Review: On BAS008 Bassiani welcome Voiski and his uplifting take on techno. Cascading snares, dreamy melodies and a good dose of cosmically charged sounds make "Our Brilliant Future" a beautifully crafted ode to hope. The motive comes in many facets: starting off with "Sit Down Next To Me" and it's tightly knit melody, retrospective amalgamates with futurism. Then we dive into the roaring cave of "Chasing Shadows", where the bass is deep and the synths cheeky. "TearSystem" stays true to its name: rave romanticism in its crystallized form. Fading out on "Your Heart Starts To Race" Voiski closes on a distant note, nevertheless attuned with the cosmic groove.
Review: Electro master par excellence Carl Finlow makes a swift return to Orson after gracing the label with his expert sounds just earlier this year. Orson have been busy, releasing Mesak and Point B in the meantime, but Finlow has that midas touch that never dulls with time. Lead track "Elastic Collisions" is a great slice of freaky electro that struts at an easy tempo, while "Octodecillion" wriggles and writhes a little faster for those that want a proper workout. "Probabilities" sees Finlow really exercising his gift for sound design and atmospheric composition in widescreen fashion. "Mechanomics" completes the set with a punchy growler that should sit comfortably in the bag of any dedicated electro jockey worth their salt.
Review: Or:la's newly founded Cead imprint is back for its second outing with an EP from the enigmatic Blu Terra, due out in October.
Coming out of Warsaw and with a couple of aliases already under his belt, Blu Terra delivers three tracks spanning aquatic soundscapes and unexpected rave elements.
The A1, Person Sans, mobilises moving pads and punchy synths. 20,000 is a detailed acid exercise with animalistic overtones. Lastly, Western/Eastern is a hard hitting incendiary track which patiently builds to a raving crescendo.
Review: Newcastle via London label Jaunt Records revisits its 10 year anniversary EP from 2017 with a series of great remixes by Inland, Jonas Kopp, Jasper Wolff & Maarten Mittendorff and Gian. This is the first of two EPs planned, and it offers up a timeless mix of heady techno and slick electro.
Berlin based Brit Inland tackles Jaunt resident Blackhall & Bookless's 'Spirit' and serves up a heavyweight wedge of warehouse techno. On the same side, Jonas Kopp flips 'Itria' into a sci-fi tinged bit of dub techno and long time studio partners Jasper Wolff & Maarten Mittendorff from Indigo Aera offer widescreen synth work and blissed out pads all tethered to rolling and rubbery drums. Gian's take on Stojche's track is a fantastically crisp and futurist piece of electro that will get anyone on their toes. This is a classy EP that showcases the sort of sounds you will hear on any Jaunt dance floor.
Review: Mike 'Agent X' Clark is a true hero of the Detroit scene, but he rarely gets the props he deserves, making any outing of his a cause for celebration. El Provost's No Speakers label knows what's up, and they've drafted in Clark for his killer jam "The Heat." The name is no foil, this track will set any party ablaze with its distinctive speech sample and saucy rhythm section. Alongside the original, there is a strong cast of remixers on hand to serve up deadly variations, from the label boss' skipping, psyched-out groover to Ben Sims' appropriately thumping techno workout. Peter Rocket especially impresses with a crafty breaks version that should slot in nicely with the resurgent electro scene.
Review: Exclusive 7" single in conjunction with Mount Alalog Los Angeles presenting Crimes Of The Future label bosses Scott Fraser and Timothy J. Fairplay with 2 exclusive cuts of leftfield house and electro psychedelia... very limited copies!
Review: Mihail P (Verdant/Where We Met/Magnonic Signals) returns to Distant Worlds with 4 more communiques of inter-dimensional wonder. Here, the Macedonian sonic strategist sets his sound palette ever wider whilst still maintaining his signature emotional pads and haunting melodies integral to all his productions. His hauntological approach bears fruit throughout -the future fails us so let's explore different futures, different interpretations of the past, the present. Certainly a maturation in sound, this manifesto offers up 4 distinct meditations on the continuum of electronic sound from the early 90s through to the present day and beyond...
Review: Path Records' second release for 2019 showcases label head Reade Truth releasing a stunning EP that saw their debut during his 2019 live tour. With hard hitting Brooklyn flavoured techno-electro beats and his trademarked immorally playful sampling style positively punctuate this exceptional release. The New York native has released on a plethora of serious, for those who know, labels including: Planet E, Strictly Rhythm, Sonic Groove, Black Market, and Cartulis Music. Path Records is known for their uniquely deep electronic visions. With a steady mixture of both new material and old unreleased tracks, the label remains hotly anticipated. Further releases will include Upsetting keys and The Lotus Project,
Review: Destiny Angel a magical track way ahead of its time. Now out again with a new master sounding more deeper than before, full of Drums , bass and high frequency evolving Chords. Fast and heavy. b1 Bleeps and Bits is a bass driven groove with shuffling house beats morphing along to electric sounds and effects b2 Just Tonight - Raw deep stripped down Beats and baseline with a a gentle vocal for those big sound systems . Great track for the late night Djs and groovers
Review: Adeen Records with another spectacular release. This time, they're offering up a double lp re-release of remixed classics of the imperial Lee "Scratch" Perry 1997dub techno infused album "TECHNOMAJIKAL. With stellar remixes from Camille and DJ Boring giving it an updated futuristic sound while keeping it still techno at heart.
Review: EYA Records is back with their first double 12.Music provided by Belgian producer Innershades,Uruguayans finest Two Phase U,Berlin based Otis and Arma resident Zots.An eclectic selections of tracks that reflect the label vision.Limited copies.
Review: Silent Season is proud to present Segue's third full-length LP with the label. On his new album, Jordan Sauer explores a new facet of West Canadian natural history. Four thousand years ago, Western Canada's First Nations people migrated into the fjords and rainforests carved out by the retreating glaciation of the last Ice Age. The Island is a tribute to Canada's prehistory and the spiritual journey of a people entering a forever- altered landscape to call their home.
While Segue's last album very much explored a cross section journey of British Columbia from the mountains to the sea, The Island explores the hidden coastlines and inlets that pepper a still- mysterious landscape.
Throughout the album, each song spreads out beautifully as a reflection of the place or thing it's named after and paints a stunning portrait of BC's natural wealth. At first glance it seems like a tourist's guide, but when you listen deeper, The Island blossoms into something deeply personal and moving- a sonic imprint of places in relation to culture. One listen will put you right in the rainforests and mountains that the Coast Salish has called their home.
Review: Emerging from the dynamic tundra north, Iceland to be exact, the newly established imprint LAHAR celebrates its launch with a fiery EP from the scene's most mythical
creature, NonniMal. Dubbed after the eponymous volcanic debris flow that swallows whatever crosses its path, LAHAR refracts in its sound the ever-changing, jagged and
entangled landscapes of a crisis-riden time.
Residing today in the company of many post-industrial wonders, from Reykjavik's semi-subterranean water reserve Gvendarbrunnar to the phallus-shaped Smaralind mall, NonniMal prefers to give salience to his environment and remain extensively unknown. In this untitled high-octane techno EP, he spurs us to imagine an uncanny coalescence of glacial disaster into the minimalism of enumeration.
Review: If you dig electro, you should be well aware of the work of Transparent Sound. The Bognor Regis-based label has been serving up killer cuts and must-have EPs since the mid 1990s, though it's been rather quiet in recent years. In fact, "Gently Evil" is founder Orson Brambley's first album length excursion for almost a decade, making it a real event release. Kicking off with the bubbly intergalactic ambient of "Pretend Like You Care", the nine track album sees the veteran production partnership alternate between snappy electro club cuts, deeper electronic excursions, heady sci-fi soundscapes, punchy Motor City techno workouts and the kind of dark, unearthly dancefloor fare once associated with Drexciya. It is, then, a well thought out and executed album where the quality threshold remains impressively high throughout.
Review: Dan Piu is the man behind the long running techno label "Moto Music" and also the driving force behind "deepArtSounds". The Alphaville ep is nothing less than a showcase of his signature atmospheric, textured sound that defines his overall production style. Having releases as early as 1997, we're sure you'll enjoy the music from this seasoned veteran of electronic music.
Review: The newly-formed Icelandic record label LAHAR brings you a long-awaited 12" by Den Nard Husher, a collaboration of two stalwarts within the Icelandic techno scene - Octal Industries & Vector. After a commemorative EP on Stobelight Network in 2016, Den Nard Husher strikes back with their first release since a 20-year production hiatus. It is enthralling to see how their fast-paced bustling techno renditions morph with time yet still encapsulate our body and imagination in that same meteoric signature. Den Nard Husher sounds fresh, blistering in a seemingly never-ending post-Y2K aesthetics.
Review: Label owner Dmitry Distant teems up with Canadian singer and producer Xavier Paradis aka Arnaud Lazlaud of Automelodi, while Timothy J. Fairplay provides pure dancefloor 808-bomb remix. Don't miss this one!