Act Of Sedition - "LDCE" (MikeandTess edit) (4:30)
Don Ray - "Got To Have Nothing" (Might Mouse dub) (4:28)
The Blackbyrds - "Rock Creek Park" (Lego edit) (4:38)
Michael Jackson - "PYT" (Bully Boy Refix) (4:40)
Review: Another double dose of seven-inch action from the Art of Sedition crew, who once again offer up a quartet of floor-focused re-edits stretched across two dinky slabs of wax. Mighty Mouse's punchy instrumental dub of Don Ray's "Got To Have Nothing" also hits the spot. On the second disc, Lego Edit flexes his muscles with a locked in, house style take of the bass-heavy classic "Rock Creek Park", before Bully Boy does his best Reflex impression on what sounds like a ground-up stems revision of MJ classic "PYT".
Review: Mario Miranda aka Asterix Music hails from Carson, California and this is his debut, a banging little 7" by the name of Stud. Oh yes, super fitting, indeed! Out through Firehouse Sound Labs, the EP opens with the funky-ass boogie bass of "She'll Take U Down", a killer dance floor burner for the party vibes. On the B-side, "First Date" drops some heavy electro swings over sweet, seductive r&b vocals.
Good Good Lovin' (Hifi Sean & Yam Who? edit) (3:58)
Review: Recently, legendary American dance producer Arthur Baker discovered two tracks in his storage on 1/4" tape recorded in 1979. He asked Hifi Sean (aka Sean Dickson of The Soup Dragons) to rework them - who brought on board Riot Recordings boss Yam Who? and they quickly got to work resurrecting these soulful disco anthems. On the A side, we have the souled-up disco power of "Reachin'" featuring Minnie Gardner's powerful vocals, then get prepared to get down proper to the group vocals and epic brass section in the uplifting "Good Good Lovin'" (Hifi Sean & Yam Who? edit) all accompanied by Baker's immaculate production style.
Review: Surprisingly, Don Blackman originally wrote and recorded "Just Can't Stay Away" to play as the recorded message on his girlfriend's answering machine. He later included it - tweaked and turned into a mid-80s style boogie banger reminiscent of his work during that decade - on his second and final album, 2002's CD-only "Listen". Here it finally gets a vinyl release thanks to reissue specialists Melodies International. If you're a fan of boogie, electrofunk and synth-soul it should be an essential purchase, not least because it's every bit as good as more celebrated Blackman productions made earlier in his career. There are "Stereo" and "Mono" mixes to enjoy, with the former naturally offering a more refined and intoxicating listening experience.
Sweet Daddy Floyd - "I Just Can't Help Myself" (extended Break edit) (4:17)
Review: This tasty, DJ-friendly 7" single boasts two extended, break-heavy reworks of obscure and in-demand soul workouts. On the A-side you'll find a tasty extension of Melvin Bliss's superb, piano-heavy 1983 cut "Synthetic Substitution". While Bliss's brilliant original - all heartfelt vocals, jaunty keys and warm bass - is largely kept in tact, the mystery re-editor naturally makes more of the opening breakbeat, which was sampled several times during hip-hop's "golden era". Flip for a similarly tasty rearrangement of Sweet Daddy Floyd's 1978 Blaxploitation style disco-funk shuffler "I Just Can't Help Myself", a cut rich in rolling breaks, densely layered percussion, punchy orchestration and "Shaft"-style guitar licks.
Review: Destination 78/79: Expansion take us deep into the illustrious back cat of revered boogaloo fusionist Willie Bobo for two of his many fiery delights. Side A is his feel-heavy cult instrumental take on Ronnie Laws' disco classic "Always There" while Side B throws us into the heart of his 1979 album Bobo with gutsy raw soul power (and just a few cheeky funk slap bass twangs for good measure) Two stone cold classics together for the first time on 45.
Review: Duca Bianco's 7" series continues with aplomb following Cherrystones' essential drop, and this time esteemed German DJ and producer Tom Bolas is at the controls for two more heady trips into the far flung corners of funk. On the A side he drops the loose and limber "Kangham Funk," which bends and wobbles around liquid guitar lines, bugging synths and dreamy Oriental vocals. "Senopati Punk" is not a three-chord riot as the title might suggest, but rather a subtly noirish synthwave delight fronted by another striking female lead vocal. Two sides that complement each other even as they say very different things, but both aimed squarely at the eclectic groove-hunting crowd.
Journey To The Light (part 1 - DJ Nori edit) (4:13)
Journey To The Light (part 2 - DJ Nori edit) (3:19)
Review: Subject to edits from such luminaries as Ashley Beedle and Danny Krivit, Brainstorm's most iconic cut "Journey To The Light" gets extended to the point of two parts by Brooklyn editor and selector DJ Nori. Part One is all about the Detroit dynamos' ability to hit sizzling high notes on the chorus and drop into swooning jazzy verses while Part Two is more of a groove-based, stripped back version where the instrumentation and backing vocals are brought right into the light. Stunning.
Lafayette Afro Rock Band - "Hihache" (extended Breaks Special edition version) (4:23)
Gaz - "Sing Sing" (extended Breaks Special edition version) (4:27)
Review: More sneaky 45 action from the Breaks & Beats crew, a shadowy organization whose tried-and-tested re-edits offer DJ-friendly extensions of popular break-digging favourites (many of which were sampled on classic hip-hop cuts). Their latest seven-inch excursion begins with a tidy revision of Lafayette Afro-Rock Band's brilliant "Hihache", a low-slung favourite rich in lolloping, head nodding drum breaks, jazzy bass, flanged funk guitars and fuzzy horn motifs. The new version is deferential towards its source material, extending breaks here and there whilst leaving much of the tune in tact. One of the most doubled-up drum breaks in hip-hop history takes pride of place on side B, where Gaz's Salsoul released wiggler "Sing Sing" gets the re-edit treatment.
Review: Cannon & Mirrorball may not be the disco edit scene's answer to moustache-sporting 1970s/80s comedy heroes Cannon and Ball, but they certainly serve up tracks that will put a big goofy smile on your face. Their latest Disco Bits adventure begins via "Black Rhythm Rap", a chunky, hip-hop friendly rework of an obscure, late 1970s disco-rap bomb rich in funky guitar licks, cut-glass strings and party-starting MC flows. On the flip they get even cheekier, placing Loleatta Holloway's incredible "Love Sensation" vocal over a stomping, Blaxploitation-era disco-funk backing track and all manner of familiar soul and funk samples. Purists will no doubt sneer, but they really shouldn't: this is tastefully produced disco heat of the highest order.
Review: Here is the long awaited new single from Italian soul supergroup Change - some of you may recognise their classic "The Glow of Love" which featured the unmistakable vocals of then frontman Luther Vandross in 1980. After six successful albums throughout the 80's before disbanding and making a brief return in 2010, the group's new single "Hit Or Miss" will appear on their first album in 38 years: Love 4 Love which is produced by Change alumni Davide Romani Mauro Malavasi, it's got the same kind of life-affirming soul power you've come to love from the outfit, and they've still got the knack for a great tune - listen for yourself!
Review: The mighty Cherrystones originally dropped the crackling party heat of "Blood, Campari & Sand" on his own Bandcamp page, and now he's doing the right thing and committing it to wax via Duca Bianco. It's a vital, funk-rooted jam that revolves around dusty drum licks and piano, as badass as it is considered. "Meta Weta on the flip is equally cool in its execution, this time using some uneasy synth pulses that reverberate between the laconic step of the beat. Drawing on library music, Giallo and deep-digging grooves from the outer reaches, Cherrystones once again demonstrates his knack for off-kilter tackle to get the freakier party set moving in approval.
Welcome To SRM'S Stereo (Test & Sound EFX edition)
Verbal Narration & Sounds (Excerpts) (Flexidisc)
Review: Every time that we get a drop of some new Joaquin Joe Claussel material our ears are automatically attracted in that very same direction. In fact, we've been known to get into trouble for playing his material extensively on our Juno HQ system, because we just hate to see it leave. However, this new material is probably not what you're expecting; rather than a new house EP, Mr Claussel has prepared a nerd's guide to sound testing, described by himself as: "DJ tool for testing, measurement, and calibration of mediocre reproducing stereo sound systems". The elements inside the box are flex-discos, not vinyl, and they are a series of sound, spoken word lyrics, and general FX tricks to either test your system out on, or simply sample and twist-up however you please. It's a collectors piece, and something refreshingly different to support the development of good music in clubs. We love you Joe...
Don't Let Love Walk Out In Us (T Groove mix) (3:47)
Review: Paul Craver's smooth strain of jazzed-out house music has been MIA since 2013, and we're glad to hear some of it back on our charts with such fervor. The man returns to Sundae Soul Recordings with two fine-ass cuts, the first of which is an edit of a certain track called "Back To You" (unnamed for legal reasons), and it's one of those seductive soul ballads that sounds just perfect on the dancefloor. On the flip, T Groove drops a mix of "Don't Let Love Walk Out In Us" and, once again, we have a lovely blend of disco-leaning soul on our hands - perfect for just about any situation involving lovers and the moonlight. Gorgeous.
Review: Dane//Close is sounding fierce as hell on this 7" edit grip for the ever-excellent Duca Bianco. Having previously moonlighted on Power Station and Prasens Editionen, you know this is a head with an instinct for alternative selections to make you move. On the A side, he tackles the incendiary "I Don't Wanna Go Out" by iconic Australian punks X (not to be confused with the LA band), stretching out the rowdy groove of the original's two-minute burst. On the B side, things take a slinkier turn into oddball boogie sleaze - the source material isn't so easy to detect, but it's definitely a jam to get low tempo lovers moving.
Review: Disco Dub Band's "For The Love of Money", a one-off collaboration between producer Davitt Sigerson and reggae musician Mike Dorane, has long been considered something of a classic by those who like their disco to come with a big dose of dub-wise flavour. Here the instrumental O'Jays cover, which originally appeared on the Movers label in 1976, is given the remix treatment by long-time fans Mr Bongo. The superb A-side, in which Dorane's instrumental talents take centre stage, naturally comes accompanied by the frequently played Dub interpretation, a typically wild and bass-heavy affair that sounds like it was mixed "live" in one take in true Lee Perry/King Tubby style. If it's not already in your collection, it should be.
Review: Last summer, Evo and Soulstice launched Adventures in Paradise with a fine 7" of tooled-up funk reworks by J Sole and J Boogie. Here, the label returns to action with two more guaranteed party-starters. Fittingly, Evo makes his first appearance on the label with B-side "Mandingo Boogie", a killer edit of a low-slung disco-boogie heater rich in rubbery bass guitar, twinkling electric piano parts, spiraling electronic effects and punchy horns. While impressive, we can imagine DJs getting far more rotations from DJ Smash's cheeky A-side, "Your Pants Are Hot", which peppers a snappy, synth bass-propelled groove with samples from a well-known Godfather of Soul favourite.
Review: More from top-drawer rework merchant DJ Soopasoul, whose cheeky revisions on his Soopastole label are consistently on point and dancefloor-focused. For his latest trick, the long-serving DJ/producer has decided to apply his magic to one of the greatest disco records of all time and a "foundation record" of the hip-hop scene: Chic classic "Good Times". The A-side edit sounds like it has been created using the multi-track parts, as dubbed-out vocal sections ride stripped-back grooves and portions that variously showcase the track's original strings, Nile Rodgers' guitars and Bernard Edwards' killer bassline. The flipside "Part 2" version is similarly minded but more like a disco dub in feel and execution, with the maestro drenching vocal sections in delicious amounts of delay.
Review: In 1976, French band Edition Speciale released their debut album, "Allee Des Tilleuls". While much of the album saw them explore progressive rock and jazz-rock territory, it did contain one suitably groovy and life-affirming trip into jazz-funk territory, surprise LP standout "Mr Business". Here that cut gets a single release for the very first time courtesy of the dusty-fingered diggers at Pepite. You'll find the little-known band's languid, Clavinet and synthesizer-heavy original version on side A, with Aroop Roy's tidy contemporary rework on the B. Aroop sticks a rocket up the track's bottom end, underpinning the original song with peak-time-ready drums while wisely emphasizing his own killer bassline and catchy vocals.
Review: Astonishingly, original copies of Energize's 1979 private press single "Piece of Class" have changed hands for over 500 quid online. Helpfully, Rain & Shine have decided to save us all a few bob by slinging out this licensed reissue. The title track is something of a bustling disco-funk gem - a genuinely wonderful fusion of hazy vocals, dueling horn solos, spacey synthesizer flourishes and driving bass guitar. B-side "Star of the Disco" is an even more up-tempo affair, with mazy saxophone solos, rasping horn stabs and starry jazz-funk keys riding a walking bassline and high-octane disco drums.
Review: New York City-based trio Escort are back for the first time since their Animal Nature LP from 2015. Their new track "Slide" was co-written with NYC soul artist Denitia and drives you gently with this west coast influenced roller produced by Eugene Cho and Jkriv - and featuring Adeline's wonderful vocal delivery. We absolutely adored this slick and low slung boogie-down number. For something more uplifting (and with dancefloor dynamics) you can try the classic '70s disco explosion of "Ride" (feat Brian Jackson) on the flip, which calls to mind the classic vibe of masters like Salsoul, Moulton Studios et al.
Review: In 1977, Libyan musician Ahmed Fakroun flew to Milan to record some new material. The results were showcased on a pair of 7" singles, the most sought-after of which is being given the reissue treatment by Italy's Groovin label. The real winner here is "Nisyan", an Arabic interpretation of blue-eyed soul that fixes a baggy, sun-kissed sensibility, ear-catching Moog solos and a killer groove. "La Ya-Hob" is, if anything, even baggier and dreamier, with Fakroun delivering touchy-feely vocals over exotic, Middle Eastern synthesizer lines and a rolling, soft touch jazz-funk groove. Both cuts are equally breezy and jaunty, lingering in the memory for hours after each rotation.
Review: Earlier in the year, Italian reissue specialists offered up a tidy reissue of Ahmed Fakrun's "Nisyan", a sought-after chunk of Arabic blue-eyed soul that originally appeared as a seven-inch single in 1977. Here they offer up a new edition of its predecessor, which the Lebanese musician recording during the same recording sessions in Milan. With its flanged guitars, lolloping reggae-funk swing, spacey synths and warm bass, "Auidny" is particularly inspired, though the West Coast AOR-influenced warmth of flipside "Njoo El Leyl" is arguably equally as addictive. Both are superb, though, so it's great that Groovin' has slung them out again.
Let's Not Start A Fight (Let's Get Down Tonight) (4:40)
Do Me Like That (4:37)
Review: Star Creature continues to thrill and inspire with each successive seven-inch single. The label's latest comes from debutants Family of Geniuses, a seven-piece boogie band from Chicago who back heritage influences with brilliant new songs. You'll find a perfect example on the A-side, where "Let's Not Start a Fight" - a sweet, perfectly-pitched boogie club cut that sounds to us like Escort making original electrofunk - sparkles from start to finish. Over on the flipside they doff a cap to the label's roots, offering up a brilliant cover of E Live's "Do Me Like That", the 2015 bomb that helped put Star Creature on the map.
Review: Way back in 1999, Acid Jazz Records launched an offshoot dedicated to disco edits: Original Sound Track Recordings. The best of the series' many superb reworks were later gathered together on a compilation album on EMI that now changes hands for significant sums online. Happily, they've decided to reissue some of their early releases, beginning with this 7" of Family Tree featuring Sharon Brown's "Family Tree". You'll find the peerless original - a breakbeat-driven chunk of lolloping funk brilliance - on Side A, with the label's 2002 "Super Disco Break Beat" version on the flip. Inspired by hip-hop DJs doubling up the track's brilliant drum breaks, it's a killer percussion workout with a few quick blasts of funk energy and carefully placed special effects (think flanged drums, reversed sections and so on).
Review: Shirley Finney's 1979 debut album "Pray Again" has recently become something of a sought-after set amongst collectors of disco-era gospel soul. Original copies of the LP are expensive and hard to come by, so Rain & Shine has decided to stick two of the set's most admired tracks on one 7-inch single. "Pray Again" is rather wonderful, with Finney delivering a strong, heartfelt vocal above a backing track rich in sustained organ chords, jangling pianos and clipped guitars. "Give Your Best To The Master", meanwhile, is a more up-tempo and stomping gospel-disco affair that benefits greatly from some stellar choral backing vocals. It sounds like the sort of thing that Tony Humphries may have championed at Zanzibar in New Jersey back in the day.
Review: Night Shift Records owner Javi Frias is, like many in the nu-disco scene, something of a label-hopper. Previously, he's served up re-edits for the likes of Midnight Riot, Giant Cuts and Street Edits; here, he brings his scalpel magic to nascent imprint Neon Finger. A-side "Feel Your Soul" is a bouncy and attractive affair, with Frias beefing up and teasing out a classic disco-funk groove before unleashing rousing horn lines, swirling strings and celebratory vocal passages. Flip for "Loving You", a more gentle and groovy, saucer-eyed rework that swings impressively, despite the presence of solid new house percussion beneath the original beats.
Review: One of 2016's finest funk stories was, without question, when AOTN suddenly dropped this incredible unreleased album by criminally slept-on Jacksonville troupe Fruit. A stunning piece of work, even by Fryer's standards it was a coup-de-grace. Now two of the album's finest, funkiest, sweatiest jams are available on limited 45. Instant floor burners, just like the rest of the album, before the tracks are over you'll feel you and your floor have known them forever.
Review: Athens Of The North return to the disco motherland by way of this scorching groove doublet from Canadian troupe Gratitude. "We Are Here To Party" lives up to its name with vibrant horns and a thumping deep funk focus. Flip for "Loving You", as the name suggests there's a smoother tone and message at play as the band ease us into something a little comfier. Less of a B, more of an AA. Show some gratitude for the tireless AOTN crew!
Review: For their latest dive into the depths of funk history, Athens of the North travels back to 1978 and the debut of John Hawes and Velma Bunch's obscure Hard Drivers project. The record initially appeared on Hawes' own short-lived imprint, and his since become a sought after 7" amongst serious collectors. "Since I Was A Little Girl" is a disco-era funk gem, with guest singer Vivian Lee providing a brilliantly confident vocal to compliment Hawes and Bunch's driving, horn-heavy backing track. On the flip you'll find original B-side "Straight Talk", a touching torch song full of harmony backing vocals, impassioned builds, and lyrics capable of melting even the stoniest of hearts.
Review: This more than handy 7" single brings together two classic disco-era cuts from soul legend Willie Hutch. A-side "Easy Does It", which was originally featured on 1978's In Tune album, features Hutch in full-on Curtis Mayfield mode, singing passionately over a jaunty, jazz-funk influenced backing track laden with swirling strings, choral backing vocals (think Marvin Gaye's "What's Going On" album) and Dexter Wansel style synthesizer solos. It's undoubtedly one of Hutch's finest moments and deserves to be in any serious soul head's collection. Flip for 1979's "Kelly Green", a sumptuous soul slow jam in which Hutch pines over a lost lover.
Review: Acid Jazz has pulled off something of a coup here by persuading legendary '70s soul man Leroy Huston to part with a couple of previously unreleased cuts. A-side "Positive Forces" was recorded by Hutson in 1977 and sits somewhere between the sweeping, orchestrated bliss of Philly soul, the soaring dancefloor celebration of disco and the loose-limbed instrumental goodness of jazz-funk. It's an absolute stunner, all told, and sounds like it was tailor-made for spins at sweltering summer festivals. On the B-side you'll find a previously unreleased instrumental version of 1975's "All Because of You". While a vocal-free version has previously been released, this particular mix includes a little more drum action at the beginning to assist with mixing.
Review: Those who remember the first wave of funk breaks mash-ups and floor-filling hip-hop cut-ups in the late 1990s should be aware of J-Large; the mysterious DJ/producer has been remixing and reworking tracks (most notably by the Herbaliser) on and off ever since. His latest 7" escapade is suitably sizable, with A-side "Get Your Own" fusing Christina Aguilera's best-known vocal with loops and grooves lifted from a certain horn-toting jazz disco-funk classic. On the flip you'll find "J Zimbra", a bustling and floor-friendly tool-up of heavyweight Afro-funk slammer from 1979. As you'd expect, both are guaranteed to get the party started... and then some.
Review: So far, Floating Points' reissue-focused Melodies International label has barely put a foot wrong. As you'd expect given his crate-digging credentials, each chosen release has not only been obscure or hard to find, but also exceptionally good. Predictably, this one is, too. Gloria Jay's 1977 single "Know What You Want" is a heartfelt chunk of saccharine soul featuring some particularly good jazz-funk style solos. Speaking of jazz-funk, this influence comes through further on the slightly more disco-minded, dancefloor-friendly flipside, "I'm Gonna Make It", whose jangling piano riffs and goodtime groove are almost impossible to resist. As ever with Melodies International, the packaging - which includes a foldout poster tucked into the sleeve - is also superb.
Review: Operating out of Saint Petersburg, Kito Jempere has been bringing a broad church of influences to bear on his vintage grooves for labels including Pleasure Unit, Bordello A Parigi, Bahnsteig 23 and many more. Now he's the latest to lend his touch to Duca Bianco's series of 7" edits, following strong entries from Cherrystones and Tom Bolas. A side cut, "FKA Lany," is a slow and bombastic jam with a boogie-tastic lead and oodles of swooning female vocals, while the flip tackles a Thomas Leer classic with lashings of Oriental mysticism. Both tracks should suit eclectic spinners with a taste for 80s production.
Review: Newcomer Finnian Langham aka Kayroy is catching ears and hearts on dancefloors from his hometown Melbourne, Australia and beyond. What began as a love of the disco era has grown to encompass everything from obscure deep cuts of 80's synthpop to trippy acid tinged techno. It all comes down to his love of a good tune, and the pursuit of a good boogie on Harlequin Fiasco - following up releases on Whiskey Disco and Sour Edits, the album comes courtesy of French label Hotfoot and is a spaced-out boogie down jam that made us fans from the first beat. We're also loving side B where Swiss duo In Flagranti explores the space between the beats on their trippy dub rendition.
There's Never Been (No One Like You) (short version) (4:26)
There's Never Been (No One Like You) (edit) (4:26)
Review: A stone cold cult classic from the West End vaults, Kenton Nix was one of New York's most prolific producers during the late 70s and throughout the 80s working his magic with the likes of Afrika Bambaataa, Teena Gardner and Gwen McCrae (among many others). On this rare 1980 solo 45" he teamed up with a young Bobby Youngblood to create an emphatic soul disco powerhouse that clear set the foundations for the wealth of big vocal proto house tracks that followed in its wake. Complete with both versions, this is a rare reissue and isn't likely to hang around for long...
Review: Elaine Kibaro is a French singer who grew up in Tunisia before enjoying a reasonably productive career in the late 70s and through the 80s. Emotional Rescue caught on to her fine contributions to the disco world via the Pour L'Amour collection, and now they offer up a pair of alternative cuts that add to the overall legacy of her career peak. "Fajrann" is a re-vocalled version of Kibaro's biggest hit "Aurore" sung in Arabic, speaking to her Tunisian roots, while "Ne Doute Pas" appears in its instrumental form for those who want the punchy Linn Drum beats and dazzling synth lines in all their glory.
Review: Turbotrax was an intermittent curio that belched out of the Bristol underground in a fit of tongue in cheek edits and samples back in the '00s. Someone's clearly rebooted the mainframe and brought this elusive collective out of hiding for another bout of cheeky lifts from more esoteric corners of culture. Library Vultures says it all - this is the work of dedicated diggers pulling forgotten bits n' pieces out of retirement, such as, on the A side here, the storming theme to a Commodore advert, and giving it a buff up more extended retro-pleasure. "Whatever Happened To The Hippies?" on the flip is a more light-hearted affair with a jaunty lilt and a message of positivity for all.
Review: Given that one of the founders of Al & The Kidd Records, Carl Kidd, was the musical driving force behind turn-of-the-'80s Washington D.C combo Light Years, it's perhaps unsurprising that the re-born disco-era imprint has a wealth of previously unheard material from the band to share. The label's latest "45" showcases two of these cuts. On the A-side you'll find the Clavinet-heavy D.C disco-funk of "It's Up To You (How Far You Go)", a decidedly cosmic wig-out with urgent vocals and instrument solos aplenty. Flip for the spacey synths, rising horn lines and Mass Production style disco-funk hustle of "Do It To The Max".
Review: Super rare Arthur Russell business on 45, this seminal Loft anthem enjoys a long-awaited reissue with both versions on show: the female vocal version (remixed by Larry Levan) still writhes and pops with disco charm while the male vocal version takes more of a block party vibe with golden layered harmonies and the percussion positioned right at the front of the mix. An absolutely timeless document; pressed on the right sized wax it was meant to be. Face the music.
Review: E Da Boss (Myron & E/Pendletons) & Ishtar team up as 'Lucid Paradise' for their second release, produced by non other than Russia's finest, 'The Soul Surfers'. 'Tonight' is the accumulation of two Bay Area soul aficianados coming together to create a smooth & crisp, timeless yet modern cut. Written alongside UK's pioneering soul singer Gizelle Smith, 'Tonight' epitomises the talent of contemporary soul acts worldwide.
Review: **REPRESS ALERT** Barbara Lynn (b. 1942) is an American rhythm and blues guitarist, singer and songwriter best known for her 1962 R&B chart-topping hit, "You'll Lose a Good Thing". Her highly sought after 1976 song "Movin' On A Groove" gets a much needed repress here from London's Soul Brother, with the funky "Disco Music" featured on the flip. The title track is a soul anthem for those who know, and it's been sold for extortionate prices on the second-hand market but thanks to Soul Brother you can finally get a copy for a reasonable price! A very strong 45 release for DJs and collectors alike.
Review: Sam Shepherd's Melodies International imprint has barely put a foot wrong to date, serving up a string of must-have reissues. Predictably, the label's latest offering - a facsimile reissue of a thoroughly obscure but in-demand disco 7" from 1979 - is another belter. A-side "Back Into Your Heart" is particularly potent, offering a rich, cheery and pleasingly fuzzy dance through horn-heavy disco-funk pastures, with a loved-up lead vocal joined by cascading strings, intergalactic synth solos and energy-packed drums. Turn to the flip for "Dance, Dance, Dance", an urgent chunk of funk-fuelled disco-rock that's almost as essential as the majestic A-side.
Review: Fresh from '78: Brazilian funk lothario Marcelo's first big single (which was never out on a 45 before)- and a peak track from his debut eponymous album from the same year - gets a timely revisit from the Steven J's reissue/edit imprint Pepite. With its subtle piano striking Q&A, wild bass runs and clam-tight guitar/drum groove, Marcelo calls his way through the jam as if everything is a chorus. With its layered vocals, it's gutsy call to action for any dancefloor. Steven's edit stretches out the instrumental bars and brings out focus on the staccato vocal hook with a rising sense of momentum. Two great sides, one dope 45.
Review: Released 40 years ago in 1977 ''Rhythm Of Life '' by James Mason was possibly one of the greatest vocal Jazz fusion releases of all time . New vinyl imprint Dynamite releases a quality limited edition double pack release showcasing the highlights from that album plus some additional rare versions of the tracks. The version of 'Sweet Power Your Embrace'' is taken from the incredibly rare 7 inch promo only issue. On the flipside is a different version of the club floor dancer ''Free'' which features a heavy bongo workout . The 45 second slab on this package features two tracks featuring the vocals from Clarice Taylor on ' I've Got My Eyes On You'' and the superb 'Slick City' which were both never commercially released as a 45 before.
Review: A lot of us have to thank Expansions for switching us on to Matlock in the first place, thanks to them unearthing him for their Soulchasers collection way back in the early 90s. Here they return to two of Glenn's finest, silkiest soul diamonds. Written for the romantics, produced for the dancefloor right at the very end of the classic 70s sound, "You Got The Best Of Me" has an upbeat Barry White feel to its delivery and sentiment while "I Can't Forget About You" has a lighter touch and flightier flow. The former previous super-rare on 45, the latter never press to 45 before... Both supreme and timeless.
Review: BlackCash & Theo dust off two pairs of gloves... First their crate digging gloves to unearth Thrust, the one-off album Ohio duo McNeal & Niles recorded in 1979, then they dust off their editing gloves for two immaculate extensions. If you enjoy anything on Claremont (especially Paqua) then you'll be all over these cosmic instrumentals - notably the soft harmonies on "Summer Time" and the endless, star-gazing guitar twangs of "Punk Funk. You may recognise a few samples here, too... Madlib and Motor City Drum Ensemble are two of many who've enjoyed the fine hooks of Mc Neal & Niles.
Review: ** REPRESS ALERT ** Here's an official remastered reissue of "Rough Out Here" by East Coast sweet soul vocal group The Modulations for Record Store Day 2019. The sound is large with a sweet Philly mix of moods on this 7" which features arrangements by the legendary Vince Montana. Philly instruments: sitar, keyboards, drums, strings and horns courtesy of Don Renaldo and MFSB come to the fore, resulting in A side "Rough Out Here", a hard hitting funky soul stepper and B side "I Can't Fight Your Love" which oozes the Philly sound.