Review: Lock up your 303s, Roy Of The Ravers is back with a brand spanking new album and it's quite possibly his strongest and wrongest to date! Following a limited run cassette version of the album, Who Are Ya lands on gatefold vinyl and spans 10 tracks and nearly 60 minutes of top quality turns, which sees our star player's BPM rising up into tougher, more hardcore-esque territory (Supremacy Acid, Roy Shat Over Ref) Who Are Ya also takes in some seriously smoked-out, slow-mo squelchers (Phaelon Acid 4, The Box) essentially making it a game of 2 halves (no mid tempo tracks allowed - ok??!) Through-out all of the album's giddy twists and turns however, it's Roy's trademark 303 constantly on the boil that crowns him man of the match, as he dribbles it skilfully from in and out of the mix, making him top of the league for acid once again. Hoorar!!
Review: For their 9th offering, ae Recordings have a various artists release. What all these artists have in common is that they have undoubtedly been leading figures within the local scene for the last 25 years.
A-side features a long lost remix which Thor made for GusGus back in 2002. There has been loud demand for this one to appear on vinyl, so the waiting is now no more. Its a balearic, tasteful and will certainly be a regular in the DJ bags this season. The B-side starts with a minimalistic and dubby anthem from Thor. A solid composition as expected from the label honcho himself. A timeless dub techno remix from Sanasol of the Icelandic electronica wizard Biogen completes this 12" - a track that first saw release back in 1997.
ae Recordings, the infamous sublabel of Thule Records, has been a hub for techno talents in Iceland since 1999. The label was, and still is, known for bringing in fresh winds into the scene and this release doesn't stray away from the concept at all; although this time we're offering a delicious slice from the older times.
Review: On BAS008 Bassiani welcome Voiski and his uplifting take on techno. Cascading snares, dreamy melodies and a good dose of cosmically charged sounds make "Our Brilliant Future" a beautifully crafted ode to hope. The motive comes in many facets: starting off with "Sit Down Next To Me" and it's tightly knit melody, retrospective amalgamates with futurism. Then we dive into the roaring cave of "Chasing Shadows", where the bass is deep and the synths cheeky. "TearSystem" stays true to its name: rave romanticism in its crystallized form. Fading out on "Your Heart Starts To Race" Voiski closes on a distant note, nevertheless attuned with the cosmic groove.