Review: While he's offered up the occasional remix, William "Burial" Bevan has been rather quiet of late. In fact, this two-tracker marks his first original material for almost two years. Lead cut "Claustro" is an unexpectedly up-tempo dancefloor affair - a sweet and sticky chunk of future-garage that sees Bevan wrap sugary female vocal snippets, spacey chords and bubbly analogue electronics around snappy two-step beats - drenched in vinyl crackle and tape hiss - and a rock solid bassline. It will raise a few eyebrows given his previous work but nevertheless sounds like a summer anthem in waiting. Bevan returns to familiar territory on flipside cut "State Forest", a ghostly, field recording-laden ambient excursion where pedal steel style motifs slowly rise above opaque electronics.
Review: Back in 2016, Leo James stepped up to deliver the debut 12" on J.Sparrow's Navy Cut imprint. Here he returns to the label for the first time since, and this time he's got soul-soaked reggae vocalist J Appiah in tow (an artist last spotted lending his honeyed tones to a house record by Damian Lazarus). The vibe here is slow, sensual and emotional, with atmosphere taking precedence over any notion of appeasing peak-time dancefloors. That's a good thing, though, because "Struggle" - a deep, smoky dub-soul cut rich in delay-laden reggae instrumentation, weighty bass and heart-aching vocals from Appiah - is sublime. There's more of a dancefloor feel to the similarly dubbed-out and heartfelt "Lost & Found", with a rhythmic shuffle that's slightly closer to house than stereotypical dubstep.
Review: Not to be confused with Young Echo associates Jabu, the unrelated Lord Jabu is a 20-something producer with one previous release to his name. According to Albion Collective, his latest EP "synthesizes solid state trap with 64-bit dream-ware". We're not quite sure what that means, but opener "Treehead" is a distorted and mind-altering blend of lo-fi chip-tune melodies, mangled ice cream van chimes, bowel-bothering bass and rumbling post-grime dubstep beats. His passion for Sinclair Spectrum synth sounds is further explored on the flip, first on the trap style shuffle of "Folklore" and then via the pleasingly tuneful - if cracked and twisted - closing cut "Yagoda".
Review: In the words of Mystik himself... This has been a long time coming. The shimmering chords and heavy rolls of "Misty In Roots" were written between the two antipodean modern day dub dons years ago but it's remained on dub until now. It's back by two more heavy system testers; "Sabu" takes a deep breath before coiling up with percussion then springing into action when the kicks skip in. "2 Steps Backwards" takes more of a trad dub stance with swaggering spaced out beats and a delicious array of old school FX work in the mix. Misty in roots; clear in message.
Review: One of the most prominent and on-point dubstep labels to emerge in recent years, Youngsta's Sentry hits new peaks with their first V/A album. The full set will include the likes of Argo, Taso, Sukh Knight, Mr K, LSN, Nomine, Opus and many more contemporary low end visionaries. And it kicks off right here with a truly international collective; Truth, Caspa, Bukez Finezt, Onhell. From New Zealand to Cali via Germany and UK, all vibes are explored here... Cosmic swagger on Truth's "Simulation Theory", paranoid gravity-defying deepness on Caspa's "Anyone Else" and proper Mozart-flavoured 808 mischief from Bukez Finezt. Onhell brings this remarkable syndication to a close with the wavey, poignant "Sun Ra". Bring on the whole album.