Timetosser is connected to your computer. But the true advantage comes when Timetosser is used in standalone-mode. Since Timetosser detects the tempo of the incoming audio, the MIDI-output can be used to send out that tempo. This means you can synchronise your MIDI-gear and have them play in time with anything you feed into Timetosser. Alter Audio are very excited about the possibilities this brings: blur the lines between deejaying and live performing by having synths and drum machines play alongside your tracks.
By pressing any of the keys of the upper row, you basically select a delay that is a multiple of the selected note length. By playing patterns using the upper keys, you can keep changing the delay time (in real-time!) in a way that you can repeat a note, or change the order of the music entirely.
Audio Plugin / USB connectivity
Besides being a standalone device, Timetosser can also be connected to your computer. This way, it becomes a USB MIDI interface and controller for the Timetosser audio plugin (VST & AU).
Timetosser's firmware can be upgraded through USB with the application that is downloadable from the support page.
The audio plugin is a virtual Timetosser that can be dropped as an effect on an audio track in your DAW. One of up to eight plugin instances can be selected and controlled from the hardware unit.
Unit size & weight
With included travel case and cable set: 220 x 140 x 50 mm / 630 grams
High quality sound
Digital audio: 24-bit / 96 KHz, low noise, high quality codec, 2-in / 2-out 1/4" jack connectors
CPU: 180 MHz 32-bit ARM
Microcontroller for real-time audio analysis and smooth visual feedback
VST plug-in: Use Timetosser as midi interface and plugin controller when connected to a computer
MIDI / Gate IN, MIDI OUT: Sync to MIDI-clock and analogue gate voltage. Send detected or external sync as MIDI-clock
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Nov 24 $343.19
(No payment required now - pay when released)
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Related products...
Intech Studio Grid PO16 Modular MIDI Controller (modular MIDI controller)
Cat: 1032095 Rel: 31 Oct 24
Modular MIDI controller consisting of 16x potmeters
Notes: The PO16 is a sleek, compact, single-turn rotary potentiometer module for controlling quick motion changes like EQ, filters, or synth parameters.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm Eurorack-sized modules (4.19 x 4.19 inches)
16 linear 300- single-turn conductive plastic potentiometers
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic potentiometers in black with plastic knobs
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreEquipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm Eurorack-sized modules (4.19 x 4.19 inches)
16 linear 300- single-turn conductive plastic potentiometers
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic potentiometers in black with plastic knobs
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $138.39
(No payment required now - pay when released)
FORTHCOMING
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Black Corporation Kijimi MK2 8-Voice Analogue Synthesiser (analogue desktop synthesiser)
Cat: 1029533 Rel: 30 Sep 24
8-voice analogue synthesiser with polyphonic aftertouch, MPE & microtuning
Notes: KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.
Continuous analogue timbral control
Instead of fixed waveforms, KIJIMI's voltage-controlled oscillators can morph continuously through waveform types. Sine, triangle, sawtooth, and variable pulse waves are smoothly variable, with pulse width as you turn to the far right. It's a scheme that provides unique, independent timbral over each of the eight voices.
Deep 8-voice architecture
Each of KIJIMI 's 8 voices features 2 analogue oscillators each with a square sub-bass oscillator, for buttery timbres with extensive sound design options. The sub-oscillator produces an octave lower than the combined VCO1 and VCO2 outputs, meaning you can tune two sub-pitches. Hard sync is available in VCO sync and VCO1->2 and 2->1 configurations for maximum flexibility. There's also a noise source for adding bite and percussion components. A rich lowpass filter is built around the legendary 2140 chip and the ability to frequency-modulate it via VCO2, creates a full range of sounds from metallic and aggressive to subtle. Both filter cutoff and resonance are available as modulation destinations.
Unique envelope functionality with dedicated controls
Two ADSR envelopes come with independent rate multipliers, keyboard control of attack rate, and versatile routing. Engage the CYCLE button for a cycling trapezoidal mode, similar to that on vintage instruments like the EMS Synthi. Few polysynths offer this level of detailed control, let alone with front-panel controlsino menu diving needed.
Endless modulation programmability
Modulation possibilities set the KIJIMI apart from other polysynths. Two LFOs can be routed independently to up to eight destinations, directly on front-panel buttons, controlling frequency and waveform modulation, sub-oscillator amount, filter cutoff and frequency, and amplitude modulation. Each LFO includes multiple waveform options (sine, triangle, saw, ramp, square, random) and separate attack and decay knobs in addition to rate. ADSR2 sports four independent destinations, also via front-panel push buttons and knobs. Even velocity and aftertouch get their own dedicated control section for applying velocity or aftertouch to each parameter (LFO rate, waveform morph, sub, pitch bend, and VCA). Dedicated knobs let you apply your aftertouch and poly-aftertouch, to taste, right where you want it. You'll rarely use the menus, and when you do, it'll only be to unlock even more advanced functionality (like multiple LFO features!). KIJIMI is a rare case of fusing straightforward one-control-per-feature design with unrestricted possibilities.
Full MIDI and expressive control, tuning support
Combine all the elements, and KIJIMI is an instrument that's playable like no other. Each note you play separately triggers modulation, independently on each voice, with full control via aftertouch. Add in full MIDI control, complete MIDI polyphonic expression (MPE) support, advanced tuning capabilities (including microtuning via SCALA and 128 memory locations for tuning settings), and velocity polyphonic aftertouch, each with up to six more destinations with its own bipolar settings. KIJIMI finally brings a synthesizer architecture that can unlock the possibilities of your expressive controller of choice.
Updated package
The MK2 version of KIJIMI includes all the acclaimed sonic power and character of its predecessor, in an improved package. Updated firmware now includes the ability to assign different LFO settings (rate, waveform, envelope, and depth) to each individual destination. In addition to 128 factory and 1152 user presets, we've included user banks by Mathew Jonson, Richard Devine, and Paul Schilling. All this comes in a compact, 2.71kg/5.97 lb device with wood panels attached (or the option of metal rack ears instead). DIN MIDI and isolated USB are onboard.
… Read moreContinuous analogue timbral control
Instead of fixed waveforms, KIJIMI's voltage-controlled oscillators can morph continuously through waveform types. Sine, triangle, sawtooth, and variable pulse waves are smoothly variable, with pulse width as you turn to the far right. It's a scheme that provides unique, independent timbral over each of the eight voices.
Deep 8-voice architecture
Each of KIJIMI 's 8 voices features 2 analogue oscillators each with a square sub-bass oscillator, for buttery timbres with extensive sound design options. The sub-oscillator produces an octave lower than the combined VCO1 and VCO2 outputs, meaning you can tune two sub-pitches. Hard sync is available in VCO sync and VCO1->2 and 2->1 configurations for maximum flexibility. There's also a noise source for adding bite and percussion components. A rich lowpass filter is built around the legendary 2140 chip and the ability to frequency-modulate it via VCO2, creates a full range of sounds from metallic and aggressive to subtle. Both filter cutoff and resonance are available as modulation destinations.
Unique envelope functionality with dedicated controls
Two ADSR envelopes come with independent rate multipliers, keyboard control of attack rate, and versatile routing. Engage the CYCLE button for a cycling trapezoidal mode, similar to that on vintage instruments like the EMS Synthi. Few polysynths offer this level of detailed control, let alone with front-panel controlsino menu diving needed.
Endless modulation programmability
Modulation possibilities set the KIJIMI apart from other polysynths. Two LFOs can be routed independently to up to eight destinations, directly on front-panel buttons, controlling frequency and waveform modulation, sub-oscillator amount, filter cutoff and frequency, and amplitude modulation. Each LFO includes multiple waveform options (sine, triangle, saw, ramp, square, random) and separate attack and decay knobs in addition to rate. ADSR2 sports four independent destinations, also via front-panel push buttons and knobs. Even velocity and aftertouch get their own dedicated control section for applying velocity or aftertouch to each parameter (LFO rate, waveform morph, sub, pitch bend, and VCA). Dedicated knobs let you apply your aftertouch and poly-aftertouch, to taste, right where you want it. You'll rarely use the menus, and when you do, it'll only be to unlock even more advanced functionality (like multiple LFO features!). KIJIMI is a rare case of fusing straightforward one-control-per-feature design with unrestricted possibilities.
Full MIDI and expressive control, tuning support
Combine all the elements, and KIJIMI is an instrument that's playable like no other. Each note you play separately triggers modulation, independently on each voice, with full control via aftertouch. Add in full MIDI control, complete MIDI polyphonic expression (MPE) support, advanced tuning capabilities (including microtuning via SCALA and 128 memory locations for tuning settings), and velocity polyphonic aftertouch, each with up to six more destinations with its own bipolar settings. KIJIMI finally brings a synthesizer architecture that can unlock the possibilities of your expressive controller of choice.
Updated package
The MK2 version of KIJIMI includes all the acclaimed sonic power and character of its predecessor, in an improved package. Updated firmware now includes the ability to assign different LFO settings (rate, waveform, envelope, and depth) to each individual destination. In addition to 128 factory and 1152 user presets, we've included user banks by Mathew Jonson, Richard Devine, and Paul Schilling. All this comes in a compact, 2.71kg/5.97 lb device with wood panels attached (or the option of metal rack ears instead). DIN MIDI and isolated USB are onboard.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Sep 24 $5,058.26
(No payment required now - pay when released)
FORTHCOMING
Related products...
Boss CE-2W Chorus Waza Craft Effects Pedal (modulation effects pedal)
Cat: 1030418 Rel: 30 Sep 24
Chorus effects pedal
Notes: Launched in 1976, the CE-1 Chorus Ensemble was not only the world's first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analogue chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W's Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.
Waza Craft: The Art of Superior Tone
Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analogue circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analogue components, refined circuitry, and meticulous attention to detail. In Japan, "Waza" is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.
Specifications
Modes: 3 modes, Standard, CE-1 Chorus, CE-1 Vibrato
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: Pedal switch, Standard/CE-1 Mode switch, RATE knob, DEPTH knob
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, DC IN jack
Power Supply: Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22), AC adapter (sold separately)
Current Draw: 25 mA
Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.): Alkaline: Approx. 32 hours, Carbon: Approx. 18 hours
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9V, 6LR61), Alkaline battery (9V, 6LR61)
Options (sold separately) AC adapter: PSA series
Size & weight
Width: 73 mm/ 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm/ 2-3/8 inches
Weight (including battery): 450 g / 1 lb
* 0 dBu = 0.775 Vrms
… Read moreWaza Craft: The Art of Superior Tone
Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analogue circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analogue components, refined circuitry, and meticulous attention to detail. In Japan, "Waza" is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.
Specifications
Modes: 3 modes, Standard, CE-1 Chorus, CE-1 Vibrato
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: Pedal switch, Standard/CE-1 Mode switch, RATE knob, DEPTH knob
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, DC IN jack
Power Supply: Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22), AC adapter (sold separately)
Current Draw: 25 mA
Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.): Alkaline: Approx. 32 hours, Carbon: Approx. 18 hours
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9V, 6LR61), Alkaline battery (9V, 6LR61)
Options (sold separately) AC adapter: PSA series
Size & weight
Width: 73 mm/ 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm/ 2-3/8 inches
Weight (including battery): 450 g / 1 lb
* 0 dBu = 0.775 Vrms
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Sep 24 $216.98
(No payment required now - pay when released)
FORTHCOMING
Related products...
Artium Instruments The Swarm 8-Voice Polyphonic Hybrid Synthesiser & Stereo Effects (hybrid desktop synthesiser/effects unit)
Cat: 1038806 Rel: 30 Nov 24
8-voice polyphonic digital synthesiser & standalone stereo multi-FX box
Notes: Design philosophy
Knob-For-Knob Functionality:
Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.
Curated, Onboard Effects:
With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.
Plug and Play Functionality:
The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)
Quality Craftsmanship, Intentional Design:
Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.
Open Source Platform:
Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.
Synth core
Oscillator:
The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.
Control Modes:
The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.
More Features & Controls:
To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.
Onboard effects
All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.
Freeze:
By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.
Delay:
The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.
Reverb:
The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.
Chorus:
The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.
Controls
Synth core:
Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope
Arpeggiator:
"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock
Effects:
Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level
Rear panel
Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth
… Read moreKnob-For-Knob Functionality:
Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.
Curated, Onboard Effects:
With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.
Plug and Play Functionality:
The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)
Quality Craftsmanship, Intentional Design:
Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.
Open Source Platform:
Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.
Synth core
Oscillator:
The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.
Control Modes:
The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.
More Features & Controls:
To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.
Onboard effects
All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.
Freeze:
By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.
Delay:
The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.
Reverb:
The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.
Chorus:
The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.
Controls
Synth core:
Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope
Arpeggiator:
"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock
Effects:
Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level
Rear panel
Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Nov 24 $419.58
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cat: 1025150 Rel: 30 Sep 24
Portable synthesiser & sequencer
Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.
PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
… Read morePGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Sep 24 $315.52
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tangible Waves AE Modular QUICKSWAP 12U 1-Row Enclosure Case (modular synthesiser enclosure case)
Cat: 1010907
12U 1-row AE module enclosure case
Notes: The 1-row QUICKSWAP CASE for AE modular is the high-end case for AE modular. It is based on a sturdy metal chassis with a beautiful matte black powder coating and - the key feature of this case - allows to plug in AE modules without any screws! The design makes sure that the modules sit really firm in the case and the bus connection is established automatically by the integrated bus board, so need for the separate bus cable known from the standard AE cases. This means, rearranging your modular system can't be easier!
This case is developed by Kyaa, a great 3rd party AE module developer; tangible waves is producing the case. We are happy about this great cooperation and this marvellous addition to our product range!
With a connector kit, another QUICKSWAP CASE of same width can be attached at certain angles, depending on the connector - and the power supply is linked between the cases also via the connector.
Other utilities, like a handle for carrying a folded case, are coming soon.
Please note: This rack does not include the Master or Power module.
To connect the case to power you have the following options:
install the Master Module
install the Power Module
connect to another, already powered QUICKSWAP CASE
connect to another AE case via the RACKLINK module kit
… Read moreThis case is developed by Kyaa, a great 3rd party AE module developer; tangible waves is producing the case. We are happy about this great cooperation and this marvellous addition to our product range!
With a connector kit, another QUICKSWAP CASE of same width can be attached at certain angles, depending on the connector - and the power supply is linked between the cases also via the connector.
Other utilities, like a handle for carrying a folded case, are coming soon.
Please note: This rack does not include the Master or Power module.
To connect the case to power you have the following options:
install the Master Module
install the Power Module
connect to another, already powered QUICKSWAP CASE
connect to another AE case via the RACKLINK module kit
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $109.60
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tascam Model 2400 24-Channel Analogue Recording Console & Live Mixer With Audio Interface (24-channel studio mixer)
Cat: 1034149 Rel: 31 Oct 24
24-channel flagship analogue recording console & live mixer with audio interface
Notes: Streamline Your Mix Process with Advanced Onboard Processing
The Model 2400's versatility doesn't compromise its mixing capabilities one bit. With per-channel compression, multiple sub groups, and master stereo bus processing including compression and EQ, you'll have the pro-level mix control you need in any scenario. Taking your project from tracking to a final master on the Model 2400 couldn't be simpler.
22 Channels and 24 Tracks, One Solution
With comprehensive 22-channel mixing capabilities, the Model 2400 is an ideal studio and live mixer for everything from larger combos and jazz ensembles to orchestra and choir ensembles. And when it comes to recording, no additional interface or computer are required.
Insert Professional Processors and Effects
Insert points on channels 1-12 allow you to easily integrate a studio rack full of processors and effects units. And, in addition to the onboard Master Bus processing, a send/return loop on the Main output allows you to connect external mastering gear such as compressors, EQs, stereo imagers and sonic exciters.
Ample Aux and Sub Outputs
With 5 Aux sends and 4 stereo sub groups, Model 2400 handles advanced mixing duties with ease. Create more monitor mixes without sacrificing an aux for effects. Connect multiple pairs of studio monitors for checking your mixes. In your studio or on stage, Model 2400 delivers the comprehensive connectivity and routing you need.
Professional Recording Capabilities
Model 2400 seamlessly integrates multitrack recording with studio and live mixing. With the ability to record 24 channels (22 inputs plus the stereo master) of high-quality audio direct to SD card media, Model 2400 is a powerful recording solution even if you're a DAW-less producer.
Sound with Excitement
TASCAM Ultra HDDA (High-Definition Discrete Architecture) mic preamps give Model 2400 the vibrant analogue sound that makes harmonics come alive.
With Ultra HDDA, any sound source will be represented with the utmost clarity and richness, and with an ultra-low noise floor.
Monitor Your Signal Virtually
With the Model Mixer Settings Panel app, users can take advantage of a digital meter bridge across by connecting the Model 2400 via USB to a PC or Mac. Set peak hold times, monitor the input, MTR or USB signal all while being able scale the GUI from a small window to full screen. Take it a step further by porting the app from your computer to a dedicated monitor of your choosing.
Ready to Be Your Studio Centrepiece
Model 2400 delivers the classic analogue console experience in the studio, with an onboard 24x22 audio interface that's ready to meld with modern production workflows. Insert points on channels 1-12 allow you to integrate studio processors and effects. And with the ability to return 22 DAW tracks through Model 2400's mix path and processing, it's also the most versatile analogue summing mixer you'll find.
MIDI Interface
Model 2400's comprehensive MIDI functionality allows full integration with MIDI-based production setups. From controlling drum machines and synthesizers from your DAW software, to synchronizing external effects processors to the tempo of your music and creating click tracks, Model 2400 offers the MIDI functionality you need to make it happen.
Additional Features
Seamless DAW Integration and Transport Control
The Model 2400 streamlines your workflow even when you're using it in a typical studio environment with a computer-based DAW. The onboard 24x22 USB audio interface eliminates the need for external interfaces and converters. And thanks to dedicated transport buttons linked to your DAW, you can keep your hands on your console instead of a mouse.
DAW control operation has been confirmed with the following DAW software:
Avid Pro Tools
Apple Logic Pro
MOTU Digital Performer
Steinberg Cubase
Ableton Live
Cakewalk by BandLab
Presonus Studio One
Cockos REAPER
Steinberg Cubasis 3.3
Specifications
Recorder
Recording media: SD (Class 10 or higher), SDHC (Class 10 or higher), SDXC (up to 512 GBytes, Class 10 or higher)
File system: SD: FAT16, SDHC: FAT32, SDXC: exFAT
Recording file formats: WAV (BWF), 44.1/48 kHz, 16/24 bit (maximum file size: 2 GBytes)
Playback file formats: WAV, BWF (44.1/48 kHz, 16/24 bit)
Recordable tracks: 24 (22 tracks + stereo mix)
Audio inputs and outputs
Microphone inputs (MIC, 1-12, 13,15,17,19): XLR-3-31 (combo jack), balanced (1: GND, 2: HOT, 3: COLD)
Maximum input level: +10 dBu
Nominal input level: -8 dBu
Minimum input level: -58 dBu
Gain adjustable range: 0-50 dB
Input impedance: 1.9 kO (1-12), 2.4 kO (13, 15, 17, 19)
Line/Instrument inputs (LINE/INST, 1-2): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: LINE: +22 dBu, INST: 19.8 dBV
Nominal input level: LINE: +4 dBu, INST: 1.8 dBV
Gain adjustment range: -10 dB to +40 dB
Input impedance: LINE: 22 kO, INST: 1 MO
Line inputs (LINE, 3-12): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: +22 dBu
Nominal input level: +4 dBu
Gain adjustable range: -10 dB to +40 dB
Input impedance: =22 kO
Stereo line inputs (LINE L/MONO, R, 13/14 to 21/22): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: +22 dBu
Nominal input level: +4 dBu
Gain adjustment range: -20 dB to +30 dB
Input impedance: =11 kO (mono), =22 kO (stereo)
Inserts (1-12): 6.3-mm TRS phone jack, (Tip: Send, Ring: Return, Sleeve: GND)
Maximum input level: +18 dBu
Nominal input level: 0 dBu
Input impedance: 15 kO
Maximum output level: +18 dBu
Nominal output level: 0 dBu
Output impedance: 100 O
Talkback input: XLR-3-31, balanced (1: GND, 2: HOT, 3: COLD)
Maximum input level: -22 dBu
Minimum input level: -65 dBu
Gain adjustable range: 52 dB
Input impedance= 2.6 kO
Main output (MAIN OUTPUT L/R): XLR-3-32, balanced (1: GND, 2: HOT, 3:COLD)
Maximum output level: +22 dBu
Nominal output level: +4 dBu
Output impedance: 200 O
Main inserts (MAIN SEND/RETURN L/R): 6.3-mm TRS phone jack (Tip: Send, Ring: Return, Sleeve: GND)
Maximum input level: +18 dBu
Nominal input level: 0 dBu
Input impedance= 9 kO
Maximum output level: +18 dBu
Nominal output level: 0 dBu
Output impedance: 100 O
Control Room outputs (CONTROL ROOM L/R): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Aux outputs (AUX OUTPUT 1-5): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Sub group outputs (SUB OUTPUT 1-2, 3-4, 5-6, 7-8): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Phones output 1/2: 2 × 6.3-mm stereo phone jack
Maximum output power: 45 mW + 45 mW (at 32 O)
Control inputs/outputs
USB port: USB Type-B
Protocol: USB 2.0 High Speed (480 Mbit/s)
Click output
6.3-mm standard TS jack: (Tip: HOT, Sleeve: GND)
Footswitch connector: 6.3-mm TRS phone jack (Tip: FOOTSW1, Ring: FOOTSW2, Sleeve: GND, unlatching switches required)
MIDI input and output: 5-pin DIN connector
Format: Standard MIDI
USB audio
Sampling rate: 44.1 kHz, 48 kHz
Bit depth: 16 bit, 24 bit
Maximum number of audio channels: 24 inputs, 22 outputs
Bluetooth
Version: 5.1
Output class: 2 (approximate transmission distance: 10 m)
Supported profile: A2DP
Supported A2DP codecs: SBC, AAC
A2DP content protection: SCMS-T
Audio performance
S/N ratio: (22 kHz LPF, A-weighted), Main mix off: -100 dB, Main mix 0 dB: -80 dB
Equivalent input noise (EIN): -128 dBu (Rs=15 O, MIC IN to INSERT SEND, GAIN knobs at max., A-weighted)
Total harmonic distortion (THD+N): (GAIN knobs at min., 1 kHz), 0,01 % (mic input to main output), 0.004 % (mic input to main output, +2 dBu, BYPASS switches on)
Frequency response: (all gain knobs at min., 1 kHz) 20 Hz to 30 kHz, +0.5/-1 dB (analogue), 20 Hz to 20 kHz, +0.5/-1 dB (digital)
Crosstalk: (PAN knobs fully left or right, 1 kHz), Between channels: -80 dB, Between input and output: -80 dB
Maximum gain: (all GAIN knobs at max., PAN knobs fully left or right, BYPASS on, MASTER BUS IN off), 74 dB (MIC to MAIN OUT), 54 dB (MIC to INSERT OUT), 74 dB (MIC to SUB OUT), 75 dB (MIC to AUX OUT), 24 dB (USB/SD to MAIN OUT)
Computer system requirements
Windows: Windows 11, Windows 10 (64-bit)
Compatible computers: Windows-compatible computer with a USB 2.0 (or higher) port, using Tascam driver, operation not guaranteed with ARM64 CPUs
Display requirements (settings panel software): 1280 × 720 or higher, True colour recommended
Mac: macOS Sonoma (14), macOS Ventura (13)
Compatible computers: Apple Mac computer with a USB 2.0 (or higher) port
Display requirements (settings panel software): 1280 × 720 or higher, True colour recommended
iOS/iPadOS devices: iOS 17/iPadOS 17, iOS 16/iPadOS 16
Power supply and other specifications
Power: AC 100-240 V, 50/60 Hz
Power consumption: 65 W
Dimensions (W × D × H): 681 mm × 568 mm × 133 mm (overall), 639 mm × 568 mm × 133 mm (without side panels)
Weight: 14 kg
Guaranteed operating temperature range: 0-40 -C
Guaranteed operating humidity range: 5-85 % (without condensation)
Included items: AC power cord, Startup Guide, Registration Guide
… Read moreThe Model 2400's versatility doesn't compromise its mixing capabilities one bit. With per-channel compression, multiple sub groups, and master stereo bus processing including compression and EQ, you'll have the pro-level mix control you need in any scenario. Taking your project from tracking to a final master on the Model 2400 couldn't be simpler.
22 Channels and 24 Tracks, One Solution
With comprehensive 22-channel mixing capabilities, the Model 2400 is an ideal studio and live mixer for everything from larger combos and jazz ensembles to orchestra and choir ensembles. And when it comes to recording, no additional interface or computer are required.
Insert Professional Processors and Effects
Insert points on channels 1-12 allow you to easily integrate a studio rack full of processors and effects units. And, in addition to the onboard Master Bus processing, a send/return loop on the Main output allows you to connect external mastering gear such as compressors, EQs, stereo imagers and sonic exciters.
Ample Aux and Sub Outputs
With 5 Aux sends and 4 stereo sub groups, Model 2400 handles advanced mixing duties with ease. Create more monitor mixes without sacrificing an aux for effects. Connect multiple pairs of studio monitors for checking your mixes. In your studio or on stage, Model 2400 delivers the comprehensive connectivity and routing you need.
Professional Recording Capabilities
Model 2400 seamlessly integrates multitrack recording with studio and live mixing. With the ability to record 24 channels (22 inputs plus the stereo master) of high-quality audio direct to SD card media, Model 2400 is a powerful recording solution even if you're a DAW-less producer.
Sound with Excitement
TASCAM Ultra HDDA (High-Definition Discrete Architecture) mic preamps give Model 2400 the vibrant analogue sound that makes harmonics come alive.
With Ultra HDDA, any sound source will be represented with the utmost clarity and richness, and with an ultra-low noise floor.
Monitor Your Signal Virtually
With the Model Mixer Settings Panel app, users can take advantage of a digital meter bridge across by connecting the Model 2400 via USB to a PC or Mac. Set peak hold times, monitor the input, MTR or USB signal all while being able scale the GUI from a small window to full screen. Take it a step further by porting the app from your computer to a dedicated monitor of your choosing.
Ready to Be Your Studio Centrepiece
Model 2400 delivers the classic analogue console experience in the studio, with an onboard 24x22 audio interface that's ready to meld with modern production workflows. Insert points on channels 1-12 allow you to integrate studio processors and effects. And with the ability to return 22 DAW tracks through Model 2400's mix path and processing, it's also the most versatile analogue summing mixer you'll find.
MIDI Interface
Model 2400's comprehensive MIDI functionality allows full integration with MIDI-based production setups. From controlling drum machines and synthesizers from your DAW software, to synchronizing external effects processors to the tempo of your music and creating click tracks, Model 2400 offers the MIDI functionality you need to make it happen.
Additional Features
Seamless DAW Integration and Transport Control
The Model 2400 streamlines your workflow even when you're using it in a typical studio environment with a computer-based DAW. The onboard 24x22 USB audio interface eliminates the need for external interfaces and converters. And thanks to dedicated transport buttons linked to your DAW, you can keep your hands on your console instead of a mouse.
DAW control operation has been confirmed with the following DAW software:
Avid Pro Tools
Apple Logic Pro
MOTU Digital Performer
Steinberg Cubase
Ableton Live
Cakewalk by BandLab
Presonus Studio One
Cockos REAPER
Steinberg Cubasis 3.3
Specifications
Recorder
Recording media: SD (Class 10 or higher), SDHC (Class 10 or higher), SDXC (up to 512 GBytes, Class 10 or higher)
File system: SD: FAT16, SDHC: FAT32, SDXC: exFAT
Recording file formats: WAV (BWF), 44.1/48 kHz, 16/24 bit (maximum file size: 2 GBytes)
Playback file formats: WAV, BWF (44.1/48 kHz, 16/24 bit)
Recordable tracks: 24 (22 tracks + stereo mix)
Audio inputs and outputs
Microphone inputs (MIC, 1-12, 13,15,17,19): XLR-3-31 (combo jack), balanced (1: GND, 2: HOT, 3: COLD)
Maximum input level: +10 dBu
Nominal input level: -8 dBu
Minimum input level: -58 dBu
Gain adjustable range: 0-50 dB
Input impedance: 1.9 kO (1-12), 2.4 kO (13, 15, 17, 19)
Line/Instrument inputs (LINE/INST, 1-2): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: LINE: +22 dBu, INST: 19.8 dBV
Nominal input level: LINE: +4 dBu, INST: 1.8 dBV
Gain adjustment range: -10 dB to +40 dB
Input impedance: LINE: 22 kO, INST: 1 MO
Line inputs (LINE, 3-12): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: +22 dBu
Nominal input level: +4 dBu
Gain adjustable range: -10 dB to +40 dB
Input impedance: =22 kO
Stereo line inputs (LINE L/MONO, R, 13/14 to 21/22): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: +22 dBu
Nominal input level: +4 dBu
Gain adjustment range: -20 dB to +30 dB
Input impedance: =11 kO (mono), =22 kO (stereo)
Inserts (1-12): 6.3-mm TRS phone jack, (Tip: Send, Ring: Return, Sleeve: GND)
Maximum input level: +18 dBu
Nominal input level: 0 dBu
Input impedance: 15 kO
Maximum output level: +18 dBu
Nominal output level: 0 dBu
Output impedance: 100 O
Talkback input: XLR-3-31, balanced (1: GND, 2: HOT, 3: COLD)
Maximum input level: -22 dBu
Minimum input level: -65 dBu
Gain adjustable range: 52 dB
Input impedance= 2.6 kO
Main output (MAIN OUTPUT L/R): XLR-3-32, balanced (1: GND, 2: HOT, 3:COLD)
Maximum output level: +22 dBu
Nominal output level: +4 dBu
Output impedance: 200 O
Main inserts (MAIN SEND/RETURN L/R): 6.3-mm TRS phone jack (Tip: Send, Ring: Return, Sleeve: GND)
Maximum input level: +18 dBu
Nominal input level: 0 dBu
Input impedance= 9 kO
Maximum output level: +18 dBu
Nominal output level: 0 dBu
Output impedance: 100 O
Control Room outputs (CONTROL ROOM L/R): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Aux outputs (AUX OUTPUT 1-5): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Sub group outputs (SUB OUTPUT 1-2, 3-4, 5-6, 7-8): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Phones output 1/2: 2 × 6.3-mm stereo phone jack
Maximum output power: 45 mW + 45 mW (at 32 O)
Control inputs/outputs
USB port: USB Type-B
Protocol: USB 2.0 High Speed (480 Mbit/s)
Click output
6.3-mm standard TS jack: (Tip: HOT, Sleeve: GND)
Footswitch connector: 6.3-mm TRS phone jack (Tip: FOOTSW1, Ring: FOOTSW2, Sleeve: GND, unlatching switches required)
MIDI input and output: 5-pin DIN connector
Format: Standard MIDI
USB audio
Sampling rate: 44.1 kHz, 48 kHz
Bit depth: 16 bit, 24 bit
Maximum number of audio channels: 24 inputs, 22 outputs
Bluetooth
Version: 5.1
Output class: 2 (approximate transmission distance: 10 m)
Supported profile: A2DP
Supported A2DP codecs: SBC, AAC
A2DP content protection: SCMS-T
Audio performance
S/N ratio: (22 kHz LPF, A-weighted), Main mix off: -100 dB, Main mix 0 dB: -80 dB
Equivalent input noise (EIN): -128 dBu (Rs=15 O, MIC IN to INSERT SEND, GAIN knobs at max., A-weighted)
Total harmonic distortion (THD+N): (GAIN knobs at min., 1 kHz), 0,01 % (mic input to main output), 0.004 % (mic input to main output, +2 dBu, BYPASS switches on)
Frequency response: (all gain knobs at min., 1 kHz) 20 Hz to 30 kHz, +0.5/-1 dB (analogue), 20 Hz to 20 kHz, +0.5/-1 dB (digital)
Crosstalk: (PAN knobs fully left or right, 1 kHz), Between channels: -80 dB, Between input and output: -80 dB
Maximum gain: (all GAIN knobs at max., PAN knobs fully left or right, BYPASS on, MASTER BUS IN off), 74 dB (MIC to MAIN OUT), 54 dB (MIC to INSERT OUT), 74 dB (MIC to SUB OUT), 75 dB (MIC to AUX OUT), 24 dB (USB/SD to MAIN OUT)
Computer system requirements
Windows: Windows 11, Windows 10 (64-bit)
Compatible computers: Windows-compatible computer with a USB 2.0 (or higher) port, using Tascam driver, operation not guaranteed with ARM64 CPUs
Display requirements (settings panel software): 1280 × 720 or higher, True colour recommended
Mac: macOS Sonoma (14), macOS Ventura (13)
Compatible computers: Apple Mac computer with a USB 2.0 (or higher) port
Display requirements (settings panel software): 1280 × 720 or higher, True colour recommended
iOS/iPadOS devices: iOS 17/iPadOS 17, iOS 16/iPadOS 16
Power supply and other specifications
Power: AC 100-240 V, 50/60 Hz
Power consumption: 65 W
Dimensions (W × D × H): 681 mm × 568 mm × 133 mm (overall), 639 mm × 568 mm × 133 mm (without side panels)
Weight: 14 kg
Guaranteed operating temperature range: 0-40 -C
Guaranteed operating humidity range: 5-85 % (without condensation)
Included items: AC power cord, Startup Guide, Registration Guide
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $1,965.08
(No payment required now - pay when released)
FORTHCOMING
Related products...
Sound Study Plaits Multi-Algorithm Macro Oscillator Module (modular synthesiser)
Cat: 1029221 Rel: 30 Sep 24
Multi-algorithm macro oscillator module - 12HP
Notes: This is a fully built module, with the latest firmware pre-installed. Comes with Rogan knobs. You can swap our panel for another manufacturer's panel!
Mutable Instruments Plaits is a multi-algorithm macro-oscillator that provides everything from FM to speech synthesis, analogue percussion emulation, wavetables, modal synthesis, granular synthesis...whoa, this module does basically everything. Expanding on Braids's strong points and eliminating its pitfalls, Emilie Gillet's Plaits is a perfect bonding of tremendous flexibility and an intuitive user interface.
Built from the ground up and sharing no code or hardware with Braids, Plaits borrows concepts from its predecessor while operating at considerably higher audio resolution and with a refined means of user interaction. For one, it dispenses with that pesky screen to offer even more tactility and immediacy. Additionally, Plaits features a dedicated CV input for the model parameter, easy access to the module's internal envelopes for modulation of vital parameters, and an integrated lowpass gate with definable filtering intensity and virtual vactrol response time.
Offering a broad survey of synthesis techniques, Plaits promises a vast sonic palette that could find a home in any modular synthesizer setup. Ideal for beginners and modular synth gurus alike, Plaits is an obvious choice for anyone who wants a lot of functionality in a small space and with a modest price tag.
Specifications
Width: 12HP
Depth: 25mm
Current draw
+12V: 50mA
-12V: 5mA
… Read moreMutable Instruments Plaits is a multi-algorithm macro-oscillator that provides everything from FM to speech synthesis, analogue percussion emulation, wavetables, modal synthesis, granular synthesis...whoa, this module does basically everything. Expanding on Braids's strong points and eliminating its pitfalls, Emilie Gillet's Plaits is a perfect bonding of tremendous flexibility and an intuitive user interface.
Built from the ground up and sharing no code or hardware with Braids, Plaits borrows concepts from its predecessor while operating at considerably higher audio resolution and with a refined means of user interaction. For one, it dispenses with that pesky screen to offer even more tactility and immediacy. Additionally, Plaits features a dedicated CV input for the model parameter, easy access to the module's internal envelopes for modulation of vital parameters, and an integrated lowpass gate with definable filtering intensity and virtual vactrol response time.
Offering a broad survey of synthesis techniques, Plaits promises a vast sonic palette that could find a home in any modular synthesizer setup. Ideal for beginners and modular synth gurus alike, Plaits is an obvious choice for anyone who wants a lot of functionality in a small space and with a modest price tag.
Specifications
Width: 12HP
Depth: 25mm
Current draw
+12V: 50mA
-12V: 5mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Sep 24 $209.24
(No payment required now - pay when released)
FORTHCOMING
Related products...
Sonicware LIVEN Mega Synthesis FM Synthesiser (digital keyboard synthesiser)
Cat: 1032933 Rel: 31 Oct 24
FM synthesiser: retro game music composer
Notes: Revive the SONIC sensation of the golden era!
Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects
You too must have fallen under the spell of the extraordinary visuals and sounds of the groundbreaking 16-bit video game console that once dominated the world! It was powered by the iconic "YM2612" sound chip, a legacy that endures even today.
The MEGA SYNTHESIS has resurrected the sound engine of this chip. Sonicware have faithfully recreated the 4-operator FM sound module, the 8-bit PCM sound module, and the "SN76489" PSG (Programmable Sound Generator) sound module used by the original console.
4-operator & 8-algorithm FM sound module with precise sound editing in Edit Mode - Including extra features like fine-tuning operator ratios, which was impossible at the time.
PSG (Programmable Sound Generator) sound module - Synthesize basic waveforms and white noise to recreate iconic retro-game-sounds.
And the 8-bit PCM sound part of YM2612 - Recreate the sound of PCM playback controlled by the Z80 microprocessor used at the time.
Sampling capabilities (8-bit - 12kHz: up to 8 seconds / 24kHz: 4 seconds / 48kHz: 2 seconds, 96 stored samples)
Legacy Mode to faithfully replicate the sound of the era
This feature simulates the characteristically grungy sounding quirks of the YM2612 sound and can be turned on/off for each track.
In the FM tracks, you can separately configure FILTER [frequency response simulation] and LADDER [replication of the unique 9-bit DAC]. And the PCM track can also be played back in 4BIT, allowing you to create the sound to your preferences.
Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects
Creating game music is a breeze with this intuitive sequencer, featuring a straightforward 6-track layout comprising 3 FM synthesis tracks, 2 PSG synthesis tracks, and 1 PCM sample track. woo
Specifications
Synthesiser
FM sound module [Tracks 1, 2, 3]
- 4 operators - 8 algorithms
- Maximum polyphony: 6 voices
- Sound editing in FM Edit mode
- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
PSG sound module [Tracks 4, 5]
- 11 types
Square wave
Noise (Low/Mid/High) -> Square wave
Pulse Wave
Noise (Low/Mid/High) -> Pulse Wave
Noise (Low/Mid/High)
- Maximum polyphony: 4 voices
- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
PCM sound module [Track 6]
- 8bit - 12/24/48kHz (switchable) linear PCM sampling (mono)
- Up to 8 seconds of sampling per sample (12kHz), 4 seconds (24kHz) or 2 seconds (48kHz)
- Auto start sampling function with the input level (input level can be set)
- Auto-slice function (equal division by number of slices or length of one slice)
- Maximum polyphony: 3 voices (1 voice in One-shot mode)?- 96 sample memory slots (16 x 6 banks)
- Import and export of a slot or banks of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.
- Drum mode (Drum kit performance)
- One-shot mode (Sample playback or chromatic performance)
- Sweep with adjustable speed, range, and curve
- Switchable between sweep envelope and LFO
[Effects]
Effect send amount can be set independently for each track
- Send Delay
- Insert Delay
- Reverb
- Crusher
- Distortion
- Compressor
- Low pass filter
- High pass filter
- Isolator
- Remix Performance effect
[Sequencer]
- 6 tracks
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed
[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex
[Unit]
27 keys (with a hold function)
- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
… Read moreCreate Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects
You too must have fallen under the spell of the extraordinary visuals and sounds of the groundbreaking 16-bit video game console that once dominated the world! It was powered by the iconic "YM2612" sound chip, a legacy that endures even today.
The MEGA SYNTHESIS has resurrected the sound engine of this chip. Sonicware have faithfully recreated the 4-operator FM sound module, the 8-bit PCM sound module, and the "SN76489" PSG (Programmable Sound Generator) sound module used by the original console.
4-operator & 8-algorithm FM sound module with precise sound editing in Edit Mode - Including extra features like fine-tuning operator ratios, which was impossible at the time.
PSG (Programmable Sound Generator) sound module - Synthesize basic waveforms and white noise to recreate iconic retro-game-sounds.
And the 8-bit PCM sound part of YM2612 - Recreate the sound of PCM playback controlled by the Z80 microprocessor used at the time.
Sampling capabilities (8-bit - 12kHz: up to 8 seconds / 24kHz: 4 seconds / 48kHz: 2 seconds, 96 stored samples)
Legacy Mode to faithfully replicate the sound of the era
This feature simulates the characteristically grungy sounding quirks of the YM2612 sound and can be turned on/off for each track.
In the FM tracks, you can separately configure FILTER [frequency response simulation] and LADDER [replication of the unique 9-bit DAC]. And the PCM track can also be played back in 4BIT, allowing you to create the sound to your preferences.
Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects
Creating game music is a breeze with this intuitive sequencer, featuring a straightforward 6-track layout comprising 3 FM synthesis tracks, 2 PSG synthesis tracks, and 1 PCM sample track. woo
Specifications
Synthesiser
FM sound module [Tracks 1, 2, 3]
- 4 operators - 8 algorithms
- Maximum polyphony: 6 voices
- Sound editing in FM Edit mode
- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
PSG sound module [Tracks 4, 5]
- 11 types
Square wave
Noise (Low/Mid/High) -> Square wave
Pulse Wave
Noise (Low/Mid/High) -> Pulse Wave
Noise (Low/Mid/High)
- Maximum polyphony: 4 voices
- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
PCM sound module [Track 6]
- 8bit - 12/24/48kHz (switchable) linear PCM sampling (mono)
- Up to 8 seconds of sampling per sample (12kHz), 4 seconds (24kHz) or 2 seconds (48kHz)
- Auto start sampling function with the input level (input level can be set)
- Auto-slice function (equal division by number of slices or length of one slice)
- Maximum polyphony: 3 voices (1 voice in One-shot mode)?- 96 sample memory slots (16 x 6 banks)
- Import and export of a slot or banks of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.
- Drum mode (Drum kit performance)
- One-shot mode (Sample playback or chromatic performance)
- Sweep with adjustable speed, range, and curve
- Switchable between sweep envelope and LFO
[Effects]
Effect send amount can be set independently for each track
- Send Delay
- Insert Delay
- Reverb
- Crusher
- Distortion
- Compressor
- Low pass filter
- High pass filter
- Isolator
- Remix Performance effect
[Sequencer]
- 6 tracks
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed
[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex
[Unit]
27 keys (with a hold function)
- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $253.52
(No payment required now - pay when released)
FORTHCOMING
Related products...
Morphor Echo Analogue Quad Tap BBD Stereo Delay Module (modular synthesiser)
Cat: 1034656 Rel: 31 Oct 24
Analogue quad tap BBD stereo delay module - 20HP
Notes: The Morphor Echo combines a classic analogue warmth with modern flexibility. It is an analogue, syncable stereo delay module designed for Eurorack systems. Occupying 20 HP, it features four 4096-stage BBDs with individual tap outputs and a mix output, delivering rich, textured delay effects. With a delay time range from 10 to 2040 ms, the Echo offers three distinct panning modes: ping-pong, traverse, and chaos, each with controllable spread. The module supports inverted feedback and includes an external feedback input jack. Delay time can be precisely controlled using the tap tempo button, CV input, or clock sync input, with options for quantized or continuous adjustment. Additional features include dry/wet CV, feedback CV, phase inversion toggle, and a clock sync input (1 or 24 ppqn).
Specifications
Panel width: 20 HP
Panel height: 3 U
Module depth: TBA mm
Current draw: 12 V : TBA mA | -12 V : TBA mA | +5 V : TBA mA
Dimensions: 128.5 x 101.6 x TBA mm
Weight: TBA g
Power Socket: 16-pin
… Read moreSpecifications
Panel width: 20 HP
Panel height: 3 U
Module depth: TBA mm
Current draw: 12 V : TBA mA | -12 V : TBA mA | +5 V : TBA mA
Dimensions: 128.5 x 101.6 x TBA mm
Weight: TBA g
Power Socket: 16-pin
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $375.30
(No payment required now - pay when released)
FORTHCOMING
Related products...
dsp.coffee 22 Deaf Chinchillas Analogue Synth Voice Module (modular synthesiser)
Cat: 1035224 Rel: 31 Oct 24
Analogue synth voice module - 12HP
Notes: 22 Deaf Chinchillas is the first product from dsp.coffee, an all-analogue eurorack voice module based around Electro Smith's analogue submodules. Produced in a very limited hand-numbered edition of 10.
AS3340 VCO (CEM3340):
Sine, Tri, Saw, and Pulse outputs
Saw and Pulse normalled to VCA
Linear FM
Exponential FM
Hard Sync
Soft Sync
PWM
AS2164 VCA:
Dual VCA patched to inputs of the filter, but can also be used by external sources
SSI2144 VCF (SSM2044):
Dual VCF, fed by the output of the VCA
Self-oscillates a pure sine wave
DC coupled outputs. Can be used as a quad LFO (negative 1v/oct input will yield very slow speeds)
Gnarly self-patching possibilities
Ominous bipolar chinchilla eyeball LEDs for feedback
High-quality Rogan Knobs (like ones used on Make Noise and Mutable Instruments modules)
Dimensions:
12 HP, 30 mm deep
Current Draw:
90 mA +12V
73 mA -12V
0 mA 5V
… Read moreAS3340 VCO (CEM3340):
Sine, Tri, Saw, and Pulse outputs
Saw and Pulse normalled to VCA
Linear FM
Exponential FM
Hard Sync
Soft Sync
PWM
AS2164 VCA:
Dual VCA patched to inputs of the filter, but can also be used by external sources
SSI2144 VCF (SSM2044):
Dual VCF, fed by the output of the VCA
Self-oscillates a pure sine wave
DC coupled outputs. Can be used as a quad LFO (negative 1v/oct input will yield very slow speeds)
Gnarly self-patching possibilities
Ominous bipolar chinchilla eyeball LEDs for feedback
High-quality Rogan Knobs (like ones used on Make Noise and Mutable Instruments modules)
Dimensions:
12 HP, 30 mm deep
Current Draw:
90 mA +12V
73 mA -12V
0 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Oct 24 $293.37
(No payment required now - pay when released)
FORTHCOMING
Related products...
Clatters Garden Listener Random Control Messages Generator Module From Biometric Signals (modular synthesiser)
Cat: 1039362 Rel: 30 Nov 24
Random control messages generator module from biometric signals - 8HP
Notes: The Garden Listener is a random control messages generator from biometric signals. It detects conductivity variations on living beings' surface and transforms them into MIDI notes, ranging from C-1 to C8, and CV signals (0 - 5V). Its behaviour can be tamed through the one-knob menu from which you can choose and modify:
probes' sensitivity (making it more or less sensitive to current variations);
scale (chromatic, major, minor, Indian and Arabic);
MIDI channel (from 1 up to 16);
LEDs' brightness.
Conductivity variations are detected by the Probes Input and converted into MIDI notes in real time according to the Main menu settings. Each MIDI note exits through the MIDI output, allowing you to take advantage of the sound of either any synthesizer equipped with a MIDI port or any VST in your DAW, and gets converted into an analogue signal.
Trigger and Gate are fired every time a new note is generated, their voltage output can be modified with the respective attenuator (0 - 5V).
All the MIDI notes are converted into variable voltages (0 - 5V) depending on their pitch and exit through the CV output (1V/oct).
The CV output behaviour can be modified via the Octave Selector which acts as a "CV equalizer" from which you can choose to generate CV only if the respective MIDI note lies within a certain octave range.
For once, leave those LFOs alone, and let any living conductive being modulate your signals.
The module comes with 3.5mm white probes and a set of snap-on adhesive reusable electrode pads. A MIDI-TRS type A adapter (not included) is required for the MIDI output.
The module requires calibration for a proper 1V/oct output.
Built Module, SMD pre-soldered
Width: 8HP
Max depth: 22.6mm
Current draw: +12V: 24mA, -12V: 20mA, +5V: 0mA
Panel material: 1.6mm FR4 black front panel with gold finish
… Read moreprobes' sensitivity (making it more or less sensitive to current variations);
scale (chromatic, major, minor, Indian and Arabic);
MIDI channel (from 1 up to 16);
LEDs' brightness.
Conductivity variations are detected by the Probes Input and converted into MIDI notes in real time according to the Main menu settings. Each MIDI note exits through the MIDI output, allowing you to take advantage of the sound of either any synthesizer equipped with a MIDI port or any VST in your DAW, and gets converted into an analogue signal.
Trigger and Gate are fired every time a new note is generated, their voltage output can be modified with the respective attenuator (0 - 5V).
All the MIDI notes are converted into variable voltages (0 - 5V) depending on their pitch and exit through the CV output (1V/oct).
The CV output behaviour can be modified via the Octave Selector which acts as a "CV equalizer" from which you can choose to generate CV only if the respective MIDI note lies within a certain octave range.
For once, leave those LFOs alone, and let any living conductive being modulate your signals.
The module comes with 3.5mm white probes and a set of snap-on adhesive reusable electrode pads. A MIDI-TRS type A adapter (not included) is required for the MIDI output.
The module requires calibration for a proper 1V/oct output.
Built Module, SMD pre-soldered
Width: 8HP
Max depth: 22.6mm
Current draw: +12V: 24mA, -12V: 20mA, +5V: 0mA
Panel material: 1.6mm FR4 black front panel with gold finish
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Nov 24 $311.08
(No payment required now - pay when released)
