Back catalogue: Disco/Nu-Disco

Review: Italian dance producer Gianni Bini debuts on Groove Culture with the House Of Glass LP, topping up his impressive discography with a solo studio effort, and bolstering the already massive stock of production credits attached to his bulging, insatiable name. Though his various monikers over the years have indeed propelled him in a many-a-direction, Bini's latest here centres on epic disco, and rewinds the tape to an earlier sound first explored in his formative days as a producer; retroactively, we hear a livelier, more contemporary take on the stabbing strings, bristling bass and bubblegum beats - all live-recorded - that first put him on the map.

Review: The arrival of Il Quadro di Troisi could not have been more ironic. Anything but new faces on the music scene, the Italian electronic partnership of Eva Geist and Donato Dozzy debuted as the reality of living in a pandemic really began to hit home - November 2020. A month that usually calls for their brand of dark, Ital-disco-cold-synth stuff was void of the situations you'd want to hear it in. No parties, no clubs, no concerts - not even an opportunity to stick it on when getting ready to do something. Nevertheless, we've more than made up for it now, and having grown incredibly close betwixt that waking nightmare and today's chaos, the arrival of a new LP is an enticing prospect. As the notes explain, "everything changes, all things evolve, nothing stays the same... La Commedia marks the band's embrace of a more traditional song form, shaped by a very personal and distinctive musical style. The distinguishing elements of Il Quadro di Troisi's music meld into a unique mix that is both seductive and eerie, elegant and earthy, contemporary and timeless."

Review: Four new originals from French Berlin-based singer and JD Stella Zekri, whose low-range, buzzing vocals are lent happily to a selection of cloudy electronic Latin beats. Produced and co-written by Ed Longo, it draws heavily on the post-zouk and disco styles endemic to the 80s French underground; our choice bit is the offbeat boogizm heard on the sonic ponderance: 'Pourquoi (Why)'.

Review: Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore: The Afro-Funk Side of Italy (1973-1978) takes us on a captivating carpet-ride into the intersection of Afro-funk and the Italian soundscape prevalent in the six years between 1973 and 1978 - a time when disco was still in its nascence, and the nightclub market was rapidly expanding. Bottling the critical moment at which DJs such as Dave Mancuso discovered Manu Dibango's 'Soul Makossa' - with classics such like Jean Paul & Angelique's 'Africa Sound' and Nat King Cole's 'Calypso Blues' following as floor-bound hits - all these productions pushed the boundaries of dance music at a time when disco had not yet taken over.